Portret Samuel John Peploe

100 najpoznatijih djela umjetnika Samuel John Peploe, galerijska selekcija

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Od svih originala koje je Samuel John Peploe ostavio, najpoznatiji je Street Scene, France (1910). Samo iza njih slijede Margaret Peploe (1911) i The Lobster (1903). Naš katalog sadrži 112 djela umjetnika Samuel John Peploe; galerija je čuvala onih 100 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.

1871 – 1935, Edinburgh Post-impressionism Najviše djela: Scottish National Gallery of Modern Art

Top 10 djela umjetnika Samuel John Peploe: izbor galerije

1
Street Scene, France (1910) od Samuel John Peploe

Street Scene, France

1910 · Oil On Panel

Samuel Peploe captured a quiet moment in 1910 within this oil on panel work. The piece, titled Street Scene, France, presents a view of a road lined with trees. Green leaves cast a lush weight over the sidewalk. French flags hang at various heights above the street, marking the setting with a sense of place and depth.

2
Margaret Peploe (1911) od Samuel John Peploe

Margaret Peploe

1911 · Oil On Panel

In this 1911 oil on panel, Samuel Peploe turns his attention to Margaret Peploe. The portrait captures a woman in a moment of quiet reflection, her gaze directed away from the viewer toward something unseen to the side. There is a certain stillness in her pensive expression that invites a closer look at the subtle nuances of her character.

3
The Lobster (1903) od Samuel John Peploe

The Lobster

1903 · Oil

A lobster rests upon a dark wooden table, positioned toward the left of the composition. Beside it, a lemon sits near the right edge, its bright skin contrasting against the deep tones of the surface. The arrangement is completed by a bowl in the upper-right corner and a knife resting on the far right. These objects suggest a scene prepared for a meal, capturing a moment of quietude before consumption.

4
Evening, North Berwick (1903) od Samuel John Peploe

Evening, North Berwick

1903 · Oil On Canvas

Evening, North Berwick is a work by Samuel Peploe, executed about 1903. The artist, born in Edinburgh, United Kingdom, was a significant figure in early 20th-century British art. Peploe's career spanned several decades until his death in 1935.

5
Tulips and Fruit (1919) od Samuel John Peploe

Tulips and Fruit

1919 · Oil On Canvas

In this work, titled Tulips and Fruit, we encounter a significant example of the skill of Samuel Peploe. Painted in 1919, the piece reflects the artist's established presence within the early twentieth-century British art scene. Peploe, a Scottish Master of Colour and Light, brought a specific sensibility to his arrangements, focusing on the way light interacts with form and hue.

6
Self-Portrait (1900) od Samuel John Peploe

Self-Portrait

1900 · Oil · Scottish National Gallery of Modern Art, Edinburgh

In this 1911 work titled Self-Portrait, the artist Samuel Peploe gazes back from the canvas, capturing a moment of quiet introspection. The subject is a man with a mustache, his features emerging from a dark, indistinct background. He holds a pipe in his mouth, a small detail that grounds the figure in a sense of personal habit and stillness. The portrait focuses on the man's face and torso, presenting a…

7
Boy Reading (Portrait Of The Artist's Son, Willie) (1903) od Samuel John Peploe

Boy Reading (Portrait Of The Artist's Son, Willie)

1903 · Oil On Canvas

In this intimate oil portrait, titled Boy Reading (Portrait Of The Artist's Son, Willie), the viewer finds themselves drawn into a private, quiet moment. The subject is Willie, the son of the artist Samuel Peploe. There is a sense of stillness in the way the young boy is captured, lost entirely in the pages of his book. The connection between the painter and the subject feels deeply personal, as if…

8
Gypsy (1899) od Samuel John Peploe

Gypsy

1899 · Oil On Canvas

In this intimate portrait titled Gypsy, the artist Samuel Peploe turns his gaze toward a young woman. She appears caught in a fleeting moment of amusement, her head tilted slightly as if she has just shared a private thought or a playful glance. The subject dominates the view, her presence filling the space with a sense of immediate closeness. A single red flower rests in her hair, adding a sudden…

9
Portrait of the Artist's Wife (1907) od Samuel John Peploe

Portrait of the Artist's Wife

1907 · Oil On Canvas · Scottish National Gallery of Modern Art, Edinburgh

In Portrait of the Artist's Wife, Samuel Peploe centers the composition on a woman depicted from the waist up. The subject occupies most of the frame, creating an immediate sense of proximity. This frontal view establishes an intimate connection between the sitter and the viewer, as the figure dominates the visual field against a receding, shadowy space.

10
Mrs. Peploe (1907) od Samuel John Peploe

Mrs. Peploe

1907 · Oil On Canvas

In Mrs. Peploe, Samuel Peploe captures a quiet moment within an interior setting. The subject sits upon a couch, her presence anchoring the scene. While the composition feels central, the woman is positioned slightly off-center, a choice that introduces a subtle sense of movement to her seated pose. This slight asymmetry draws the eye across the frame, following the soft lines of her figure against the domestic backdrop. The arrangement…

Izbor umjetnika Samuel John Peploe se nastavlja, od 11 do 100

11Perthshire landscape (Blair Fettie) (1935) od Samuel John PeploePerthshire landscape (Blair Fettie)1935 · Art Gallery of New South Wales 12Samuel John Peploe, 1871 - 1935. Artist (Self-portrait) (1911) od Samuel John PeploeSamuel John Peploe, 1871 - 1935. Artist (Self-portrait)1911 · Skotska nacionalna galerija portreta 13Kirkcudbright (1919) od Samuel John PeploeKirkcudbright1919 14Still life: apples and jar (1912) od Samuel John PeploeStill life: apples and jar1912 · Art Gallery of New South Wales 15Still LIfe with Pink and Red Roses in a Chinese Vase (1920) od Samuel John PeploeStill LIfe with Pink and Red Roses in a Chinese Vase1920 16Étaples (1906) od Samuel John PeploeÉtaples1906 · Scottish National Gallery of Modern Art 17The Green Blouse (1904) od Samuel John PeploeThe Green Blouse1904 · Scottish National Gallery of Modern Art 18Still life with pears and wineglass (1915) od Samuel John PeploeStill life with pears and wineglass1915 · Art Gallery of South Australia 19The Harbor at Cassis od Samuel John PeploeThe Harbor at Cassis 20Still Life of Red Tulips in a Chinese Vase od Samuel John PeploeStill Life of Red Tulips in a Chinese Vase 21Peonies (1902) od Samuel John PeploePeonies1902 · Scottish National Gallery of Modern Art 22Flowers in a Green Vase (1920) od Samuel John PeploeFlowers in a Green Vase1920 23Tulips (1912) od Samuel John PeploeTulips1912 24Tulips and Cup (1912) od Samuel John PeploeTulips and Cup1912 25Waves (1903) od Samuel John PeploeWaves1903 · Scottish National Gallery of Modern Art 26North Berwick (1903) od Samuel John PeploeNorth Berwick1903 · Scottish National Gallery of Modern Art 27Rocks at Barra (1903) od Samuel John PeploeRocks at Barra1903 · Scottish National Gallery of Modern Art 28Barra (1903) od Samuel John PeploeBarra1903 · Scottish National Gallery of Modern Art 29Barra (1903) od Samuel John PeploeBarra1903 · Scottish National Gallery of Modern Art 30Still Life, Painter's Materials (1900) od Samuel John PeploeStill Life, Painter's Materials1900 31Souvenir (1905) od Samuel John PeploeSouvenir1905 32Street in Comrie (1902) od Samuel John PeploeStreet in Comrie1902 33The Cart, Comrie (1900) od Samuel John PeploeThe Cart, Comrie1900 34Comrie (1900) od Samuel John PeploeComrie1900 35Jeffrey's Brewery, Edinburgh (1900) od Samuel John PeploeJeffrey's Brewery, Edinburgh1900 36Still LIfe with Coffee Pot (1905) od Samuel John PeploeStill LIfe with Coffee Pot1905 37North Berwick (1903) od Samuel John PeploeNorth Berwick1903 38Man Laughing (Tom Morris) (1902) od Samuel John PeploeMan Laughing (Tom Morris)1902 · Scottish National Gallery of Modern Art 39Jeannie Blyth (1905) od Samuel John PeploeJeannie Blyth1905 40Roses in a Blue and White Vase, Black Background (1904) od Samuel John PeploeRoses in a Blue and White Vase, Black Background1904 41Flowers against a Dark Background (1899) od Samuel John PeploeFlowers against a Dark Background1899 42Boats at Royan (1910) od Samuel John PeploeBoats at Royan1910 · Scottish National Gallery of Modern Art 43Game of Tennis, Luxembourg Gardens (1906) od Samuel John PeploeGame of Tennis, Luxembourg Gardens1906 · Scottish National Gallery of Modern Art 44On the French Coast (1907) od Samuel John PeploeOn the French Coast1907 · Scottish National Gallery of Modern Art 45Veules-les-Roses (1910) od Samuel John PeploeVeules-les-Roses1910 46Paris-Plage (1907) od Samuel John PeploeParis-Plage1907 47Girl in White (1907) od Samuel John PeploeGirl in White1907 48Girl in White (1907) od Samuel John PeploeGirl in White1907 49Lady in a White Dress (1906) od Samuel John PeploeLady in a White Dress1906 50Ile de Bréhat (1911) od Samuel John PeploeIle de Bréhat1911 · Scottish National Gallery of Modern Art 51Nannie (1908) od Samuel John PeploeNannie1908 · University of Dundee 52The Luxembourg Gardens (1910) od Samuel John PeploeThe Luxembourg Gardens1910 53On the Seine (1907) od Samuel John PeploeOn the Seine1907 54Ile de Bréhat (1911) od Samuel John PeploeIle de Bréhat1911 55Pink Roses, Chinese Vase (1916) od Samuel John PeploePink Roses, Chinese Vase1916 56In Port, Cassis (1913) od Samuel John PeploeIn Port, Cassis1913 57A Still LIfe of Roses, Oranges and Lemon (1916) od Samuel John PeploeA Still LIfe of Roses, Oranges and Lemon1916 58Laggan Farm Buildings near Dalbeattie (1916) od Samuel John PeploeLaggan Farm Buildings near Dalbeattie1916 59Kirkcudbright, Street Corner (1917) od Samuel John PeploeKirkcudbright, Street Corner1917 60Flowers and Fruit (also known as Flowers and Fruit on a Japanese Background) (1915) od Samuel John PeploeFlowers and Fruit (also known as Flowers and Fruit on a Japanese Background)1915 61Tulips - The Blue Jug (1919) od Samuel John PeploeTulips - The Blue Jug1919 · Scottish National Gallery of Modern Art 62Roses [verso: Portrait of a Woman] (1920) od Samuel John PeploeRoses [verso: Portrait of a Woman]1920 · Scottish National Gallery of Modern Art 63Douglas Hall, Dumfries (1918) od Samuel John PeploeDouglas Hall, Dumfries1918 · Art Gallery of New South Wales 64Cathedral Rock, Iona (1920) od Samuel John PeploeCathedral Rock, Iona1920 65Still Life with Roses, Oranges and Apples (1920) od Samuel John PeploeStill Life with Roses, Oranges and Apples1920 66Green Sea, Iona (1920) od Samuel John PeploeGreen Sea, Iona1920 67Dish with Apples (also known as The Ginger Jar) (1918) od Samuel John PeploeDish with Apples (also known as The Ginger Jar)1918 68Still LIfe, Roses and Book (1920) od Samuel John PeploeStill LIfe, Roses and Book1920 69Iona (1923) od Samuel John PeploeIona1923 · Scottish National Gallery of Modern Art 70Aspidistra (1927) od Samuel John PeploeAspidistra1927 71Chops (1927) od Samuel John PeploeChops1927 72Still Life With Roses (1924) od Samuel John PeploeStill Life With Roses1924 73Iona, Pink Rocks (1927) od Samuel John PeploeIona, Pink Rocks1927 74Landscape, Cassis (1924) od Samuel John PeploeLandscape, Cassis1924 75Blue Sea, Iona (1927) od Samuel John PeploeBlue Sea, Iona1927 76Iona, Grey Day (1927) od Samuel John PeploeIona, Grey Day1927 77The Ginger Jar (1926) od Samuel John PeploeThe Ginger Jar1926 78Landscape at Cassis (1924) od Samuel John PeploeLandscape at Cassis1924 · Scottish National Gallery of Modern Art 79Studio Interior (1929) od Samuel John PeploeStudio Interior1929 80Tulips In A Brown Jar (1933) od Samuel John PeploeTulips In A Brown Jar1933 81Landscape (1932) od Samuel John PeploeLandscape1932 82Stormy Weather, Iona (1929) od Samuel John PeploeStormy Weather, Iona1929 83River (1932) od Samuel John PeploeRiver1932 84Iona Study (1929) od Samuel John PeploeIona Study1929 · Scottish National Gallery of Modern Art 85Landscape (1932) od Samuel John PeploeLandscape1932 86The Green Jar (1930) od Samuel John PeploeThe Green Jar1930 87Interior with Japanese Print (1916) od Samuel John PeploeInterior with Japanese Print1916 88Still LIfe with Statuette and Books (1920) od Samuel John PeploeStill LIfe with Statuette and Books1920 89Fruit and Flowers od Samuel John PeploeFruit and FlowersIndianapolis Museum of Art 90Still Life with Melon and Apples od Samuel John PeploeStill Life with Melon and Apples 91Still Life - Roses And Apples od Samuel John PeploeStill Life - Roses And Apples 92Still Life With Tulips And Fan od Samuel John PeploeStill Life With Tulips And Fan 93A Perthshire Road od Samuel John PeploeA Perthshire Road 94Pink Roses od Samuel John PeploePink Roses 95The White Strand, Iona od Samuel John PeploeThe White Strand, Iona 96Woman with Long Hair od Samuel John PeploeWoman with Long Hair 97Figures on a Beach od Samuel John PeploeFigures on a Beach 98Kirkcudbright od Samuel John PeploeKirkcudbright 99Female Nude with Pitcher od Samuel John PeploeFemale Nude with PitcherUniversity of Edinburgh Fine Art Collection 100Flowers in a Silver Jug od Samuel John PeploeFlowers in a Silver Jug

Slavna djela Samuel John Peploe po razdobljima

Motivi koji su privukli pažnju Samuel John Peploe

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Muzeji koji čuvaju originalna djela umjetnika Samuel John Peploe

7 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Samuel John Peploe Slike iz ovog popisa
Scottish National Gallery of Modern Art, EdinburghScottish National Gallery of Modern Art Edinburgh 20 Self-Portrait, Portrait of the Artist's Wife, Étaples
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 3 Perthshire landscape (Blair Fettie), Still life: apples and jar, Douglas Hall, Dumfries
Skotska nacionalna galerija portreta, EdinburghSkotska nacionalna galerija portreta Edinburgh 1 Samuel John Peploe, 1871 - 1935. Artist (Self-portrait)
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 1 Still life with pears and wineglass
University of Dundee, DundeeUniversity of Dundee Dundee 1 Nannie
Indianapolis Museum of Art, IndianapolisIndianapolis Museum of Art Indianapolis 1 Fruit and Flowers
University of Edinburgh Fine Art Collection, EdinburghUniversity of Edinburgh Fine Art Collection Edinburgh 1 Female Nude with Pitcher

Samuel John Peploe desetljeće po desetljeće: original koji definira svako od njih

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Pitanja kolekcionara o slikama umjetnika Samuel John Peploe

Po kojem je djelu Samuel John Peploe najpoznatiji/a?Otkrijte odgovor

Street Scene, France (1910). Sljedeći su Margaret Peploe (1911) i The Lobster (1903).

Koliko je godina Samuel John Peploe imao/la kada je nastalo djelo Street Scene, France?Otkrijte odgovor

39 godina: Street Scene, France datira iz 1910, a Samuel John Peploe je rođen/a 1871.

Koja su deset najpoznatijih djela umjetnika Samuel John Peploe?Otkrijte odgovor

Street Scene, France, Margaret Peploe, The Lobster, Evening, North Berwick, Tulips and Fruit, Self-Portrait, Boy Reading (Portrait Of The Artist's Son, Willie), Gypsy, Portrait of the Artist's Wife i Mrs. Peploe. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je slika ostavio/la Samuel John Peploe?Otkrijte odgovor

Naš katalog sadrži 112 djela umjetnika Samuel John Peploe, datiranih od 1899 do 1935.

U kojim se muzejima nalaze remek-djela umjetnika Samuel John Peploe?Otkrijte odgovor

Većinom u Scottish National Gallery of Modern Art (Edinburgh), Art Gallery of New South Wales (Sydney) i Skotska nacionalna galerija portreta (Edinburgh). Gornja tablica muzeja navodi sve njih.

U kojim je godinama Samuel John Peploe naslikao svoja najpoznatija djela?Otkrijte odgovor

U 1900s: 33 od 100 djela na ovoj stranici nastalo je tada, od čega je The Lobster The Lobster.

Koja su prva i posljednja poznata originalna djela umjetnika Samuel John Peploe?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz Gypsy (1899), a najnovije iz Perthshire landscape (Blair Fettie) (1935).

Koje je motive Samuel John Peploe najčešće birao?Otkrijte odgovor

Still life (7), Flowers (7) i Woman (4), kroz svih 100 djela na ovoj stranici.

Koju je tehniku najčešće koristio/la Samuel John Peploe?Otkrijte odgovor

Oil On Canvas, za 13 od 100 djela na ovoj stranici.

Pripada li Samuel John Peploe kojem umjetničkom pokretu?Otkrijte odgovor

Post-impressionism, sudeći po originalima na ovoj stranici.

Koji se radovi umjetnika Samuel John Peploe nalaze u muzeju Scottish National Gallery of Modern Art?Otkrijte odgovor

Self-Portrait, Portrait of the Artist's Wife i Étaples: Scottish National Gallery of Modern Art, Edinburgh posjeduje 20 djela s ove stranice.

Samuel John Peploe: život i djelo

Samuel John Peploe: Majstor boje i svjetla Škotske

Samuel John Peploe, rođen u Edinburghu 1871. godine, zauzima ključno mjesto u britanskoj umjetnosti ranog 20. stoljeća kao jedan od proslavljenih škotskih kolorista. Njegov put do umjetničke slave bio je pomalo nekonvencionalan; prvotno predodređen za pravnu karijeru, brzo je napustio učeništvo u korist privlačnosti boje i platna. Ova odlučna promjena dovela ga je do formalnog studija na Škotskoj umjetničkoj školi u Edinburghu, ali je upravo njegovo vrijeme u Parizu pokazalo se transformativnim. Pariška umjetnička scena, prepuna inovacija i koja osporava uspostavljene norme, potaknula je Peploea da strastveno istražuje nove umjetničke granice. Uronio se u Académie Julian i Colarossi, dijeleći studio s kolegom umjetnikom Robertom Broughom, upijajući rastući pokret post-impresionizma. Iako ga je isprva privukao dramatični chiaroscuro nizozemskih majstora poput Rembrandta i Fransa Halsa, upravo živahna paleta i ekspresivni potezi francuskih umjetnika na kraju oblikovali njegovu umjetničku viziju.

Formiranje prepoznatljivog stila

Peplov razvoj kao umjetnika nije bio trenutni; započeo je istražujući tradicionalne krajolike i portrete. Međutim, ključna promjena dogodila se tijekom slikanja s J.D. Fergussonom, budućim škotskim koloristom, na sjeveru Francuske. Ta putovanja izložila su ga intenzivnom suncu francuske pokrajine, potaknuvši eksperimentiranje s hrabrom bojom koja je postala njegov zaštitni znak. Počeo je destilirati oblike, pojednostavljivati kompozicije i davati prednost emocionalnom utjecaju nijanse i tona u odnosu na pedantne detalje. Tijekom tog razdoblja prevladao je portret kao omiljeni predmet – žanr koji je uzdigao majstorskim aranžmanima i jedinstvenim osobnim pristupom. Njegovi rani portreti često su sadržavali tamnu pozadinu na kojoj su se predmeti činili sjajnim, podsjećajući na španjolske majstore, ali prožete izrazito modernom osjetljivošću. Utjecaj Édouarda Maneta posebno je vidljiv u njegovim tekućim potezima kista i igri svjetla i sjene, dok se strukturalni pristup Paula Cézannea kompoziciji također počeo suptilno uvlačiti u njegov rad.

Iona, Cassis i bit svake boje

Godine koje su slijedile nakon povratka u Škotsku učvrstile su Peplov ugled kao vodeću figuru britanske umjetnosti. Redovita slikanja s Francisom Cadellom, drugim škotskim koloristom, na udaljenom otoku Iona pokazala se posebno plodonosnom. Oštra ljepota ionačkog krajolika i intenzivno svjetlo pružili su beskrajnu inspiraciju, usavršavajući njegovu sposobnost hvatanja atmosfere i emocija kroz boju. Kasnija putovanja u Cassis na francuskoj rivijeri unijela su mediteransku živost u njegovu paletu. Ti krajolici, često naslikani *en plein air*, karakteriziraju se njihovom smjelom jednostavnošću i ekspresivnim potezima kista. Iako nikada nije potpuno prihvatio apstrakciju, Peplov rad je dosljedno pomicao granice reprezentacije, dajući prednost subjektivnom doživljaju boje i svjetla u odnosu na strogo pridržavanje realizma. Njegovi portreti su se nastavili razvijati, postajući sve življi i dinamičniji, s kompozicijama koje su bile pažljivo promišljene i činile se spontane. Posjedovao je izvanrednu sposobnost da uobičajenim predmetima – cvijeću, voću, keramici – udahne osjećaj života i energije. Gospođa Peploe, naslikana 1907. godine, primjerice to razdoblje, pokazujući njegov post-impresionistički stil i živopisnu upotrebu boje u portretiranju.

Nasljeđe i trajni utjecaj

Utjecaj Samuela Johna Peploea na škotsku umjetnost je neosporan. Kao jedan od škotskih kolorista, pomogao je osloboditi britansko slikarstvo njegovih konzervativnih tradicija, otvarajući put budućim generacijama da istražuju nove oblike izražavanja. Njegov rad i dalje očarava publiku svojim živopisnim bojama, majstorskim kompozicijama i evocativnom atmosferom. Slikarije poput *Portret s ružama u kineskoj vazi* pokazuju njegovu virtuoznost portreta, dok djela poput *Zelena bluza* pokazuju njegovu sposobnost hvatanja svjetla i oblika. Njegove su slike postigle značajne cijene na aukcijama – posebno “Portret s kavom” koji je prodan za 937.250 funti 2011. godine – što pokazuje trajni apel i vrijednost njegove umjetnosti. Osim financijskog priznanja, Peplov utjecaj se proteže u suvremenu književnost; njegova su djela spomenuta u romanima Alexandera McCalla Smitha i Rosamunde Pilcher, čime se učvršćuje njegov položaj u škotskoj kulturnoj svijesti. Muzej i umjetnička galerija Kirkcaldy posjeduju najveću javnu zbirku njegovih slika izvan Nacionalnih galerija Škotske, osiguravajući da njegovo nasljeđe ostane dostupno široj publici. Umro je u Edinburghu 1935. godine, ostavljajući za sobom djelo koje nastavlja nadahnjivati i oduševljavati ljubitelje umjetnosti diljem svijeta – svjedočanstvo njegove trajne vizije i majstorstva boje i svjetla. Njegov sin, Denis Peploe, također je slijedio očev put kao umjetnik, nastavljajući obiteljsku tradiciju. Peplove slike nisu samo reprezentacije; one su proslave života, ljepote i moći boje da izazovu emocije.