Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 182 djela Jacopo Bassano u našem katalogu
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Calvary (1575) je slika autora Jacopo Bassano koja privlači najviše pogleda; original se nalazi u muzeju Museu Nacional d'Art de Catalunya, Barcelona. Nakon toga, pogled se usmjerava na Angels announcing to the shepherds the Birth of Jesus (1551) i Portrait of a Youth with Mandolin (1537). Među 182 djela umjetnika Jacopo Bassano u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
In this somber composition from 1575, we find ourselves drawn into the immediate, claustrophobic tension of the Crucifixion. The scene is dominated by the verticality of the cross, which bisects the canvas and anchors the viewer's gaze. Christ is depicted with a pale, luminous skin tone that contrasts sharply against the surrounding darkness, highlighting the physical strain of the moment. Around him, the atmosphere is thick with chaos; spears and…
A celestial burst of golden light pierces a heavy, nocturnal landscape, marking the intersection of the heavenly and the earthly. At the center of this radiance, a winged messenger descends, casting a sharp chiaroscuro effect across the scene. Below this divine illumination, a group of shepherds and their livestock huddle in the darkness, their forms defined by the sudden, intense light. The composition relies on deep earth tones, blacks, and…
A young man emerges from a deep, dark void. His gaze meets the viewer directly, steady and unblinking. He wears a black beret-style cap and a heavy, dark doublet that absorbs the light. Only one side of his face catches the directional glow, carving his features out of the surrounding gloom. A white ruffled cuff breaks the darkness at his wrist, where his arm reaches toward the edge of the…
This Renaissance-era oil portrait, dating from 1585, presents a somber and deeply expressive close-up bust portrait of an elderly man. The subject is positioned slightly off-center, facing towards the left of the frame, while his gaze is directed piercingly toward the viewer. The composition utilizes a shallow depth of field, focusing all attention on the subject's facial features by leaving much of the background and the back of the head…
The Altarpiece of the Blessed Conception is a significant work by the Venetian painter Jacopo Bassano. Also known by the title Sant’Anna in trono con la Vergine bambina tra i santi Girolamo e Francesco, the painting captures a sacred assembly through the hand of a master. It was executed in 1541. The pigment rests upon a canvas surface, holding the weight of its original purpose within its fibers.
The composition rests upon a stable, triangular geometry. Within this shape, the Virgin Mary cradles the Christ Child, their forms intertwined in a quiet, domestic intimacy. A young Saint John the Baptist enters the frame, his small limbs mirroring the soft curves of the infants. The scene is a study in weight and texture. Heavy crimson drapery falls in deep, sculptural folds behind the figures, creating a dark stage for…
The oil painting depicts a close-up portrait of a woman and an infant, positioned against a dark, draped background. The composition focuses on the upper bodies of the two figures. The woman, the Madonna, is rendered with soft contours and a pale complexion. She wears a white veil that possesses a translucent quality, resting against her hair and shoulders. A heavy red drapery surrounds the figures, creating a deep contrast…
The portrait presents a bust-length view of a man, positioned slightly off-center against a dark, indeterminate background. The subject is a male figure with dark hair and a beard, looking toward the viewer with a weary expression. His gaze is direct, establishing an eye-level perspective that creates a sense of immediate presence. He wears a simple, light-colored garment that rests against his neck, providing a pale contrast to the darker…
This 16th-century portrait, titled Portrait of a Franciscan Friar, was executed by the artist Jacopo Dal Ponte, also known as Jacopo Bassano. It is an early work from the artist's career, capturing a moment of significant development in his stylistic evolution. The subject is an unidentified Franciscan friar, a figure whose presence in portraiture is relatively uncommon given the vows of humility associated with the order.
The composition presents a stark division between two disparate human conditions, rendered in oil on a canvas measuring 55.0 x 43.0cm. In the foreground, a figure lies on the ground, positioned at a lower physical plane. This individual is depicted with pale skin and a sense of physical frailty. Above this figure, a banquet table is laden with food, where figures are gathered in an interior setting. The lighting follows…
Portrait of a Bearded Man1550 · J. Paul Getty Museum
12
The Good Samaritan (1550)1550 · Musei Capitolini
13
The Adoration of the Kings1540
14
Diana and Actaeon1585 · Art Institute of Chicago
15
Portrait of a Venetian Senator (Bernardo Morosini?)1540 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
16
Virgin and Child with the Saints Martin of Tours and Anthony the Great1542 · Bavarske državne slikopisne zbirke
17
The Supper at Emmaus1538 · Kimbell Art Museum
18
The Good Samaritan1547 · Royal Collection
19
The Martyrdom of Saint Mark1537 · Royal Collection
20
John the Baptist1553 · Bavarske državne slikopisne zbirke
21
The Market1553 · Bavarske državne slikopisne zbirke
22
Expulsion of the Merchants from the Temple1553 · Bavarske državne slikopisne zbirke
23
Annunciation to the Shepherds1553 · Bavarske državne slikopisne zbirke
24
The Entry of the Animals into the Ark1553 · Bavarske državne slikopisne zbirke
25
Adoration of the Shepherds1553 · Bavarske državne slikopisne zbirke
26
The Deluge1553 · Bavarske državne slikopisne zbirke
27
The Lamentation of Christ1553 · Bavarske državne slikopisne zbirke
28
Saint Jerome Penitent1550 · Bavarske državne slikopisne zbirke
29
St Jerome in the wilderness1562 · Fitzwilliam Museum
30
Saint Sebastian1553 · Bavarske državne slikopisne zbirke
31
Portrait of Dirck Volckertsz. Coornhert (1522-1590)1553 · Bavarske državne slikopisne zbirke
32
The birth of Jesus and adoration of the shepherds1550 · Nacionalna galerija Armenije
33
The Journey of Jacob1561 · Royal Collection
34
Portrait of a Man Holding Gloves1557 · Buckingham Palace
35
The Decapitation of St John the Baptist1550 · Statens Museum For Kunst
36
Building the Ark of Noah1550 · Musée des Beaux-Arts
37
The Annunciation to the Shepherds )1553
38
Sketch for an Altarpiece1575 · Rhode Island School of Design Museum of Art
39
The Martyrdom of Saint Sebastian1574 · Musée des Beaux-Arts de Dijon
40
Portrait of an Old Gentleman1570 · National Museum of Art, Architecture and Design
41
Pastoral Scene1568 · Szépművészeti Múzeum
42
The Israelites in the Desert1575 · Staatliche Kunstsammlungen Dresden
43
Christ in the House of Mary, Martha, and Lazarus1577 · Muzej fine umjetnosti u Houstonu
44
The Supper at Emmaus1565 · Royal Collection
45
The Flood1570 · Royal Collection
46
Tamar and Juda1566 · Kunsthistorisches Museum
47
Adoration of the Magi1577 · Museu Nacional d'Art de Catalunya
48
Vulcan's Forge1577 · Muzej Prado
49
Christ Healing the Lame Man1569 · Muzej likovnih umjetnosti
50
Portrait of a Man1576 · Muzej likovnih umjetnosti
51
The Adoration of the Shepherds1570 · Nationalmuseum
52
Autumn1577
53
The Animals Entering Noah's Ark1579
54
The Deposition1570
55
Saint Valentine Baptizing Saint Lucilla1575
56
Le Retour du Fils prodigue1576 · Musée d'Unterlinden
57
Entry of the Animals into Noah's Ark1590 · Bavarske državne slikopisne zbirke
58
The Adoration of the Shepherds1587
59
Daniel in the Lions' Den1581 · Ham House
60
Adoration of the Shepherds1585 · Museu de Arte de São Paulo Assis Chateaubriand
61
Portrait of Urban VII1590
62
San Cristóbal
63
Christ Crowned with Thorns1590
64
The Agony in the Garden1550 · Städel Museum
65
Adoration of the Shepherds1580 · Muzej Prado
66
The Miraculous Draught of FishesNational Gallery of Art
67
The Good Samaritan1562 · National Gallery
68
Moses Strikes Water from the Rock1584 · Kunsthistorisches Museum
69
The Sacrifice of Noah1580 · Walker Art Gallery
70
The Miraculous Draught of Fishes1545
71
The Journey to Calvary1543 · Fitzwilliam College
72
Christ among the Doctors1539 · The Ashmolean Museum of Art and Archaeology
73
Entry into the Ark1550 · château-musée de Boulogne-sur-Mer
74
Winter1550 · Musée de Grenoble
75
The Annunciation to the Shepherds )1554
76
The Annunciation to the Shepherds )1552
77
The Annunciation to the Shepherds )1557
78
The Annunciation to the Shepherds )1556
79
The Annunciation to the Shepherds )1555
80
The Annunciation to the Shepherds )1558 · National Gallery of Art
81
Alfonso d'Arcano, Prior of Venice1560
82
The Adoration of the Magi1560 · The Barber Institute of Fine Arts
83
Birth of the VirginCampion Hall
84
The Arrest of Christ1592
85
Lazarus and the Rich Man, Jacopo Bassano (copy after), 1544 - 17001700 · Rijksmuseum
86
The Annunciation to the Shepherds )1551
87
Christ in EmmausBavarske državne slikopisne zbirke
88
The Flight into EgyptToledo Museum of Art
89
The Holy Family with DonorsNational Gallery of Ireland
90
Shepherds watering their CattleNational Museum of Art, Architecture and Design
91
The Adoration of the ShepherdsNational Museum of Art, Architecture and Design
92
Virgin and Child with John the Baptist and Saint Anthony the AbbotFinnish National Gallery
93
The Mocking of ChristMuzej likovnih umjetnosti
94
Christ with St Martha and the Virgin MaryStatens Museum For Kunst
95
Annunciation to the Shepherds (The Night Camp)Musée des Beaux-Arts de Strasbourg
96
portrait of a man 1528
97
Annunciation to the ShepherdsMusée des Beaux-Arts de Strasbourg
98
Gondolier
99
Study for 'The Good Samaritan
100
Lazarus and the Rich ManCleveland Museum of Art
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Jacopo Bassano | Slike iz ovog popisa |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 16 | Virgin and Child with the Saints Martin of Tours and Anthony the Great, John the Baptist, The Market |
 Kunsthistorisches Museum |
Beč | 6 | Portrait of a Youth with Mandolin, Male Portrait, The parable of the rich man and poor Lazarus |
 Royal Collection |
London | 6 | The Good Samaritan, The Martyrdom of Saint Mark, The Journey of Jacob |
 Muzej Prado |
Madrid | 9 | Angels announcing to the shepherds the Birth of Jesus, Vulcan's Forge, Adoration of the Shepherds |
 National Museum of Art, Architecture and Design |
Oslo | 3 | Portrait of an Old Gentleman, Shepherds watering their Cattle, The Adoration of the Shepherds |
 Muzej likovnih umjetnosti |
Boston | 3 | Christ Healing the Lame Man, Portrait of a Man, The Mocking of Christ |
 Museu Nacional d'Art de Catalunya |
Barcelona | 2 | Calvary, Adoration of the Magi |
 Art Institute of Chicago |
Chicago | 2 | Virgin and Child with the Young Saint John the Baptist, Diana and Actaeon |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
A young man emerges from a deep, dark void. His gaze meets the viewer directly, steady and unblinking. He wears a black beret-style cap and a heavy, dark doublet that absorbs the light. Only one side of his face catches the directional glow, carving his features out of the surrounding gloom. A white ruffled cuff breaks the darkness at his wrist, where his arm reaches toward the edge of the…
The Altarpiece of the Blessed Conception is a significant work by the Venetian painter Jacopo Bassano. Also known by the title Sant’Anna in trono con la Vergine bambina tra i santi Girolamo e Francesco, the painting captures a sacred assembly through the hand of a master. It was executed in 1541. The pigment rests upon a canvas surface, holding the weight of its original purpose within its fibers.
A celestial burst of golden light pierces a heavy, nocturnal landscape, marking the intersection of the heavenly and the earthly. At the center of this radiance, a winged messenger descends, casting a sharp chiaroscuro effect across the scene. Below this divine illumination, a group of shepherds and their livestock huddle in the darkness, their forms defined by the sudden, intense light. The composition relies on deep earth tones, blacks, and…
The composition rests upon a stable, triangular geometry. Within this shape, the Virgin Mary cradles the Christ Child, their forms intertwined in a quiet, domestic intimacy. A young Saint John the Baptist enters the frame, his small limbs mirroring the soft curves of the infants. The scene is a study in weight and texture. Heavy crimson drapery falls in deep, sculptural folds behind the figures, creating a dark stage for…
In this somber composition from 1575, we find ourselves drawn into the immediate, claustrophobic tension of the Crucifixion. The scene is dominated by the verticality of the cross, which bisects the canvas and anchors the viewer's gaze. Christ is depicted with a pale, luminous skin tone that contrasts sharply against the surrounding darkness, highlighting the physical strain of the moment. Around him, the atmosphere is thick with chaos; spears and…
This Renaissance-era oil portrait, dating from 1585, presents a somber and deeply expressive close-up bust portrait of an elderly man. The subject is positioned slightly off-center, facing towards the left of the frame, while his gaze is directed piercingly toward the viewer. The composition utilizes a shallow depth of field, focusing all attention on the subject's facial features by leaving much of the background and the back of the head…
The air is thick with the heavy scent of dust and animal musk. In this wide landscape, a great procession moves toward a distant, illuminated structure. Oxen and horses form heavy, muscular masses in the foreground, their bodies defined by deep shadows and sharp highlights. They move with a slow, rhythmic weight. Above them, the sky is a theater of small, delicate silhouettes—birds in flight, tracing lines against the light.…
Calvary (1575), Museu Nacional d'Art de Catalunya, Barcelona. Nakon njih slijede Angels announcing to the shepherds the Birth of Jesus (1551) i Portrait of a Youth with Mandolin (1537).
65 godina: Calvary datira iz 1575, a Jacopo Bassano je rođen/a 1510.
Calvary, Angels announcing to the shepherds the Birth of Jesus, Portrait of a Youth with Mandolin, Portrait of an Old Man, Altarpiece of the Blessed Conception, Virgin and Child with the Young Saint John the Baptist, Madonna and Child, Male Portrait, Portrait of a Franciscan Friar i The parable of the rich man and poor Lazarus. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 182 djela umjetnika Jacopo Bassano, datiranih od 1537 do 1592.
Većinom u Bavarske državne slikopisne zbirke (München), Kunsthistorisches Museum (Beč) i Royal Collection (London). Gornja tablica muzeja navodi sve njih.
U 1550s: 31 od 100 djela na ovoj stranici nastalo je tada, od čega je Angels announcing to the shepherds the Birth of Jesus Angels announcing to the shepherds the Birth of Jesus.
Na ovoj stranici najstarije djelo je iz Portrait of a Youth with Mandolin (1537), a najnovije iz The Arrest of Christ (1592).
People (31), Man (31) i Landscape (14), kroz svih 100 djela na ovoj stranici.
Oil On Canvas, za 56 od 100 djela na ovoj stranici.
High renaissance, sudeći po originalima na ovoj stranici.
Virgin and Child with the Saints Martin of Tours and Anthony the Great, John the Baptist i The Market: Bavarske državne slikopisne zbirke, München posjeduje 14 djela s ove stranice.
Rođen u skromnom gradu Bassano del Grappa, smještenom blizu užurbanog srca Venecije, Jacopo da Ponte – kasnije poznat kao Jacopo Bassano – izronio je iz obitelji duboko utopljene u umjetničku tradiciju. Njegov otac, Francesco il Vecchio, već je bio priznati slikar kada je oko 1510. godine primio mladog Jacopa u svoju radionicu, uvodeći ga u zahtjevan svijet umjetnosti. Ta rani trening, u kombinaciji s izlaganjem živopisnoj i inovativnim atmosferi Venecije, duboko će oblikovati Bassaninov prepoznatljiv stil – očaravajući spoj religijske svečanosti, intimnih žanrovskih scena i nevjerojatno realističnih pejzaža.
Bassanove formativne godine obilježilo je jedinstveno učenje. Za razliku od mnogih umjetnika koji su tražili formalnu obuku u udaljenim gradovima poput Firence ili Rima, on je svoje vještine usavršavao u poznatom okruženju svog rodnog grada. Očeva radionica pružila mu je neprocjenjivo iskustvo ne samo u slikarskim tehnikama, već i u praktičnim zanatima poput kartografije i mjerjenja terena – vještinama koje će kasnije oblikovati njegove majstorske prikaze venecijanskog krajolika. Ključno je bilo to što je Bassano bio izložen djelima vodećih venecijanskih majstora poput Tiziana i Giorgione, upijajući njihove inovativne pristupe boji, kompoziciji i svjetlu. Ovaj utjecaj posebno je uočljiv u njegovim ranim slikama, gdje vješto oponaša Tizianovu luminoznu paletu i dramatičnu upotrebu chiaroscuro tehnike – suigre svjetla i sjene.
Bassanov umjetnički put može se široko podijeliti u različita razdoblja, od kojih se svako odlikuje suptilnim promjenama u stilu i tematici. Njegova rani radovi, prvenstveno religijske scene nastale 1530-ih i 40-ih godina, pokazuju jasnu dug prema Tizianovom utjecaju. Kolaja poput „Čišćenja hrama” prikazuju bogatu, živopisnu paletu boja i dinamičnu kompoziciju – odmak od tadašnjih statičnijih konvencija. Ipak, čak i u tim ranim djelima, Bassano uvodi elemente koji će postati zaštitni znak njegovog stila: fokus na svakodnevne detalje, interes za hvatanje prolaznih trenutaka ljudske interakcije te nevjerojatnu sposobnost prožimanja svojih scena osjećajem atmosfere.
Kako je sazrijevao, Bassanova umjetnička vizija se širila. Sve više je okretao pažnju žanrovskim slikama – intimnim prikazima ruralnog života koji uključuju seljake, životinje i ritmove poljoprivrednog rada. Ova djela, često smještena u pozadinu slikovitog venecijanskog krajolika, prožeta su nevjerojatnim osjećajem realizma i neposrednosti. Slike poput „Ovca i jagnje” ili „Povratak izgubljenog sina” primjer su te promjene, pokazujući Bassanovu sposobnost da uhvati bit ljudskog iskustva unutar naturalističkog okruženja. Vješto je spajao religijske teme sa svjetovnim motivima, stvarajući djela koja su istovremeno bila duhovno rezonantna i vizualno očaravajuća.
Bassanovo djelo je iznimno raznoliko, obuhvaćajući širok raspon tema i stilova. Među njegovim najslavnijim slikama nalaze se „Večera u Emau” – remek-djelo venecijanskog slikarstva prepoznatljivo po svjetlucavim bojama, dinamičnu kompoziciji i evokativnom prikazu biblijske scene; „Požar” – dramatičan prikaz požara u šupi koji pokazuje Bassanovu vladavinu svjetlom i sjenom; te „Jakobov povratak u Kanaan”, potresna narativna scena ispunjena emocionalnom dubinom i psihološkim uvidom. Njegov opus uključuje i brojne portrete, pejzaže i religijske kompozicije, od kojih svaka odražava njegov evoluirajući umjetnički senzibilitet.
Osim Tiziana, na Bassana su utjecali razni umjetnici, uključujući majstore ranog renesansnog razdoblja poput Dürera i Rafaela, kao i suvremene venecijanske slikare poput Tintoretta i Veronesea. Vješto je upio elemente iz ovih raznolikih izvora, sintetizirajući ih u jedinstven osobni stil koji je istovremeno inovativan i duboko ukorijenjen u venecijanskoj tradiciji.
Utjecaj Jacopa Bassana na razvoj venecijanskog slikarstva je neosporan. Njegovi majstorski prikazi svjetla, boje i ljudskih emocija pomogli su oblikovati smjer venecijanske umjetnosti generacijama koje dolaze. Bio je pionir u žanru pejzažnog slikarstva, podižući ga s puke dekorativne komponente na integralni dio svojih kompozicija. Nadalje, Bassanova sposobnost besprekorne integracije religioznih i svjetovnih tema – svetih motiva s svakodnevnim životom – uspostavila je presedan koji će slijediti mnogi kasniji venecijanski umjetnici.
Bassanovo naslijeđe proteže se izvan pojedinačnih djela koja je stvorio. Njegova četvorica sinova – Francesco Bassano mlađi, Giovanni Battista da Ponte, Leandro Bassano i Girolamo da Ponte – nastavili su njegovu umjetničku liniju, prenoseći njegov stil i doprinoseći živopisnoj umjetničkoj zajednici Bassano del Grappa. Danas se Jacopo Bassano pamti kao jedan od najvažnijih renesansnih slikara Venecije – majstor svjetla, boje i ljudskog iskustva čija djela i dalje očaravaju publiku diljem svijeta.
