Portret Pieter Pietersz Lastman

59 najpoznatijih djela umjetnika Pieter Pietersz Lastman, galerijska selekcija

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Od svih originala koje je Pieter Pietersz Lastman ostavio, najpoznatiji je The adoration of the kings (1608) u kolekciji muzeja Ermitaž, Sankt Peterburg. Samo iza njih slijede Abraham and the Three Angels (1623) i The Resurrection (1612). Naš katalog sadrži 60 djela umjetnika Pieter Pietersz Lastman; galerija je čuvala onih 59 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.

1583 – 1633, Amsterdam Baroque Najviše djela: Ermitaž

Top 10 djela umjetnika Pieter Pietersz Lastman: izbor galerije

1
The adoration of the kings (1608) od Pieter Pietersz Lastman

The adoration of the kings

1608 · Oil On Canvas · Ermitaž, Sankt Peterburg

In 1608, Pieter Lastman painted The adoration of the kings, an oil work that captures a profound moment of religious significance. The scene depicts the biblical episode of the Adoration of the Magi, focusing on the intimate encounter between the divine and the earthly. Within this composition, the Virgin Mary and the Christ Child are the central figures, receiving the homage of the three kings: Melchior, Caspar, and Balthazar. It…

2
Abraham and the Three Angels (1623) od Pieter Pietersz Lastman

Abraham and the Three Angels

1623 · Oil On Panel · Ermitaž, Sankt Peterburg

In this 1623 oil on panel, the biblical patriarch Abraham meets a divine presence through three celestial visitors. Pieter Lastman captures the moment of profound hospitality and revelation that defines this sacred encounter. The scene unfolds with a sense of immediate spiritual weight, as the elderly Abraham kneels in reverence before the visitors. This religious art focuses on the quiet intensity of the meeting, where the mortal realm brushes against…

3
The Resurrection (1612) od Pieter Pietersz Lastman

The Resurrection

1612 · Oil On Canvas · J. Paul Getty Museum, Los Angeles

The Resurrection is a significant oil painting by Pieter Pietersz Lastman, created in 1612. This work captures a pivotal biblical scene, depicting the moment of Christ's Resurrection. The composition focuses on the triumph of the divine over the earthly realm, a theme central to Lastman's narrative approach to religious subjects.

4
The beheading of S. Paul (1601) od Pieter Pietersz Lastman

The beheading of S. Paul

1601 · Oil On Panel · Museum Catharijneconvent, Utrecht

The tension in The beheading of S. Paul by Pieter Lastman hangs heavy in the air. Created about 1601, this work captures a moment of profound religious and visceral intensity. We find ourselves witnessing the martyrdom of Saint Paul, a scene where the spiritual weight of faith meets the brutal reality of physical sacrifice. The air seems to thicken with the gravity of the event as the executioner prepares to…

5
The Rest on the Flight to Egypt (1608) od Pieter Pietersz Lastman

The Rest on the Flight to Egypt

1608 · Oil On Canvas · Gemäldegalerie, Berlin

The shadows of a dense, dark thicket press against the left side of the canvas. Within this cool, shaded sanctuary, three figures find a brief respite. The Virgin Mary, draped in deep blue and red, cradles the Christ Child, whose skin catches a soft, luminous light. Beside them, Saint Joseph sits in the stillness. The composition forms a steady triangle, anchoring the family against the ruggedness of the landscape. To…

6
The baptism of the eunuch (1608) od Pieter Pietersz Lastman

The baptism of the eunuch

1608 · Oil On Panel · Gemäldegalerie, Berlin

The baptism of the eunuch is an oil on panel by Pieter Lastman. The artist, born in Amsterdam in 1583, captured this moment on a surface measuring 85 by 115 cm. A quiet weight resides in the wood, holding the figures within its grain. Lastman lived until 1633, leaving behind this specific window into a biblical encounter.

7
The Baptism of the Moorish Chamberlain (1620) od Pieter Pietersz Lastman

The Baptism of the Moorish Chamberlain

1620 · Oil · Bavarske državne slikopisne zbirke, München

The painting titled The Baptism of the Moorish Chamberlain is an oil work by the Dutch artist Pieter Lastman. This specific piece was executed about 1620. The artist, who was born in Amsterdam in 1583, utilized a painterly technique to render this biblical scene. The composition focuses on a group of figures gathered at a water's edge, involving both individuals on foot and those on horseback.

8
Joseph Selling Corn in Egypt (1612) od Pieter Pietersz Lastman

Joseph Selling Corn in Egypt

1612 · Oil On Canvas · National Gallery of Ireland, Dublin

In this work, titled Joseph Selling Corn in Egypt, the artist Pieter Lastman presents a crowded, dramatic scene of commerce and abundance. The narrative draws from the Book of Genesis, focusing on the period when Joseph, having risen to power in Egypt, manages the distribution of grain during a time of famine. It is a moment of intense human activity, where the necessity of survival meets the organized structure of…

9
Balaam and his Ass (1622) od Pieter Pietersz Lastman

Balaam and his Ass

1622 · Oil · Izraelski muzej, Jeruzalem

In this work, titled Balaam and his Ass, Pieter Lastman captures a moment of divine interruption. Created about 1622, the painting presents a man on a donkey facing a winged angel. The scene is frozen in a state of sudden tension. A sword is held aloft, cutting through the stillness of the landscape. The figure of Balaam, draped in a deep crimson cloak, reacts to the celestial presence that blocks…

10
Entombment of Christ (1612) od Pieter Pietersz Lastman

Entombment of Christ

1612 · Oil · Palais des Beaux-Arts de Lille, Lille

Pieter Lastman, born in Amsterdam in 1583, executed this oil painting titled Entombment of Christ. The work emerged during the Dutch Golden Age, a period in which Lastman established himself as a significant figure in historical and biblical narrative painting. His approach to religious subject matter focused on the psychological weight of the scene, utilizing the dramatic tension inherent in the moment of Christ's burial.

Izbor umjetnika Pieter Pietersz Lastman se nastavlja, od 11 do 59

11Hippocrates and Democritus (1622) od Pieter Pietersz LastmanHippocrates and Democritus1622 · Palais des Beaux-Arts de Lille 12King David Handing the Letter to Uriah (1611) od Pieter Pietersz LastmanKing David Handing the Letter to Uriah1611 · Detroit Institute of Arts 13Saint Matthew (1613) od Pieter Pietersz LastmanSaint Matthew1613 · Rhode Island School of Design Museum of Art 14Paris and Oenone (1619) od Pieter Pietersz LastmanParis and Oenone1619 · Worcester Art Museum 15The Raising of Lazarus (1622) od Pieter Pietersz LastmanThe Raising of Lazarus1622 · Mauritshuis 16Tobias catches the fish (1613) od Pieter Pietersz LastmanTobias catches the fish1613 · Fries Museum 17Haman begging Esther for mercy (1618) od Pieter Pietersz LastmanHaman begging Esther for mercy1618 · Narodni muzej u Varšavi 18Wedding Night of Tobias and Sarah (1611) od Pieter Pietersz LastmanWedding Night of Tobias and Sarah1611 · Muzej likovnih umjetnosti 19Paul and Barnabas at Lystra (1617) od Pieter Pietersz LastmanPaul and Barnabas at Lystra1617 · Amsterdam Museum 20Ecce Homo (1610) od Pieter Pietersz LastmanEcce Homo1610 · Amsterdam Museum 21David in the temple (1618) od Pieter Pietersz LastmanDavid in the temple1618 · Herzog Anton Ulrich Museum 22The meeting of Nausicaa and Ulysses: Ulysses, almost naked, comes out of the bushes; Nausicaa and her companions are startled at the sight (1609) od Pieter Pietersz LastmanThe meeting of Nausicaa and Ulysses: Ulysses, almost naked, comes out of the bushes; Nausicaa and her companions are startled at the sight1609 · Herzog Anton Ulrich Museum 23The Annunciation of the birth of Samson to Manoah and his wife (Judges 13:2-3) (1617) od Pieter Pietersz LastmanThe Annunciation of the birth of Samson to Manoah and his wife (Judges 13:2-3)1617 · Agnes Etherington Art Center 24The Good Samaritan tending the wounds of the traveller (1614) od Pieter Pietersz LastmanThe Good Samaritan tending the wounds of the traveller1614 25Laban Searching for the Idols (1622) od Pieter Pietersz LastmanLaban Searching for the Idols1622 · château-musée de Boulogne-sur-Mer 26The baptism of the Eunuch (1620) od Pieter Pietersz LastmanThe baptism of the Eunuch1620 · Fondation Custodia 27St John the Baptist Preaching (1627) od Pieter Pietersz LastmanSt John the Baptist Preaching1627 · Mauritshuis 28Hagar and the Angel in the Wilderness (1625) od Pieter Pietersz LastmanHagar and the Angel in the Wilderness1625 · Izraelski muzej 29Athena and Odysseus (1625) od Pieter Pietersz LastmanAthena and Odysseus1625 · Rembrandthuis 30Dido's Sacrifice to Juno (1630) od Pieter Pietersz LastmanDido's Sacrifice to Juno1630 · Nationalmuseum 31The Baptism of the Eunuch (1623) od Pieter Pietersz LastmanThe Baptism of the Eunuch1623 · Staatliche Kunsthalle Karlsruhe 32De gortenteller (1730) od Pieter Pietersz LastmanDe gortenteller1730 · Amsterdam Museum 33Saint John on the Isle of Patmos (1613) od Pieter Pietersz LastmanSaint John on the Isle of Patmos1613 · Museum Boijmans Van Beuningen 34The flight into Egypt (1608) od Pieter Pietersz LastmanThe flight into Egypt1608 · Museum Boijmans Van Beuningen 35Jonah and the Whale (1621) od Pieter Pietersz LastmanJonah and the Whale1621 · Kunstpalast 36The Angel and the Young Tobit with the Fish (1610) od Pieter Pietersz LastmanThe Angel and the Young Tobit with the Fish1610 · Szépművészeti Múzeum 37The Baptism of Christ (1629) od Pieter Pietersz LastmanThe Baptism of Christ1629 · Scottish National Gallery 38David Gives Uriah a Letter for Joab (1619) od Pieter Pietersz LastmanDavid Gives Uriah a Letter for Joab1619 · The Leiden Collection 39LE SACRIFICE D'ABRAHAM od Pieter Pietersz LastmanLE SACRIFICE D'ABRAHAMLouvre 40Haman begging the mercy of Esther (Esther 7:6-7) od Pieter Pietersz LastmanHaman begging the mercy of Esther (Esther 7:6-7)Narodni muzej u Varšavi 41The lamentation of abel od Pieter Pietersz LastmanThe lamentation of abel 42Susanna And The Elders od Pieter Pietersz LastmanSusanna And The EldersGemäldegalerie 43Christ And The Canaanite Woman od Pieter Pietersz LastmanChrist And The Canaanite WomanRijksmuseum 44The Angel Raphael Takes Leave of Old Tobit and his Son Tobias (1618) od Pieter Pietersz LastmanThe Angel Raphael Takes Leave of Old Tobit and his Son Tobias1618 · Nacionalna galerija Danske 45The Battle of Constantine and Maxentius (1613) od Pieter Pietersz LastmanThe Battle of Constantine and Maxentius1613 · Kunsthalle Bremen 46The Angel And Tobias With The Fish od Pieter Pietersz LastmanThe Angel And Tobias With The Fish 47Juno Discovering Jupiter With Io od Pieter Pietersz LastmanJuno Discovering Jupiter With Io 48The Triumph Of Mordecai od Pieter Pietersz LastmanThe Triumph Of MordecaiRembrandthuis 49The Angel And Tobias With The Fish (detail) od Pieter Pietersz LastmanThe Angel And Tobias With The Fish (detail) 50Hagar and the Angel od Pieter Pietersz LastmanHagar and the AngelLos Angeles County Museum of Art 51Orestes And Pylades Disputing At The Altar od Pieter Pietersz LastmanOrestes And Pylades Disputing At The AltarRijksmuseum 52The Angel Of The Lord Preventing Abraham From Sacrificing His Son Isaac od Pieter Pietersz LastmanThe Angel Of The Lord Preventing Abraham From Sacrificing His Son IsaacPlantin-Moretus Museum 53The Sacrifice Of Abraham od Pieter Pietersz LastmanThe Sacrifice Of AbrahamRijksmuseum 54The Rest on the Flight into Egypt od Pieter Pietersz LastmanThe Rest on the Flight into EgyptNational Gallery 55Juno discovering Jupiter with Io (1618) od Pieter Pietersz LastmanJuno discovering Jupiter with Io1618 · National Gallery 56Bathsheba at her Toilette (1619) od Pieter Pietersz LastmanBathsheba at her Toilette1619 · Ermitaž 57Annunciation od Pieter Pietersz LastmanAnnunciationErmitaž 58Odysseus And Nausicaa od Pieter Pietersz LastmanOdysseus And NausicaaBavarske državne slikopisne zbirke 59Abraham's Journey To Canaan od Pieter Pietersz LastmanAbraham's Journey To CanaanErmitaž

Slavna djela Pieter Pietersz Lastman po razdobljima

Motivi koji su privukli pažnju Pieter Pietersz Lastman

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Muzeji koji čuvaju originalna djela umjetnika Pieter Pietersz Lastman

8 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Pieter Pietersz Lastman Slike iz ovog popisa
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 5 The adoration of the kings, Abraham and the Three Angels, Bathsheba at her Toilette
Gemäldegalerie, BerlinGemäldegalerie Berlin 3 The Rest on the Flight to Egypt, The baptism of the eunuch, Susanna And The Elders
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 3 Paul and Barnabas at Lystra, Ecce Homo, De gortenteller
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 3 Christ And The Canaanite Woman, Orestes And Pylades Disputing At The Altar, The Sacrifice Of Abraham
Bavarske državne slikopisne zbirke, MünchenBavarske državne slikopisne zbirke München 2 The Baptism of the Moorish Chamberlain, Odysseus And Nausicaa
Izraelski muzej, JeruzalemIzraelski muzej Jeruzalem 2 Balaam and his Ass, Hagar and the Angel in the Wilderness
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 2 Entombment of Christ, Hippocrates and Democritus
Mauritshuis, HaagMauritshuis Haag 2 The Raising of Lazarus, St John the Baptist Preaching

Pieter Pietersz Lastman desetljeće po desetljeće: original koji definira svako od njih

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Pitanja kolekcionara o slikama umjetnika Pieter Pietersz Lastman

Po kojem je djelu Pieter Pietersz Lastman najpoznatiji/a?Otkrijte odgovor

The adoration of the kings (1608), Ermitaž, Sankt Peterburg. Nakon njih slijede Abraham and the Three Angels (1623) i The Resurrection (1612).

Koliko je godina Pieter Pietersz Lastman imao/la kada je nastalo djelo The adoration of the kings?Otkrijte odgovor

25 godina: The adoration of the kings datira iz 1608, a Pieter Pietersz Lastman je rođen/a 1583.

Koja su deset najpoznatijih djela umjetnika Pieter Pietersz Lastman?Otkrijte odgovor

The adoration of the kings, Abraham and the Three Angels, The Resurrection, The beheading of S. Paul, The Rest on the Flight to Egypt, The baptism of the eunuch, The Baptism of the Moorish Chamberlain, Joseph Selling Corn in Egypt, Balaam and his Ass i Entombment of Christ. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je slika ostavio/la Pieter Pietersz Lastman?Otkrijte odgovor

Naš katalog sadrži 60 djela umjetnika Pieter Pietersz Lastman, datiranih od 1601 do 1630.

U kojim se muzejima nalaze remek-djela umjetnika Pieter Pietersz Lastman?Otkrijte odgovor

Većinom u Ermitaž (Sankt Peterburg), Gemäldegalerie (Berlin) i Amsterdam Museum (Amsterdam). Gornja tablica muzeja navodi sve njih.

U kojim je godinama Pieter Pietersz Lastman naslikao svoja najpoznatija djela?Otkrijte odgovor

U 1610s: 21 od 59 djela na ovoj stranici nastalo je tada, od čega je The Resurrection The Resurrection.

Koja su prva i posljednja poznata originalna djela umjetnika Pieter Pietersz Lastman?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz The beheading of S. Paul (1601), a najnovije iz Dido's Sacrifice to Juno (1630).

Koje je motive Pieter Pietersz Lastman najčešće birao?Otkrijte odgovor

Man (20), Woman (16) i People (14), kroz svih 59 djela na ovoj stranici.

Koju je tehniku najčešće koristio/la Pieter Pietersz Lastman?Otkrijte odgovor

Oil, za 19 od 59 djela na ovoj stranici.

Pripada li Pieter Pietersz Lastman kojem umjetničkom pokretu?Otkrijte odgovor

Baroque i Dutch golden age, sudeći po originalima na ovoj stranici.

Koji se radovi umjetnika Pieter Pietersz Lastman nalaze u muzeju Ermitaž?Otkrijte odgovor

The adoration of the kings, Abraham and the Three Angels i Bathsheba at her Toilette: Ermitaž, Sankt Peterburg posjeduje 5 djela s ove stranice.

Pieter Pietersz Lastman: život i djelo

Pionir nizozemskog narativa: Trajno naslijeđe Pietersa Lastmana

Pieter Pietersz Lastman, rođen u Amsterdamu 1583. godine, zauzima fascinantnu i ključnu poziciju u povijesti slikarstva nizozemskog zlatnog doba. Predugo zaklonjen sjajem svog najpoznatijeg učenika, Rembrandta van Rijna, Lastman nije bio samo učitelj, već i revolucionarni umjetnik sam po sebi—pionir koji je oživio povijesno slikarstvo u Nizozemskoj i postavio temelje za dramatične narative koji će definirati tu eru. Njegov život, iako relativno kratak, obilježen je umjetničkom ambicijom, značajnim boravkom u Italiji i nepokolebljivom posvećenošću pripovijedanju kroz živopisne slike. Lastmanovo rano djetinjstvo pružilo je plodno tlo za njegov procvjetajući talent; njegov otac, Pieter Segersz, iako smijenjen s položaja gradskog službenika zbog vjerskih uvjeda, u njega je utisnuo osjećaj građanske dužnosti, dok je njegova majka, Barber Jacobsdr, kao procjeniteljica slika i robe posjedovala oštro oko za umjetnost. Ovakvo obiteljsko okruženje potaknulo je u njemu poštovanje prema vizualnim umjetnostima, ali i prema svijetu koji se proteže izvan okvira platna. Svoje umjetničko obrazovanje započeo je pod vodstvom Gerrita Pietersza Sweelincka, brata čuvenog skladatelja Jana Pieterszoona Sweelincka, stekavši čvrste tehničke temelje prije nego što je oko 1604. godine krenuo na transformativno putovanje u Italiju.

Talijanski utjecaj i povratak u Amsterdam

Lastmanov boravak u Italiji bio je presudan za oblikovanje njegove umjetničke vizije. Uronjen u živopisnu umjetničku scenu Rima, susreo se s djelima Caravaggia i Adama Elsheimera—umjetnika koji su duboko utjecali na njegov pristup slikarstvu. Za razliku od tada nadolazećeg manierističkog stila, Caravaggijev naturalizam i dramatično korištenje svjetla snažno su odjeknuli u Lastmanu, dok su Elsheimerova pedantna preciznost i fokus na povijesne teme pružili novi smjer njegovim narativnim ambicijama. Usvojio je talijansku praksu potpisivanja svojih djela kao „Pietro“, pokazujući time svoje prihvatanje kulturnog okruženja. Po povratku u Amsterdam 1607. godine, Lastman je postao vodeća figura umjetničke zajednice grada. Uspješno se pozicionirao kao povijesni slikar—žanr koji je bio donekle zapostavljen u nizozemskoj umjetnosti—i brzo je stekao priznanje zbog svojih inovativnih kompozicija i uvjerljivog pripovijednog stila. Njegov je atelier ubrzo privukao talentirane šegrte, a najistaknutiji među njima bio je Rembrandt van Rijn, koji je 1625. godine proveo šest formativnih mjeseci pod Lastmanovim mentorstvom.

Majstor biblijskog narativa

Lastmanova djela odlikuju dramatični intenzitet, pedantna pažnja posvećena detaljima i oštro psihološko razumijevanje svojih subjekata. Favorizirao je biblijske scene, često birajući manje poznate narative koji su mu omogućili istraživanje složenih tema vjere, izdaje i iskupljenja. Djela poput „Bitke kod Konstantina“ primjer su njegove sposobnosti stvaranja dinamičnih kompozicija ispunjenih pokretom i emocijom. Ta scena nije samo prikaz povijesnih događaja, već moćno istraživanje ljudskog sukoba i božanske intervencije. Slično tome, slike poput „David šalje Urijašu pismo Joabu“ pokazuju Lastmanovu spremnost suočiti se s izazovnim temama—prikazujući trenutke moralne dvosmislenosti i psihološke napetosti. Posebnu pažnju posvećivao je licima, rukama i stopalima svojih figura, prožimajući ih ekspresivnim detaljima koji su prenosili njihovu unutarnju borbu. Njegova upotreba boja bila je hrabra i živopisna, dodatno pojačavom emocionalni dojam njegovih scena.

Lastmanovo naslijeđe: Oblikovanje generacije

Utjecaj Pietersa Lastmana protezao se daleko izvan njegovog vlastitog umjetničkog stvaralaštva. Kao učitelj, odigrao je ključnu ulogu u oblikovanju sljedeće generacije nizozemskih slikara. Rembrandt van Rijn, nesumnjivo njegov najpoznatiji učenik, upio je mnoge Lastmanove tehnike i narativne pristupe—posebno njegov dramatični rad svjetlom i sjenom, fokus na psihološki realizam i sklonost biblijskim temama. Jan Lievens je također profitirao od Lastmanova vodstva, razvijajući sličan stil okarakteriziran intenzivnim emocijama i dinamičnim kompozicijama. Osim ovih istaknutih figura, Lastman je mentorirao i nekoliko drugih umjetnika koji su pridonijeli procvjetu slikarstva nizozemskog zlatnog doba. Bio je presudan u uspostavljanju Amsterdama kao centra povijesnog slikarstva, utirući put umjetničkim inovacijama koje će definirati 17. stoljeće. Iako je umro relativno mlad 1633. godine, njegov utjecaj na nizozemsku umjetnost ostaje dubok—svjedočanstvo njegove vizije, vještine i nepokolebljive posvećenosti pripovijedanju putem boje.

Ponovno otkrivanje Lastmana: Rastuće priznanje

Stoljećima su Lastmanovi doprinosi često bili u sjeni Rembrandove briljantnosti. Međutim, nedavna znanstvena istraživanja počela su ispravljati tu neravnotežu, prepoznajući ga kao ključnu figuru u povijesti nizozemske umjetnosti. Kako se više pažnje posvećuje njegovim pojedinačnim djelima i njegovom utjecaju na druge umjetnike, rađa se potpunije razumijevanje njegovih jedinstvenih talenata. Muzeji diljem svijeta ponovno procijenjuju svoje kolekcije, izlažući Lastmanove slike uz djela njegovih učenika, omogućujući gledateljima da uoče izravnu vezu između njegovog rada i remek-djela koja su uslijedila. Ponovno otkriće Lastmana nije samo akademski čin, već vitalan korak u razumijevanju složene evolucije slikarstva nizozemskog zlatnog doba—priznavanje doprinosa pravog pionira koji je postavio temelje za jedno od najslavlnijih razdoblja u povijesti umjetnosti.