नवमबर 2026 में अपडेट किया गया · हमारे लोकप्रियता स्कोर (प्रत्येक कृति के लिए खोज, विज़िट और ऑर्डर) के आधार पर रैंक किया गया · 22 कृतियाँ सर जॉन कैंपबेल लॉन्गस्टाफ की हमारे कैटलॉग में
संक्षेप में
गैलरी की दृष्टि में, सर जॉन कैंपबेल लॉन्गस्टाफ की सबसे प्रसिद्ध पेंटिंग Portrait of Sir John Sulman (1931) है, जिसका मूल आर्ट गैलरी ऑफ़ न्यू साउथ वेल्स, सिडनी में लगा हुआ है। Julian Ashton (1898) और Portrait of John Ford Paterson (1896) उस त्रयी को पूरा करते हैं जिसे हर कोई पहचानता है। हमारे कैटलॉग में सर जॉन कैंपबेल लॉन्गस्टाफ की 22 कृतियों में से, गैलरी नीचे सबसे प्रसिद्ध 22 कृतियाँ प्रस्तुत करती है, जिनमें से प्रत्येक मूल है और उनके वर्ष, उनके संग्रहालय और उनकी विशिष्टता का विवरण दिया गया है।
In this 1931 oil on canvas, we encounter Sir John Sulman not as a distant public figure, but as a man of profound introspection. The portrait captures the architect in a moment of stillness, seated centrally against a dark, indeterminate background that pushes his presence toward the viewer. There is a certain weight to his presence, a sense of historical permanence achieved through a somber and dignified composition. The lighting…
In this 1898 oil on canvas, John Longstaff captures Julian Ashton in a moment of quiet dignity. The subject sits before us, an older man whose presence fills the frame with a sense of settled authority. His thinning light hair catches the light, contrasting with the deep shadows that surround him. A prominent mustache defines his face, framing a mouth set in a serious, reflective expression. His blue eyes hold…
In this 1896 oil on canvas, we find ourselves in a quiet, intimate encounter with John Ford Paterson. The subject is positioned in profile, his head turned slightly toward the left, emerging from a deep, near-black field that swallows the periphery. There is a profound sense of stillness here. The light is highly directional, striking the man's cheekbone, the bridge of his nose, and his heavy mustache, while the rest…
In this 1925 oil portrait, we encounter Mr Maurice Moscovitch through a lens of quiet gravity. The subject, a Russian-born actor, meets our gaze with a contemplative expression that suggests a life lived under the scrutiny of the stage. There is a certain weight to his presence, captured in a bust-length composition that avoids the artifice of grandiosity. Instead, the focus remains fixed on the man himself, his features rendered…
The portrait titled Dr Alexander Leeper is a work by the artist John Longstaff. Executed in 1928, this piece is presented in a portrait format. The subject of the painting is Dr Alexander Leeper, depicted in a formal manner that captures his presence through a three-quarter length composition.
Arrival of Burke, Wills and King at the deserted camp at Cooper's Creek, Sunday evening, 21st April 1861 is a work by the Australian painter John Longstaff. Created about 1907, the oil on canvas captures a specific moment of exhaustion and missed connection in the Australian outback. The scene focuses on the arrival of the explorers at a camp that had been abandoned only hours prior.
The portrait of Henry Lawson by John Longstaff captures a man defined by the ink of his own making. Painted in 1900, this work presents the subject as a poet and short story writer, a man whose words helped shape the image of the Australian bushman. The likeness was rendered in Melbourne, a city of quiet industry during that era. It remains a singular study of a man who lived…
In this formal oil portrait, titled The Hon W A Holman, KC, we encounter a significant figure of the early twentieth century. The subject is W A Holman, KC, captured in a moment of quiet dignity. This work was executed by the Australian painter John Longstaff about 1929. It represents a period when Longstaff was a highly established presence in the art world, having already achieved significant recognition through his…
In this 1935 oil on canvas, an elderly man sits in a wooden armchair, positioned slightly off-center within a three-quarter length composition. He is dressed in a dark, formal three-piece suit, characterized by deep charcoal and black tones. A visible pocket watch chain hangs from his waistcoat, catching the light against the dark fabric. His hair is grey, and a prominent moustache covers his upper lip. The subject's face and…
James Cassius Williamson (1845–1913), actor and theatrical entrepreneur, worked and performed in theatres in his native Pennsylvania before coming to Victoria under contract to George Selth Coppin in 1874. Over twelve months, he and his comedienne wife became wealthy and famous. They returned overseas, but in 1879 they arrived in Australia having purchased from WS Gilbert the exclusive Australasian rights to perform HMS Pinafore. In 1880 Williamson formed his (Royal)…
Gippsland, Sunday night, February 20th, 18981898 · नेशनल गैलरी ऑफ़ विक्टोरिया
12
H.M. Queen Alexandra in coronation robes1904 · आर्ट गैलरी ऑफ़ न्यू साउथ वेल्स
13
King Edward VII in coronation robes1904 · आर्ट गैलरी ऑफ़ न्यू साउथ वेल्स
14
Sombre landscapeआर्ट गैलरी ऑफ़ न्यू साउथ वेल्स
15
Miss Rose Scott1922 · आर्ट गैलरी ऑफ़ न्यू साउथ वेल्स
16
Norman Lindsay1931 · आर्ट गैलरी ऑफ़ न्यू साउथ वेल्स
17
Major General C.F. Cox CB CMG DSO VDआर्ट गैलरी ऑफ़ न्यू साउथ वेल्स
18
Portrait of Henry Colden Antill Harrison1929 · मेलबर्न क्रिकेट क्लब म्यूजियम
19
Sir George Reidआर्ट गैलरी ऑफ़ न्यू साउथ वेल्स
20
Sir Herbert Maitlandआर्ट गैलरी ऑफ़ न्यू साउथ वेल्स
21
Sir Edward Knoxआर्ट गैलरी ऑफ़ न्यू साउथ वेल्स
22
Breaking the News1887 · Art Gallery of Western Australia
इन मूल कृतियों में बार-बार आने वाले चार विषय, जिनमें से प्रत्येक का सबसे उत्कृष्ट उदाहरण यहाँ प्रस्तुत है।
वे 5 संग्रहालय जिनमें इस पृष्ठ की सर्वाधिक पेंटिंग्स मौजूद हैं।
| संग्रहालय | शहर | सर जॉन कैंपबेल लॉन्गस्टाफ की कृतियाँ | इस सूची की पेंटिंग्स |
|---|---|---|---|
 आर्ट गैलरी ऑफ़ न्यू साउथ वेल्स |
सिडनी | 14 | Portrait of Sir John Sulman, Julian Ashton, Portrait of John Ford Paterson |
 नेशनल गैलरी ऑफ़ विक्टोरिया |
मेलबर्न | 4 | Mr Maurice Moscovitch, Dr Alexander Leeper, Arrival of Burke, Wills and King at the deserted camp at Cooper's Creek, Sunday evening, 21st April 1861 |
 National Portrait Gallery |
Canberra | 1 | J.C. Williamson |
 मेलबर्न क्रिकेट क्लब म्यूजियम |
होबार्ट | 1 | Portrait of Henry Colden Antill Harrison |
 Art Gallery of Western Australia |
1 | Breaking the News |
उस दशक को चुनें जो उसकी पहचान है और उसकी मूल कृतियाँ देखें।
In this 1898 oil on canvas, John Longstaff captures Julian Ashton in a moment of quiet dignity. The subject sits before us, an older man whose presence fills the frame with a sense of settled authority. His thinning light hair catches the light, contrasting with the deep shadows that surround him. A prominent mustache defines his face, framing a mouth set in a serious, reflective expression. His blue eyes hold…
Arrival of Burke, Wills and King at the deserted camp at Cooper's Creek, Sunday evening, 21st April 1861 is a work by the Australian painter John Longstaff. Created about 1907, the oil on canvas captures a specific moment of exhaustion and missed connection in the Australian outback. The scene focuses on the arrival of the explorers at a camp that had been abandoned only hours prior.
James Cassius Williamson (1845–1913), actor and theatrical entrepreneur, worked and performed in theatres in his native Pennsylvania before coming to Victoria under contract to George Selth Coppin in 1874. Over twelve months, he and his comedienne wife became wealthy and famous. They returned overseas, but in 1879 they arrived in Australia having purchased from WS Gilbert the exclusive Australasian rights to perform HMS Pinafore. In 1880 Williamson formed his (Royal)…
In this 1925 oil portrait, we encounter Mr Maurice Moscovitch through a lens of quiet gravity. The subject, a Russian-born actor, meets our gaze with a contemplative expression that suggests a life lived under the scrutiny of the stage. There is a certain weight to his presence, captured in a bust-length composition that avoids the artifice of grandiosity. Instead, the focus remains fixed on the man himself, his features rendered…
In this 1931 oil on canvas, we encounter Sir John Sulman not as a distant public figure, but as a man of profound introspection. The portrait captures the architect in a moment of stillness, seated centrally against a dark, indeterminate background that pushes his presence toward the viewer. There is a certain weight to his presence, a sense of historical permanence achieved through a somber and dignified composition. The lighting…
Portrait of Sir John Sulman (1931), आर्ट गैलरी ऑफ़ न्यू साउथ वेल्स, सिडनी. इसके बाद Julian Ashton (1898) और Portrait of John Ford Paterson (1896) आते हैं।
70 वर्ष की आयु: Portrait of Sir John Sulman 1931 का है, और सर जॉन कैंपबेल लॉन्गस्टाफ का जन्म 1861 में हुआ था।
Portrait of Sir John Sulman, Julian Ashton, Portrait of John Ford Paterson, Mr Maurice Moscovitch, Dr Alexander Leeper, Arrival of Burke, Wills and King at the deserted camp at Cooper's Creek, Sunday evening, 21st April 1861, Henry Lawson, The Hon W A Holman, KC, Banjo Paterson और J.C. Williamson। ऊपर दी गई रैंकिंग में प्रत्येक का वर्ष और संग्रहालय दिया गया है।
हमारे कैटलॉग में सर जॉन कैंपबेल लॉन्गस्टाफ की 22 कृतियाँ हैं, जो 1887 से 1935 तक की हैं।
अधिकतर आर्ट गैलरी ऑफ़ न्यू साउथ वेल्स (सिडनी), नेशनल गैलरी ऑफ़ विक्टोरिया (मेलबर्न) और National Portrait Gallery (Canberra) में। ऊपर दी गई संग्रहालय तालिका में उन सभी की सूची दी गई है।
1920s में: इस पृष्ठ पर मौजूद 22 कृतियों में से 5 उस समय बनाई गई थीं, जिनमें से Mr Maurice Moscovitch इनमें से हैं।
इस पृष्ठ पर, सबसे पुरानी कृति Breaking the News (1887) है और नवीनतम Banjo Paterson (1935) है।
इस पृष्ठ पर 22 कृतियों में Man (9), Mustache (4) और Portrait (3)
इस पृष्ठ पर मौजूद 22 कृतियों में से 9 के लिए Oil On Canvas।
इस पृष्ठ पर मूल कृतियों को देखते हुए, Academic realism।
Portrait of Sir John Sulman, Julian Ashton और Portrait of John Ford Paterson: आर्ट गैलरी ऑफ़ न्यू साउथ वेल्स, सिडनी में इस पृष्ठ पर मौजूद कृतियों में से 14 मौजूद हैं।
