Dead Wildfowl
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
संक्षेप में
Dead Wildfowl (1674) वह Jacob Biltius की पेंटिंग है जो सबसे अधिक ध्यान आकर्षित करती है; इसका मूल Statens Museum For Kunst, कोपेनहेगन में है। इसके बाद, दृष्टि Dead Birds (1670) और Snip, hanging (1663) पर जाती है। हमारे कैटलॉग में Jacob Biltius की 10 कृतियों में से, ये 10 सबसे प्रसिद्ध हैं, जिनमें से प्रत्येक को उसके वर्ष, उसके संग्रहालय और उसके चिरस्थायी होने के कारण के साथ एक अद्वितीय मूल कृति के रूप में प्रस्तुत किया गया है।
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
इन मूल कृतियों में बार-बार आने वाले चार विषय, जिनमें से प्रत्येक का सबसे उत्कृष्ट उदाहरण यहाँ प्रस्तुत है।
वे 3 संग्रहालय जिनमें इस पृष्ठ की सर्वाधिक पेंटिंग्स मौजूद हैं।
| संग्रहालय | शहर | Jacob Biltius की कृतियाँ | इस सूची की पेंटिंग्स |
|---|---|---|---|
| कोपेनहेगन | 5 | Dead Wildfowl, Dead Birds, Wildfowl on a Wooden Table | |
| लीउवर्डन | 2 | Snip, hanging, Dead Partridge, Hanging | |
| 1 | Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall |
17 वर्षों का लंबा करियर, 1663 से 1679 तक: Jacob Biltius की सबसे प्रसिद्ध मूल कृतियाँ, वर्ष-दर-वर्ष।
मूल कृतियों को देखने के लिए एक वर्ष चुनें।
1666 से और भी अधिक
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
1670 से और भी अधिक
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Dead Wildfowl (1674), Statens Museum For Kunst, कोपेनहेगन. इसके बाद Dead Birds (1670) और Snip, hanging (1663) आते हैं।
41 वर्ष की आयु: Dead Wildfowl 1674 का है, और Jacob Biltius का जन्म 1633 में हुआ था।
Dead Wildfowl, Dead Birds, Snip, hanging, Dead Partridge, Hanging, Wildfowl on a Wooden Table, A Dead Hare, A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia, A still life of game and hunting acoutrements, on a stone ledge, Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall और Dead Wildfowl and a Huntsman's Net. Trompe l'oeil। ऊपर दी गई रैंकिंग में प्रत्येक का वर्ष और संग्रहालय दिया गया है।
हमारे कैटलॉग में Jacob Biltius की 10 कृतियाँ हैं, जो 1663 से 1679 तक की हैं।
अधिकतर Statens Museum For Kunst (कोपेनहेगन), Fries Museum (लीउवर्डन) और Kunsthandel P. de Boer में। ऊपर दी गई संग्रहालय तालिका में उन सभी की सूची दी गई है।
1663 में: इस पृष्ठ पर मौजूद 10 कृतियों में से 2 उस समय बनाई गई थीं, जिनमें से Snip, hanging इनमें से हैं।
इस पृष्ठ पर, सबसे पुरानी कृति Snip, hanging (1663) है और नवीनतम Dead Wildfowl and a Huntsman's Net. Trompe l'oeil (1679) है।
इस पृष्ठ पर 10 कृतियों में Feathers (2) और Dark background (2)
इस पृष्ठ पर मौजूद 10 कृतियों में से 2 के लिए Oil On Canvas।
Dead Wildfowl, Dead Birds और Wildfowl on a Wooden Table: Statens Museum For Kunst, कोपेनहेगन में इस पृष्ठ पर मौजूद कृतियों में से 5 मौजूद हैं।
Jacob Biltius was a Dutch still life painter born in The Hague. He began his artistic training in The Hague, studying under the French painter Carel Hardy around 1651, and later trained with Pieter de Putter, who was known for his fish still lifes. His career saw him active in various locations, including The Hague, Amsterdam, Maastricht, Antwerp, Leeuwarden, and Bergen op Zoom. In 1660, he was admitted to the Confrerie Pictura.
Biltius married Adriana Proot van der Jeucht in 1653, and they had eight children, including two sons, Cornelis and Bartholomeus, who both became painters. His movements took him from Amsterdam to Maastricht, and eventually to Flanders, where he settled in Antwerp. While living in Antwerp, he and his wife were members of a secret society of local Calvinists known as de Consistorie van de Brabantsche Olijfberg. He was admitted to the Antwerp Guild of St Luke in the 1672–1673 guild year. He eventually moved to Bergen op Zoom, where he died.
The work of Jacob Biltius is characterized by his focus on still life subjects. He was specifically known for his:
Between 1663 and 1677, Biltius created many trompe-l'œil compositions, acting as a pioneer in the creation of the illusion of three-dimensional objects. His works are noted for a very accurate and precise representation of nature. Some of these compositions were of a large size, which contributed to their realism and illusionistic impact.