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Iz perspektive galerije, najpoznatije djelo umjetnika Maerten De Vos je Allegory of the Seven Liberal Arts (1590). Nativity (1577) i The Rapture of Europe (1590) upotpunjuju triju koju svako oko prepoznaje. Od 85 djela umjetnika Maerten De Vos u našem katalogu, galerija u nastavku prikazuje 82 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
The Allegory of the Seven Liberal Arts is an oil on panel painting by Maerten De Vos. Created in 1590, this work offers a structured look at the fundamental pillars of Renaissance education. De Vos, a significant figure in the Southern Netherlands, brings a specific clarity to this assembly of figures. The scale of the piece is substantial, measuring 147 x 200 cm.
In this 1577 composition, we find ourselves drawn into a sacred space where the atmosphere is heavy with reverence. The scene centers on the intimate moment of the Nativity, focusing on Mary as she cradles the infant Jesus. She is surrounded by a gathering of figures, at least twelve in total, including Joseph and various onlookers who have come to witness the event. The setting, which carries the architectural weight…
The Rapture of Europe emerges from the brush of Maerten De Vos as a profound mythological painting. This work, also known by the title The Rape of Europa, captures a moment of profound transformation and movement. It exists as a vivid window into the legends of antiquity, where the boundaries between the divine and the mortal blur under a heavy, dramatic sky.
Maerten De Vos, born in Antwerp, Belgium, in 1532, produced The Resurrection of Christ around 1564. A significant figure in the transition from the High Renaissance to Mannerism, De Vos was a member of the Guild of Saint Luke in Antwerp. His career spanned the religious and political shifts of the Southern Netherlands until his death in 1603.
This Renaissance-era oil painting, dating to 1557, presents a complex and multi-layered religious narrative. The composition utilizes a deep landscape perspective to establish a sense of vastness, guiding the viewer's eye from the immediate foreground toward a distant horizon. In the foreground on the left, a central figure, likely Saint Benedict, is depicted in a white robe, gesturing toward a partially constructed stone building or church. Surrounding this structure, several…
In this religious work, Christ on the Cross, Maerten De Vos presents a profound scene of the Crucifixion of Jesus Christ. Created about 1567, the painting captures a moment of intense spiritual gravity. The central figure of Christ is positioned on the cross, flanked by the two thieves, a traditional arrangement that anchors the biblical narrative. This composition focuses the viewer's attention on the central event of the Passion through…
In the Raising of Lazarus, Maerten De Vos captures a moment of profound divine intervention. The scene unfolds around the miraculous event where Jesus calls Lazarus forth from the tomb. This biblical miracle, depicted in this work from about 1570, pulses with the tension of life returning to a body once claimed by death. The air feels heavy with the weight of the supernatural as the command of Christ meets…
In 1575, Maerten De Vos captures a moment of profound tragedy in his work, The death of Adonis. The scene freezes the exact instant of a mythological catastrophe, where the mortal hunter Adonis meets his end. A heavy sense of loss hangs over the landscape as the life drains from his pale form. The air feels thick with the weight of this sudden, violent transition from life to stillness.
In this large-scale oil painting, Gathering of manna by Maerten De Vos, the artist presents a densely packed scene that demands close observation. The composition is organized through a multi-layered landscape, creating a sense of immense scale. In the foreground, the space is occupied by women and children focused on the task of collecting food. This immediate layer of activity leads the eye toward a distant horizon where hazy mountains…
Maerten De Vos captures the biblical moment of physical verification of Christ's resurrection in Incredulity of Saint Thomas. Created about 1574, the work centers on the tension between human doubt and divine revelation. The scene focuses on the precise instant when Thomas reaches toward the wounds of the resurrected Christ to confirm the truth of the event.
Saint Stephen1574 · Kraljevski muzej fine umjetnosti u Antverpenu
12
The Beheading of Saint John-Baptist1574 · Kraljevski muzej fine umjetnosti u Antverpenu
13
Saint Thomas the Apostle1574 · Kraljevski muzej fine umjetnosti u Antverpenu
14
The Baptism of Christ1574 · Kraljevski muzej fine umjetnosti u Antverpenu
15
The Soldiers Fighting over Christ's Cloak1575 · Statens Museum For Kunst
16
The Adoration of the Kings1575 · Statens Museum For Kunst
17
the Annunciation1578
18
The Parable of the Labourers in the Vineyard1575 · Nationalmuseum
19
Portrait of Antonius Anselmus, His Wife and Their Children1577 · Musées Royaux des Beaux-Arts
20
Saint Luke Appearing at the Curch of Our Lady in Tripoli1588 · Kraljevski muzej fine umjetnosti u Antverpenu
21
Saint Didacus Brings the Stillborn Girl to Life1591 · Kraljevski muzej fine umjetnosti u Antverpenu
22
Saint Didacus Finds a Miraculous Meal1591 · Kraljevski muzej fine umjetnosti u Antverpenu
23
Saint Didacus of Alcalà at Prayers1591 · Kraljevski muzej fine umjetnosti u Antverpenu
24
The Life of Saint Didacus of Alcalá1590 · Kraljevski muzej fine umjetnosti u Antverpenu
25
The Nativity1588 · Kraljevski muzej fine umjetnosti u Antverpenu
26
Saint Georges delivering Saint Margaret1590 · Kraljevski muzej fine umjetnosti u Antverpenu
27
Saint Georges delivering Saint Margaret1590 · Kraljevski muzej fine umjetnosti u Antverpenu
28
The Emperor Constantine erecting a church dedicated to Saint George1590 · Kraljevski muzej fine umjetnosti u Antverpenu
29
Baptism of the King of Silene1590 · Kraljevski muzej fine umjetnosti u Antverpenu
30
Christ Triumphant1590 · Kraljevski muzej fine umjetnosti u Antverpenu
31
Henry IV of Castile and his daughter find healing at the tomb of Saint Didacus1595 · Kraljevski muzej fine umjetnosti u Antverpenu
32
Adoration of the Kings1599 · Musée des Beaux-Arts de Valenciennes
33
The Temptations of Antony Abbot of Egypt1594 · Kraljevski muzej fine umjetnosti u Antverpenu
34
Abraham in Hebron1602 · Kraljevski muzej fine umjetnosti u Antverpenu
35
The Burial of Sarah1602 · Kraljevski muzej fine umjetnosti u Antverpenu
36
The Widow's Offering1602 · Kraljevski muzej fine umjetnosti u Antverpenu
37
The Temple Tax1602 · Kraljevski muzej fine umjetnosti u Antverpenu
38
Then give to Caesar what is Caesar's1602 · Kraljevski muzej fine umjetnosti u Antverpenu
39
Crucifixion1600 · Kraljevski muzej fine umjetnosti u Antverpenu
40
The Tribunal of the Brabant Mint in Antwerp1594 · Rockox House
41
The Marriage at Cana1596 · Onze
42
Saint Luke Appears in the Church of Our Lady of Tripoli1620 · Kraljevski muzej fine umjetnosti u Antverpenu
43
Riverlandscape with cattle herders1616 · Muzej Prado
44
Mountain Landscape with a Castle (Christ on the Road to Emmaus)1616 · Nationalmuseum
45
Landscape with a Farm1627 · Ermitaž
46
Moses Showing the Tablets of the Law to the Israelites, with Portraits of Members of the Panhuys Family, their Relatives and Friends1575 · Mauritshuis
47
Portrait of Antonius Anselmus at the Age of Forty-Six, with a Spaniel1571 · Izraelski muzej
48
The Ephesians burn the exorcists' books in public Acts 19:19)1568 · Kraljevski muzeji lijepih umjetnosti Belgije
49
Portrait of an unicorn1572 · Staatliches Museum Schwerin
50
Portrait of an Old Woman1569 · National Gallery of Art
51
St Paul Bitten by a Viper on the Island of Malta1567 · Louvre
52
Saint Luke Giving three Pilgrims Alms1588 · Kraljevski muzej fine umjetnosti u Antverpenu
53
Allegory of the Choleric Temperament1583 · Cantor Arts Center at Stanford University
54
The Temptation of St Antony1591 · Koninklijk Museum voor Schone Kunsten
55
The Family of St Anne (detail)1585 · Museum voor Schone Kunsten
56
The Family of Saint Anne1585 · Museum of Fine Arts Ghent (MSK)
57
Scene from the Life of the Virgin1600 · Katedrala
58
The Emperor's Toil1601 · Kraljevski muzej fine umjetnosti u Antverpenu
59
Landscape with a Lake1616 · Ermitaž
60
Mining Operations along a River1620 · Walters Art Museum
61
Landscape with travellers1616 · Museum der bildenden Künste
62
Landscape with Satyrs1626 · National Gallery
63
Landscape with Windmill and Wayside Chapel1628 · Harvard Art Museums
64
The Last SupperThe National Museum of Western Art
65
St Luke Painting the Virgin Mary1602 · Koninklijk Museum voor Schone Kunsten
66
Triumph of DavidMusée des Beaux-Arts
67
The airMuzej Prado
68
The earthMuzej Prado
69
Landscape with Pan and Syrinx, after Paul BrilFitzwilliam Museum
70
Dijon St Benigne cathedral, The Annunciation by Martin de Vos
71
Saint Didacus Helps with a Difficult BirthKraljevski muzej fine umjetnosti u Antverpenu
72
The Spanish Crown Prince Don Carlos Heals After Touching the Corpse of Saint DidacusKraljevski muzej fine umjetnosti u Antverpenu
73
Death of Saint DidacusKraljevski muzej fine umjetnosti u Antverpenu
74
Saint Didacus Heals the SickKraljevski muzej fine umjetnosti u Antverpenu
75
Saint Didacus Saves a Boy From the OvenKraljevski muzej fine umjetnosti u Antverpenu
76
The Story of Saint Didacus of AlcalàKraljevski muzej fine umjetnosti u Antverpenu
77
Saint Francis of Assisi and Saint Didacus of AlcaláKraljevski muzej fine umjetnosti u Antverpenu
78
Portrait of Gillis Hooftman, Shipowner, and his Wife Margaretha van Nispen (Gilles van Eichelenberg, called Hoffman), Maerten de Vos, 15701570 · Rijksmuseum
79
Return from the Flight to Egypt
80
FeelingHammer Museum
81
Altarpiece of the Guild of the Old Arbalest1590 · Kraljevski muzej fine umjetnosti u Antverpenu
82
Saint George and the dragon1590
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Maerten De Vos | Slike iz ovog popisa |
|---|---|---|---|
 Kraljevski muzej fine umjetnosti u Antverpenu |
Antverp | 35 | Incredulity of Saint Thomas, Saint Stephen, The Beheading of Saint John-Baptist |
 Bavarske državne slikopisne zbirke |
München | 3 | Christ on the Cross, Raising of Lazarus, Gathering of manna |
 Muzej Prado |
Madrid | 3 | Riverlandscape with cattle herders, The air, The earth |
 Statens Museum For Kunst |
Kopenhagen | 2 | The Soldiers Fighting over Christ's Cloak, The Adoration of the Kings |
 Nationalmuseum |
Stockholm | 2 | The Parable of the Labourers in the Vineyard, Mountain Landscape with a Castle (Christ on the Road to Emmaus) |
 Ermitaž |
Sankt Peterburg | 2 | Landscape with a Farm, Landscape with a Lake |
 Koninklijk Museum voor Schone Kunsten |
Antwerpen | 2 | The Temptation of St Antony, St Luke Painting the Virgin Mary |
 Katedrala Gospe od Onze-Lieve Vrouwe |
Antwerpen | 1 | Nativity |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
This Renaissance-era oil painting, dating to 1557, presents a complex and multi-layered religious narrative. The composition utilizes a deep landscape perspective to establish a sense of vastness, guiding the viewer's eye from the immediate foreground toward a distant horizon. In the foreground on the left, a central figure, likely Saint Benedict, is depicted in a white robe, gesturing toward a partially constructed stone building or church. Surrounding this structure, several…
Maerten De Vos, born in Antwerp, Belgium, in 1532, produced The Resurrection of Christ around 1564. A significant figure in the transition from the High Renaissance to Mannerism, De Vos was a member of the Guild of Saint Luke in Antwerp. His career spanned the religious and political shifts of the Southern Netherlands until his death in 1603.
In this 1577 composition, we find ourselves drawn into a sacred space where the atmosphere is heavy with reverence. The scene centers on the intimate moment of the Nativity, focusing on Mary as she cradles the infant Jesus. She is surrounded by a gathering of figures, at least twelve in total, including Joseph and various onlookers who have come to witness the event. The setting, which carries the architectural weight…
The painting titled Saint Luke Appearing at the Curch of Our Lady in Tripoli is a work by the artist Maerten De Vos. This specific piece dates to 1588. The composition focuses on a religious apparition within an architectural setting, depicting a miraculous event involving Saint Luke and a group of onlookers.
The Allegory of the Seven Liberal Arts is an oil on panel painting by Maerten De Vos. Created in 1590, this work offers a structured look at the fundamental pillars of Renaissance education. De Vos, a significant figure in the Southern Netherlands, brings a specific clarity to this assembly of figures. The scale of the piece is substantial, measuring 147 x 200 cm.
In this work, titled Abraham in Hebron, Maerten De Vos explores a significant narrative from the Book of Genesis. The painting, which dates to about 1602, captures a moment of profound hospitality and divine encounter. It focuses on the patriarch Abraham as he receives visitors, a scene rooted in the ancient traditions of the Levant.
Allegory of the Seven Liberal Arts (1590). Sljedeći su Nativity (1577) i The Rapture of Europe (1590).
58 godina: Allegory of the Seven Liberal Arts datira iz 1590, a Maerten De Vos je rođen/a 1532.
Allegory of the Seven Liberal Arts, Nativity, The Rapture of Europe, The Resurrection of Christ, Scene of the legend of S. Benedict (building of a church), Christ on the Cross, Raising of Lazarus, The death of Adonis, Gathering of manna i Incredulity of Saint Thomas. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 85 djela umjetnika Maerten De Vos, datiranih od 1557 do 1602.
Većinom u Kraljevski muzej fine umjetnosti u Antverpenu (Antverp), Bavarske državne slikopisne zbirke (München) i Muzej Prado (Madrid). Gornja tablica muzeja navodi sve njih.
U 1590s: 19 od 82 djela na ovoj stranici nastalo je tada, od čega je Allegory of the Seven Liberal Arts Allegory of the Seven Liberal Arts.
Na ovoj stranici najstarije djelo je iz Scene of the legend of S. Benedict (building of a church) (1557), a najnovije iz Abraham in Hebron (1602).
People (17), Man (16) i Drapery (16), kroz svih 82 djela na ovoj stranici.
Oil, za 29 od 82 djela na ovoj stranici.
Northern renaissance, sudeći po originalima na ovoj stranici.
Incredulity of Saint Thomas, Saint Stephen i The Beheading of Saint John-Baptist: Kraljevski muzej fine umjetnosti u Antverpenu, Antverp posjeduje 35 djela s ove stranice.
Formalno obrazovanje Maertena De Vosa ostaje donekle obuzdano velom misterije, no široko je vjerovanje da je bio podmeštanik samog Pietersa Bruegela Staroga, kolosa sjevernoekonomske renesansne slikarstva. Bruegelov utjecaj jasno se nazire u De Vosovim ranim pejzažima i žanrovskim scenama, koji se odlikuju detaljnim promatranjem svakodnevnog života i suptilnim podtekstom društvene kritike. Ipak, de Vos je brzo prevazišao rustični realizam svog mentora, privlačen rafiniranom elegancijom i sofisticiranim kompozicijama koje je preferirao talijanski manierizam. Te je utjecaje upijao putem gravura i litografija koje su široko kružile Antwerpenom, a posebno onih koje su prikazivale djela umjetnika poput Parmigianina i Bronzina. Ta fascinacija talijanskim stilom označila je prekretnicu u njegovoj umjetničkoj karijeri, vodeći ga prema prihvaćanju izduženih figura, gracioznih poza i pojačane osjećajnosti za umjetničku umjetnost. Njegovo rano djelo također odaje dojam utjecaja Jana van Scorela, još jednog umjetnika koji je donio talijanske utjecaje u Sjevernu Europu.
