नवमबर 2026 में अपडेट किया गया · हमारे लोकप्रियता स्कोर (प्रत्येक कृति के लिए खोज, विज़िट और ऑर्डर) के आधार पर रैंक किया गया · 1 कृतियाँ Nikolay Koshelev की हमारे कैटलॉग में
संक्षेप में
Nikolay Koshelev द्वारा छोड़ी गई सभी मूल कृतियों में से, सबसे प्रसिद्ध Self-Portrait (1865) है, जो सेंट पीटर्सबर्ग के एर्मिटेज संग्रहालय के संग्रह में है। हमारे कैटलॉग में Nikolay Koshelev की 1 कृतियाँ हैं; गैलरी ने उन 1 कृतियों को सहेज कर रखा है जिन्हें दुनिया सबसे अधिक पसंद करती है, जिनमें से प्रत्येक को उनकी तिथि, उनके संग्रहालय और उनकी कहानी के साथ प्रदर्शित किया गया है।
The oil painting titled Self-Portrait by Nikolay Koshelev presents a single male figure. This work emerged from Russia in 1865. The artist captures his own likeness, fixing a gaze that meets the viewer through the stillness of the canvas. It is a quiet confrontation between the painter and the painted.
इस पृष्ठ पर दी गई सर्वाधिक पेंटिंग्स वाला संग्रहालय।
| संग्रहालय | शहर | Nikolay Koshelev की कृतियाँ | इस सूची की पेंटिंग्स |
|---|---|---|---|
 एर्मिटेज संग्रहालय |
सेंट पीटर्सबर्ग | 1 | Self-Portrait |
इस चयन में प्रत्येक दिनांकित Nikolay Koshelev कृति का वर्ष 1865 है: यहाँ वे प्रसिद्धि के आधार पर क्रमबद्ध हैं।
मूल कृतियों को देखने के लिए एक वर्ष चुनें।
The oil painting titled Self-Portrait by Nikolay Koshelev presents a single male figure. This work emerged from Russia in 1865. The artist captures his own likeness, fixing a gaze that meets the viewer through the stillness of the canvas. It is a quiet confrontation between the painter and the painted.
Self-Portrait (1865)
25 वर्ष की आयु: Self-Portrait 1865 का है, और Nikolay Koshelev का जन्म 1840 में हुआ था।
हमारे कैटलॉग में Nikolay Koshelev की 1 कृतियाँ उपलब्ध हैं।
अधिकतर एर्मिटेज संग्रहालय (सेंट पीटर्सबर्ग) में। ऊपर दी गई संग्रहालय तालिका में उन सभी की सूची दी गई है।
Born to a peasant family of serfs, Nikolay Koshelev began his artistic path in the city of Arzamas. His early years were marked by a self-taught determination; after an unsuccessful apprenticeship to a decorative painter in Nizhni-Novgorod, he taught himself to paint while in the service of a local landowner. His talent eventually led him to the art school in Kazan, where he studied under an expatriate Italian artist named Botelli. This period of development, which included independent work on a monastery wall and an iconostasis, paved the way for his acceptance at the Imperial Academy of Arts in 1860.
As his career progressed, Koshelev became a versatile figure in the Russian art world, specializing in portraits, genre scenes, and icon painting. He was a member of the Artel of Artists and worked alongside Ivan Kramskoi. His technical skill was recognized through various honors, including a gold medal in 1864 and being named an "Academician" in 1873, followed by the title of Professor in 1878. His monumental contributions included painting the main dome at the Cathedral of Christ the Saviour and creating sketches for the mosaics and murals in the Church of the Savior on Blood.
Koshelev's reach extended far beyond Russia. He traveled to Rome in 1880 and later undertook an extended trip to create icons for the new Cathedral of the Most Holy Trinity in Buenos Aires. His professional life was also defined by his involvement in institutional art history; he was one of the founders of the Nizhni-Novgorod Art and Historical Museum and served as an "Inspector" at the Stroganov Moscow State Academy of Arts and Industry. His work can be found in several significant collections, including:
His mural work also left a lasting mark on religious architecture, with frescoes from a cathedral in Warsaw being moved to the Intercession Cathedral in Baranavichy, Belarus.
