हेनरी लेबासके का चित्र

100 सबसे प्रसिद्ध हेनरी लेबासके पेंटिंग्स, एक गैलरी चयन

अक्टूबर 2026 में अपडेट किया गया · हमारे लोकप्रियता स्कोर (प्रत्येक कृति के लिए खोज, विज़िट और ऑर्डर) के आधार पर रैंक किया गया · 539 कृतियाँ हेनरी लेबासके की हमारे कैटलॉग में

संक्षेप में

हेनरी लेबासके द्वारा बनाई गई सभी मूल कृतियों में से, सबसे प्रसिद्ध Street by the Port at Collioure (1921) है। इसके ठीक बाद Young woman on a hammock (1923) और On the Beach (1921) का स्थान आता है। हमारे कैटलॉग में हेनरी लेबासके की 539 कृतियाँ हैं; गैलरी ने उन 100 कृतियों को सहेज कर रखा है जिन्हें दुनिया सबसे अधिक पसंद करती है, जिनमें से प्रत्येक को उनकी तिथि, उनके संग्रहालय और उनकी कहानी के साथ प्रदर्शित किया गया है।

1865 – 1937, शैंपिग्नी-सुर-मारन Post-impressionism सर्वाधिक कृतियाँ: वाल्रफ़-रिचार्ट्स संग्रहालय

हेनरी लेबासके की शीर्ष 10 पेंटिंग: गैलरी का चयन

1
Street by the Port at Collioure (1921) द्वारा हेनरी लेबासके

Street by the Port at Collioure

1921 · Oil

In this 1921 work, we find ourselves standing at the edge of a quiet harbor, looking out toward the water. The scene captures a narrow street leading down to the port, where the architecture of the town meets the movement of the sea. Several boats are scattered throughout the harbor, their forms resting upon the water, while small figures move along the waterfront. There is a sense of a lived-in…

2
Young woman on a hammock (1923) द्वारा हेनरी लेबासके

Young woman on a hammock

1923 · Oil On Canvas

Sunlight filters through a dense canopy of leaves, casting dappled patterns across a secluded garden. In the center of this lush sanctuary, a young woman reclines within the gentle embrace of a hammock. The fabric, marked by distinct stripes of red, yellow, and blue, sways almost imperceptibly between two sturdy trees. She rests in a state of profound contentment, her body softly contoured by the weight of her repose. Around…

3
On the Beach (1921) द्वारा हेनरी लेबासके

On the Beach

1921 · Oil On Canvas

On the Beach is an oil on canvas by the French artist Henri Lebasque. Created about 1921, the work reflects the artist's established interest in the interplay of light and leisure. Lebasque, born in Champigné, France, developed a style characterized by a natural brush-stroke and a focus on the serene atmosphere of the outdoors.

4
Girls in the Garden (1905) द्वारा हेनरी लेबासके

Girls in the Garden

1905 · Oil

Two young figures occupy a sun-dappled garden, their presence framed by the protective canopy of a large tree. One girl finds balance atop a fence, while her companion sits nearby on the ground. A handbag rests on the earth, a small, domestic detail that anchors the scene in a specific, unscripted moment of childhood. Throughout the composition, birds move through the foliage, adding a sense of life to the stillness.…

5
In the Flowers (1903) द्वारा हेनरी लेबासके

In the Flowers

1903 · Oil

In this 1903 composition, we find ourselves drawn into a quiet, sun-drenched corner of a garden. Three women inhabit this lush space, their presence felt through a soft, intimate arrangement of figures and flora. On the left, a woman in a white dress leans down to kiss a child, a gesture of tenderness that anchors the scene in a sense of domestic peace. Behind her, another figure in white observes…

6
bather (1910) द्वारा हेनरी लेबासके

bather

1910 · Oil

Created about 1910, bather by Henri Lebasque captures a moment of leisure at the water's edge. The central figure is a woman positioned in the water, appearing to sit upon a bench. Her presence establishes a sense of quietude amidst a lively setting. Around her, several other people are gathered, some standing and others seated, observing or interacting within the shared space.

8
Bathers at a fountain in Saint Tropez (1906) द्वारा हेनरी लेबासके

Bathers at a fountain in Saint Tropez

1906 · Oil On Canvas

In this 1906 work, we find ourselves in a secluded corner of a forest, where the heat of the day seems to soften against the cool presence of a stone fountain. Two women, stripped of the complexities of social life, stand near the water, their forms integrated into the lush surroundings. One figure is positioned toward the left, while the other occupies the right, both seemingly lost in a shared,…

9
Woman in a Boat with an Umbrella (1915) द्वारा हेनरी लेबासके

Woman in a Boat with an Umbrella

1915 · Oil

A woman sits within a boat characterized by a green hull, positioned upon a body of water. She holds an open umbrella, shielding herself while appearing to exist in a state of quiet repose despite the presence of rain. The water's surface reflects the light and the forms of the figures present. In the background, several other people are visible, some positioned near the shoreline, adding a sense of communal…

10
Blue Reflection in the Fountain at Pradet (1917) द्वारा हेनरी लेबासके

Blue Reflection in the Fountain at Pradet

1917 · Oil

Two women sit by the water's edge, seeking repose in a park-like setting. One holds an umbrella, a gesture of shade against the midday sun. Behind them, the landscape rises in soft silhouettes of trees and mountains, framing a scene of stillness. The composition focuses on the intersection of human presence and the natural world, captured during a period when the light of the South of France began to transform…

हेनरी लेबासके का चयन जारी है, 11 से 100 तक

11The Terrace at Prefailles (1922) द्वारा हेनरी लेबासकेThe Terrace at Prefailles1922 12Le Pradet Jeune Femme au Hamac (1923) द्वारा हेनरी लेबासकेLe Pradet Jeune Femme au Hamac1923 13Blue Mountains in Cannes (1926) द्वारा हेनरी लेबासकेBlue Mountains in Cannes1926 14Women and Children in the Parc de Dammartin (1896) द्वारा हेनरी लेबासकेWomen and Children in the Parc de Dammartin1896 15Young Woman Seated with Hydrangeas (1920) द्वारा हेनरी लेबासकेYoung Woman Seated with Hydrangeas1920 16Girls in a Mediterranean landscape द्वारा हेनरी लेबासकेGirls in a Mediterranean landscape 17Young Girls in a Wood (1897) द्वारा हेनरी लेबासकेYoung Girls in a Wood1897 · Museo de Arte de Ponce 18Girls in the Forest at Sunset (1898) द्वारा हेनरी लेबासकेGirls in the Forest at Sunset1898 19Girls in the Garden (1905) द्वारा हेनरी लेबासकेGirls in the Garden1905 20Fillette à la Fenêtre (1904) द्वारा हेनरी लेबासकेFillette à la Fenêtre1904 21The Marne at Lagny (1905) द्वारा हेनरी लेबासकेThe Marne at Lagny1905 22bathers (1910) द्वारा हेनरी लेबासकेbathers1910 23Marthe and Madame Lebasque at the Fountain (1907) द्वारा हेनरी लेबासकेMarthe and Madame Lebasque at the Fountain1907 24ms zambelli (1912) द्वारा हेनरी लेबासकेms zambelli1912 25Cannes in Spring (1921) द्वारा हेनरी लेबासकेCannes in Spring1921 26Naked on the Red Carpet (1925) द्वारा हेनरी लेबासकेNaked on the Red Carpet1925 27Nude with Necklace (1923) द्वारा हेनरी लेबासकेNude with Necklace1923 28The Terrace in Pradet द्वारा हेनरी लेबासकेThe Terrace in Pradet 29Two Bathers by the Beach द्वारा हेनरी लेबासकेTwo Bathers by the Beach 30Rest on the Banks of the Yaudet (1897) द्वारा हेनरी लेबासकेRest on the Banks of the Yaudet1897 31The Siesta (1923) द्वारा हेनरी लेबासकेThe Siesta1923 32Nude in Provence द्वारा हेनरी लेबासकेNude in Provence 33Terrace in the Garden द्वारा हेनरी लेबासकेTerrace in the Garden 34Nude in Repose द्वारा हेनरी लेबासकेNude in Repose 35a woman reading द्वारा हेनरी लेबासकेa woman reading 36woman tying up her sandle द्वारा हेनरी लेबासकेwoman tying up her sandle 37Young girls in a boat on the Marne द्वारा हेनरी लेबासकेYoung girls in a boat on the Marne 38Garden with Urn (1913) द्वारा हेनरी लेबासकेGarden with Urn1913 39Women Sewing (1922) द्वारा हेनरी लेबासकेWomen Sewing1922 40Street in Lagny, in Chessy (1906) द्वारा हेनरी लेबासकेStreet in Lagny, in Chessy1906 41Young woman with Umbrella at St Maxime (1918) द्वारा हेनरी लेबासकेYoung woman with Umbrella at St Maxime1918 42Madame Lebasque and Her Daughters (1903) द्वारा हेनरी लेबासकेMadame Lebasque and Her Daughters1903 43Nono and a guitar (1910) द्वारा हेनरी लेबासकेNono and a guitar1910 44Bathers in the Sea द्वारा हेनरी लेबासकेBathers in the Sea 45Woman in a White Dress (1923) द्वारा हेनरी लेबासकेWoman in a White Dress1923 46Garden in Spring (1904) द्वारा हेनरी लेबासकेGarden in Spring1904 47Le Cannet Madame Lebasque Reading in the Garden (1923) द्वारा हेनरी लेबासकेLe Cannet Madame Lebasque Reading in the Garden1923 48Reading in the Garden (1886) द्वारा हेनरी लेबासकेReading in the Garden1886 49Conversation in the Park (1898) द्वारा हेनरी लेबासकेConversation in the Park1898 50Landscape at Champetre (1894) द्वारा हेनरी लेबासकेLandscape at Champetre1894 51Country Road Bridge and Carriage (1895) द्वारा हेनरी लेबासकेCountry Road Bridge and Carriage1895 52Conversation in the Park (1898) द्वारा हेनरी लेबासकेConversation in the Park1898 53Portrait of Marcelle Mezieres Nine Years Old (1896) द्वारा हेनरी लेबासकेPortrait of Marcelle Mezieres Nine Years Old1896 54Market Place (1893) द्वारा हेनरी लेबासकेMarket Place1893 55Le Château (1897) द्वारा हेनरी लेबासकेLe Château1897 56Madame Lebasque and her daughter Marthe (1898) द्वारा हेनरी लेबासकेMadame Lebasque and her daughter Marthe1898 57Young Bather by the River (1897) द्वारा हेनरी लेबासकेYoung Bather by the River1897 58Village of Champigne (1893) द्वारा हेनरी लेबासकेVillage of Champigne1893 · वाल्रफ़-रिचार्ट्स संग्रहालय 59By the Marne (1898) द्वारा हेनरी लेबासकेBy the Marne1898 60Garden at Champigny (1894) द्वारा हेनरी लेबासकेGarden at Champigny1894 61Sheep in the Village street (1895) द्वारा हेनरी लेबासकेSheep in the Village street1895 62Young Girl in a Clearing (1897) द्वारा हेनरी लेबासकेYoung Girl in a Clearing1897 63Landscape at Champetre (1894) द्वारा हेनरी लेबासकेLandscape at Champetre1894 64A Square in Monterain (1895) द्वारा हेनरी लेबासकेA Square in Monterain1895 65Madame Lebasque in a Breton landscape (1898) द्वारा हेनरी लेबासकेMadame Lebasque in a Breton landscape1898 66The Farm at Lagny in Winter (1905) द्वारा हेनरी लेबासकेThe Farm at Lagny in Winter1905 67The Marne at Lagny (1905) द्वारा हेनरी लेबासकेThe Marne at Lagny1905 68Pont Pierre at the Lagny River (1902) द्वारा हेनरी लेबासकेPont Pierre at the Lagny River1902 69Child's Head in Profile (1905) द्वारा हेनरी लेबासकेChild's Head in Profile1905 70The Marne at Ponponne (1905) द्वारा हेनरी लेबासकेThe Marne at Ponponne1905 71By the River (1900) द्वारा हेनरी लेबासकेBy the River1900 72Child Playing in the Garden (1903) द्वारा हेनरी लेबासकेChild Playing in the Garden1903 73Le Parc Monceau (1900) द्वारा हेनरी लेबासकेLe Parc Monceau1900 74Youn Girl in a Garden at St Tropez (1903) द्वारा हेनरी लेबासकेYoun Girl in a Garden at St Tropez1903 75Mother and Child in a Landscape (1900) द्वारा हेनरी लेबासकेMother and Child in a Landscape1900 76Lunchtime at Lagny (1905) द्वारा हेनरी लेबासकेLunchtime at Lagny1905 77Girls by the River (1905) द्वारा हेनरी लेबासकेGirls by the River1905 78Girls by the River (1905) द्वारा हेनरी लेबासकेGirls by the River1905 79Madame Lebasque with Daughter (1900) द्वारा हेनरी लेबासकेMadame Lebasque with Daughter1900 80Madame Lebasque and daughter by the Marne (1899) द्वारा हेनरी लेबासकेMadame Lebasque and daughter by the Marne1899 81Landscape with Haystack (1900) द्वारा हेनरी लेबासकेLandscape with Haystack1900 82Partie de Campagne (1903) द्वारा हेनरी लेबासकेPartie de Campagne1903 83Le Parc de Saint-Cloud (1900) द्वारा हेनरी लेबासकेLe Parc de Saint-Cloud1900 84Madame Lebasque with daughter (1900) द्वारा हेनरी लेबासकेMadame Lebasque with daughter1900 85LIttle White Dog (1905) द्वारा हेनरी लेबासकेLIttle White Dog1905 86The Banks of the Marne at Lagny (1905) द्वारा हेनरी लेबासकेThe Banks of the Marne at Lagny1905 87The Seine at Paris (1904) द्वारा हेनरी लेबासकेThe Seine at Paris1904 88Two girls by the Eau river (1900) द्वारा हेनरी लेबासकेTwo girls by the Eau river1900 89young painter (1905) द्वारा हेनरी लेबासकेyoung painter1905 90autumn (1900) द्वारा हेनरी लेबासकेautumn1900 91A Small Girl with Her Doll (1900) द्वारा हेनरी लेबासकेA Small Girl with Her Doll1900 92Lagny, View of the Quai de Pamponne (1904) द्वारा हेनरी लेबासकेLagny, View of the Quai de Pamponne1904 93Horse and Carriage on a Sunny Road (1900) द्वारा हेनरी लेबासकेHorse and Carriage on a Sunny Road1900 94In the Forest, the Harvest (1904) द्वारा हेनरी लेबासकेIn the Forest, the Harvest1904 95Madame Vian Seated in the Park (1900) द्वारा हेनरी लेबासकेMadame Vian Seated in the Park1900 96Nude with Pearl Necklace द्वारा हेनरी लेबासकेNude with Pearl Necklace 97Nude Sitting Removing His Shirt द्वारा हेनरी लेबासकेNude Sitting Removing His Shirt 98Nude Lying with Arms Raised द्वारा हेनरी लेबासकेNude Lying with Arms Raised 99Young Nude Seated on the Edge of a Well (1907) द्वारा हेनरी लेबासकेYoung Nude Seated on the Edge of a Well1907 · म्यूजियम ऑफ फाइन आर्ट्स 100The Diabolo Game (1907) द्वारा हेनरी लेबासकेThe Diabolo Game1907 · Museum of Fine Arts Ghent (MSK)

हेनरी लेबासके की प्रसिद्ध पेंटिंग्स, कालखंड के अनुसार

Early 20th Century

1904 – 1923 · 4 कृतियाँ इस सूची में

वे विषय जिन्होंने हेनरी लेबासके का मन मोह लिया

इन मूल कृतियों में बार-बार आने वाले चार विषय, जिनमें से प्रत्येक का सबसे उत्कृष्ट उदाहरण यहाँ प्रस्तुत है।

वे संग्रहालय जहाँ हेनरी लेबासके की मूल कृतियाँ रखी गई हैं

वे 4 संग्रहालय जिनमें इस पृष्ठ की सर्वाधिक पेंटिंग्स मौजूद हैं।

संग्रहालय शहर हेनरी लेबासके की कृतियाँ इस सूची की पेंटिंग्स
वाल्रफ़-रिचार्ट्स संग्रहालय, Kölnवाल्रफ़-रिचार्ट्स संग्रहालय Köln 3 Village of Champigne
Museo de Arte de Ponce, पोंसेMuseo de Arte de Ponce पोंसे 1 Young Girls in a Wood
म्यूजियम ऑफ फाइन आर्ट्स, ह्यूस्टनम्यूजियम ऑफ फाइन आर्ट्स ह्यूस्टन 1 Young Nude Seated on the Edge of a Well
Museum of Fine Arts Ghent (MSK), घेंटMuseum of Fine Arts Ghent (MSK) घेंट 1 The Diabolo Game

हेनरी लेबासके दशक दर दशक: प्रत्येक को परिभाषित करने वाली मूल कृतियाँ

दशकवार कृतियाँ

उस दशक को चुनें जो उसकी पहचान है और उसकी मूल कृतियाँ देखें।

हेनरी लेबासके की पेंटिंग्स के बारे में संग्रहकर्ताओं के प्रश्न

हेनरी लेबासके किस कृति के लिए सबसे अधिक प्रसिद्ध हैं?उत्तर देखें

Street by the Port at Collioure (1921)। इसके बाद Young woman on a hammock (1923) और On the Beach (1921) आते हैं।

Street by the Port at Collioure के निर्माण के समय हेनरी लेबासके की आयु क्या थी?उत्तर देखें

56 वर्ष की आयु: Street by the Port at Collioure 1921 का है, और हेनरी लेबासके का जन्म 1865 में हुआ था।

हेनरी लेबासके की दस सबसे प्रसिद्ध पेंटिंग्स कौन सी हैं?उत्तर देखें

Street by the Port at Collioure, Young woman on a hammock, On the Beach, Girls in the Garden, In the Flowers, bather, Summer Afternoon at Frejus, Bathers at a fountain in Saint Tropez, Woman in a Boat with an Umbrella और Blue Reflection in the Fountain at Pradet। ऊपर दी गई रैंकिंग में प्रत्येक का वर्ष और संग्रहालय दिया गया है।

हेनरी लेबासके ने कितनी पेंटिंगें छोड़ीं?उत्तर देखें

हमारे कैटलॉग में हेनरी लेबासके की 539 कृतियाँ हैं, जो 1886 से 1926 तक की हैं।

हेनरी लेबासके की उत्कृष्ट कृतियाँ किन संग्रहालयों में प्रदर्शित हैं?उत्तर देखें

अधिकतर वाल्रफ़-रिचार्ट्स संग्रहालय (Köln), Museo de Arte de Ponce (पोंसे) और म्यूजियम ऑफ फाइन आर्ट्स (ह्यूस्टन) में। ऊपर दी गई संग्रहालय तालिका में उन सभी की सूची दी गई है।

हेनरी लेबासके ने अपने सबसे प्रसिद्ध कार्यों की रचना किन वर्षों में की थी?उत्तर देखें

1900s में: इस पृष्ठ पर मौजूद 100 कृतियों में से 42 उस समय बनाई गई थीं, जिनमें से Girls in the Garden इनमें से हैं।

हेनरी लेबासके की पहली और आखिरी प्रसिद्ध मूल कृतियाँ कौन सी हैं?उत्तर देखें

इस पृष्ठ पर, सबसे पुरानी कृति Reading in the Garden (1886) है और नवीनतम Blue Mountains in Cannes (1926) है।

हेनरी लेबासके ने सबसे अधिक बार किन विषयों को चुना?उत्तर देखें

इस पृष्ठ पर 100 कृतियों में Women (13), Rivers (13) और Woman (10)

हेनरी लेबासके ने किस तकनीक का सबसे अधिक उपयोग किया?उत्तर देखें

इस पृष्ठ पर मौजूद 100 कृतियों में से 15 के लिए Oil On Canvas।

हेनरी लेबासके किस कला आंदोलन (art movement) से संबंधित हैं?उत्तर देखें

इस पृष्ठ पर मूल कृतियों को देखते हुए, Post-impressionism और Impressionism।

हेनरी लेबासके: जीवन और कार्य

A Painter of Joy and Light: The Life and Art of Henri Lebasque

Henri Lebasque, a name perhaps less immediately recognized than some of his Post-Impressionist contemporaries, nevertheless occupies a significant place in the artistic landscape of early 20th-century France. Born in Champigné, Maine-et-Loire, in 1865, Lebasque’s journey toward becoming a celebrated painter was one marked by diligent study, evolving influences, and an unwavering commitment to capturing beauty in everyday life. His early education at the École régionale des beaux-arts d'Angers provided a foundational grounding, but it was his move to Paris in 1886 that truly ignited his artistic development. There, under the tutelage of Léon Bonnat and through assisting Ferdinand Humbert with decorative murals at the Panthéon, he honed his technical skills while immersing himself in the vibrant Parisian art scene. This period proved crucial, bringing him into contact with pivotal figures like Camille Pissarro and Auguste Renoir, whose emphasis on light and color would profoundly shape his aesthetic sensibilities.

Embracing Intimacy: Influences and Artistic Development

Lebasque’s artistic trajectory wasn't solely defined by the established masters; it was equally influenced by a younger generation of artists pushing the boundaries of painting. His association with Les Nabis, particularly Édouard Vuillard and Pierre Bonnard, proved transformative. These Intimist painters prioritized domestic scenes and intimate moments, fostering in Lebasque a similar inclination toward capturing the quiet poetry of everyday existence. The Nabis’ emphasis on flattened forms, decorative patterns, and subtle color harmonies resonated deeply with his own artistic inclinations. Simultaneously, exposure to the theories of Georges Seurat and Paul Signac introduced him to the principles of Chromoluminarism – the scientific application of complementary colors to create luminous effects. This knowledge became a cornerstone of his technique, allowing him to imbue his canvases with an extraordinary vibrancy and sense of light. He wasn’t merely replicating what he saw; he was interpreting it through a lens of color and emotion, creating scenes that felt both familiar and dreamlike. Lebasque's artistic vision stemmed from a profound appreciation for the beauty found in ordinary life—a fascination that would become central to his oeuvre. Observing the subtle nuances of domestic interiors and capturing fleeting expressions of human emotion were paramount concerns. Influenced by Impressionists like Renoir and Pissarro, Lebasque adopted their technique of layering thin washes of color to achieve luminous effects, mirroring the radiant hues characteristic of the Parisian landscape. However, unlike many Impressionists who sought to depict external reality objectively, Lebasque infused his paintings with subjective emotion—a palpable warmth and tenderness that distinguished him from his peers.

A Palette of Serenity: Themes and Techniques

The hallmark of Lebasque's work lies in its serene atmosphere and harmonious palette. He found inspiration in the simple pleasures of life – family portraits, leisurely moments in gardens, landscapes bathed in sunlight. His paintings are not grand historical narratives or dramatic allegories; instead, they offer glimpses into intimate domesticity and the beauty of the natural world. Madame Lebasque and Her Daughters exemplifies his ability to capture a tender moment with remarkable grace and sensitivity. The figures are rendered with soft brushstrokes and bathed in warm light, creating an atmosphere of peaceful contentment. His technique involved building up layers of thin, translucent paint, allowing the underlying colors to shimmer through, resulting in a luminous quality that is characteristic of his style. He skillfully employed complementary color pairings – blues and oranges, reds and greens – to create visual excitement while maintaining an overall sense of harmony. Lebasque’s meticulous attention to detail—particularly in portraying facial expressions—underscored his commitment to conveying emotion authentically. Like Vuillard and Bonnard, he favored muted tones and decorative patterns, prioritizing atmosphere over precise representation. This stylistic choice reflected Lebasque's belief that art should evoke feeling rather than merely documenting visual information.

Legacy and Recognition: A Lasting Impression

Throughout his career, Lebasque enjoyed considerable success, participating in prestigious exhibitions such as the Salon d’Automne – which he helped found alongside Henri Matisse – and the Salon des Indépendants. He even received commissions for decorative projects, including work at the Champs-Élysées theatre and on transatlantic liners. His paintings are now held in numerous prominent museum collections, including the Musée d’Orsay in Paris, the Petit Palais in Geneva, and museums in Lille and Nantes, attesting to his enduring artistic significance. While perhaps not as widely celebrated as some of his more avant-garde contemporaries, Henri Lebasque's contribution to Post-Impressionism is undeniable. He offered a unique vision – one that prioritized beauty, harmony, and the quiet joys of everyday life. His paintings continue to resonate with viewers today, offering a welcome respite from the complexities of the modern world and reminding us of the enduring power of art to uplift and inspire.