Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 156 djela Alexandre Gabriel Decamps u našem katalogu
Ukratko
Od svih originala koje je Alexandre Gabriel Decamps ostavio, najpoznatiji je The Defeat of the Cimbri (1833) u kolekciji muzeja Louvre, Pariz. Samo iza njih slijede The Witches in 'Macbeth' (1841) i Old Woman and Boy in a Forest (1848). Naš katalog sadrži 156 djela umjetnika Alexandre Gabriel Decamps; galerija je čuvala onih 100 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
Alexandre Gabriel Decamps’ “The Defeat of the Cimbri,” completed in 1833, stands as a cornerstone of Romantic art—a bold assertion against the rigid formalism of Neoclassicism and an embodiment of the era's fervent embrace of emotion and grandeur. Housed within the Louvre Museum’s walls, this monumental oil on canvas (measuring 130 x 195 cm) captures not merely a historical event but also the very spirit of its time.
The air in the cavern feels heavy, thick with the scent of woodsmoke and something older. Three women gather around a central cauldron, their forms caught in the flickering, amber light of a small fire. One figure stands with arms raised toward the darkness, a silhouette against the gloom, while another leans into the heat of the flames. A third kneels upon the earth, her presence anchored near the glowing…
The forest is a vertical cage of shadows and light. Within this grayscale world, an elderly woman moves through the dense timber, her body bent under the weight of a heavy bundle of sticks. Beside her, a small boy looks upward, his gaze a silent anchor to her labor. The scene is captured in monochrome, stripping away the distraction of color to focus on the stark reality of their connection.…
The scene unfolds in 1836 through the oil on canvas work titled Souvenir de la Turquie d'Asie, dit aussi Enfants turcs auprès d'une fontaine. Alexandre Gabriel Decamps captures a quiet moment of discovery in this Orientalist painting. The air feels heavy with the warmth of the sun as Turkish children gather in a courtyard. They focus their attention on a slow-moving tortoise, their youthful curiosity drawing them toward the small…
In a dimly lit interior, a man sits in profile at a large table, his attention fixed upon an open book. The scene is composed within a shallow space, creating a sense of enclosure. A rectangular patch of sunlight strikes the back wall, providing a sharp geometric contrast to the surrounding shadows. This light illuminates the pages of the book and the surface of the table, where various objects are…
In this 1852 oil painting, a seated, bearded figure wrapped in a white cloth occupies the left foreground, positioned within a shadowed architectural courtyard. The composition uses high walls to create a sense of enclosure, directing the eye toward a sunlit colonnade in the background. Through these arches, a clear blue sky is visible, providing a sharp contrast to the deep shadows of the foreground. A woman watches from an…
In this oil on canvas, a solitary soldier is positioned within an architectural arcade. The figure stands slightly to the right of the vertical midline, draped in a patterned robe that catches the light from the upper left. This light source casts soft shadows across the stone surfaces and highlights the metallic sheen of the soldier's weaponry. The color palette is composed of warm, earthy tones, specifically ochre, gold, cream,…
Inside a dimly lit enclosure, the air feels heavy and still. Two pigs occupy the center of this somber space, their forms emerging from deep shadows. One animal stands, leaning its weight toward a trough on the left, while the other lies resting in the foreground, surrendered to stillness. The scene is bathed in a muted, earthy palette where deep browns, ochre, and sienna dominate the view. Light descends from…
The painting reflects a deep interest in the reality of daily life and the dignity found in physical labor. Rather than focusing on idealized figures, the work presents the masons as they are: weathered, focused, and deeply integrated into their environment. There is a sense of movement in the way the figures are distributed, suggesting a continuous, ongoing process of creation. The heavy, organic shapes of the stones contrast with…
is a 19th-century landscape by Alexandre Gabriel Decamps. Created about 1830, the work presents a genre scene of outdoor sport. The composition centers on a group of men engaged in the pursuit of birds within an open, rural setting.
Albanian Dancers1835 · Musée des Beaux-Arts de Brest
12
Turkish Executioners1837 · Amsterdam Museum
13
The Gypsy Camp1837
14
A Turkish School1846 · Amsterdam Museum
15
The Punishment of the Hooks1837 · Wallace Collection
16
Asses Resting: A Turkish Scene1833 · Wallace Collection
17
Interior of a Turkish Cafe1833
18
The Scythe Sharpener1841 · Amsterdam Museum
19
Towhorses1842
20
The Roman Campagna1847 · Wallace Collection
21
An Arab and His Steed1843
22
The Grinder1840
23
Goatherd of the Abruzzi1845 · Minneapolis Institute of Art
24
Rocky Bay South of Salerno with View of Capri1847 · Harvard Art Museums
25
The Poacher1847
26
Black and White Basset Hound in the Kennel1849
27
A Street in Smyrna1850
28
Winter Fuel1850 · Aberdeen Art Gallery
29
Eastern Women at a Well1851 · Wallace Collection
30
Oxen before a Farmhouse at Le Verrier1853 · Cleveland Museum of Art
31
Courtyard1855 · Art Institute of Chicago
32
The Turkish Patrol1831 · Wallace Collection
33
Before a Mosque1868 · Ermitaž
34
The Good Samaritan1842 · Cleveland Museum of Art
35
LA CARAVANELouvre
36
LE SINGE PEINTRE DIT AUSSI INTERIEUR D'ATELIERLouvre
37
CHEVAUX DE HALAGELouvre
38
Souvenir De La Turquie d'Asie Enfants Turcs Jouant Avec Une TortueMusée Condé
39
LE PASSAGE DU GUELouvre
40
Evening Landscape1830 · Museum Gouda
41
The Hunter (Le garde-chasse)1830 · Museum Gouda
42
Watchdogs1829 · The Mesdag Collection
43
Napoleon op St. Helena1826 · The Mesdag Collection
44
Landscape1840 · Metropolitan Museum of Art
45
Descamps Self Portrait early1830
46
The Villa Doria Pamphilj, Rome1838 · Wallace Collection
47
The Finding of Moses1837 · Wallace Collection
48
Joseph Sold by his Brethren1838 · Wallace Collection
49
Eastern Figures Reposing1832 · Wallace Collection
50
Bazaar in Cairo1833 · Rhode Island School of Design Museum of Art
51
The huntsman1839 · Rijksmuseum Twenthe
52
Turkish Standard-bearer1839 · Bavarske državne slikopisne zbirke
53
Landscape with the Good Samaritan1837 · Minneapolis Institute of Art
54
Windmill1835 · Muzej likovnih umjetnosti
55
Cat, Weasel, and Rabbit1836
56
Bulldog and Scottish Terrier1843
57
A Meadow with Horses1845 · Amsterdam Museum
58
A City in Asia Minor1846 · Amsterdam Museum
59
A Shepherd with His Flock1843 · Amsterdam Museum
60
The Lost Trail1842 · Amsterdam Museum
61
Bertrand and Raton1847 · Musée Jean de La Fontaine
62
The Anchorage of Smyrna1847 · Wallace Collection
63
A Well in the East1847 · Wallace Collection
64
The Watering Place1850 · Aberdeen Art Gallery
65
The Miraculous Draught of Fishes1853 · Wallace Collection
66
Tobias and the Angel1855 · Nacionalna galerija Kanade
67
Aftenlandskap1854 · National Museum of Art, Architecture and Design
68
The Beggars1849 · Scottish National Gallery
69
Sunset, Tombs Near Cairo1850 · Walters Art Museum
70
Still Life with Herring, Bread, and Cheese1858 · Cleveland Museum of Art
71
Still Life with Pipe and Matches1858 · Cleveland Museum of Art
72
Old Port, Singapore1860 · Muzej likovnih umjetnosti
73
The poacher1857 · The Mesdag Collection
74
A Monkey Playing a LuteBowes Museum
75
The Blind Beggar
76
A Horse with Child Holding ReinsNational Gallery of Ireland
77
Young BeggarsMuzej likovnih umjetnosti
78
TETE DE SINGE FUMANT LA PIPE
79
Monkey looking in a mirrorMusée Grobet-Labadié
80
REBECCA A LA FONTAINEMusée Condé
81
Singe au miroir
82
PAYSAGE (DON QUICHOTTE)Musée Condé
83
Braconnier vu de dos
84
Don Quichotte et Sancho
85
Souvenir de Turquie d'Asie (Environs de Smyrne) (titre attribué)
86
Le marché aux bestiauxMusée des Beaux-Arts de Bordeaux
87
Paysage Saül poursuivant David
88
Bertrand et Raton Le Singe et le Chat, IX, 17
89
INTERIEUR DE COUR RUSTIQUE A FONTAINEBLEAU
90
Enfants effrayés à la vue d'une chienne
91
BERTRAND ET RATONMusée Condé
92
Vue d'Orient
93
L'ECOLE TURQUEMusée Condé
94
UN CORPS DE GARDE TURC SUR LA ROUTE DE SMYRNE A MAGNESIEMusée Condé
95
PORTE ETENDARD TURCMusée Condé
96
Marchand turc fumant dans sa boutique
97
Guerriers arabes
98
A Bedouin and a Camel Resting in a Desert
99
ENFANT DONNANT A MANGER A UN MOUTONMusée Condé
100
ENFANTS TURCS AUPRES D'UNE FONTAINE
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Alexandre Gabriel Decamps | Slike iz ovog popisa |
|---|---|---|---|
 Wallace Collection |
London | 16 | The Witches in 'Macbeth', The Bookworm, Soldier of the Guard of a Vizier |
 Musée Condé |
Chantilly | 12 | Souvenir de la Turquie d'Asie, dit aussi Enfants turcs auprès d'une fontaine, Souvenir De La Turquie d'Asie Enfants Turcs Jouant Avec Une Tortue, REBECCA A LA FONTAINE |
 Amsterdam Museum |
Amsterdam | 7 | Turkish Executioners, A Turkish School, The Scythe Sharpener |
 Louvre |
Pariz | 28 | The Defeat of the Cimbri, LA CARAVANE, LE SINGE PEINTRE DIT AUSSI INTERIEUR D'ATELIER |
 Cleveland Museum of Art |
Cleveland | 4 | Oxen before a Farmhouse at Le Verrier, The Good Samaritan, Still Life with Herring, Bread, and Cheese |
 Muzej likovnih umjetnosti |
Boston | 5 | Windmill, Old Port, Singapore, Young Beggars |
 Minneapolis Institute of Art |
Minneapolis | 3 | Job and His Friends, Goatherd of the Abruzzi, Landscape with the Good Samaritan |
 The Mesdag Collection |
Haag | 3 | Watchdogs, Napoleon op St. Helena, The poacher |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
In this oil on canvas, a solitary soldier is positioned within an architectural arcade. The figure stands slightly to the right of the vertical midline, draped in a patterned robe that catches the light from the upper left. This light source casts soft shadows across the stone surfaces and highlights the metallic sheen of the soldier's weaponry. The color palette is composed of warm, earthy tones, specifically ochre, gold, cream,…
Alexandre Gabriel Decamps’ “The Defeat of the Cimbri,” completed in 1833, stands as a cornerstone of Romantic art—a bold assertion against the rigid formalism of Neoclassicism and an embodiment of the era's fervent embrace of emotion and grandeur. Housed within the Louvre Museum’s walls, this monumental oil on canvas (measuring 130 x 195 cm) captures not merely a historical event but also the very spirit of its time.
The air in the cavern feels heavy, thick with the scent of woodsmoke and something older. Three women gather around a central cauldron, their forms caught in the flickering, amber light of a small fire. One figure stands with arms raised toward the darkness, a silhouette against the gloom, while another leans into the heat of the flames. A third kneels upon the earth, her presence anchored near the glowing…
In this 1852 oil painting, a seated, bearded figure wrapped in a white cloth occupies the left foreground, positioned within a shadowed architectural courtyard. The composition uses high walls to create a sense of enclosure, directing the eye toward a sunlit colonnade in the background. Through these arches, a clear blue sky is visible, providing a sharp contrast to the deep shadows of the foreground. A woman watches from an…
The Defeat of the Cimbri (1833), Louvre, Pariz. Nakon njih slijede The Witches in 'Macbeth' (1841) i Old Woman and Boy in a Forest (1848).
30 godina: The Defeat of the Cimbri datira iz 1833, a Alexandre Gabriel Decamps je rođen/a 1803.
The Defeat of the Cimbri, The Witches in 'Macbeth', Old Woman and Boy in a Forest, Souvenir de la Turquie d'Asie, dit aussi Enfants turcs auprès d'une fontaine, The Bookworm, Job and His Friends, Soldier of the Guard of a Vizier, Study of Pigs, The Masons i Bird Hunting. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 156 djela umjetnika Alexandre Gabriel Decamps, datiranih od 1825 do 1860.
Većinom u Wallace Collection (London), Musée Condé (Chantilly) i Amsterdam Museum (Amsterdam). Gornja tablica muzeja navodi sve njih.
U 1840s: 25 od 100 djela na ovoj stranici nastalo je tada, od čega je The Witches in 'Macbeth' The Witches in 'Macbeth'.
Na ovoj stranici najstarije djelo je iz The Masons (1825), a najnovije iz Old Port, Singapore (1860).
Man (11), Shadows (10) i Landscape (7), kroz svih 100 djela na ovoj stranici.
Oil On Canvas, za 26 od 100 djela na ovoj stranici.
Romanticism i Orientalism, sudeći po originalima na ovoj stranici.
The Witches in 'Macbeth', The Bookworm i Soldier of the Guard of a Vizier: Wallace Collection, London posjeduje 15 djela s ove stranice.
