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Od svih originala koje je Joachim Wtewael ostavio, najpoznatiji je Actaeon is changed into a stag and killed by his own dogs (1607) u kolekciji muzeja Kunsthistorisches Museum, Beč. Samo iza njih slijede Mars and Venus Surprised by Vulcan (1610) i Adoration by the Shepherds (1625). Naš katalog sadrži 82 djela umjetnika Joachim Wtewael; galerija je čuvala onih 77 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
The air in the wooded landscape feels heavy with the scent of damp earth and sudden, sharp terror. Actaeon, once a hunter of men and beasts, now finds himself the prey, caught in a moment of agonizing metamorphosis. His limbs, once sturdy and human, seem to ripple and shift under a skin that is no longer his own. The transformation into a stag is not a quiet change; it is…
Mars and Venus Surprised by Vulcan is a mythological painting by Joachim Wtewael. Executed in 1610, the work captures a moment of divine discovery. The scene centers on the theme of mythological adultery, specifically the instant Vulcan interrupts the illicit affair between Mars and Venus.
The scene unfolds within a courtyard where a group of thirteen figures has assembled around a central infant. This child lies in a manger, the focal point of the composition. Mary and Joseph are positioned near the baby, their bodies oriented toward the center of the event. Surrounding the holy family, several shepherds and onlookers are arranged in various states of standing and leaning. The figures are rendered with a…
The Adoration of the Shepherds by Joachim Wtewael brings a sacred moment into sharp, immediate focus. This religious painting emerges from the Netherlands, capturing a scene of profound spiritual presence. Joachim Wtewael, who was born in 1566 in Utrecht, Netherlands, infuses the work with a sense of immediate, lived experience. The figures cluster together in a tight, intimate space, their gazes and gestures pulling the viewer into the center of…
The artwork titled St John the Evangelist is a painting by the artist Joachim Wtewael. This specific work is dated 1591. The subject is depicted in a vertical composition, presented as a close-up portrait that focuses on the figure of the saint.
is an oil on copper by Joachim Wtewael. The work measures 15.8 by 20.4 cm. This small-scale painting exemplifies the technical precision required for such a compact medium.
In this oil on copper work from 1603, we find ourselves drawn into a lush, wooded landscape where the boundaries between the pastoral and the mythological blur. A group of nymphs dances in a rhythmic ring around a pond, their movements fluid and sinuous. This circular arrangement creates a sense of continuous motion, pulling the viewer's gaze toward the center of the composition. To the left, a muscular male figure…
The Wedding of Peleus and Thetis is a work by Joachim Wtewael. Born in Utrecht, Netherlands, in 1566, the artist remained tied to this city throughout his life until his death in 1638. His hand moved with a precision that mirrored the intricate details of his early training as a glassmaker and engraver. In this specific composition, he captures a moment of celestial gathering, where the air is thick with…
The work reflects the disciplined hand of a man trained in the traditions of engraving. There is a porcelain-like polish to the rendering of the skin, even within this monochromatic medium. The composition relies on the tension between the subject's worldly status—signified by the ornate armor—and his spiritual focus. The lines are sharp, defining the shape of the man against the receding, hazy hills. It is a portrait of a…
In "Adoration of the Shepherds" by Joachim Wtewael, the Nativity unfolds within a crowded, intimate space. Painted about 1598, the work centers on the Christ child, a small figure of light amidst the shadows. This divine presence acts as the anchor for the surrounding figures. Shepherds gather close, their bodies leaning toward the manger in a moment of quiet reverence. The scene is thick with the presence of others, creating…
Judith and the Head of Holofernes1597
12
The judgement of Paris1605 · Staatliche Kunsthalle Karlsruhe
13
Mars and Venus Surprised by Vulcan1601 · Mauritshuis Royal Picture Gallery
14
Mars, Venus and Cupid1601
15
The Marriage of Peleus and Thetis1610 · Rhode Island School of Design Museum of Art
16
judgement of Paris1614 · Kraljevski muzej fine umjetnosti u Antverpenu
17
Actaeon Watching Diana and Her Nymphs Bathing1612 · Muzej likovnih umjetnosti
18
John the Baptist Preaching in the Forest1618 · Statens Museum For Kunst
19
Saint Matthew1616 · Walters Art Museum
20
Susanna harassed by the Elders (Daniel 13:1-63)1612 · Museum Gouda
21
The Wedding of Peleus and Thetis1612
22
Portrait of Johan Pater, husband of Antonetta Wtewael, daughter of Joachim Wtewael1626 · Centraal Museum
23
Portrait of Johan Wtewael (1598-1652)1628 · Centraal Museum
24
The Meeting of David and Abigail1597 · Rijksmuseum
25
Lot and his daughters (Gen. 19:31-38)1700 · Centraal Museum
26
A Shepherd1623 · Harvard Art Museums
27
A Shepherdess1623 · Harvard Art Museums
28
Lot and his Daughters1600 · Ermitaž
29
The Judgment of Paris1615 · National Gallery
30
The Battle Between the Gods and the Titans1600 · Art Institute of Chicago
31
The Golden Age1605 · Metropolitan Museum of Art
32
The Golden Age (detail)1605 · Metropolitan Museum of Art
33
The Fruit and Vegetable Seller1618 · Centraal Museum
34
Portrait of a lady1605 · Pushkin State Museum
35
Mars and Venus Discovered by the Gods1603
36
Portrait Of The Artist's Wife1601 · Centraal Museum
37
Martyrdom of Saint Sebastian1600 · Nelson-Atkins Museum of Art
38
The Judgment of Paris1605
39
Cephalus and Procris (The Death of Procris)1600 · Saint Louis Art Museum
40
Mars and Venus Surprised by Vulcan1601
41
The Annunciation to the Shepherds1606 · Rijksmuseum
42
The Tribute Money1616
43
The Temptation of Adam and Eve1614
44
Mars and Venus Surprised by Vulcan1611
45
The Judgement of Paris1615
46
Mars and Venus Surprised by the Gods1610 · J. Paul Getty Museum
47
Charity1627
48
A Kitchenmaid1625 · Centraal Museum
49
Moses Striking the Rock1624
50
Moses Striking the Rock1624 · National Gallery
51
Portrait of Eva Wtewael1628 · Centraal Museum
52
Peter Wtewael1628 · Centraal Museum
53
The Adoration of the Shepherds1606 · The Ashmolean Museum of Art and Archaeology
54
JUPITER ET DANAELouvre
55
The Judgement of ParisFitzwilliam Museum
56
Diana and Actaeon
57
Bacchus
58
Antonetta WtewaelCentraal Museum
59
LA RESURRECTION DE LAZAREPalais des Beaux-Arts de Lille
60
Venus and Cupid
61
Persée secourant AndromèdeLouvre
62
Lot and his Daughters1600 · Gemäldegalerie
63
The Golden Age1605 · Metropolitan Museum of Art
64
Self portrait1601 · Centraal Museum
65
Charity1627
66
Kitchen Scene1605 · Gemäldegalerie
67
Supper at Emmaus
68
Adoration of the Shepherds (detail)
69
Aphrodite Ares and Eros Sun
70
Adoration by the Shepherds
71
Bacchus between Ceres and Venus
72
Diana
73
DanaëStaatliche Graphische Sammlung
74
Adam and Eve
75
The Raising of Lazarus
76
Lot and His Daughters
77
Perseus and Andromeda1611 · Louvre
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Joachim Wtewael | Slike iz ovog popisa |
|---|---|---|---|
 Centraal Museum |
Utrecht | 13 | Banquet of the Gods, Portrait of Steven de Witt (?-1571), Adoration of the Shepherds |
 Rijksmuseum |
Amsterdam | 3 | Mars and Venus Surprised by Vulcan, The Meeting of David and Abigail, The Annunciation to the Shepherds |
 Metropolitan Museum of Art |
New York | 3 | The Golden Age, The Golden Age (detail), The Golden Age |
 Louvre |
Pariz | 3 | JUPITER ET DANAE, Persée secourant Andromède, Perseus and Andromeda |
 Kunsthistorisches Museum |
Beč | 2 | Actaeon is changed into a stag and killed by his own dogs, Adoration of the Shepherds |
 Harvard Art Museums |
Cambridge | 2 | A Shepherd, A Shepherdess |
 National Gallery |
London | 2 | The Judgment of Paris, Moses Striking the Rock |
 Gemäldegalerie |
Berlin | 2 | Lot and his Daughters, Kitchen Scene |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The artwork titled St John the Evangelist is a painting by the artist Joachim Wtewael. This specific work is dated 1591. The subject is depicted in a vertical composition, presented as a close-up portrait that focuses on the figure of the saint.
The air in the wooded landscape feels heavy with the scent of damp earth and sudden, sharp terror. Actaeon, once a hunter of men and beasts, now finds himself the prey, caught in a moment of agonizing metamorphosis. His limbs, once sturdy and human, seem to ripple and shift under a skin that is no longer his own. The transformation into a stag is not a quiet change; it is…
Mars and Venus Surprised by Vulcan is a mythological painting by Joachim Wtewael. Executed in 1610, the work captures a moment of divine discovery. The scene centers on the theme of mythological adultery, specifically the instant Vulcan interrupts the illicit affair between Mars and Venus.
The scene unfolds within a courtyard where a group of thirteen figures has assembled around a central infant. This child lies in a manger, the focal point of the composition. Mary and Joseph are positioned near the baby, their bodies oriented toward the center of the event. Surrounding the holy family, several shepherds and onlookers are arranged in various states of standing and leaning. The figures are rendered with a…
Actaeon is changed into a stag and killed by his own dogs (1607), Kunsthistorisches Museum, Beč. Nakon njih slijede Mars and Venus Surprised by Vulcan (1610) i Adoration by the Shepherds (1625).
41 godina: Actaeon is changed into a stag and killed by his own dogs datira iz 1607, a Joachim Wtewael je rođen/a 1566.
Actaeon is changed into a stag and killed by his own dogs, Mars and Venus Surprised by Vulcan, Adoration by the Shepherds, Adoration of the Shepherds, St John the Evangelist, Banquet of the Gods, The Apulian Shepherd, The Wedding of Peleus and Thetis, Portrait of Steven de Witt (?-1571) i Adoration of the Shepherds. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 82 djela umjetnika Joachim Wtewael, datiranih od 1591 do 1628.
Većinom u Centraal Museum (Utrecht), Rijksmuseum (Amsterdam) i Metropolitan Museum of Art (New York). Gornja tablica muzeja navodi sve njih.
U 1600s: 24 od 77 djela na ovoj stranici nastalo je tada, od čega je Actaeon is changed into a stag and killed by his own dogs Actaeon is changed into a stag and killed by his own dogs.
Na ovoj stranici najstarije djelo je iz St John the Evangelist (1591), a najnovije iz Portrait of Johan Wtewael (1598-1652) (1628).
Mythology (11), Man (10) i Gods (10), kroz svih 77 djela na ovoj stranici.
Oil On Canvas, za 12 od 77 djela na ovoj stranici.
Northern renaissance i Mannerism, sudeći po originalima na ovoj stranici.
Banquet of the Gods, Portrait of Steven de Witt (?-1571) i Adoration of the Shepherds: Centraal Museum, Utrecht posjeduje 13 djela s ove stranice.
Joachim Anthonisz Wtewael, ime koje se šaputalo među poznavateljima zlatnog doba Nizozemske, ostaje očaravajući lik čija umjetnost prkosi lakoj kategorizaciji. Rođen 1566., a preminuo 1638. godine, njegov život bio je slojevit poput njegovih platnena. Dok je njegov umjetnički genij blistao, jednako je značajno i to da je bio uspješni trgovac lanom te aktivni gradski vijećnik Utrechta. To dvostruko postojanje — pedantni umjetnik uz stup civilnog društva — sugerira čovjeka čiji je život zahtijevao i svjetovnu oštrinu i duboki kreativni fokus. Wtewaelov prepoznatljivi stil, međutim, posjedovao je iznimnu dosljednost; ostao je u velikoj mjeri netaknut snažnim naturalističkim strujama koje su oblikovavale umjetnost diljem Europe tijekom njegovog života.
Joachim Wtewael rano je duboko korijenje našao u sofisticiranom rječniku manierizma iz Haarlema kasnog 16. stoljeća. Njegov početni profesionalni put odvijao se u očevom radionici, gdje je kao staklar i gravir radio, a to je učenje bez sumnje izoštrilo njegovu ruku za iznimne, zamršene detalje. Ključno razdoblje u njegovom životu započelo je 1586. godine kada je krenuo na putovanja kroz Italiju i Francusku. Ta putovanja bila su presudna, jer su ga izložila bogatim umjetničkim strujama Druge škole Fontainebleau. Unatoč tim utjecajima, Joachim Wtewael posjedovao je jedinstveni unutarnji kompas. Njegovo djelo prepoznatljivo je po majstorski nacrtanim figuri koje posjeduju gotovo porculanski sjaj, često složene u poze koje djeluju divno nestašno i dramatično nabijene.
Opseg njegovog preživjelih djela—koji obuhvaća oko stotinu slika, uz brojne crteže i dizajne za vitraž—otkriva fascinantnu tematsku dualnost. Bio je podjednako ugodan u prikazivanju dubokih religijskih narativa kao i u slavljenju bujne drame klasične mitologije. Razmotrimo djela kao što su Obožavanje pastira usporedba s Venerom i Marsom iznenađenima od Vulcana. Ova djela pokazuju njegovu iznimnu sposobnost preplitanja konvencionalnih svetih tema s paganskim predajama, često prožimajući oba svijeta opipljivim, ponekad snažnim erotičnim podtekstom koji uvlači promatrača u svoj narativni zagrljaj. Njegova pozornost na detalje oduzima dah; u djelima kao što je Persej i Andromeda, koja se nalazi u utretskom muzeju Mauritshuis, može se pratiti njegova neusporediva vještina.
Ono što doprinosi iznimnom značaju Wtewaelovog rada jest upravo to nepokolebljivo otporenje promjenama. Dok je naturalizam primao umjetnike u svoje zagrljaj, vodeći ih prema veći realizam, Joachim Wtewael je ostao vjeran rafiniranoj, idealiziranoj estetici, stvarajući korpus djela koji djeluje istovremeno povijesno utemeljjeno i vječno živopisno. Njegove kabinetske slike, izvedene na bakrenim pločama, posebno su upečatljive i brojne, pružajući nam intime uvide u njegov umjetnički proces. Iako je posljednji desetljeće života proveo povukavši se od slikarstva—razdoblje koje je vjerojatno obilježila osobna tuga nakon smrti njegove supruge—utjecaj njegove vizije ne blijedi. Joachim Wtewael je povijesti umjetnosti podario stil koji ostaje istovremeno visoko rafiniran i nevjerojatno nepredvidiv.
