Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 53 djela Édouard Detaille u našem katalogu
Ukratko
Le general d hautpoul a cheval je slika autora Édouard Detaille koja privlači najviše pogleda. Nakon toga, pogled se usmjerava na A Mounted Officer (1877) i Autumn Manoeuvres (1877). Među 53 djela umjetnika Édouard Detaille u našem katalogu, ovih 53 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
A military officer sits atop a horse, positioned toward the left of the frame with his head slightly lowered. He wears a formal uniform and holds a sword, leading a group of soldiers through a landscape of movement and tension. The scene captures a moment of leadership amidst a gathering of troops, some of whom are standing while others are seated or kneeling. The composition uses the central figure to…
The oil on canvas work titled A Mounted Officer was executed by the French artist Édouard Detaille. This specific piece dates to 1877. The painting depicts a solitary figure on horseback within a landscape characterized by muted tones and an overcast atmosphere.
The landscape unfolds in a wide, horizontal expanse of ochre and tan, where the heavy textures of haystacks and churned dirt dominate the foreground. Under a vast, overcast sky, the scene captures a moment of organized movement within a rural setting. Soldiers, rendered in deep blues and reds, populate the terrain in various states of activity. Some stand in small, quiet groups while others march in a receding line toward…
This black and white historical painting, created in 1878, captures a formal military gathering set within an expansive, open field. The composition is horizontal, presenting a wide landscape under an overcast sky that provides diffused, even lighting. The scene depicts a sense of solemnity as officers on horseback interact with infantrymen on foot, focusing on themes of military hierarchy and duty.
The composition centers on two cavalrymen engaged in close combat, positioned in the foreground and moving from the left toward the right. The rider on the left wears a dark uniform topped with a red plume on his helmet. Opposite him, the rider on the right is dressed in a light, cream-colored uniform featuring a black plume. Both men have swords drawn and raised in a state of active engagement.…
In "Mounted Dragoon Officer" by Édouard Detaille, a formal military portrait unfolds before the viewer. The scene captures a soldier mounted upon a dark horse, positioned slightly off-center within a vertical composition. This subtle placement grants the officer a sense of dignity and presence against the vastness of the landscape. The perspective remains at eye-level, meeting the subject in a direct and respectful gaze that brings the viewer into the…
is an oil painting by the French artist Édouard Detaille, executed about 1876. The work belongs to the genre of military portraiture, focusing on the specific likeness of a soldier and his mount. Detaille, a specialist in the meticulous rendering of military life, captures the subject within a broader military context.
Dust settles over the aftermath of a sudden stillness. A soldier and his horse lie tangled upon the earth, their forms tracing a heavy diagonal across the landscape. The ground is a palette of ochre and tan, absorbing the weight of the fallen. Dark blues and blacks from a uniform press into the dirt, meeting the deep, bruised reddish-brown of the horse's coat. There is no movement here, only the…
In Military Scene: Mobile Units Driving Ambulance Mules (Fragment of the Panorama of Champigny), Édouard Detaille employs a horizontal and dynamic composition to capture the logistical reality of warfare. The arrangement directs the viewer's eye from left to right, following mobile units as they guide mules laden with supplies through a wooded landscape. This movement is anchored by the layering of foreground figures against a receding line of trees, which…
The air in the room feels heavy, thick with the scent of wool and the weight of a solemn moment. Men are gathered in a dense, oval arrangement, their profiles etched sharply against a backdrop of movement. They are layered like the pages of a history book, a crowd of dark uniforms and somber expressions caught in a single, breathless instant. Light spills from the upper left, catching the sheen…
A Trumpeter on Horseback1884 · National Gallery of Ireland
12
Soldiers at Rest (Panorama of the Battle of Rezonville) (Fragment)1883 · National Museum of Fine Arts
13
Battle scene1886 · Nacionalni muzej likovnih umjetnosti Kube
14
A Cavalry Officer1887 · National Gallery of Ireland
15
Soldiers1892 · Cleveland Museum of Art
16
Charge de hussards du 1e Empire1891 · Musée Massey
17
The Dragoon1896 · Buffalo AKG Art Museum
18
Colonel Lepic at Eylau with Grenadiers à Cheval of the Garde Impériale1893 · Musée Condé
19
King Edward VII, when Prince of Wales, with Arthur, Duke of Connaught at Aldershot1895 · Royal Collection
20
Voluntary Enlistments in 17921901 · Petit Palais
21
Napoleon and Troops1902 · National Gallery of Ireland
22
Cavalry Charge1902 · Muzej likovnih umjetnosti
23
Funeral of General Comte de Damrémont before the breach of Constantine on October 18, 18371910
24
Hussard fumant la pipe1910 · Musée Massey
25
Gendarmes d'Ordonnance1894 · Metropolitan Museum of Art
26
La revue de Chalons du 9 octobre 18961897 · Musée d'Orsay
27
General Antoine-charles-louis Lasalle
28
The PicketWalters Art Museum
29
Seated Male Nude
30
Siege of Paris ('Dans la tranchée')1872 · Museum Gouda
31
The charge of the 9th regiment of cuirassiers in the village of Morsbronn1874
32
Port of Bizerte1881
33
In the Bois de Boulogne1880 · The Fan Museum
34
Reception by the municipality of Paris, at the barrière de la Villette, of the troops returning from Poland, after the campaign of 1806-1807.1901 · Petit Palais
35
The Camp BarberWalters Art Museum
36
The War - An Infantry Column On Their Way To A Raid
37
Grenadier Guard
38
Artilleur a cheval
39
Mounted First-Empire Dragoons In Front Of A Country House
40
Диригент Императорской гвардии и его собака1883 · Musée de l'Armée
41
Towards Glory
42
Champigny
43
A napoleonic officer
44
The Battle Of Villejuif
45
Le Dragon D-Espagne
46
La charge
47
Deataille edouard chorus of the fourth infantry battalion at tsarkoe seloErmitaž
48
A french cavalry officer guarding captured bavarian soldiers
49
Cossacks attacked by the royal guard
50
The orientation
51
The dreamMusée d'Orsay
52
Vive L'Empereur1891 · Art Gallery of New South Wales
53
The Defense of Champigny1879 · Metropolitan Museum of Art
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Édouard Detaille | Slike iz ovog popisa |
|---|---|---|---|
 National Gallery of Ireland |
Dublin | 4 | Autumn Manoeuvres, A Trumpeter on Horseback, A Cavalry Officer |
 Musée d'Orsay |
Pariz | 3 | Reporting officer + other figures, La revue de Chalons du 9 octobre 1896, The dream |
 Cleveland Museum of Art |
Cleveland | 3 | Combat for the Colors, Mounted Dragoon Officer, Soldiers |
 Metropolitan Museum of Art |
New York | 3 | A Dragoon on Horseback, Gendarmes d'Ordonnance, The Defense of Champigny |
 Musée Carnavalet |
Pariz | 2 | Military Scene: Mobile Units Driving Ambulance Mules (Fragment of the Panorama of Champigny), The Distribution of Flags, July 14, 1880 |
 Musée Massey |
Tarbes | 2 | Charge de hussards du 1e Empire, Hussard fumant la pipe |
 Petit Palais |
Pariz | 2 | Voluntary Enlistments in 1792, Reception by the municipality of Paris, at the barrière de la Villette, of the troops returning from Poland, after the campaign of 1806-1807. |
 Walters Art Museum |
Baltimore | 2 | The Picket, The Camp Barber |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The oil on canvas work titled A Mounted Officer was executed by the French artist Édouard Detaille. This specific piece dates to 1877. The painting depicts a solitary figure on horseback within a landscape characterized by muted tones and an overcast atmosphere.
Dust settles over the aftermath of a sudden stillness. A soldier and his horse lie tangled upon the earth, their forms tracing a heavy diagonal across the landscape. The ground is a palette of ochre and tan, absorbing the weight of the fallen. Dark blues and blacks from a uniform press into the dirt, meeting the deep, bruised reddish-brown of the horse's coat. There is no movement here, only the…
is an oil painting by the French artist Édouard Detaille. Created about 1892, the work reflects the artist's lifelong engagement with military themes and the precision of uniform detail. Detaille was born in Paris in 1848 and remained a significant figure in French academic art until his death in 1912.
The oil on canvas painting titled Voluntary Enlistments in 1792 was executed by the French artist Édouard Detaille. This work dates to about 1901. The composition captures a specific moment of historical activity through a wide, horizontal format.
The air hangs heavy with the scent of spent gunpowder and dry earth. Beneath a pale, diffused light, the breach of Constantine rises like a jagged wound against the sky. Here, the silence is not empty; it is weighted by the presence of the fallen. A large wooden cross stands as the anchor of the scene, its dark grain contrasting against the pale, sun-bleached stone of the fortifications. Beside it,…
Le general d hautpoul a cheval. Sljedeći su A Mounted Officer (1877) i Autumn Manoeuvres (1877).
Le general d hautpoul a cheval, A Mounted Officer, Autumn Manoeuvres, Reporting officer + other figures, Combat for the Colors, Mounted Dragoon Officer, A Dragoon on Horseback, A Killed Mobile, Military Scene: Mobile Units Driving Ambulance Mules (Fragment of the Panorama of Champigny) i The Distribution of Flags, July 14, 1880. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 53 djela umjetnika Édouard Detaille, datiranih od 1872 do 1910.
Većinom u National Gallery of Ireland (Dublin), Musée d'Orsay (Pariz) i Cleveland Museum of Art (Cleveland). Gornja tablica muzeja navodi sve njih.
U 1880s: 10 od 53 djela na ovoj stranici nastalo je tada, od čega je A Killed Mobile A Killed Mobile.
Na ovoj stranici najstarije djelo je iz Siege of Paris ('Dans la tranchée') (1872), a najnovije iz Funeral of General Comte de Damrémont before the breach of Constantine on October 18, 1837 (1910).
Horse (16), Soldier (13) i Soldiers (11), kroz svih 53 djela na ovoj stranici.
Oil On Canvas, za 21 od 53 djela na ovoj stranici.
Academic realism, sudeći po originalima na ovoj stranici.
Autumn Manoeuvres, A Trumpeter on Horseback i A Cavalry Officer: National Gallery of Ireland, Dublin posjeduje 4 djela s ove stranice.
Gustave Caillebotte, rođen u Parizu 1848. godine i tragično preminuo 1894., ostaje ključna figura u prijelazu s realizma na impresionizam unutar francuske umjetnosti. Često zasjenjen svojim živahnijim suvremenicima poput Moneta ili Renoira, Caillebotteova jedinstvena perspektiva – pažljivo promatranje svakodnevnog pariškog života filtrirano kroz izrazito modernu osjetljivost – nudi uvjerljiv pogled u rastući urbani krajolik Francuske kasnog 19. stoljeća. Za razliku od mnogih umjetnika svoje ere koji su tražili grandiozne povijesne ili mitološke teme, Caillebotte se usredotočio na obične: užurbane ulice, intimne interijere i tihe trenutke svakodnevnog života. Njegovo djelo nije obilježeno dramatičnim potezima kista ili živopisnim paletama; umjesto toga, definirano je izvanrednom preciznošću detalja, suptilnom uporabom svjetla i sjene te gotovo fotografskim realizmom koji hvata bit svojih motiva s iznenađujućom točnošću.
Caillebotteov rani život obilježila je privilegija. Potjecao je iz bogate obitelji – njegov otac bio je uspješan posrednik u trgovini dionicama – što mu je omogućilo pristup umjetničkoj edukaciji i udobnom načinu života. Međutim, ova stabilnost također je poticala određenu odvojenost od borbi običnih Parižana. Ta udaljenost vidljiva je u njegovim slikama, koje često prikazuju scene razonode i društvenih okupljanja, odražavajući gornji svijet koji je nastanjivao. Unatoč ovoj pozadini, Caillebotte je bio duboko pod utjecajem impresionističkog pokreta, posebno umjetnika poput Moneta i Pissarra. U početku se eksperimentirao s plein air slikanjem, pokušavajući uhvatiti prolazne efekte svjetla i atmosfere, ali je ubrzo razvio vlastiti prepoznatljiv stil – onaj koji je prioritet davao promatranju i pedantnom renderiranju u odnosu na spontanu ekspresiju.
Iako je odrastao u okruženju bogatstva, Caillebotte nije bio izoliran od umjetničkih strujanja svog vremena. Njegovo rano obrazovanje uključivalo je tradicionalnu umjetničku obuku, ali ga je najviše privukla inovativna tehnika i teme impresionista. Počeo je pohađati Salon, vodeću umjetničku izložbu u Parizu, gdje se susreo s radovima Maneta, Renoira i drugih revolucionarnih slikara. Ti su rani utjecaji oblikovali njegov pristup slikanju, potaknuvši ga da odbaci konvencionalne akademske norme i usredotoči se na prikaz modernog života u svim njegovim nijansama.
Njegova prva djela, poput Paris Street; Rainy Day (1877.), možda su mu najpoznatija. Ova slika primjer je njegova pristupa – detaljan prikaz užurbane pariške ulice u kišni dan, izveden s izvanrednom preciznošću i gotovo kliničkom distancom. Figure na slici čine kao da postoje unutar pomalo nadrealnog prostora, njihova lica skrivena šeširima i kišobranima, stvarajući osjećaj anonimnosti i urbane otuđenosti. Ova djela pokazuju njegovu fascinaciju modernim gradom i njegovu sposobnost da uhvati složenost ljudske interakcije u javnom prostoru.
Caillebotteov rad bio je duboko utjecan usponom fotografije. Intenzivno je proučavao fotografije, analizirajući njihovu kompoziciju, rasvjetu i perspektivu. Ovaj se utjecaj očituje u njegovim slikama – oštrim fokusom, točnom prikazivanju detalja i često asimetričnim aranžmanima – tehnikama preuzetim iz fotografskog medija. Njegova pažnja na detalje nije bila samo estetska odluka; bio je fasciniran sposobnošću fotografije da uhvati trenutak u vremenu, stvarajući realističan prikaz svijeta kakav jest.
Njegov pristup slikanju bio je iznimno metodičan. Prije nanošenja boje na platno, pažljivo bi mjerio i skicirao, osiguravši da su svi elementi slike precizno pozicionirani i točno prikazani. Ova pedantnost vidljiva je u njegovim slikama – oštrim fokusom, realističnom rasvjetom i uvjerljivom smislu dubine. Koristio je tehnike poput perspektive i skraćenja kako bi stvorio iluziju prostora i dodao dinamiku svojim kompozicijama.
Iako ga se često svrstava u impresioniste, Caillebotteov rad sve više otkriva afinitete s nastajućim simbolističkim pokretom. Ova promjena posebno je primjetna u njegovim kasnijim slikama, gdje počinje istraživati teme sjećanja, gubitka i psiholoških stanja. Pedantni detalj koji je karakterizirao njegova ranija djela postaje manje o objektivnom prikazivanju, a više o prenošenju osjećaja unutarnjeg iskustva. Njegova upotreba prigušenih boja i suptilnih tonskih varijacija stvara atmosferu melankolije i introspekcije – daleko od svijetlog optimizma mnogih impresionističkih slika.
Utjecaj simbolizma očituje se u djelima poput L’Assomoir (1877.), slike koja prikazuje skupinu muškaraca okupljenih na doku. Figure su prikazane s izvanrednom razinom realizma, ali su im lica uglavnom skrivena, a cjelokupno raspoloženje je jedno tihe kontemplacije i neizrečenih čežnji. Kompozicija slike – pažljivo konstruiran aranžman linija i oblika – stvara osjećaj nemira i dvosmislenosti, pozivajući gledatelje da interpretiraju scenu na vlastiti način. Caillebotteovo istraživanje psiholoških tema predviđa mnoge brige koje bi kasnije definirale simbolističku umjetnost.
Unatoč relativno kratkoj karijeri, Gustave Caillebotte ostavio je značajan trag u razvoju moderne umjetnosti. Njegovo pažljivo promatranje, inovativna tehnika i tiho istraživanje urbanog života utrle su put kasnijim umjetnicima koji su tražili uhvatiti složenost modernog svijeta. Iako možda nije tako slavno poznat kao neki od njegovih impresionističkih suvremenika, Caillebotteovo djelo zaslužuje priznanje kao ključna karika između realizma i modernizma – svjedočanstvo moći promatranja i trajne privlačnosti svakodnevnog života.
Caillebotteov utjecaj može se vidjeti u djelima kasnijih umjetnika poput Edgara Degasa i Georgea Seurata, koji su obojica divili njegovoj tehničkoj vještini i sposobnosti da uhvate bit pariškog društva. Njegovo nasljeđe nastavlja inspirirati umjetnike danas koji traže istraživanje odnosa između umjetnosti i stvarnosti – pronaći ljepotu i značenje u običnim trenucima ljudskog iskustva.
