Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 39 djela Giovanni Pisano u našem katalogu
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Last Judgment (detail) (1310) je slika autora Giovanni Pisano koja privlači najviše pogleda; original se nalazi u muzeju Katedrala u Pisi, Pisa. Nakon toga, pogled se usmjerava na Pulpit (1301) i Plato (1280). Među 39 djela umjetnika Giovanni Pisano u našem katalogu, ovih 39 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
The Last Judgment (detail) is a marble sculpture created by Giovanni Pisano around 1310. This intricate work is a fragment of a larger scene located at the Pisa Cathedral in Italy. The piece is characterized by its high level of detail and a dense composition of numerous figures engaged in various activities.
Located within the Sant'Andrea church in Pistoia, Italy, the Pulpit by Giovanni Pisano represents a significant achievement in late thirteenth-century sculpture. Created between 1298 and 1301, this hexagonal pulpit reflects the artist's extensive career across the Italian cities of Pisa, Siena, and Pistoia. The structure is characterized by its complex geometry and the integration of architectural form with narrative relief.
Plato is a marble sculpture by the Italian artist Giovanni Pisano. Created about 1280, the figure represents the Greek philosopher. It is part of a sequence of all-round statues integrated into the architectural program of the Siena Cathedral.
This detailed close-up presents a sculpted bust, likely depicting Plato, rendered in a grayscale palette that emphasizes texture and form. The composition focuses tightly on the head and upper shoulders, creating an intimate and intense portrait where the subject is centered with a slight tilt to the right. The view eliminates background distractions, directing all attention to the facial features and the beard.
The Madonna and Child by Giovanni Pisano emerges from the stone as a quiet, sacred encounter. Created about 1280, this sculpture captures a traditional religious icon that has long invited devotion. The figures of the Virgin Mary and Jesus Christ exist here in a moment of profound stillness, their presence filling the space with a sense of solemnity and reverence.
The marble breathes with a quiet, rhythmic life. In this intimate encounter, the Madonna holds the Christ Child, her form swaying in a gentle, undulant S-shape that flows from her right foot up through the graceful curve of her head. There is a profound sense of movement held within the stillness of the stone. The infant rests slightly beyond the contours of her body, creating a dynamic balance that defies…
This marble bust captures the Prophet Haggai in a moment of intense, solemn contemplation. Carved with a deliberate boldness, the figure is presented in a three-quarter profile, turning away from the viewer to suggest a private, spiritual urgency. The weathered surface of the marble reveals the deep, rhythmic chiseling used to define the flowing hair and the heavy, textured beard. Every line of the face—from the furrowed brow to the…
Maria Moise (Miriam) is a religious sculpture created by the artist Giovanni Pisano. The figure represents the biblical subject Maria Moise (Miriam), who is identified as the sister of Moses. This work is a facade sculpture, originally positioned on the exterior of the Siena Cathedral (Duomo di Siena) in Italy. The piece is carved from marble.
The marble figure of Maria Moise (Miriam) emerges from the stone, a presence that commands attention through its sheer vitality. Created by the artist Giovanni Pisano, this sculpture captures the sister of Moses in a moment of profound movement. She is not a static icon but a figure caught in a sudden, energetic shift, her very form suggesting a life lived in the midst of a great biblical narrative. The…
Isaiah (detail) is a stone sculpture by the artist Giovanni Pisano. This specific work focuses on the head of the prophet Isaiah. The figure is part of a larger statue that originally occupied a position on the façade of the Cathedral of Siena in Italy. The carving dates to about 1285.
Sibyl (detail)1284 · Duomo
12
Pulpit (detail)1301 · Sant'Andrea
13
Isaiah (detail)1285 · Museo dell'Opera del Duomo
14
Pulpit (detail)1301 · Sant'Andrea
15
Story of the Birth of Jesus1301 · Sant'Andrea
16
Massacre of the Innocents1301 · Sant'Andrea
17
Adoration of the Magi1301 · Sant'Andrea
18
Pulpit (detail) (8)1302 · Katedrala u Pisi
19
Pulpit, detail1302 · Katedrala u Pisi
20
Madonna and Child1311 · Museo Civico
21
Madonna and Child1305 · Scrovegnijeva kapelica
22
Pulpit, detail1302 · Katedrala u Pisi
23
Pulpit1302 · Katedrala u Pisi
24
Pulpit (detail)1302 · Katedrala u Pisi
25
Crucifixion1302 · Katedrala u Pisi
26
Nativity1302 · Katedrala u Pisi
27
Madonna with the Child and Two Angels1310 · Scrovegnijeva kapelica
28
Sibyl1285 · Museo dell'Opera del Duomo
29
A Prophet from the Fonte Maggiore1278 · Piazza 4 Novembre
30
Pulpit1301 · Sant'Andrea
31
Sibyl1285
32
Wolf1300
33
Exterior view of the Cathedral1284
34
Last Judgment (detail)1310 · Katedrala u Pisi
35
Pulpit1302 · Katedrala u Pisi
36
Pulpit1302 · Katedrala u Pisi
37
Deacons Holding Candles1310
38
St Anthony Abbot1350 · National Gallery
39
Head of a bearded Man1314 · Nacionalna galerija Danske
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Giovanni Pisano | Slike iz ovog popisa |
|---|---|---|---|
 Katedrala u Pisi |
Pisa | 11 | Last Judgment (detail), Pulpit (detail) (8), Pulpit, detail |
 Sant'Andrea |
Pistoia | 7 | Pulpit, Pulpit (detail), Pulpit (detail) |
 Museo dell'Opera del Duomo |
Siena | 5 | Maria Moise (Miriam), Maria Moise (Miriam), Isaiah (detail) |
 Duomo |
Siena | 4 | Plato, Plato (detail), Haggai |
 Scrovegnijeva kapelica |
Padova | 2 | Madonna and Child, Madonna with the Child and Two Angels |
 Campo Santo |
Piza | 1 | Madonna and Child |
 Museo Civico |
Pisa | 1 | Madonna and Child |
 Piazza 4 Novembre |
Perugia | 1 | A Prophet from the Fonte Maggiore |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
In this quiet moment of observation, we encounter A Prophet from the Fonte Maggiore, a work by the sculptor Giovanni Pisano. Created about 1278, this figure emerged from the artist's early period, a time when he was working closely within the tradition of his father's workshop. The sculpture is a singular component of the larger sculptural program of the fountain in Perugia, contributing to the complex narrative and architectural framework…
Plato is a marble sculpture by the Italian artist Giovanni Pisano. Created about 1280, the figure represents the Greek philosopher. It is part of a sequence of all-round statues integrated into the architectural program of the Siena Cathedral.
The marble breathes with a quiet, rhythmic life. In this intimate encounter, the Madonna holds the Christ Child, her form swaying in a gentle, undulant S-shape that flows from her right foot up through the graceful curve of her head. There is a profound sense of movement held within the stillness of the stone. The infant rests slightly beyond the contours of her body, creating a dynamic balance that defies…
Located within the Sant'Andrea church in Pistoia, Italy, the Pulpit by Giovanni Pisano represents a significant achievement in late thirteenth-century sculpture. Created between 1298 and 1301, this hexagonal pulpit reflects the artist's extensive career across the Italian cities of Pisa, Siena, and Pistoia. The structure is characterized by its complex geometry and the integration of architectural form with narrative relief.
The Last Judgment (detail) is a marble sculpture created by Giovanni Pisano around 1310. This intricate work is a fragment of a larger scene located at the Pisa Cathedral in Italy. The piece is characterized by its high level of detail and a dense composition of numerous figures engaged in various activities.
Last Judgment (detail) (1310), Katedrala u Pisi, Pisa. Nakon njih slijede Pulpit (1301) i Plato (1280).
62 godina: Last Judgment (detail) datira iz 1310, a Giovanni Pisano je rođen/a 1248.
Last Judgment (detail), Pulpit, Plato, Plato (detail), Madonna and Child, Madonna and Child, Haggai, Maria Moise (Miriam), Maria Moise (Miriam) i Isaiah (detail). Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 39 djela umjetnika Giovanni Pisano, datiranih od 1278 do 1314.
Većinom u Katedrala u Pisi (Pisa), Sant'Andrea (Pistoia) i Museo dell'Opera del Duomo (Siena). Gornja tablica muzeja navodi sve njih.
U 1300s: 18 od 39 djela na ovoj stranici nastalo je tada, od čega je Pulpit Pulpit.
Na ovoj stranici najstarije djelo je iz A Prophet from the Fonte Maggiore (1278), a najnovije iz Head of a bearded Man (1314).
Sculpture (18), Drapery (18) i Marble (17), kroz svih 39 djela na ovoj stranici.
Marble, za 24 od 39 djela na ovoj stranici.
Gothic i Proto-renaissance, sudeći po originalima na ovoj stranici.
Last Judgment (detail), Pulpit (detail) (8) i Pulpit, detail: Katedrala u Pisi, Pisa posjeduje 11 djela s ove stranice.
Giovanni Pisano pojavio se u umjetničkom žaru Pise, u Italiji, 1248. godine. Njegovo rano djetinjstvo bilo je natopljeno tradicijom monumentalnog zanata, budući da je bio sin slavnog kipar Nicola Pisano. Upravo u atmosferi očevog radioničkog okruženja, Giovanni je počeo upijati strogu disciplinu i uzvišenu ambiciju koja karakterizira talijanski gotički stil. Te su početne godine bile formativne, razdoblje u kojem su odjeci utvrđenog umjetničkog genija vodili njegov tek rađeni talent. Njegove rane suradnje s Nicolom na značajnim djelima, poput pulpita u Sijenskoj katedrali (1eks. 1265–1268.) i fontane fontana maggiore u Perugiji (završena 1278.), otkrivaju neporecivo majstorstvo forme naslijeđeno od očevih ruku. Iako ta prva djela nose neobitačni otisak Nicoline stilistike, ona služe kao vitalni prolog revolucionarnom umjetniku kakvim je Giovanni bio predodređen postati.
Pravo cvjetanje individualnog genija Giovannija Pisana obilježeno je opipljivim odmakom od spokojnih odjeka očeva djela. Ključni trenutak nastupio je s njegovim angažmanima u pisičkoj katedrali, gdje je između 1277. i 1284. godine klesao statue koje krase dva retka prozornih timpanona na krstionici. Ove figure posjeduju novootkrivenu živost, energiju koja signalizira njegovu umjetničku emancipaciju. Upravo je tu Giovanni počeo utkani različite niti povijesti: uzvišenu vertikalnost francuske gotičke arhitekture koja se prepliće s robusnim, klasičnim dostojanstvom izvučenim iz antičke rimske umjetnosti. Ova sinteza nije bila samo dekorativna; ona je predstavljala duboki intelektualni skok u skulpturalnoj reprezentaciji.
Njegova je ambicija ubrzo nadrasla samu skulpturu kako bi obuhvatila samu strukturu sakralnih prostora. Između 1287. i 1296. godine, Giovanniju Pisanu povjereno je ulogu glavnog arhitekta Sijenske katedrale. Njezina fasada stoji kao monumentalni svjedočitelj njegove evoluirajuće vizije — zadivljujući dijalog između gotičke složenosti i klasične suzdržanosti. Njegova sposobnost usklađivanja ovih naizgled nepovezanih utjecaja izrodila je estetiku koja je definirala veći dio kasnijeg talijanskog umjetničkog smjera. Kasnije, kada se vratio u Pisu kako bi započeo rad na crkvi San Giovanni, a potom se uhvatio u koštac s zamrštenim pulpitom u Sant' Andrei u Pistoiji (projekt koji je započeo ranije), njegova je ruka ostala odlučujuća. Reljefi koji krase ovaj pulpit — prikazujući scene od Ozbilještenja do Posljednjeg suda — majstorski su narativi urezani s tehničkom briljantnošću i dubokim teološkim rezonancijom.
Utjecaj Giovannija Pisana odjekivao je toliko duboko da su ga čak i njegovi suvremenici prepoznali kao pionira. Henry Moore mu je u kasnijim vremenima podario naziv "prvi moderni kipar", što je priznanje koje govori mnogo o njegovom revolucionarnom duhu. Njegovo djelo nije samo ukrašavalo; ono je redefiniralo odnos između umjetnosti, narativa i ljudskog oblika. Samouvjereno miješajući uzvišeni spiritualizam gotičkog dizajna s utemeljenom muskulaturom i idealiziranim oblicima rimske antike, Giovanni Pisano je iskovao vizualni jezik koji je premostio srednjovjekovni svijet prema buđenju renesanse. Njegovo trajno naslijeđe je jedno od dinamičnog prijelaza — majstor koji je vodio talijansku umjetnost iz jedne ere u sljedeću.
