Portret Johann Georg Platzer

62 najpoznatijih djela umjetnika Johann Georg Platzer, galerijska selekcija

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Od svih originala koje je Johann Georg Platzer ostavio, najpoznatiji je The Assumption of Mary (1735) u kolekciji muzeja Staatliche Kunsthalle Karlsruhe, Karlsruhe. Samo iza njih slijede Bacchic Revels (1740) i Nymphs and Satyrs Drinking (1740). Naš katalog sadrži 62 djela umjetnika Johann Georg Platzer; galerija je čuvala onih 62 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.

1704 – 1761, Eppan Baroque Najviše djela: Minneapolis Institute of Art

Top 10 djela umjetnika Johann Georg Platzer: izbor galerije

1
The Assumption of Mary (1735) od Johann Georg Platzer

The Assumption of Mary

1735 · Oil On Canvas · Staatliche Kunsthalle Karlsruhe, Karlsruhe

A vertical composition directs the gaze from the terrestrial realm toward the divine heavens. At the base, apostles gather around an open tomb, their faces marked by awe and devotion. Above them, the Virgin Mary ascends amidst a host of angels, her form enveloped in a blue mantle. The movement is upward and fluid, driven by swirling cloud formations and the sweeping gestures of the figures. Light emanates from the…

2
Bacchic Revels (1740) od Johann Georg Platzer

Bacchic Revels

1740 · Oil · Art Institute of Chicago, Chicago

The air feels thick with the scent of damp earth and the echoes of distant music. In this monochrome world, a celebration unfolds amidst a lush, wooded landscape where the boundaries between the human and the divine blur. Figures move with a fluid, swirling energy, their bodies entwined in a rhythmic chaos that defies stillness. Drapery flows like water around muscular limbs, catching a soft light that descends from the…

3
Nymphs and Satyrs Drinking (1740) od Johann Georg Platzer

Nymphs and Satyrs Drinking

1740 · Oil On Copper · Art Institute of Chicago, Chicago

In this mythological painting, titled Nymphs and Satyrs Drinking, we encounter a scene of classical indulgence. The work was executed by the Austrian artist Johann Georg Platzer, who lived from 1704 to 1761. It is a composition that captures a moment of revelry, focusing on the figures of nymphs and satyrs as they gather together. The piece dates to about 1740, a period when the artist was refining his approach…

4
Artist's atelier with Hungarian patrons (1720) od Johann Georg Platzer

Artist's atelier with Hungarian patrons

1720 · Oil · Narodni muzej u Varšavi, Varšava

The studio is a cavern of amber and deep shadow. A central golden urn anchors the composition, its metallic sheen catching a light that seems to emerge from a hidden window. Around this pillar of light, the space is crowded with the tools of creation and the weight of history. Marble busts stare from the gloom, their cold surfaces contrasting with the heavy, tactile folds of velvet drapery. The air…

5
Social Scene (1732) od Johann Georg Platzer

Social Scene

In "Social Scene" by Johann Georg Platzer, a monochrome reproduction of an 18th-century work, the eye meets a crowded, theatrical arrangement. The space is shallow, packed with multiple groups of figures gathered in a formal garden. To the left, the scene is anchored by the heavy, geometric stability of classical architecture, featuring an arched doorway and a pedestal supporting a sculptural figure. On the right, the rigid lines of stone…

6
Card Player (Ace is Trump) (1730) od Johann Georg Platzer

Card Player (Ace is Trump)

1730 · Oil

The scene unfolds in Card Player (Ace is Trump), a work that captures a fleeting moment of social tension. Johann Georg Platzer, the hand behind this composition, invites us into a crowded, intimate interior where the stakes of a game hang in the air. This painting, dating to about 1730, finds its creator in the midst of a flourishing career. Born in 1704 in Eppan an der Weinstraße, the artist…

7
Making avances after the meal (1725) od Johann Georg Platzer

Making avances after the meal

1725 · Oil On Canvas

In this 1725 oil on canvas, four figures are positioned around a table in a tightly grouped composition. The scene depicts a moment of leisure following a meal, characterized by the presence of musical instruments and refreshments. A figure holds a wine glass, while others are situated near a violin, a tambourine, and sheet music. The lighting is directional, casting soft shadows across the faces of the subjects and highlighting…

8
The Bath of Diana (1730) od Johann Georg Platzer

The Bath of Diana

1730 · Oil · Minneapolis Institute of Art, Minneapolis

The Bath of Diana is a Rococo-style mythological scene from 1730 that depicts a group of nymphs bathing within a forest setting. The composition is dense and dynamic, utilizing a pyramidal arrangement of figures that leads the eye across a landscape of rocky outcrops and verdant foliage. The subject matter portrays Diana and her nymphs in a moment of leisure, evoking themes of purity, nature, and classical mythology.

9
Latona Turning the Lycian Peasants into Frogs (1730) od Johann Georg Platzer

Latona Turning the Lycian Peasants into Frogs

1730 · Minneapolis Institute of Art, Minneapolis

This Rococo-style oil painting depicts a dynamic mythological scene where Latona transforms Lycian peasants into frogs. The composition is complex and asymmetrical, utilizing a swirling arrangement of figures that directs the eye from the left foreground toward a luminous central figure on the right. The subject matter is evidenced by the transition of human limbs into amphibian forms and the presence of actual frogs in the foreground water.

Izbor umjetnika Johann Georg Platzer se nastavlja, od 11 do 62

11David Meeting Abigail (1727) od Johann Georg PlatzerDavid Meeting Abigail1727 · Narodní galerie Praha 12Garden-party (1729) od Johann Georg PlatzerGarden-party1729 13Rebecca at the Fountain (1735) od Johann Georg PlatzerRebecca at the Fountain1735 14Samson's Revenge (1735) od Johann Georg PlatzerSamson's Revenge1735 15The Rape of the Sabine women (1744) od Johann Georg PlatzerThe Rape of the Sabine women1744 · Moravska galerija u Brnu 16The Marriage Feast at Cana (1743) od Johann Georg PlatzerThe Marriage Feast at Cana1743 17Ill-matched couple. (1737) od Johann Georg PlatzerIll-matched couple.1737 · Narodni muzej u Varšavi 18Merry company in the park. (1740) od Johann Georg PlatzerMerry company in the park.1740 · Narodni muzej u Varšavi 19Merry Company on a Patio (1735) od Johann Georg PlatzerMerry Company on a Patio1735 · Gemäldegalerie 20The abduction of Helena (1750) od Johann Georg PlatzerThe abduction of Helena1750 · Moravska galerija u Brnu 21sketch for allegoric plafond-picture (1750) od Johann Georg Platzersketch for allegoric plafond-picture1750 22Antony And Cleopatra At The Battle Of Actium od Johann Georg PlatzerAntony And Cleopatra At The Battle Of Actium 23The Death Of Cleopatra od Johann Georg PlatzerThe Death Of Cleopatra 24Das Atelier Des Malers od Johann Georg PlatzerDas Atelier Des MalersCleveland Museum of Art 25Allegorie Der Vier Jahreszeiten od Johann Georg PlatzerAllegorie Der Vier Jahreszeiten 26Dancing Scene With Palace Interior od Johann Georg PlatzerDancing Scene With Palace Interior 27Rescue of Alexander the Great od Johann Georg PlatzerRescue of Alexander the GreatStaatliche Kunsthalle Karlsruhe 28Alexander the Great Cuts the Gordian Knot od Johann Georg PlatzerAlexander the Great Cuts the Gordian KnotStaatliche Kunsthalle Karlsruhe 29Musical Company in the Salon od Johann Georg PlatzerMusical Company in the SalonNarodní galerie Praha 30Concerto od Johann Georg PlatzerConcerto 31Sommer od Johann Georg PlatzerSommerMinneapolis Institute of Art 32Winter od Johann Georg PlatzerWinter 33Autumn od Johann Georg PlatzerAutumn 34Abraham and the Three Angels od Johann Georg PlatzerAbraham and the Three AngelsSzépművészeti Múzeum 35the miraculous draught of fishes od Johann Georg Platzerthe miraculous draught of fishes 36Orientalisches Fest od Johann Georg PlatzerOrientalisches Fest 37An Allegory Of Misrule od Johann Georg PlatzerAn Allegory Of MisruleBirmingham Museum and Art Gallery 38Allegory Of Five Senses od Johann Georg PlatzerAllegory Of Five Senses 39The Judgement Of Paris od Johann Georg PlatzerThe Judgement Of Paris 40Salome Dancing Before Herod od Johann Georg PlatzerSalome Dancing Before Herod 41The Concert od Johann Georg PlatzerThe Concert 42Winter od Johann Georg PlatzerWinterMinneapolis Institute of Art 43The Abduction Of Helen od Johann Georg PlatzerThe Abduction Of HelenWallace Collection 44Kinder Beim Unterricht Im Freien od Johann Georg PlatzerKinder Beim Unterricht Im Freien 45Das Gastmal Der Kleopatra od Johann Georg PlatzerDas Gastmal Der Kleopatra 46The Concert od Johann Georg PlatzerThe ConcertNarodni muzej u Varšavi 47Saint John The Baptist Preaching In The Wilderness od Johann Georg PlatzerSaint John The Baptist Preaching In The Wilderness 48Alexander And The Queen Of The Amazons, Thalestris od Johann Georg PlatzerAlexander And The Queen Of The Amazons, Thalestris 49Frühling od Johann Georg PlatzerFrühlingMinneapolis Institute of Art 50Orientalisches Fest od Johann Georg PlatzerOrientalisches Fest 51Alexander And The Family Of Darius od Johann Georg PlatzerAlexander And The Family Of Darius 52Kinder Beim Unterricht Im Freien od Johann Georg PlatzerKinder Beim Unterricht Im Freien 53Herbst od Johann Georg PlatzerHerbstMinneapolis Institute of Art 54Die Hochzeit Zu Kana od Johann Georg PlatzerDie Hochzeit Zu Kana 55St. Michael In Eppan With Croesus And Solon od Johann Georg PlatzerSt. Michael In Eppan With Croesus And Solon 56Fountain Scene In Front Of A Palace od Johann Georg PlatzerFountain Scene In Front Of A Palace 57Marriage Of Aphrodite And Hephaestus od Johann Georg PlatzerMarriage Of Aphrodite And Hephaestus 58Das Gastmal Der Kleopatra od Johann Georg PlatzerDas Gastmal Der Kleopatra 59Das Gastmal Der Kleopatra od Johann Georg PlatzerDas Gastmal Der Kleopatra 60Summer od Johann Georg PlatzerSummer 61Spring od Johann Georg PlatzerSpring 62Miraculous Catch of Fish od Johann Georg PlatzerMiraculous Catch of FishResidenzgalerie

Slavna djela Johann Georg Platzer po razdobljima

Motivi koji su privukli pažnju Johann Georg Platzer

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Muzeji koji čuvaju originalna djela umjetnika Johann Georg Platzer

8 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Johann Georg Platzer Slike iz ovog popisa
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 6 The Bath of Diana, Latona Turning the Lycian Peasants into Frogs, Sommer
Narodni muzej u Varšavi, VaršavaNarodni muzej u Varšavi Varšava 4 Artist's atelier with Hungarian patrons, Ill-matched couple., Merry company in the park.
Staatliche Kunsthalle Karlsruhe, KarlsruheStaatliche Kunsthalle Karlsruhe Karlsruhe 3 The Assumption of Mary, Rescue of Alexander the Great, Alexander the Great Cuts the Gordian Knot
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 2 Bacchic Revels, Nymphs and Satyrs Drinking
Narodní galerie Praha, PragNarodní galerie Praha Prag 2 David Meeting Abigail, Musical Company in the Salon
Moravska galerija u Brnu, BrnoMoravska galerija u Brnu Brno 2 The Rape of the Sabine women, The abduction of Helena
Bavarske državne slikopisne zbirke, MünchenBavarske državne slikopisne zbirke München 1 Social Scene
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 1 The Sculptor's Studio

Johann Georg Platzer desetljeće po desetljeće: original koji definira svako od njih

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Pitanja kolekcionara o slikama umjetnika Johann Georg Platzer

Po kojem je djelu Johann Georg Platzer najpoznatiji/a?Otkrijte odgovor

The Assumption of Mary (1735), Staatliche Kunsthalle Karlsruhe, Karlsruhe. Nakon njih slijede Bacchic Revels (1740) i Nymphs and Satyrs Drinking (1740).

Koliko je godina Johann Georg Platzer imao/la kada je nastalo djelo The Assumption of Mary?Otkrijte odgovor

31 godina: The Assumption of Mary datira iz 1735, a Johann Georg Platzer je rođen/a 1704.

Koja su deset najpoznatijih djela umjetnika Johann Georg Platzer?Otkrijte odgovor

The Assumption of Mary, Bacchic Revels, Nymphs and Satyrs Drinking, Artist's atelier with Hungarian patrons, Social Scene, Card Player (Ace is Trump), Making avances after the meal, The Bath of Diana, Latona Turning the Lycian Peasants into Frogs i The Sculptor's Studio. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je slika ostavio/la Johann Georg Platzer?Otkrijte odgovor

Naš katalog sadrži 62 djela umjetnika Johann Georg Platzer, datiranih od 1720 do 1750.

U kojim se muzejima nalaze remek-djela umjetnika Johann Georg Platzer?Otkrijte odgovor

Većinom u Minneapolis Institute of Art (Minneapolis), Narodni muzej u Varšavi (Varšava) i Staatliche Kunsthalle Karlsruhe (Karlsruhe). Gornja tablica muzeja navodi sve njih.

U kojim je godinama Johann Georg Platzer naslikao svoja najpoznatija djela?Otkrijte odgovor

U 1730s: 10 od 62 djela na ovoj stranici nastalo je tada, od čega je The Assumption of Mary The Assumption of Mary.

Koja su prva i posljednja poznata originalna djela umjetnika Johann Georg Platzer?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz Artist's atelier with Hungarian patrons (1720), a najnovije iz The abduction of Helena (1750).

Koje je motive Johann Georg Platzer najčešće birao?Otkrijte odgovor

People (16), Drapery (12) i Figures (10), kroz svih 62 djela na ovoj stranici.

Koju je tehniku najčešće koristio/la Johann Georg Platzer?Otkrijte odgovor

Oil, za 14 od 62 djela na ovoj stranici.

Pripada li Johann Georg Platzer kojem umjetničkom pokretu?Otkrijte odgovor

Baroque i Rococo, sudeći po originalima na ovoj stranici.

Koji se radovi umjetnika Johann Georg Platzer nalaze u muzeju Minneapolis Institute of Art?Otkrijte odgovor

The Bath of Diana, Latona Turning the Lycian Peasants into Frogs i Sommer: Minneapolis Institute of Art, Minneapolis posjeduje 6 djela s ove stranice.

Johann Georg Platzer: život i djelo

Život uronjen u rokokoski sjaj

Johann Georg Platzer, rođen 1704. godine u idiličnom tirolskom selu Eppan, istaknuo se kao ključna figura unutar austrijskog rokokoskog slikarstva. Njegov je život odvijao se na pozadini evoluirajućeg umjetničkog ukusa i aristokratskog pokroviteljstva, oblikujući ga u majstora koji je znao uhvatiti kako raskoš, tako i intimne trenutke društva 1udnog stoljeća. Potekavši iz obitelji duboko ukorijenjene u umjetničkoj tradiciji — njegov ujak, Jakob Christoff Platzer, služio je kao dvorinski slikar — mladi je Johann Georg bio uronjen u svijet u kojem nisu bili samo alati, već putevi prema ljepoti i statusu, potezi četkice i pigmenti. Njegovo početno školovanje unutar obiteljske radionice pružilo je čvrstu osnovu koju je kasnije proširio iskustvom i proučavanjem, što je na kraju definisalo njegov jedinstveni umjetnički glas. Iako specifični utjecaji ostaju neuhvatljivi, Platzerovo djelo otkriva razumijevanje venecijanske palete boja i kompozicijskih tehnika, pomiješenih sa stilskim trendovima koji su bili prisutni u južnoj Njemačkoj tijekom rokokoske ere. On nije jednostavno replicirao stilove; on ih je sintetizirao u nešto što je bilo izrazito njegovo — živopisno izražavanje austrijskih senzibiliteta.

Od dvoranskih narudžbi do mitoloških pripovijesti

Platzerovo umjetničko putovanje započelo je šegrtovanjem kod ujaka u Passauu, iskustvom koje ga je izložilo zahtjevima i očekivanjima dvoranskog pokroviteljstva. Ta rani kontakt duboko je utjecao i na njegovu tematiku i na stil. Brzo je stekao priznanje zbog sposobnosti prikazivanja scena prepunih detalja, elegancije i opipljivog osjećaja aristokratskog života. Međutim, Platzerov talent nije bio ograničen samo na portretiranje plemićkog života. Izvrsno je에도 oživljavao klasičnu mitologiju i povijesne događaje na platnu. Djela poput Das Gastmal Der Kleopatra (Kleopatrin banket) pokazuju njegov dar za dramatično pripovijedanje, dok njegovi prikazi mitoloških narativa — poput Sretovanja Afrodite i Hefesta — otkrivaju majstorstvo u alegorijskoj reprezentaciji. Njegovo često istraživanje tema poput četiri godišnja doba dodatno pokazuje njegovu svestranost i intelektualnu dubinu. Osim grandioznih povijesnih ili mitoloških scena, Platzer je postao poznat i po svojim „conversation pieces“ — živopisnim prikazima aristokratskih okupljanja i društvenih interakcija koji su nudili intimne uvide u svakodnevni život elite.

Majstor detalja i svjetlucave boje

Okosnica Platzerovog stila odmah je prepoznatljiva: pedantna kompozicija, živopisna paleta boja, dinamične figure i snažan fokus na naraciju. Posjedovao je izvanrednu sposobnost oblikovanja scena s prekrasnim detaljima, posebno u arhitektonskim okruženjima i dizajnu kostima. Svaki element unutar njegovih slika — od nabora tkanine do ornamentacije zgrada — prikazan je s nevjerojatnom preciznošću. Ta pažnja prema detaljima nije samo dekorativna; ona služi da gledatelja uroni u svijet koji on stvara, čineći svaku scenu nevjerojatno stvarnom i opipljivom. Podjednako važna je i majstorstvo Platzerove upotrebe boje. Koristio je bogatu i svjetlucavu paletu tipičnu za rokokosku estetiku, dajući prednost pastelnim nijansama, nježnim sjajevima i suptilnim gradacijama koje stvaraju atmosferu elegancije i profinjenosti. Njegove figure rijetko su statične; prikazane su u gracioznim pozama, prenoseći pokret, emociju i osjećaj vitalnosti. Ta dinamična kvaliteta dodatno pojačava narativnu snagu njegovih djela, privlačeći gledatelja u razvijenu dramu ili intimni trenutak. Naslijeđe i trajni utjecaj Tijekom cijele svoje karijere, Platzer je stvorio značajan korpus djela koji i danas očarava publiku. Slike poput Fountain Scene in front of a Palace i Dancing Scene with Palace Interior primjer su njegove sposobnosti da uhvati raskoš i milost aristokratskog života, dok Allegory of the Four Seasons demonstrira njegovu vještinu u alegorijskom prikazivanju. Joanneum Alte Galerie u Grazu, u Austriji, čuva najveću pojedinačnu kolekciju Platzerovih slika, služeći kao neprocjenjiv izvor za znanstvenike i ljubitelje umjetnosti. Johann Georg Platzer predstavlja značajnu figuru unutar austrijskog rokokoskog slikarstva. Njegovo djelo pruža dragocjen uvid u umjetničke ukuse i društvene običaje aristokratskog društva 18. stoljeća. Iako možda nije bio međunarodno poznat kao neki od njegovih suvremenika, Platzerov doprinos regionalnoj povijesti umjetnosti je znatno. Pomogao je uspostaviti poseban stilski identitet unutar austrijskog slikarstva tog razdoblja, miješajući italijanske utjecaje s lokalnim tradicijama. Nastavio je raditi u Eppanu sve do svoje smrti 1761. godine, ostavljajući za sobom naslijeđe živopisnih i pedantno izrađenih slika koje i stoljećima kasnije nastavljaju odjekivati u gledateljima — kao svjedočanstvo neprolazne moći rokokoskog sjaja.