नवमबर 2026 में अपडेट किया गया · हमारे लोकप्रियता स्कोर (प्रत्येक कृति के लिए खोज, विज़िट और ऑर्डर) के आधार पर रैंक किया गया · 10 कृतियाँ एंटोनियो बडिल Iii की हमारे कैटलॉग में
संक्षेप में
एंटोनियो बडिल Iii द्वारा छोड़ी गई सभी मूल कृतियों में से, सबसे प्रसिद्ध Polyptych of the Four Crowned Saints, Simplicius (1552) है, जो वेरोना के Castelvecchio Museum के संग्रह में है। इसके ठीक बाद Portrait of an unknown woman (1550) और The Virgin and Child with Saint John the Baptist (1550) का स्थान आता है। हमारे कैटलॉग में एंटोनियो बडिल Iii की 10 कृतियाँ हैं; गैलरी ने उन 10 कृतियों को सहेज कर रखा है जिन्हें दुनिया सबसे अधिक पसंद करती है, जिनमें से प्रत्येक को उनकी तिथि, उनके संग्रहालय और उनकी कहानी के साथ प्रदर्शित किया गया है।
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
In this 1550 oil on canvas, a pyramidal arrangement of figures emerges from a luminous, ethereal background. The Virgin Mary, the Christ Child, and Saint John the Baptist are positioned in an intimate, frontal perspective, creating a sense of immediate spiritual connection. A radiant glow emanates from behind the Virgin's head, casting a divine light that defines the contours of the figures while leaving the periphery in shadow. This use…
A middle-aged man emerges from a deep, indeterminate darkness, his form defined by a soft, directional light. He is positioned in a three-quarter view, gaze directed toward the left of the frame. The composition relies heavily on chiaroscuro, a technique where light and shadow define the volume of the face and the texture of the hands. A white collar provides a sharp point of contrast against the somber, dark drapery…
In the realm of Renaissance craftsmanship, few objects command attention quite like the Coffer of the Giusti Family with Stories of Virginia. This exquisite wedding chest, dating back to approximately 1400, serves as a breathtaking intersection of fine woodworking and classical storytelling. Crafted from sturdy fir wood using the meticulous dovetail joint technique, the piece is far more than a mere functional item; it is a portable stage for historical…
The figure of Claudius emerges from a heavy, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly, caught in a moment of solemn stillness. The light falls from an unseen source, casting deep shadows that define the volume of his anatomy and the architectural space around him. He is dressed in red clothing, a tunic or robe that catches the…
In the quietude of this panel, we encounter Nicostratus, a figure rendered with a profound sense of presence. He is depicted holding a bow and arrow, his hands steady upon the instrument, dressed in a deep green garment that anchors him within the composition. The setting is intimate, defined by the tactile quality of a brick-patterned wall and the suggestion of a doorway, creating a space that feels both enclosed…
In the heart of Verona, within the hallowed halls of the Castelvecchio Museum, resides a profound testament to the spiritual and artistic fervor of the mid-16th century. Antonio Badile III’s Polyptych of the Four Crowned Saints, Simphorianus is not merely a painting but a window into the soul of the Counter-Reformation. Created in 1552, this masterful oil on board captures the solemnity of Saint Simphorianus with a gravity that commands…
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
The triptych represent saints Cecilia, Tiburtius and Valerius in an original attempt on the part of the artist to absorb Renaissance artistic innovations, such as the perspective of the pavement and the marble parapet decorated with classical medallions, within the confines of a linear style that is still Gothic. The studio of the “Master of the Cespo di Garofano”, so-called for his habit of inserting carnation plants as decorative motifs…
इन मूल कृतियों में बार-बार आने वाले चार विषय, जिनमें से प्रत्येक का सबसे उत्कृष्ट उदाहरण यहाँ प्रस्तुत है।
वे 3 संग्रहालय जिनमें इस पृष्ठ की सर्वाधिक पेंटिंग्स मौजूद हैं।
| संग्रहालय | शहर | एंटोनियो बडिल Iii की कृतियाँ | इस सूची की पेंटिंग्स |
|---|---|---|---|
 Castelvecchio Museum |
वेरोना | 7 | Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius |
 Museo del Prado |
मैड्रिड | 1 | Portrait of an unknown woman |
 National Museum of Art, Architecture and Design |
ओस्लो | 1 | Portrait of a Musician |
महज़ एक दशक, 1550 से 1560 तक, इस चयन में प्रत्येक दिनांकित एंटोनियो बडिल Iii मूल कृति दुनिया को मिली: यहाँ यह, वर्ष दर वर्ष प्रस्तुत है।
मूल कृतियों को देखने के लिए एक वर्ष चुनें।
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
1550 से और भी अधिक
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
1552 से और भी अधिक
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
Polyptych of the Four Crowned Saints, Simplicius (1552), Castelvecchio Museum, वेरोना. इसके बाद Portrait of an unknown woman (1550) और The Virgin and Child with Saint John the Baptist (1550) आते हैं।
34 वर्ष की आयु: Polyptych of the Four Crowned Saints, Simplicius 1552 का है, और एंटोनियो बडिल Iii का जन्म 1518 में हुआ था।
Polyptych of the Four Crowned Saints, Simplicius, Portrait of an unknown woman, The Virgin and Child with Saint John the Baptist, Portrait of a Musician, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius, Polyptych of the Four Crowned Saints, Nicostratus, Polyptych of the Four Crowned Saints, Simphorianus, Tobias and the Angel और Saints Cecilia, Tiburtius, Valerian। ऊपर दी गई रैंकिंग में प्रत्येक का वर्ष और संग्रहालय दिया गया है।
हमारे कैटलॉग में एंटोनियो बडिल Iii की 10 कृतियाँ हैं, जो 1550 से 1560 तक की हैं।
अधिकतर Castelvecchio Museum (वेरोना), Museo del Prado (मैड्रिड) और National Museum of Art, Architecture and Design (ओस्लो) में। ऊपर दी गई संग्रहालय तालिका में उन सभी की सूची दी गई है।
1552 में: इस पृष्ठ पर मौजूद 10 कृतियों में से 4 उस समय बनाई गई थीं, जिनमें से Polyptych of the Four Crowned Saints, Simplicius इनमें से हैं।
इस पृष्ठ पर, सबसे पुरानी कृति Portrait of an unknown woman (1550) है और नवीनतम Tobias and the Angel (1560) है।
इस पृष्ठ पर 10 कृतियों में Man (4), Drapery (2) और Woman (2)
इस पृष्ठ पर मौजूद 10 कृतियों में से 3 के लिए Oil On Board।
इस पृष्ठ पर मूल कृतियों को देखते हुए, Renaissance।
Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia और Polyptych of the Four Crowned Saints, Claudius: Castelvecchio Museum, वेरोना में इस पृष्ठ पर मौजूद कृतियों में से 7 मौजूद हैं।
