अक्टूबर 2026 में अपडेट किया गया · हमारे लोकप्रियता स्कोर (प्रत्येक कृति के लिए खोज, विज़िट और ऑर्डर) के आधार पर रैंक किया गया · 26 कृतियाँ William Dunlap की हमारे कैटलॉग में
संक्षेप में
Elizabeth Linn Brown (1806) वह William Dunlap की पेंटिंग है जो सबसे अधिक ध्यान आकर्षित करती है; इसका मूल National Portrait Gallery, वॉशिंगटन, डी.सी. में है। इसके बाद, दृष्टि Major David Van Horne (1790) और Ann Brunton, the actress (Mrs. Rob Merry) (1795) पर जाती है। हमारे कैटलॉग में William Dunlap की 26 कृतियों में से, ये 26 सबसे प्रसिद्ध हैं, जिनमें से प्रत्येक को उसके वर्ष, उसके संग्रहालय और उसके चिरस्थायी होने के कारण के साथ एक अद्वितीय मूल कृति के रूप में प्रस्तुत किया गया है।
This portrait miniature, executed around 1806, captures Elizabeth Linn Brown in a three-quarter view. The sitter meets the viewer's gaze with a quiet, steady presence. Her golden-blonde hair and warm skin tones provide a soft contrast to the cool, muted palette of the background. She wears a white garment, rendered with a luminous quality that suggests the delicate texture of fine fabric. The composition is contained within an oval frame,…
In this oil on canvas, William Dunlap captures the steady presence of Major David Van Horne. Painted about 1790, the work presents the military officer in a three-quarter length view. He is a man defined by the structure of his station, his form anchored against a soft, atmospheric landscape. The subject holds a document in his left hand, a quiet gesture of command and administrative duty.
The artwork is titled Ann Brunton, the actress (Mrs. Rob Merry). It is a portrait painted by the American artist William Dunlap. The subject of the work is Ann Brunton, who lived from 1769 to 1808. This specific piece was created ca. 1795.
In this intimate oil on canvas, we encounter Mary Fairlie Cooper, a subject captured with a quiet, steady gaze. Painted in about 1814, the work offers a direct encounter with the sitter, presenting her in a bust-length composition that emphasizes her presence. The portrait reflects the dignified manner in which William Dunlap approached his subjects during this period of his career.
The William Dunlap self-portrait by William Dunlap captures a man in a moment of quiet stillness. Created about 1805, this intimate likeness presents the artist as a figure of calm contemplation. He gazes toward the viewer with a steady, composed expression, his features rendered with a delicate precision that suggests a deep awareness of his own image. The portrait functions as a window into the private world of a man…
The man sits in a moment of profound stillness, his gaze meeting the viewer from within an oval frame. He is Joel Barlow, captured in a portrait that feels more like a whispered confidence than a formal sitting. A soft, directional light sweeps across the left side of his face, catching the high ridge of his forehead and the bridge of his nose, while the right side recedes into gentle,…
This portrait miniature, executed in 1806, presents a young man in a three-quarter view, oriented toward the right within an oval composition. The subject wears a dark navy blue coat paired with a crisp white cravat and shirt. His skin is rendered in warm flesh tones, utilizing subtle pinks and browns to define the contours of the face and neck. A soft, diffused light originates from the upper left, casting…
Frances Meadowcroft Hodgkinson (Mrs. Asa Worthington II) is an oil portrait by the American artist William Dunlap. Executed about 1813, the work captures a single female figure in a formal, bust-length composition. The subject is presented with a quiet sophistication, looking slightly away from the viewer toward the left of the frame.
A young man sits in the quiet gravity of 1810. He is positioned slightly off-center, his body turned toward the right while his eyes lock onto the viewer with a direct, steady presence. The light enters from the upper left, carving the contours of his face and casting soft, directional shadows that give his features a sculptural depth. He wears a heavy, dark coat, its brass buttons catching the light,…
The portrait of Samuel Griffin, attributed to the artist William Dunlap, captures a man of significant civic presence. Created about 1809, the work presents the sitter during a period of active political engagement, as Griffin was serving in Congress at the time of the likeness. The oil on canvas fixes his gaze in a moment of quietude, preserving the steady composure of a man navigating the early American Federal period.
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Moses Judah1818 · सिनसिनाटी आर्ट म्यूजियम
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Christ Rejected1822
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17
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21
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23
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25
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26
The Dunlap Family1788 · New York Historical Society
इन मूल कृतियों में बार-बार आने वाले चार विषय, जिनमें से प्रत्येक का सबसे उत्कृष्ट उदाहरण यहाँ प्रस्तुत है।
वे 8 संग्रहालय जिनमें इस पृष्ठ की सर्वाधिक पेंटिंग्स मौजूद हैं।
| संग्रहालय | शहर | William Dunlap की कृतियाँ | इस सूची की पेंटिंग्स |
|---|---|---|---|
 New York Historical Society |
न्यूयॉर्क सिटी | 5 | Frances Meadowcroft Hodgkinson (Mrs. Asa Worthington II), William Coleman (1766-1829), William Townsend McCoun (1786–1878) |
 National Portrait Gallery |
वॉशिंगटन, डी.सी. | 4 | Elizabeth Linn Brown, William Dunlap self-portrait, Joel Barlow |
 मेट्रोपॉलिटन म्यूज़ियम ऑफ़ आर्ट |
न्यूयॉर्क | 4 | Self portrait, John Adams Conant, Mrs. John Adams Conant |
 सिनसिनाटी आर्ट म्यूजियम |
सिनसिनाटी | 2 | Hetty Sayre (Mrs. Moses Judah), Moses Judah |
 डलास संग्रहालय कला |
डलास | 2 | Commodore Isaac Hull, Anna Hart, Mrs. Isaac Hull |
 Detroit Institute of Arts |
डेट्रॉइट | 1 | Major David Van Horne |
 Walters Art Museum |
बाल्टीमोर | 1 | Ann Brunton, the actress (Mrs. Rob Merry) |
 क्लीवलैंड म्यूज़ियम ऑफ़ आर्ट |
क्लीवलैंड | 1 | Mary Fairlie Cooper |
उस दशक को चुनें जो उसकी पहचान है और उसकी मूल कृतियाँ देखें।
To delve deeper into Dunlap’s artistic vision and the broader context of Neoclassical painting in America, explore these resources:
In this oil on canvas, William Dunlap captures the steady presence of Major David Van Horne. Painted about 1790, the work presents the military officer in a three-quarter length view. He is a man defined by the structure of his station, his form anchored against a soft, atmospheric landscape. The subject holds a document in his left hand, a quiet gesture of command and administrative duty.
This portrait miniature, executed around 1806, captures Elizabeth Linn Brown in a three-quarter view. The sitter meets the viewer's gaze with a quiet, steady presence. Her golden-blonde hair and warm skin tones provide a soft contrast to the cool, muted palette of the background. She wears a white garment, rendered with a luminous quality that suggests the delicate texture of fine fabric. The composition is contained within an oval frame,…
In this intimate oil on canvas, we encounter Mary Fairlie Cooper, a subject captured with a quiet, steady gaze. Painted in about 1814, the work offers a direct encounter with the sitter, presenting her in a bust-length composition that emphasizes her presence. The portrait reflects the dignified manner in which William Dunlap approached his subjects during this period of his career.
The air in the courtyard feels heavy, thick with the tension of a verdict being passed. Within this architectural enclosure, a profound collision of authority and innocence unfolds. A central figure, draped in robes of deep crimson and teal, remains remarkably still amidst the swirling chaos of the crowd. This calm presence contrasts sharply with the aggressive gestures of the officials surrounding him. One figure, perhaps a high priest, reaches…
A somber, formal portrait from 1833 captures William Townsend McCoun in a moment of quiet introspection. The composition focuses on a bust-length view, positioning the subject slightly off-center. He faces toward the viewer's left, though his gaze remains directed forward. The atmosphere is heavy and moody, defined by a restrained palette of deep blacks and dark browns. This darkness is interrupted only by the sharp, bright white of a high…
Elizabeth Linn Brown (1806), National Portrait Gallery, वॉशिंगटन, डी.सी.. इसके बाद Major David Van Horne (1790) और Ann Brunton, the actress (Mrs. Rob Merry) (1795) आते हैं।
40 वर्ष की आयु: Elizabeth Linn Brown 1806 का है, और William Dunlap का जन्म 1766 में हुआ था।
Elizabeth Linn Brown, Major David Van Horne, Ann Brunton, the actress (Mrs. Rob Merry), Mary Fairlie Cooper, William Dunlap self-portrait, Joel Barlow, Charles Brockden Brown, Frances Meadowcroft Hodgkinson (Mrs. Asa Worthington II), William Coleman (1766-1829) और Samuel Griffin। ऊपर दी गई रैंकिंग में प्रत्येक का वर्ष और संग्रहालय दिया गया है।
हमारे कैटलॉग में William Dunlap की 26 कृतियाँ हैं, जो 1788 से 1833 तक की हैं।
अधिकतर New York Historical Society (न्यूयॉर्क सिटी), National Portrait Gallery (वॉशिंगटन, डी.सी.) और मेट्रोपॉलिटन म्यूज़ियम ऑफ़ आर्ट (न्यूयॉर्क) में। ऊपर दी गई संग्रहालय तालिका में उन सभी की सूची दी गई है।
1820s में: इस पृष्ठ पर मौजूद 26 कृतियों में से 6 उस समय बनाई गई थीं, जिनमें से Christ Rejected इनमें से हैं।
इस पृष्ठ पर, सबसे पुरानी कृति The Dunlap Family (1788) है और नवीनतम William Townsend McCoun (1786–1878) (1833) है।
इस पृष्ठ पर 26 कृतियों में Portrait (10), Man (9) और Woman (5)
इस पृष्ठ पर मौजूद 26 कृतियों में से 8 के लिए Oil On Canvas।
Frances Meadowcroft Hodgkinson (Mrs. Asa Worthington II), William Coleman (1766-1829) और William Townsend McCoun (1786–1878): New York Historical Society, न्यूयॉर्क सिटी में इस पृष्ठ पर मौजूद कृतियों में से 5 मौजूद हैं।
