नवमबर 2026 में अपडेट किया गया · हमारे लोकप्रियता स्कोर (प्रत्येक कृति के लिए खोज, विज़िट और ऑर्डर) के आधार पर रैंक किया गया · 373 कृतियाँ जूलियन एल्डन वेइर की हमारे कैटलॉग में
संक्षेप में
गैलरी की दृष्टि में, जूलियन एल्डन वेइर की सबसे प्रसिद्ध पेंटिंग Flora (also known as Carrie Mansfield Weir) (1882) है। Portrait of Dr. Robert F. Weir (1891) और The Green Bodice (1898) उस त्रयी को पूरा करते हैं जिसे हर कोई पहचानता है। हमारे कैटलॉग में जूलियन एल्डन वेइर की 373 कृतियों में से, गैलरी नीचे सबसे प्रसिद्ध 100 कृतियाँ प्रस्तुत करती है, जिनमें से प्रत्येक मूल है और उनके वर्ष, उनके संग्रहालय और उनकी विशिष्टता का विवरण दिया गया है।
The oil on canvas painting titled Flora (also known as Carrie Mansfield Weir) was executed by the American artist J. Alden Weir. Created in 1882, the work depicts a subject drawn from classical mythology, specifically the figure of Flora. The artist, whose lifespan spanned from 1852 to 1919, rendered this piece during a period of his career that predates his later association with the Impressionist movement.
The drawing presents a man in a seated or standing position with his arms crossed over his chest. He possesses a mustache and a beard that cover much of his lower face. A pair of glasses rests upon the bridge of his nose. His facial expression is set in a manner that suggests contemplation or a serious temperament. The figure is rendered in black and white, utilizing a range of…
The Green Bodice is a portrait by the American artist J. Alden Weir. Created by 1898, this oil on canvas work reflects the technical precision of an artist trained in both traditional academic methods and the evolving Impressionist movement. The piece is an American work, originating from a period of significant transition in the nation's visual arts.
In this 1896 oil on canvas, we find ourselves in a private, softly lit bedroom, observing a scene of profound stillness. A young woman is seated before a large mirror, her presence defined by a sense of quiet solitude. The composition is vertical, drawing the eye toward the central figure and her reflection, creating a visual echo that invites us to consider the nature of self-perception. There is a certain…
In this 1881 portrait, we find ourselves in a moment of stillness. A woman, perhaps a milkmaid, is the central presence, her figure draped in a deep blue dress that anchors the composition. A white veil rests upon her head, catching the light and providing a soft contrast to the more textured elements of the scene. She holds a pitcher or jug, a gesture that suggests a pause in her…
In the soft, amber glow of a late nineteenth-century afternoon, Julian Alden Weir captures a scene of profound simplicity and enduring grace. At the Water Trough is not merely a depiction of rural life; it is an invitation into a world where time seems to slow, allowing the viewer to breathe in the stillness of a village courtyard. The composition centers around a weathered stone fountain, acting as the heartbeat…
There is a certain stillness that settles over the landscape when the sky is heavy with clouds. In this 1874 oil on canvas, we find ourselves looking upon a cluster of thatched cottages nestled within a grassy field. The atmosphere is defined by a diffused, soft light that filters through an overcast sky, casting gentle shadows across the rural scene. It is a moment captured in the midst of a…
In this oil painting on canvas, titled A French Homestead, we encounter a quiet moment captured by J. Alden Weir. Created about 1878, the work reflects a period of significant development in the artist's approach to the landscape. It presents a tranquil scene of rural life, focusing on a farmhouse nestled upon a hillside.
The composition pulls the viewer into an intimate, tight focus on the subject's face and upper torso. A stark black background swallows the space around her, pushing her presence forward and stripping away any sense of a wider room or environment. This closeness limits the perspective, creating a sense of immediacy that feels almost intrusive. The color palette remains restrained and deliberate, dominated by deep blacks, crisp whites, and varying…
In this 1878 oil painting, we find ourselves in a secluded garden, a space defined by dense foliage and the weathered texture of a brick wall. Three children are gathered in a grassy field, their figures arranged in a gentle triangular composition that directs our attention to the center of their shared purpose. They are engaged in the solemn task of burying a small bird. The scene is hushed, captured…
The Muse of Music1883
12
Idle Hours1888
13
The Rocking Chair1890
14
The Frugal Repast Isle of Man1889
15
The Eternal Rest1892
16
The Little Student1890
17
Fisherman's Hut Interior Isle of Man1889
18
Port Erin Isle of Man1889
19
Fisherman's Hut Isle of Man1889
20
Portrait of Robert Hoe1891
21
Portrait of a Lady with a Dog (Anna Baker Weir)1890 · स्मिथसोनियन अमेरिकन आर्ट म्यूजियम
22
An Autumn Stroll1894 · Brigham Young University Museum of Art
23
The Green Dress1898
24
Girl Standing by a Gate1896
25
Woman Looking Down1893
26
The Evening Lamp1893
27
Eventide1893
28
Reflections no. 11893
29
A Head1893
30
Christmas Greens1893
31
Woman Reading1893
32
The Black Feather Hat1905 · New Britain Museum of American Art
33
Study of a Male Nude Leaning on a Staff1876 · Yale University Art Gallery
34
Girl in Black1910
35
The Flower Seller1879
36
Study of a Woman's Head1888
37
Resting1893
38
Summer Afternoon, Shinnecock Landscape1902
39
Still Life1905 · इंडियनपोलिस संग्रहालय कला
40
Nassau, Bahamas1913
41
At the Piano1903
42
Landscape: Branchville, the Palace Car1901
43
River Scene Near Norwich, Connecticut
44
The Webb Farm 2
45
The Road to No Where1889
46
The High Pasture1899
47
The Wharves, Nassau1913
48
The Carpenter's Shop1891
49
At the Water Trough1877
50
Midsummer Landscape1914
51
Portrait of Wyatt Eaton1878
52
Willimantic Thread Factory1893 · ब्रुकलिन संग्रहालय
53
The Yellow Turban
54
Cora
55
Landscape with Steeple, Wyndham1892
56
Portrait of Dorothy (Mrs. Mahonri Young)1915
57
The Letter1910
58
In the Shade of a Tree (also known as Sunlight, Connecticut)1900
59
Knitting for Soldiers1918 · The Phillips Collection
60
Sulby Glen Isle of Man1889
61
On the Shore1909
62
New England Barnyard1904 · The Phillips Collection
63
Children Burying a Bird1878
64
Young Peasant Girl1875
65
The Oldest Inhabitant1876
66
Landscape with Cattle1875
67
Face Reflected in a Mirror1896 · Rhode Island School of Design Museum of Art
68
Still Life in the Studio1879 · Yale University Art Gallery
69
Roses with a Glass Goblet and a Cast of Giovanni Bologna's "Venus after the Bath"1884 · मेट्रोपॉलिटन म्यूज़ियम ऑफ़ आर्ट
70
The Tow Girl1879
71
Roses and Lilacs1880
72
Milkmaid of Popindrecht1881
73
Roses1884 · The Phillips Collection
74
The Delft Plate1888 · म्यूजियम ऑफ फाइन आर्ट्स
75
Summer in Connecticut - The Old Barn at Branchville1890
76
The Window Seat1889
77
Castle Rushen Isle of Man1889
78
Peonies1890
79
The Christmas Tree1890
80
Portrait of Cara1887
81
The Farmer's Lawn1889
82
Winter Landscape with Stream1888
83
Connecticut Scene1888
84
Midday1891
85
Haystacks, Shepherd and Sheep1889
86
Self Portrait1886
87
Houses in Pasture1890
88
Still Life with Flowers1887
89
Autumn Rain1890
90
The Grey Trellis1891
91
Silver Chalice, Japanese Bronze and Red Tapir1889
92
Large Head in Profile1891
93
Boat Moored Isle of Man1889
94
Little Head1888
95
Woman Seated Sewing1889
96
Study of a Woman's Head in Profile1890
97
Portrait of Robert Weir1891
98
Bas Meudon no. 21889
99
Standing Figure no. 11889
100
Woman Embroidering1889
इन मूल कृतियों में बार-बार आने वाले चार विषय, जिनमें से प्रत्येक का सबसे उत्कृष्ट उदाहरण यहाँ प्रस्तुत है।
वे 8 संग्रहालय जिनमें इस पृष्ठ की सर्वाधिक पेंटिंग्स मौजूद हैं।
| संग्रहालय | शहर | जूलियन एल्डन वेइर की कृतियाँ | इस सूची की पेंटिंग्स |
|---|---|---|---|
 The Phillips Collection |
वाशिंगटन डी.सी. | 15 | Knitting for Soldiers, New England Barnyard, Roses |
 स्मिथसोनियन अमेरिकन आर्ट म्यूजियम |
वॉशिंगटन डी.सी. | 8 | At the Water Trough, Children Burying a Bird, Portrait of a Lady with a Dog (Anna Baker Weir) |
 Rhode Island School of Design Museum of Art |
Providence | 2 | Face Reflected in a Mirror, Face Reflected in a Mirror |
 Yale University Art Gallery |
न्यू हेवन | 2 | Study of a Male Nude Leaning on a Staff, Still Life in the Studio |
 मेट्रोपॉलिटन म्यूज़ियम ऑफ़ आर्ट |
न्यूयॉर्क | 8 | Roses with a Glass Goblet and a Cast of Giovanni Bologna's "Venus after the Bath" |
 New Britain Museum of American Art |
न्यू ब्रिटेन | 2 | The Black Feather Hat |
 ब्रुकलिन संग्रहालय |
न्यूयॉर्क सिटी | 2 | Willimantic Thread Factory |
 Brigham Young University Museum of Art |
Provo | 1 | An Autumn Stroll |
उस दशक को चुनें जो उसकी पहचान है और उसकी मूल कृतियाँ देखें।
In the soft, amber glow of a late nineteenth-century afternoon, Julian Alden Weir captures a scene of profound simplicity and enduring grace. At the Water Trough is not merely a depiction of rural life; it is an invitation into a world where time seems to slow, allowing the viewer to breathe in the stillness of a village courtyard. The composition centers around a weathered stone fountain, acting as the heartbeat…
The oil on canvas painting titled Flora (also known as Carrie Mansfield Weir) was executed by the American artist J. Alden Weir. Created in 1882, the work depicts a subject drawn from classical mythology, specifically the figure of Flora. The artist, whose lifespan spanned from 1852 to 1919, rendered this piece during a period of his career that predates his later association with the Impressionist movement.
The drawing presents a man in a seated or standing position with his arms crossed over his chest. He possesses a mustache and a beard that cover much of his lower face. A pair of glasses rests upon the bridge of his nose. His facial expression is set in a manner that suggests contemplation or a serious temperament. The figure is rendered in black and white, utilizing a range of…
We find ourselves before The Black Feather Hat, a work by the American artist J. Alden Weir. This portrait, dating from about 1905, offers a quiet moment of observation. It is currently held within the collection of the New Britain Museum of American Art.
In this 1910 oil on canvas, J. Alden Weir presents Girl in Black. The work is a quiet study of a female figure, rendered with the characteristic sensibilities of the Impressionism movement. It captures a specific, fleeting moment through a focus on light and the subtle interplay of color.
Flora (also known as Carrie Mansfield Weir) (1882)। इसके बाद Portrait of Dr. Robert F. Weir (1891) और The Green Bodice (1898) आते हैं।
30 वर्ष की आयु: Flora (also known as Carrie Mansfield Weir) 1882 का है, और जूलियन एल्डन वेइर का जन्म 1852 में हुआ था।
Flora (also known as Carrie Mansfield Weir), Portrait of Dr. Robert F. Weir, The Green Bodice, Face Reflected in a Mirror, Milkmaid of Popindrecht, At the Water Trough, Normandy Farm, A French Homestead, Portrait of a Woman in Normandy Cap और Children Burying a Bird। ऊपर दी गई रैंकिंग में प्रत्येक का वर्ष और संग्रहालय दिया गया है।
हमारे कैटलॉग में जूलियन एल्डन वेइर की 373 कृतियाँ हैं, जो 1874 से 1918 तक की हैं।
अधिकतर The Phillips Collection (वाशिंगटन डी.सी.), स्मिथसोनियन अमेरिकन आर्ट म्यूजियम (वॉशिंगटन डी.सी.) और Rhode Island School of Design Museum of Art (Providence) में। ऊपर दी गई संग्रहालय तालिका में उन सभी की सूची दी गई है।
1890s में: इस पृष्ठ पर मौजूद 100 कृतियों में से 34 उस समय बनाई गई थीं, जिनमें से Portrait of Dr. Robert F. Weir इनमें से हैं।
इस पृष्ठ पर, सबसे पुरानी कृति Normandy Farm (1874) है और नवीनतम Knitting for Soldiers (1918) है।
इस पृष्ठ पर 100 कृतियों में Woman (22), Portrait (12) और Landscape (11)
इस पृष्ठ पर मौजूद 100 कृतियों में से 33 के लिए Oil On Canvas।
इस पृष्ठ पर मूल कृतियों को देखते हुए, Impressionism।
Knitting for Soldiers, New England Barnyard और Roses: The Phillips Collection, वाशिंगटन डी.सी. में इस पृष्ठ पर मौजूद कृतियों में से 3 मौजूद हैं।
