Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 115 djela Pascal-Adolphe-Jean Dagnan-Bouveret u našem katalogu
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The Last Supper je slika autora Pascal-Adolphe-Jean Dagnan-Bouveret koja privlači najviše pogleda; original se nalazi u muzeju Musée d'Orsay, Pariz. Nakon toga, pogled se usmjerava na The Last Supper (1896) i Portrait of Jean-Léon Gérôme (1902). Među 115 djela umjetnika Pascal-Adolphe-Jean Dagnan-Bouveret u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
The Last Supper is a large-scale religious work created by the artist Pascal Dagnan-Bouveret. This painting was exhibited at the Salon de Champ-de-Mars in 1896. The piece belongs to the genre of religious art and was produced in 1896.
The Last Supper is a work by Pascal Dagnan-Bouveret, executed in 1896. This large-scale religious composition was exhibited at the Salon de Champ-de-Mars in 1896. The artist, a prominent French naturalist, utilized a panoramic format to organize the scene.
The face of an elderly man emerges from a dark, atmospheric void. Captured in profile, his features are etched against a background of deep blacks and heavy shadows. A bright shock of white hair catches the light, marking the edge of his forehead and temple. The skin is rendered with soft, blended lines that suggest the weight of years. Beneath this pale light, the eye remains fixed in a quiet,…
This formal and dignified portrait, titled Woman from Brittany, presents a medium close-up view of a young woman from the waist up. The composition is centered, focusing on the subject's serene expression and her traditional Breton attire. The color palette is defined by a striking contrast between the deep blacks and navy blues of her garment and the brilliant whites of her coiffe, collar, and the fabric resting in her…
In this 1879 composition, we find ourselves observing a quiet, unadorned moment of domestic life. A woman sits upon a bench, her presence defined by a sense of stillness as she tends to her infant, who rests within a basket. The scene is set outdoors, where the air seems to hold a certain weight, captured in a monochromatic palette that emphasizes form and light over the distraction of color. Around…
The work before us is titled bretons praying, a piece executed by the French artist Pascal Dagnan-Bouveret. Created in 1888, this painting reflects the naturalist sensibilities that defined much of the artist's career. It is a quiet, observant study that captures a specific moment of devotion within the Breton tradition.
The charcoal and red chalk lines of A Disciple, A Study for a Figure in The Supper at Emmaus trace the quiet contours of a single human form. This preparatory study, rendered by Pascal Dagnan-Bouveret, captures a disciple in a moment of stillness. It is a fragment of a larger thought, a skeletal grace caught on paper before the finality of a finished painting.
The oil on canvas painting titled Ophelia was executed by the French artist Pascal Dagnan-Bouveret. This work, created about 1900, depicts the character Ophelia from the play Hamlet. The figure is positioned within a landscape containing dense foliage and a body of water.
Consolatrix Afflictorum, also known as Consolatrix Afflictorium, is a painting by Pascal Dagnan-Bouveret. The work depicts the Virgin Mary holding the Christ Child within a woodland setting. This environment is characterized by a mystical illumination that filters through the trees. Surrounding the central figures, several angels are positioned within the scene. At the base of the composition, a kneeling man is shown seeking comfort at the feet of the Virgin…
is a literary painting by the French naturalist Pascal Dagnan-Bouveret. Created about 1911, the work reflects the artist's commitment to the naturalist school, a movement defined by its focus on realism and the meticulous depiction of life. Dagnan-Bouveret was a prominent figure in this movement, known for his ability to render detail with quiet precision.
The Musician1884 · Walters Art Museum
12
Sketch for the church of Bagneux: Saint Herbland1877 · Petit Palais
13
Nude Study of a Man1875 · Yale University Art Gallery
14
Male Nude Study1877 · Yale University Art Gallery
15
The rest, study1872
16
The little Savoyard eating in front of an entrance to a house1877
17
The Madonna with the Plane1885 · Bavarske državne slikopisne zbirke
18
Gypsy Scene1883 · Philadelphia Museum of Art
19
An Accident1879 · Walters Art Museum
20
Blessing of the Young Couple Before Marriage1880 · Pushkin State Museum
21
Let Us Always Love, Let Us Love Again1886 · Musée Victor Hugo
22
Sketch for the Salon des Arts of the Hôtel de Ville de Paris: Painting1890 · Petit Palais
23
Woman in Breton Costume Seated in a Meadow1887 · Muzej likovnih umjetnosti
24
Study for 'Breton Women at a Pardon'1887 · National Gallery of Art
25
The Child Taught at Emmaus1896 · Finnish National Gallery
26
René de Saint-Marceaux1894 · Musée des Beaux-Arts
27
Portrait of a woman1901 · National Art Museum of Azerbaijan
28
The grandpa of the artist1877 · Musée d'Orsay
29
Portrait of Albert Edelfelt1887 · Finnish National Gallery
30
Lady with the Fan
31
Christ and the Disciples at EmmausCarnegie Museum of Art
32
Horses at the watering trough
33
Interior View of the Former Riding School of Rue Sainte-Marguerite1875 · Musée Carnavalet
34
The Lament Of Orpheus1876 · Musée Des Beaux Arts
35
The Letter1884
36
Madonna of the Rose1885 · Metropolitan Museum of Art
37
Little Concert1883
38
The Pardon in Brittany1886 · Metropolitan Museum of Art
39
In the Meadow1892
40
Young Woman in a Garden of Oranges1891
41
The Pardon in Brittany1886
42
In the Forest1892 · Musée Des Beaux
43
Landscape with Trees1900 · Szépművészeti Múzeum
44
Willows by a Stream1908 · Muzej likovnih umjetnosti
45
Portrait of a young boyNational Art Museum of Azerbaijan
46
horses
47
pardon
48
horses
49
pardon
50
pardon
51
Posing in Ormoy
52
working on Breton Women at a Pardon
53
untitled (6618)
54
Portrait of Charles S. Reinhart
55
Young patient treated by a doctor on a farm
56
Portrait of a Man
57
Consecrated bread
58
Portrait of a woman with long hair
59
Head of an old woman, three-quarters to right
60
Portrait of Brittany Girl
61
Breton peasant, standing, three-quarters to left
62
Breton peasant standing holding a candle in his right hand
63
Horses at the Watering Trough
64
Hamlet and the Gravediggers
65
Portrait de jeune femme
66
LEON GEROME (1824 1924)
67
Madonna of the Rose
68
LE PAIN BENITmusée Jean-Léon Gérôme
69
Portrait of Princess O. V. Paley
70
Portrait of a child with long curly hair falling over her shoulders
71
UNE NOCE CHEZ LE PHOTOGRAPHE
72
Sancta Genovefa
73
Study for a Disciple in the Supper at Emmaus
74
PORTRAIT DE MADAME DAGNAN BOUVERET ET DE SON FILSMusée d'Orsay
75
The artist in the museum
76
Young Breton
77
TETE DE FEMME OULED NAÏL
78
Portrait of Gustave Courtois
79
Sur les cimes (On the Summit)
80
Le Pardon en Breetagne
81
untitled (9995)
82
untitled
83
the accident
84
ophelia
85
untitled (8133)
86
A Woman from Bern SwitzerlandPhiladelphia Museum of Art
87
photograph grandfather
88
Landscape with Poplars
89
Breton women
90
In the Stable
91
Portrait of Jean Dagnan-BouveretIzraelski muzej
92
Portrait of his Grandfather
93
Portrait of Childs Frick
94
A Wedding in the photohrapheMusée des Beaux-Arts de Lyon
95
Marguerite au Sabbat
96
Les conscrits
97
Portrait of Gustave Courtois
98
Hamlet et les fossoyeursDahesh Museum of Art
99
last supper
100
Bouderie (Gustave Courtois in his Studio)
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Pascal-Adolphe-Jean Dagnan-Bouveret | Slike iz ovog popisa |
|---|---|---|---|
 Musée d'Orsay |
Pariz | 4 | The Last Supper, Portrait of Jean-Léon Gérôme, The grandpa of the artist |
 Walters Art Museum |
Baltimore | 2 | The Musician, An Accident |
 Petit Palais |
Pariz | 2 | Sketch for the church of Bagneux: Saint Herbland, Sketch for the Salon des Arts of the Hôtel de Ville de Paris: Painting |
 Yale University Art Gallery |
New Haven | 2 | Nude Study of a Man, Male Nude Study |
 Philadelphia Museum of Art |
Filadelfija | 2 | Gypsy Scene, A Woman from Bern Switzerland |
 Muzej likovnih umjetnosti |
Boston | 2 | Woman in Breton Costume Seated in a Meadow, Willows by a Stream |
 Finnish National Gallery |
Helsinki | 2 | The Child Taught at Emmaus, Portrait of Albert Edelfelt |
 National Art Museum of Azerbaijan |
Baku | 2 | Portrait of a woman, Portrait of a young boy |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
In this 1879 composition, we find ourselves observing a quiet, unadorned moment of domestic life. A woman sits upon a bench, her presence defined by a sense of stillness as she tends to her infant, who rests within a basket. The scene is set outdoors, where the air seems to hold a certain weight, captured in a monochromatic palette that emphasizes form and light over the distraction of color. Around…
This formal and dignified portrait, titled Woman from Brittany, presents a medium close-up view of a young woman from the waist up. The composition is centered, focusing on the subject's serene expression and her traditional Breton attire. The color palette is defined by a striking contrast between the deep blacks and navy blues of her garment and the brilliant whites of her coiffe, collar, and the fabric resting in her…
The Last Supper is a work by Pascal Dagnan-Bouveret, executed in 1896. This large-scale religious composition was exhibited at the Salon de Champ-de-Mars in 1896. The artist, a prominent French naturalist, utilized a panoramic format to organize the scene.
The face of an elderly man emerges from a dark, atmospheric void. Captured in profile, his features are etched against a background of deep blacks and heavy shadows. A bright shock of white hair catches the light, marking the edge of his forehead and temple. The skin is rendered with soft, blended lines that suggest the weight of years. Beneath this pale light, the eye remains fixed in a quiet,…
is a literary painting by the French naturalist Pascal Dagnan-Bouveret. Created about 1911, the work reflects the artist's commitment to the naturalist school, a movement defined by its focus on realism and the meticulous depiction of life. Dagnan-Bouveret was a prominent figure in this movement, known for his ability to render detail with quiet precision.
The Last Supper, Musée d'Orsay, Pariz. Nakon njih slijede The Last Supper (1896) i Portrait of Jean-Léon Gérôme (1902).
The Last Supper, The Last Supper, Portrait of Jean-Léon Gérôme, Woman from Brittany, Laundress, bretons praying, A Disciple, A Study for a Figure in The Supper at Emmaus, Ophelia, Consolatrix Afflictorum i Marguerite au Sabbat. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 115 djela umjetnika Pascal-Adolphe-Jean Dagnan-Bouveret, datiranih od 1872 do 1911.
Većinom u Musée d'Orsay (Pariz), Walters Art Museum (Baltimore) i Petit Palais (Pariz). Gornja tablica muzeja navodi sve njih.
U 1880s: 15 od 100 djela na ovoj stranici nastalo je tada, od čega je Woman from Brittany Woman from Brittany.
Na ovoj stranici najstarije djelo je iz The rest, study (1872), a najnovije iz Marguerite au Sabbat (1911).
Man (9), Portrait (7) i Portraits (7), kroz svih 100 djela na ovoj stranici.
Oil, za 6 od 100 djela na ovoj stranici.
Realism, sudeći po originalima na ovoj stranici.
The Last Supper, Portrait of Jean-Léon Gérôme i The grandpa of the artist: Musée d'Orsay, Pariz posjeduje 4 djela s ove stranice.
Pascal-Adolphe-Jean Dagnan-Bouveret, rođen 7. siječnja 1852. godine u Parizu, a preminuo 3. srpnja 1929., bio je istaknuti francuski umjetnik slikar naturalizma. Njegovo djelo obilježava realizam, pedantna detaljnost i prikazi svakodnevnog života, često prožeti temama bretonske kulture i religiozne kontemplacije. Iako je odrastao u Parizu, veći dio svoje karijere proveo je u regiji Franche-Comté.
Dagnan-Bouveretova karijera dobila je zamah djelima poput “Slučaj” (Un Accident) iz 1880. godine, za koje je osvojio prvonagradnu medalju na Salonu, označavajući njegov dolazak na umjetničku scenu. Nastavio je primati priznanja, uključujući srebrnu medalju za “Konji na pojilu” (Horses at the Watering Trough) 1885. godine. Njegova djela su se isticala sposobnošću da uhvate trenutke iz života običnih ljudi s nevjerojatnom preciznošću i emocionalnom dubinom.
Dagnan-Bouveret je bio ključna figura u naturalističkom pokretu, koji se nastojao prikazati svakodnevni život bez pretjerivanja ili romantiziranja. Njegova djela su često bila kritički realistična, ali istovremeno prožeta osjećajem empatije i poštovanja prema svojim subjektima. Poseban dio njegova opusa posvećen je Bretanji, što odražava njegovu fascinaciju tom regijom i njezinom bogatom kulturnom baštinom.
Dagnan-Bouveretova predanost realizmu i inovativna upotreba fotografije utjecala je na kasnije generacije umjetnika. Postigao je značajan uspjeh tijekom svog života, primivši brojne nagrade i priznanja, uključujući Orden Legije časti (1891.) i članstvo u Institutu Francuske (1900.). Njegova djela danas se nalaze u važnim muzejima diljem svijeta, osiguravajući da njegov doprinos francuskoj umjetnosti bude zapamćen i cijenjen. Njegov rad predstavlja jedinstvenu kombinaciju naturalističkog realizma, bretonske kulture i religiozne kontemplacije.
