Lance Calkin का चित्र

31 सबसे प्रसिद्ध Lance Calkin पेंटिंग्स, एक गैलरी चयन

नवमबर 2026 में अपडेट किया गया · हमारे लोकप्रियता स्कोर (प्रत्येक कृति के लिए खोज, विज़िट और ऑर्डर) के आधार पर रैंक किया गया · 39 कृतियाँ Lance Calkin की हमारे कैटलॉग में

संक्षेप में

Lance Calkin द्वारा छोड़ी गई सभी मूल कृतियों में से, सबसे प्रसिद्ध Sir John Tenniel (1820–1914) (1902) है, जो लंदन के ब्रिटिश लाइब्रेरी के संग्रह में है। इसके ठीक बाद Joseph Sim Earle (1839–1912) (1884) और Dr John Hughlings Jackson (1895) का स्थान आता है। हमारे कैटलॉग में Lance Calkin की 39 कृतियाँ हैं; गैलरी ने उन 31 कृतियों को सहेज कर रखा है जिन्हें दुनिया सबसे अधिक पसंद करती है, जिनमें से प्रत्येक को उनकी तिथि, उनके संग्रहालय और उनकी कहानी के साथ प्रदर्शित किया गया है।

1859 – 1936, London सर्वाधिक कृतियाँ: नेशनल पोर्ट्रेट गैलरी

Lance Calkin की शीर्ष 10 पेंटिंग: गैलरी का चयन

1
Sir John Tenniel (1820–1914) (1902) द्वारा Lance Calkin

Sir John Tenniel (1820–1914)

1902 · Oil On Canvas · ब्रिटिश लाइब्रेरी, लंदन

An elderly gentleman sits in a centered, formal pose, his presence commanding the frame through a quiet, somber gravity. He is captured in a moment of profound thought, with one hand resting against his chin in a gesture of wisdom or deep reflection. The lighting is dramatic, emerging from an unseen source above and to the left to cast heavy shadows across his features and hands. This chiaroscuro effect emphasizes…

3
Dr John Hughlings Jackson (1895) द्वारा Lance Calkin

Dr John Hughlings Jackson

In this portrait of Dr John Hughlings Jackson, Lance Calkin captures the likeness of a man whose intellectual presence is felt through a quiet, steady gaze. Created about 1895, the work presents the English neurologist with a sense of formal dignity. The subject, born at Providence Green, Green Hammerton, near Harrogate, Yorkshire, is depicted with the gravity suited to his professional standing. He was the youngest son of Samuel Jackson…

4
King George V (1914) द्वारा Lance Calkin

King George V

In this 1914 oil portrait, Lance Calkin captures the presence of King George V. The subject meets the viewer with a steady, calm gaze that seems to hold the weight of a changing era. There is a profound sense of dignity in the way the monarch is presented, a quality that defines the character of the man within the frame. The portrait offers a glimpse into a moment of quiet…

5
Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886) (1888) द्वारा Lance Calkin

Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886)

1888 · Oil On Canvas · The Captain Christie Crawfurd English Civil War Collection, स्टो-बोरो

In this portrait of Reverend E. F. Witts, we encounter a man defined by his station and the gravity of his vocation. Painted in 1888, the work captures the Rector of Upper Slaughter during the final years of his life. There is a certain stillness here, a sense of a life lived within the structured rhythms of the Victorian church. The subject is presented in a three-quarter profile, his gaze…

6
Edward VII (1841–1910) द्वारा Lance Calkin

Edward VII (1841–1910)

Oil · Doncaster Mansion House, Doncaster

In this portrait, we encounter Edward VII, the King of England from 1901 to 1910, captured in a moment of profound stillness. He is seated, his presence commanding the space through a quiet, regal composure rather than through overt movement. In his right hand, he holds a scepter, a direct symbol of his authority and the continuity of the British monarchy. A crown rests upon his head, grounding the image…

7
John Feeney (1906) द्वारा Lance Calkin

John Feeney

1906 · Oil On Canvas · Birmingham Museums And Art Gallery, बर्मिंघम

In this 1906 oil on canvas, Lance Calkin captures the presence of John Feeney. The subject sits before us, a man whose life is deeply woven into the fabric of Birmingham. As a prominent newspaper proprietor and a dedicated philanthropist, Feeney carries a certain weight in his gaze. He is a figure of influence, someone whose decisions shaped the local landscape and whose generosity would eventually leave a lasting mark…

8
John Reynolds (1826–1919) (1881) द्वारा Lance Calkin

John Reynolds (1826–1919)

In this 1881 portrait, we find ourselves in the presence of John Reynolds, a man whose life spanned the transition from the early nineteenth century into the modern era. He sits in a chair, his hands clasped in a gesture of stillness, looking away from the viewer toward something unseen in the distance. There is a certain weight to his posture, the kind that comes from a life of intellect…

10
David Powell (1840–1897), Governor of the Bank of England (1892–1895) (1892) द्वारा Lance Calkin

David Powell (1840–1897), Governor of the Bank of England (1892–1895)

1892 · Oil

The painting depicts a man seated in a chair, his hands resting in a crossed position. He possesses a beard and a mustache, features that define his facial structure. He is dressed in a formal suit and tie, consistent with the attire of a gentleman from the late nineteenth century. The subject is positioned centrally, occupying much of the frame. In the composition, two birds are visible: one is situated…

Lance Calkin का चयन जारी है, 11 से 31 तक

11Alderman John Barber, JP, Sheriff of Nottingham (1846), Mayor of Nottingham (1867–1869) (1888) द्वारा Lance CalkinAlderman John Barber, JP, Sheriff of Nottingham (1846), Mayor of Nottingham (1867–1869)1888 · Nottingham Castle Museum And Art Gallery 12'All pass away as the glimmer of day while others as fleet are born' (1888) द्वारा Lance Calkin'All pass away as the glimmer of day while others as fleet are born'1888 · Wollaton Hall 13William Berkeley Monck (1842–1905) (1897) द्वारा Lance CalkinWilliam Berkeley Monck (1842–1905)1897 · Reading Museum - Town Hall 14John Hughlings Jackson (1835–1911) (1894) द्वारा Lance CalkinJohn Hughlings Jackson (1835–1911)1894 15T. Vincent Jackson (c.1836–1901), Surgeon, Mayor of Wolverhampton (1886–1887) (1902) द्वारा Lance CalkinT. Vincent Jackson (c.1836–1901), Surgeon, Mayor of Wolverhampton (1886–1887)1902 · New Cross Hospital 16Richard Peyton (1909) द्वारा Lance CalkinRichard Peyton1909 · यूनिवर्सिटी ऑफ बर्मिंघम 17Councillor Edward Lygon Somers Cocks, Mayor of Westminster (1910–1911) (1912) द्वारा Lance CalkinCouncillor Edward Lygon Somers Cocks, Mayor of Westminster (1910–1911)1912 · City of Westminster Archives Centre 18Second Lieutenant Percy Orde Powlett, 4th Battalion (1915) द्वारा Lance CalkinSecond Lieutenant Percy Orde Powlett, 4th Battalion1915 · The Green Howards Regimental Museum 19Edward Anthony Beck (1848–1916), Master (1902–1916) (1922) द्वारा Lance CalkinEdward Anthony Beck (1848–1916), Master (1902–1916)1922 · ट्रिनिटी हॉल 20Councillor Frank G. Rye, Mayor of Westminster (1922–1923) (1924) द्वारा Lance CalkinCouncillor Frank G. Rye, Mayor of Westminster (1922–1923)1924 · City of Westminster Archives Centre 21Joseph Wolf (1897) द्वारा Lance CalkinJoseph Wolf1897 · Zoological Society of London 22Lawrence Morton Brown द्वारा Lance CalkinLawrence Morton BrownGloucester City Museum - Art Gallery 23Hibbert Oates द्वारा Lance CalkinHibbert Oates 24Owen Ridley (1838–1915) द्वारा Lance CalkinOwen Ridley (1838–1915)Reading Museum - Town Hall 25Edward VII द्वारा Lance CalkinEdward VIIDoncaster Mansion House 26Emma Franks Oates द्वारा Lance CalkinEmma Franks Oates 27John James Audubon (1785–1851) द्वारा Lance CalkinJohn James Audubon (1785–1851) 28Emma Francis Oates द्वारा Lance CalkinEmma Francis Oates 29Sir Henry Howse, Surgeon to Guy's Hospital (1870–1902) द्वारा Lance CalkinSir Henry Howse, Surgeon to Guy's Hospital (1870–1902)Guy's Campus 30Arthur Wellesley Peel, 1st Viscount Peel द्वारा Lance CalkinArthur Wellesley Peel, 1st Viscount Peelनेशनल पोर्ट्रेट गैलरी 31Wreck of the 'Birkenhead' (copy after Thomas Hemy) द्वारा Lance CalkinWreck of the 'Birkenhead' (copy after Thomas Hemy)The Black Watch Castle - Museum

Lance Calkin की प्रसिद्ध पेंटिंग्स, कालखंड के अनुसार

वे विषय जिन्होंने Lance Calkin का मन मोह लिया

इन मूल कृतियों में बार-बार आने वाले चार विषय, जिनमें से प्रत्येक का सबसे उत्कृष्ट उदाहरण यहाँ प्रस्तुत है।

वे संग्रहालय जहाँ Lance Calkin की मूल कृतियाँ रखी गई हैं

वे 8 संग्रहालय जिनमें इस पृष्ठ की सर्वाधिक पेंटिंग्स मौजूद हैं।

संग्रहालय शहर Lance Calkin की कृतियाँ इस सूची की पेंटिंग्स
नेशनल पोर्ट्रेट गैलरी, लंदननेशनल पोर्ट्रेट गैलरी लंदन 2 King George V, Arthur Wellesley Peel, 1st Viscount Peel
Doncaster Mansion House, DoncasterDoncaster Mansion House Doncaster 2 Edward VII (1841–1910), Edward VII
Nottingham Castle Museum And Art Gallery, नॉटिंगमNottingham Castle Museum And Art Gallery नॉटिंगम 2 The Patchwork Quilt, Alderman John Barber, JP, Sheriff of Nottingham (1846), Mayor of Nottingham (1867–1869)
Reading Museum - Town Hall, रीडिंगReading Museum - Town Hall रीडिंग 2 William Berkeley Monck (1842–1905), Owen Ridley (1838–1915)
City of Westminster Archives Centre, लंदनCity of Westminster Archives Centre लंदन 2 Councillor Edward Lygon Somers Cocks, Mayor of Westminster (1910–1911), Councillor Frank G. Rye, Mayor of Westminster (1922–1923)
ब्रिटिश लाइब्रेरी, लंदनब्रिटिश लाइब्रेरी लंदन 1 Sir John Tenniel (1820–1914)
Barts And The London Queen Mary School of Medicine And Dentistry, LondonBarts And The London Queen Mary School of Medicine And Dentistry London 1 Dr John Hughlings Jackson
The Captain Christie Crawfurd English Civil War Collection, स्टो-बोरोThe Captain Christie Crawfurd English Civil War Collection स्टो-बोरो 1 Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886)

Lance Calkin दशक दर दशक: प्रत्येक को परिभाषित करने वाली मूल कृतियाँ

दशकवार कृतियाँ

उस दशक को चुनें जो उसकी पहचान है और उसकी मूल कृतियाँ देखें।

Lance Calkin की पेंटिंग्स के बारे में संग्रहकर्ताओं के प्रश्न

Lance Calkin किस कृति के लिए सबसे अधिक प्रसिद्ध हैं?उत्तर देखें

Sir John Tenniel (1820–1914) (1902), ब्रिटिश लाइब्रेरी, लंदन. इसके बाद Joseph Sim Earle (1839–1912) (1884) और Dr John Hughlings Jackson (1895) आते हैं।

Sir John Tenniel (1820–1914) के निर्माण के समय Lance Calkin की आयु क्या थी?उत्तर देखें

43 वर्ष की आयु: Sir John Tenniel (1820–1914) 1902 का है, और Lance Calkin का जन्म 1859 में हुआ था।

Lance Calkin की दस सबसे प्रसिद्ध पेंटिंग्स कौन सी हैं?उत्तर देखें

Sir John Tenniel (1820–1914), Joseph Sim Earle (1839–1912), Dr John Hughlings Jackson, King George V, Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886), Edward VII (1841–1910), John Feeney, John Reynolds (1826–1919), The Patchwork Quilt और David Powell (1840–1897), Governor of the Bank of England (1892–1895)। ऊपर दी गई रैंकिंग में प्रत्येक का वर्ष और संग्रहालय दिया गया है।

Lance Calkin ने कितनी पेंटिंगें छोड़ीं?उत्तर देखें

हमारे कैटलॉग में Lance Calkin की 39 कृतियाँ हैं, जो 1881 से 1924 तक की हैं।

Lance Calkin की उत्कृष्ट कृतियाँ किन संग्रहालयों में प्रदर्शित हैं?उत्तर देखें

अधिकतर नेशनल पोर्ट्रेट गैलरी (लंदन), Doncaster Mansion House (Doncaster) और Nottingham Castle Museum And Art Gallery (नॉटिंगम) में। ऊपर दी गई संग्रहालय तालिका में उन सभी की सूची दी गई है।

Lance Calkin ने अपने सबसे प्रसिद्ध कार्यों की रचना किन वर्षों में की थी?उत्तर देखें

1880s में: इस पृष्ठ पर मौजूद 31 कृतियों में से 6 उस समय बनाई गई थीं, जिनमें से Joseph Sim Earle (1839–1912) इनमें से हैं।

Lance Calkin की पहली और आखिरी प्रसिद्ध मूल कृतियाँ कौन सी हैं?उत्तर देखें

इस पृष्ठ पर, सबसे पुरानी कृति John Reynolds (1826–1919) (1881) है और नवीनतम Councillor Frank G. Rye, Mayor of Westminster (1922–1923) (1924) है।

Lance Calkin ने सबसे अधिक बार किन विषयों को चुना?उत्तर देखें

इस पृष्ठ पर 31 कृतियों में Man (8), Beard (5) और Chair (5)

Lance Calkin ने किस तकनीक का सबसे अधिक उपयोग किया?उत्तर देखें

इस पृष्ठ पर मौजूद 31 कृतियों में से 6 के लिए Oil On Canvas।

नेशनल पोर्ट्रेट गैलरी में Lance Calkin की कौन सी कृतियाँ प्रदर्शित हैं?उत्तर देखें

King George V और Arthur Wellesley Peel, 1st Viscount Peel: नेशनल पोर्ट्रेट गैलरी, लंदन में इस पृष्ठ पर मौजूद कृतियों में से 2 मौजूद हैं।

Lance Calkin: जीवन और कार्य

The Quiet Dignity of a Victorian Master

In the golden, twilight era of the nineteenth century, few artists captured the somber elegance and social gravity of British life as intimately as Lance Calkin. Born in London in 1859, Calkin was a product of both musical heritage and rigorous academic discipline. As the son of a musician, he likely developed an early sensitivity to rhythm and harmony—qualities that would later manifest in the balanced compositions and tonal precision of his oil paintings. His formal journey through the prestigious Slade School of Fine Art and the Royal Academy Schools provided him with a formidable foundation in classical principles, instilling a lifelong devotion to anatomical accuracy and the subtle interplay of light and shadow.

By 1895, Calkin had firmly established his professional presence by joining the Royal Institute of Painters in Oil Colours. This period marked his emergence as a significant voice within the British art community, a time when portraiture served not merely as a record of likeness but as a profound statement of character and social standing. His work was never characterized by the loud or the flamboyant; instead, he mastered the art of the understated. Through a meticulous application of paint, Calk in sought to reveal the inner essence of his subjects, using minute shifts in expression and posture to convey a sense of moral seriousness and quiet dignity that resonated with the Victorian ideals of his era.

A Legacy Captured in Oil and Ink

The breadth of Calkin’s oeuvre is a testament to his versatility as a chronicler of his time. While he is most celebrated for his portraits, his repertoire extends into historical scenes and poignant social commentaries that capture the tension of a changing world. His ability to navigate between the formal rigidity of high-society portraiture and the raw emotion of historical events allowed him to document the Victorian zeitgeist with unparalleled depth.

Among his most notable contributions to the art historical record are works that highlight his technical mastery and thematic range:

  • The Portrait of Arthur Wellesley Peel, First Viscount Peel: A definitive example of Calkin’s ability to utilize tonal gradation to bestow a sense of nobility and permanence upon his subjects.
  • Reverend E. F. Witts (1884–1886): In this depiction of the Rector of Upper Slaughter, Calkin demonstrates a profound capacity for spiritual solemnity, using light to evoke a sense of divine grace.
  • John Feeney: A 1906 masterpiece that showcases his skill in capturing the weight of industrial-era prominence through realistic textures and a commanding presence.
  • The Patchwork Quilt (1887): An exploration of domesticity and texture that reveals his ability to find beauty in the intricate details of everyday life.
  • Boer War: Wounded Soldiers Awaiting Medical Help: A departure from formal portraiture, this watercolor demonstrates his capacity for empathy and his ability to document the harrowing realities of conflict with a delicate yet powerful hand.

Historical Significance and Enduring Influence

Lance Calkin’s significance lies in his role as a visual historian. He did not merely paint faces; he painted the soul of an empire at its peak and during its transition into modernity. His work serves as a bridge between the rigid traditions of the Royal Academy and the burgeoning realism that would come to define much of late nineteenth-century art. By eschewing dramatic artifice in favor of truthful representation, he provided a window into the psychological landscape of the Victorian gentleman, the clergyman, and the common soldier alike.

Though his career spanned the turn of the century, the enduring power of his paintings lies in their timelessness. The meticulous detail with which he rendered fabric, skin, and light ensures that his subjects remain vibrant and present to the modern viewer. Today, as we look back upon the works of Calkin, we find more than just historical artifacts; we find a profound meditation on human dignity, captured through the steady, masterful hand of an artist who understood that the greatest truths are often found in the quietest moments.