Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 56 djela Pietro Antonio Rotari u našem katalogu
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Od svih originala koje je Pietro Antonio Rotari ostavio, najpoznatiji je Girl with a book. Samo iza njih slijede Alexander the Great and Roxane (1756) i Portrait of Maria Josepha of Austria (1755). Naš katalog sadrži 56 djela umjetnika Pietro Antonio Rotari; galerija je čuvala onih 53 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
The painting titled Girl with a book is a work by the artist Pietro Rotari. This portrait captures a quiet moment of study, rendered in oil on canvas. It belongs to the period of the artist's career spanning c. 1756 - 1762. The subject holds a book, a singular object that anchors the composition and defines the sitter's immediate purpose.
The painting titled Alexander the Great and Roxane was executed by the artist Pietro Rotari. Completed in 1756, this oil on canvas work depicts a specific historical pairing. The subject matter focuses on Alexander III, the King of Macedon, and Roxana, his Persian princess wife. These two figures occupy the central space of the composition.
In this 1755 oil portrait, we encounter Maria Josepha of Austria, the wife of King Augustus III of Poland. The sitter is presented in a three-quarter length view, her posture conveying a quiet, steady authority. There is a certain stillness to her presence, a composure that suggests the weight of her station without the need for overt drama. The light, descending from the upper left, gently sculpts the contours of…
A young boy rests in the center of the frame, his head tilted in the heavy stillness of sleep. The composition is tight, focusing on the soft curve of his neck and the gentle rise of his shoulders. He wears a vest of muted brown over a creamy white shirt, the fabric rendered with a smooth, painterly touch. His hair falls in wavy, dark locks across his forehead, catching a…
A single gaze meets the observer from the year 1746. Jerzy August Mniszech sits in a three-quarter pose, his body angled toward the left while his eyes remain fixed upon us. He is a man of the mid-18th century, draped in a heavy red coat that holds the light in its deep folds. A blue sash cuts across his torso, a cool stripe of color against the warmth of his…
A young boy sits in a space of profound stillness, his presence filling the frame with a quiet, heavy introspection. He is caught in a moment of deep thought, his chin resting near his hand as he gazes out with eyes that seem to hold a weight beyond his years. The light, soft and directional, spills from the upper left, brushing against the gentle contours of his face and the…
Old woman with fur hat is an oil on canvas portrait by the artist Pietro Rotari. Executed about 1754, the work is a close-up bust portrait that focuses on the character and physical presence of the subject.
A single moment of stillness defines this portrait. A young woman rests in a three-quarter profile, her eyes closed against the world. Her skin possesses a porcelain quality, luminous and pale under a soft light that descends from the upper left. This light traces the gentle curve of her neck and the soft folds of her white linen collar. A red cap sits upon her head, its plush fur trim…
In the grand tapestry of eighteenth-century portraiture, few works capture the intersection of sovereign power and delicate femininity as exquisitely as Pietro Antonio Rotari’s 1755 masterpiece, Queen Maria Josepha, Wife of King Augustus III of Poland. This commanding portrait is far more than a mere likeness; it is a profound exploration of Baroque grandeur, designed to evoke an immediate sense of awe in any viewer. As the eye meets the…
The painting titled Girl Looking through a Telescope is a work by the Italian artist Pietro Rotari. Created in the late 1750s, this portrait captures a singular moment of observation. The work was commissioned by Queen Lovisa Ulrika, who possessed a known interest in the study of natural history and scientific instruments.
Electoral Prince Friedrich Christian of Saxony1758 · Bavarske državne slikopisne zbirke
12
Portrait of a Lady1734 · Bavarske državne slikopisne zbirke
13
Crown Princess Maria Antonia of Sachsen1734 · Bavarske državne slikopisne zbirke
14
Electress Maria Antonia of Sachsen, Daughter of Emperor Karl VII1734 · Bavarske državne slikopisne zbirke
15
Boy on a pedestal1734 · Staatliche Kunstsammlungen Dresden
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Man with fur cap1734 · Staatliche Kunstsammlungen Dresden
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Smiling girl with pearl necklace1734 · Staatliche Kunstsammlungen Dresden
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Slumbering girl1734 · Staatliche Kunstsammlungen Dresden
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A Girl in a Blue Dress1755 · El Paso Museum of Art
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A Girl in a Red Dress1755 · El Paso Museum of Art
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The pentiting Magdalena1754 · Staatliche Kunstsammlungen Dresden
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Princess Kunigunde of Saxony1755 · Staatliche Kunstsammlungen Dresden
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Young Woman Reading A Letter, Her Head Propped Up1750 · Staatliche Kunstsammlungen Dresden
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Girl with a Flower in Her Hair1759 · Yekaterinburg Museum of Fine Arts
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Young Woman with Bonnet, White Shawl, and Book, known as “The Virtuous Girl"1760
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Young Woman with Black Collar and Flowers in her Hair, Known as "The Frivolous Girl"1760
27
Young Russian Woman1759 · Walters Art Museum
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Young Girl Writing a Love Letter1757 · Muzej Norton Simon
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King Augustus III of Poland1755 · Gemäldegalerie
30
Portrait of Countess A.M. Vorontsova1759 · Ermitaž
31
Princess Elisabeth of Saxe1755 · Staatliche Kunstsammlungen Dresden
32
Woman with a Fan and a Woman with a RoseNarodni muzej u Krakovu
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Young Woman with a Fan1755 · Nacionalna galerija Kanade
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A young Woman, Pietro Rotari, 1756 - 17621762 · Rijksmuseum
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A Young Woman with a Book, Pietro Rotari, 1756 - 17621762 · Rijksmuseum
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Penitent girl
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Weeping GirlBavarske državne slikopisne zbirke
38
Young Woman with a Fan1750 · J. Paul Getty Museum
39
Portrait of a maid.Narodni muzej u Varšavi
40
Portrait of the nuncio at the Dresden court, Ignazio AccoramboniGemäldegalerie
41
Girl with Needle-workNationalmuseum
42
Sleeping GirlAlte Pinakothek
43
Young Girl with DistaffSzépművészeti Múzeum
44
Portrait of Marshall Franc. Rzewuski (1726-1800)
45
Portrait of Elena Kurakina
46
Young Woman with a Fan
47
Portrait of Anna Galitzine
48
Portrait of Natalya Alexeevna of Russia
49
Portrait of Catherine Petrovna Holstein-Beck
50
Portrait of Franciszek Michał Rzewuski.Kraljevski dvorac u Varšavi
51
Portrait of a Woman
52
Portrait of Francesco Bartolomeo Rastrelli
53
A Girl with a Flower in Her Hair1762 · National Gallery of Art
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Pietro Antonio Rotari | Slike iz ovog popisa |
|---|---|---|---|
 Staatliche Kunstsammlungen Dresden |
Dresden | 11 | Sleeping boy, Young boy, Old woman with fur hat |
 Bavarske državne slikopisne zbirke |
München | 5 | Electoral Prince Friedrich Christian of Saxony, Portrait of a Lady, Crown Princess Maria Antonia of Sachsen |
 Narodni muzej u Varšavi |
Varšava | 3 | Portrait of Maria Josepha of Austria, Portrait of Jerzy August Mniszech (1715–1778), his own coat of arms, Portrait of a maid. |
 Ermitaž |
Sankt Peterburg | 2 | Alexander the Great and Roxane, Portrait of Countess A.M. Vorontsova |
 National Gallery of Art |
Washington | 2 | A Sleeping Girl, A Girl with a Flower in Her Hair |
 Gemäldegalerie |
Dresden | 2 | Queen Maria Josepha, Wife of King Augustus III of Poland, King Augustus III of Poland |
 Nationalmuseum |
Stockholm | 2 | Girl Looking through a Telescope, Girl with Needle-work |
 El Paso Museum of Art |
El Paso | 2 | A Girl in a Blue Dress, A Girl in a Red Dress |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
A young boy rests in the center of the frame, his head tilted in the heavy stillness of sleep. The composition is tight, focusing on the soft curve of his neck and the gentle rise of his shoulders. He wears a vest of muted brown over a creamy white shirt, the fabric rendered with a smooth, painterly touch. His hair falls in wavy, dark locks across his forehead, catching a…
A single gaze meets the observer from the year 1746. Jerzy August Mniszech sits in a three-quarter pose, his body angled toward the left while his eyes remain fixed upon us. He is a man of the mid-18th century, draped in a heavy red coat that holds the light in its deep folds. A blue sash cuts across his torso, a cool stripe of color against the warmth of his…
The painting titled Alexander the Great and Roxane was executed by the artist Pietro Rotari. Completed in 1756, this oil on canvas work depicts a specific historical pairing. The subject matter focuses on Alexander III, the King of Macedon, and Roxana, his Persian princess wife. These two figures occupy the central space of the composition.
A single moment of stillness defines this portrait. A young woman rests in a three-quarter profile, her eyes closed against the world. Her skin possesses a porcelain quality, luminous and pale under a soft light that descends from the upper left. This light traces the gentle curve of her neck and the soft folds of her white linen collar. A red cap sits upon her head, its plush fur trim…
Girl with a book. Sljedeći su Alexander the Great and Roxane (1756) i Portrait of Maria Josepha of Austria (1755).
Girl with a book, Alexander the Great and Roxane, Portrait of Maria Josepha of Austria, Sleeping boy, Portrait of Jerzy August Mniszech (1715–1778), his own coat of arms, Young boy, Old woman with fur hat, A Sleeping Girl, Queen Maria Josepha, Wife of King Augustus III of Poland i Girl Looking through a Telescope. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 56 djela umjetnika Pietro Antonio Rotari, datiranih od 1734 do 1762.
Većinom u Staatliche Kunstsammlungen Dresden (Dresden), Bavarske državne slikopisne zbirke (München) i Narodni muzej u Varšavi (Varšava). Gornja tablica muzeja navodi sve njih.
U 1750s: 19 od 53 djela na ovoj stranici nastalo je tada, od čega je Alexander the Great and Roxane Alexander the Great and Roxane.
Na ovoj stranici najstarije djelo je iz Sleeping boy (1734), a najnovije iz A young Woman, Pietro Rotari, 1756 - 1762 (1762).
Woman (11), Portrait (6) i Portraits (6), kroz svih 53 djela na ovoj stranici.
Oil On Canvas, za 16 od 53 djela na ovoj stranici.
Baroque, sudeći po originalima na ovoj stranici.
Sleeping boy, Young boy i Old woman with fur hat: Staatliche Kunstsammlungen Dresden, Dresden posjeduje 11 djela s ove stranice.
Pietro Antonio Rotari pojavio se u živopisnom umjetničkom krajoliku Verone 1707. godine, u gradu prožetom baroknom tradicije, ali otvorenim za evoluirajuće struje talijanske slikarstva. Njegovo početno školovanje pod vodstvom Antonia Balestre pružilo mu je čvrste temelje u klasičnoj kompoziciji i tehnici—temeljima na kojima će izgraditi svoj prepoznatljiv stil. Ovo formativno razdoblje usadilo je u Rotarija poštovanje prema pedantnim detaljima i profinjeni pristup formi, osobinama koje će postati zaštitni znak njegovog djela. Od 1725. do 1727. godine, boravak u Veneciji proširio mu je umjetničke horizonte, izlažući ga jedinstvenoj mješavini utjecaja tog grada—stjecištu venecijanskog kolorizma i dramatičnog senzibiliteta. To iskustvo se pokazalo presudnim, oblikujući njegov osjećaj i pripremajući ga za daljnje usavršavanje.
Rotarijeva ambicija vodila ga je dalje, prvo u Rim između 1728. i 1732. godine, gdje je usavršavao svoje vještine pod pokroviteljstvom Francesca Trevisanija. Trevisanijev utjecaj vidljiv je u Rotarijevim ranim djelima, osobito u nježnom rukovanju svjetlom i sjenom te sve većem naglasku na dočaravanje psihološke dubine u portretu. Naknadno razdoblje suradnje s Francescom Solimenom u Napulu (1731-1ast34) dodatno je obogatilo njegov umjetnički rječnik. Solimena, majstor napolitanskog baroka, prenio je Rotariju osjećaj veličanstvenosti i dramatičnog intenziteta koji će odjekivati kroz cijelu njegovu karijeru.
Nakon povratka u Veronu, Pietro Antonio Rotari brzo se etablirao kao samostalni umjetnik, otvarajući vlastiti studio i privlačeći sve veću klijentelu. Počeo je stvarati stil koji je bio jedinstveno njegov—karakteriziran iznimnim realizmom ublaženim elegancijom i profinjenim osjećajem. Iako čvrsto ukorijenjen u baroknoj tradiciji, Rotarijevo djelo posjedovalo je lakoću poteza i osjetljivost na nijanse koja ga je razlikovala od izrazito dramatičnijih stilova prevladavajući u to vrijeme. Njegovi rani nalozi često su uključivali velike oltara za lokalne crkve, poput Četvorice mučenika (1745) u veronskoj crkvi San Giacomo, demonstrirajući njegovu sposobnost rukovanja složenim kompozicijama i prožimanja religioznih scena emocionalnom snagom.
Međutim, upravo je u području portretistike Rotari postigao vrhunac. Posjedovao je izniman dar za dočaravanje ne samo fizičkog lika modela, već i njihove osobnosti, unutarnje gracioznosti i društvenog statusa. Njegovi portreti bili su više od običnih prikaza; bili su pronicljiva istraživanja karaktera, otkrivajući nijanse ljudskih emocija s nevjerojatnom suptilnošću. Taj je talent brzo donio priznanje u aristokratskim krugovima sjeverne Italije.
Godina 1750. označila je prekretnicu u Rotarijevoj karijeri kada se uputio na sjever prema Beču, tražeći prilike na imperialnom dvoru. Iako uspjeh nije bio trenutan, postavio je temelje za njegov konačni trijumf. Upravo je 1756. sudbina intervenirala, privukavši njegovu pažnju ruskoj carici Elizabeti Petrovnoj. Pozvan u Sankt Peterburg, Rotari je brzo postao omiljeni portretist unutar ruske aristokracije. Njegova sposobnost da laskavo i idealizira svoje modele, a pritom zadrži razinu realizma, pokazala se neodoljivom za dvor.
Rotarijev talent protezao se izvan Rusije; radio je i za Augusta III. Poljaka u Dresdenu, dodatno učvršćujući svoju reputaciju vodećeg portretista europskih vladara. Kasnije se vratio u Sankt Peterburg kako bi služio Katarini II, nastavljajući stvarati portrete koji su dočaravali raskoš i moć ruskog dvora. Njegovi nalozi uključivali su prikaze velikodostojanstvenica, grofova i drugih istaknutih ličnosti, gdje je svaki portret bio pedantno izveden s izvrsnim detaljima i oštrim razumijevanjem aristokratskog etikeveta.
Rotarijev uspjeh kao dvorjanog slikara odražava ogromnu važnost portretistike tijekom 18. stoljeća—razdoblja u kojem su slike služile ne samo za obilježavanje pojedinaca, već i za projektiranje moći, statusa i legitimnosti. Njegovi portreti pružaju neprocjenjiv povijesni dokument o europskoj plemići i dvorosnom životu u eri značajnih političkih i društvenih promjena.
Iako nije bio revolucionarna figura koja je dramatično promijenila smjer povijesti umjetnosti, Rotarijev profinjeni stil izvršio je suptilan, ali trajan utjecaj na druge umjetnike koji su radili unutar barokne tradicije. Njegov naglasak na realizmu, eleganciji i psihološkom uvidu postavio je visoke standarde za portretstvo, inspirirajući generacije slikara da teže sličnim razinama vještine i osjetljivosti.
Rotari je umro u Sankt Peterburgu 1762. godine, ostavivši za sobom naslijeđe jednog od najtraženijih portretista svog vremena. Njegova djela i dalje očaravaju gledatelje svojom ljepotom, gracioznošću i pronicljivim prikazima europske kraljevske kuće i aristokracije. Kabinet moda i ljepote u palači Peterhof, ukrašen stotinama malih Rotarijevih portreta, stoji kao svjedočanstvo njegovog izvanrednog talenta i trajnog doprinosa svijetu umjetnosti.
