नवमबर 2026 में अपडेट किया गया · हमारे लोकप्रियता स्कोर (प्रत्येक कृति के लिए खोज, विज़िट और ऑर्डर) के आधार पर रैंक किया गया · 18 कृतियाँ रॉबर्ट विलियम बस की हमारे कैटलॉग में
संक्षेप में
गैलरी की दृष्टि में, रॉबर्ट विलियम बस की सबसे प्रसिद्ध पेंटिंग The pifferari in front of the Madonna (1829) है। The Origin of Music (1845) और The Triumph of Music (1845) उस त्रयी को पूरा करते हैं जिसे हर कोई पहचानता है। हमारे कैटलॉग में रॉबर्ट विलियम बस की 18 कृतियों में से, गैलरी नीचे सबसे प्रसिद्ध 17 कृतियाँ प्रस्तुत करती है, जिनमें से प्रत्येक मूल है और उनके वर्ष, उनके संग्रहालय और उनकी विशिष्टता का विवरण दिया गया है।
The pifferari in front of the Madonna emerges from the brush of Aurèle Robert, a painter whose hand captures a quiet, devotional moment. This oil on canvas work, created about 1829, holds a vertical presence that draws the eye upward. The scene feels suspended in time, as if the musicians have just paused their melody to look toward something unseen.
The scene unfolds within a gentle arc, an arched composition that frames a lush and idyllic landscape. At the heart of this gathering, a group of cherubic figures clusters around a young figure. This central figure holds a lyre or a similar musical instrument, anchoring the movement of the surrounding crowd. The arrangement follows a soft, panoramic curve, drawing the eye through a gathering of celestial beings caught in a…
The composition unfolds in a sweeping arc, designed to inhabit a curved space such as a lunette or ceiling. Within this semi-circular arrangement, a multitude of cherubic figures interact with symbolic animals and musical instruments. The scene is one of movement and celebration, where draped figures in shades of red, blue, and yellow engage in various musical activities. A lion rests on the left, adorned with floral garlands, while a…
In the vintage oil painting Masters Boydell Sidney Graves by Aurèle Robert, a quiet moment unfolds within an interior setting. The scene centers on two young children, a girl and a boy, who inhabit the space with a sense of stillness. The girl is positioned slightly to the left, her presence anchoring one side of the frame, while the boy sits upon a chair to the right. This arrangement creates…
In A Funeral Bearer by Aurèle Robert, the viewer is met with a quiet, centered portrait of a gentleman. The composition focuses entirely on the figure, which is presented within an oval frame that lends a sense of formality and isolation to the subject. He is dressed in full formal attire, including a black top hat, a tailcoat, a waistcoat, trousers, and boots. To complete his ensemble, he carries a…
In the vibrant tapestry of nineteenth-century performance art, few images capture the electric atmosphere of the stage as vividly as Robert William Buss’s 1831 masterpiece, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook. This captivating portrait serves as a window into the golden age of the British theatre, transporting the viewer directly to the Theatre Royal in Bath. The painting centers on the charismatic Benjamin Webster,…
Robert William Buss’s “John Cooper as Captain Mouth in ‘The Bride of Ludgate’” is a captivating portrait that transcends mere representation, embodying the grandeur and theatricality characteristic of Baroque art. Executed around 1927, this piece hails from the University of Bristol Theatre Collection, offering a glimpse into the artistic sensibilities of the early 20th century amidst a fascination with operatic performance.
इन मूल कृतियों में बार-बार आने वाले चार विषय, जिनमें से प्रत्येक का सबसे उत्कृष्ट उदाहरण यहाँ प्रस्तुत है।
वे 8 संग्रहालय जिनमें इस पृष्ठ की सर्वाधिक पेंटिंग्स मौजूद हैं।
| संग्रहालय | शहर | रॉबर्ट विलियम बस की कृतियाँ | इस सूची की पेंटिंग्स |
|---|---|---|---|
 Wimpole Hall |
2 | The Origin of Music, The Triumph of Music | |
 थिएटर रॉयल |
बाथ | 1 | Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook |
 यूनिवर्सिटी ऑफ ब्रिस्टल |
ब्रिस्टल | 1 | John Cooper as Captain Mouth in 'The Bride of Ludgate' |
 Holburne Museum |
Bath | 1 | J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 |
 The Holburne Museum |
बाथ | 1 | J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 |
 Guildhall Art Gallery |
London | 1 | The Crowd |
 Borough Museum - Art Gallery |
New South Wales | 1 | The Mock Mayor |
 वॉकर आर्ट गैलरी |
लिवरपूल | 1 | Scene from 'Don Juan' |
उस दशक को चुनें जो उसकी पहचान है और उसकी मूल कृतियाँ देखें।
The pifferari in front of the Madonna emerges from the brush of Aurèle Robert, a painter whose hand captures a quiet, devotional moment. This oil on canvas work, created about 1829, holds a vertical presence that draws the eye upward. The scene feels suspended in time, as if the musicians have just paused their melody to look toward something unseen.
In the vibrant tapestry of nineteenth-century performance art, few images capture the electric atmosphere of the stage as vividly as Robert William Buss’s 1831 masterpiece, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook. This captivating portrait serves as a window into the golden age of the British theatre, transporting the viewer directly to the Theatre Royal in Bath. The painting centers on the charismatic Benjamin Webster,…
The scene unfolds within a gentle arc, an arched composition that frames a lush and idyllic landscape. At the heart of this gathering, a group of cherubic figures clusters around a young figure. This central figure holds a lyre or a similar musical instrument, anchoring the movement of the surrounding crowd. The arrangement follows a soft, panoramic curve, drawing the eye through a gathering of celestial beings caught in a…
The pifferari in front of the Madonna (1829)। इसके बाद The Origin of Music (1845) और The Triumph of Music (1845) आते हैं।
24 वर्ष की आयु: The pifferari in front of the Madonna 1829 का है, और रॉबर्ट विलियम बस का जन्म 1805 में हुआ था।
The pifferari in front of the Madonna, The Origin of Music, The Triumph of Music, Masters Boydell Sidney Graves, A Funeral Bearer, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook, John Cooper as Captain Mouth in 'The Bride of Ludgate', J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833, J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 और A Funeral Bearer। ऊपर दी गई रैंकिंग में प्रत्येक का वर्ष और संग्रहालय दिया गया है।
हमारे कैटलॉग में रॉबर्ट विलियम बस की 18 कृतियाँ हैं, जो 1829 से 1847 तक की हैं।
अधिकतर Wimpole Hall, थिएटर रॉयल (बाथ) और यूनिवर्सिटी ऑफ ब्रिस्टल (ब्रिस्टल) में। ऊपर दी गई संग्रहालय तालिका में उन सभी की सूची दी गई है।
1840s में: इस पृष्ठ पर मौजूद 17 कृतियों में से 7 उस समय बनाई गई थीं, जिनमें से The Origin of Music इनमें से हैं।
इस पृष्ठ पर, सबसे पुरानी कृति The pifferari in front of the Madonna (1829) है और नवीनतम The Crowd (1847) है।
इस पृष्ठ पर 17 कृतियों में Sky (2), Cherubs (2) और Foliage (2)
इस पृष्ठ पर मौजूद 17 कृतियों में से 4 के लिए Oil On Canvas।
The Origin of Music और The Triumph of Music: Wimpole Hall में इस पृष्ठ पर मौजूद कृतियों में से 2 मौजूद हैं।
