नवमबर 2026 में अपडेट किया गया · हमारे लोकप्रियता स्कोर (प्रत्येक कृति के लिए खोज, विज़िट और ऑर्डर) के आधार पर रैंक किया गया · 14 कृतियाँ Angelo Caroselli की हमारे कैटलॉग में
संक्षेप में
गैलरी की दृष्टि में, Angelo Caroselli की सबसे प्रसिद्ध पेंटिंग Wenceslaus I, Duke of Bohemia (1628) है, जिसका मूल कुन्स्टहिस्टोरिशेश म्यूज़ियम, वियना में लगा हुआ है। Saint Jerome in the Wilderness (1625) और Singing man, possibly a self-portrait (1620) उस त्रयी को पूरा करते हैं जिसे हर कोई पहचानता है। हमारे कैटलॉग में Angelo Caroselli की 14 कृतियों में से, गैलरी नीचे सबसे प्रसिद्ध 14 कृतियाँ प्रस्तुत करती है, जिनमें से प्रत्येक मूल है और उनके वर्ष, उनके संग्रहालय और उनकी विशिष्टता का विवरण दिया गया है।
A heavy, red cloak spills across the floor like a pool of spilled wine. It gathers at the feet of Wenceslaus I, Duke of Bohemia, a man carved from light and deep shadow. He stands in a commanding pose, his body encased in dark metallic armor that catches the singular, directional light of the room. One hand reaches outward, an open gesture of supplication or perhaps a command to the…
The oil painting titled Saint Jerome in the Wilderness is a Baroque work by the Roman artist Angelo Caroselli. Created in Rome, Italy, the piece dates to about 1620-1630. It captures the theologian St. Jerome, who lived from approximately 340 to 420, during a period of intense spiritual focus.
A bearded man is captured in a moment of intense musical concentration, his gaze fixed upon a piece of sheet music held before him. The composition is an intimate close-up, focusing on the upper torso and head. A single light source cuts through the darkness, illuminating the side of his face and his hands while casting the rest of the figure into deep shadow. This use of chiaroscuro creates a…
Angelo Caroselli executed Madonna and Child with St. Lawrence and St. Stephen as a devotional work of religious art. The composition centers on the Virgin Mary and the Christ Child, flanked by the two saints. This piece belongs to the Baroque period, reflecting the stylistic shifts occurring in Rome during the seventeenth century.
The painting titled Allegory of Spring is an oil on canvas work created by the artist Angelo Caroselli. This piece belongs to the genre of allegory, utilizing symbolic figures to represent a specific concept or season. The subject matter is categorized as a genre painting, focusing on a figurative representation rather than a purely historical or religious narrative.
Angelo Caroselli captured the essence of the harvest in this Allegory of Autumn, a work dating to about 1630. The painting functions as one half of a seasonal dialogue, created as part of a pair alongside the work titled "Printemps." Together, these figures trace the cyclical movement of the year through the quietude of their gestures and the weight of their presence.
We are looking at the Allegory of Vanitas, a work painted by Angelo Caroselli in 1637. This piece is an oil on panel, a medium that allows for a specific kind of depth and texture in the rendering of skin and fabric. It is currently held within the collection of the Museum Boijmans Van Beuningen in Rotterdam, Netherlands.
The Necromancer is an oil on canvas portrait by the Roman Baroque painter Angelo Caroselli. Executed about 1649, the work belongs to a period in which the artist explored themes of witchcraft and sorcery. Caroselli, a self-taught painter who learned his craft through work as an art restorer and copyist, developed a style characterized by potent naturalism and the heavy use of chiaroscuro.
Angelo Caroselli’s "Rest on the Flight into Egypt" is not merely a depiction of a biblical passage; it is an immersive journey into the heart of Baroque drama, rendered with profound tenderness. The scene captures that pivotal moment when Mary cradles the infant Jesus amidst the arduous trek to Egypt. One can almost feel the dust of the road and hear the hushed whispers of the accompanying figures. Caroselli masterfully…
इन मूल कृतियों में बार-बार आने वाले चार विषय, जिनमें से प्रत्येक का सबसे उत्कृष्ट उदाहरण यहाँ प्रस्तुत है।
वे 7 संग्रहालय जिनमें इस पृष्ठ की सर्वाधिक पेंटिंग्स मौजूद हैं।
| संग्रहालय | शहर | Angelo Caroselli की कृतियाँ | इस सूची की पेंटिंग्स |
|---|---|---|---|
 कुन्स्टहिस्टोरिशेश म्यूज़ियम |
वियना | 2 | Wenceslaus I, Duke of Bohemia, Singing man, possibly a self-portrait |
 Walters Art Museum |
बाल्टीमोर | 2 | Saint Jerome in the Wilderness, Madonna and Child with St. Lawrence and St. Stephen |
 Musée Fesch |
ऐक्स-एन-प्रोवेंस | 2 | Allegory of Spring, Allegory of Autumn |
 Museum Boijmans Van Beuningen |
रोटरडैम | 1 | Allegory of Vanitas |
 Museo Civico |
अंकोना | 1 | The necromancer |
 गैलेरिया नाज़ीयोंल द आर्ट एंतेका |
रोम | 1 | Rest on the Flight into Egypt |
 नेशनल गैलरी |
लंदन | 1 | The Plague at Ashdod ( Poussin) |
उस दशक को चुनें जो उसकी पहचान है और उसकी मूल कृतियाँ देखें।
A heavy, red cloak spills across the floor like a pool of spilled wine. It gathers at the feet of Wenceslaus I, Duke of Bohemia, a man carved from light and deep shadow. He stands in a commanding pose, his body encased in dark metallic armor that catches the singular, directional light of the room. One hand reaches outward, an open gesture of supplication or perhaps a command to the…
The painting titled Allegory of Spring is an oil on canvas work created by the artist Angelo Caroselli. This piece belongs to the genre of allegory, utilizing symbolic figures to represent a specific concept or season. The subject matter is categorized as a genre painting, focusing on a figurative representation rather than a purely historical or religious narrative.
The Necromancer is an oil on canvas portrait by the Roman Baroque painter Angelo Caroselli. Executed about 1649, the work belongs to a period in which the artist explored themes of witchcraft and sorcery. Caroselli, a self-taught painter who learned his craft through work as an art restorer and copyist, developed a style characterized by potent naturalism and the heavy use of chiaroscuro.
Wenceslaus I, Duke of Bohemia (1628), कुन्स्टहिस्टोरिशेश म्यूज़ियम, वियना. इसके बाद Saint Jerome in the Wilderness (1625) और Singing man, possibly a self-portrait (1620) आते हैं।
43 वर्ष की आयु: Wenceslaus I, Duke of Bohemia 1628 का है, और Angelo Caroselli का जन्म 1585 में हुआ था।
Wenceslaus I, Duke of Bohemia, Saint Jerome in the Wilderness, Singing man, possibly a self-portrait, Madonna and Child with St. Lawrence and St. Stephen, Allegory of Spring, Allegory of Autumn, Allegory of Vanitas, The necromancer, Rest on the Flight into Egypt और Portrait of a Young Man in Armor, as Saint George। ऊपर दी गई रैंकिंग में प्रत्येक का वर्ष और संग्रहालय दिया गया है।
हमारे कैटलॉग में Angelo Caroselli की 14 कृतियाँ हैं, जो 1620 से 1649 तक की हैं।
अधिकतर कुन्स्टहिस्टोरिशेश म्यूज़ियम (वियना), Walters Art Museum (बाल्टीमोर) और Musée Fesch (ऐक्स-एन-प्रोवेंस) में। ऊपर दी गई संग्रहालय तालिका में उन सभी की सूची दी गई है।
1620s में: इस पृष्ठ पर मौजूद 14 कृतियों में से 4 उस समय बनाई गई थीं, जिनमें से Wenceslaus I, Duke of Bohemia इनमें से हैं।
इस पृष्ठ पर, सबसे पुरानी कृति Singing man, possibly a self-portrait (1620) है और नवीनतम The necromancer (1649) है।
इस पृष्ठ पर 14 कृतियों में Woman (5), Man (4) और Beard (2)
इस पृष्ठ पर मौजूद 14 कृतियों में से 4 के लिए Oil On Canvas।
इस पृष्ठ पर मूल कृतियों को देखते हुए, Baroque।
Wenceslaus I, Duke of Bohemia और Singing man, possibly a self-portrait: कुन्स्टहिस्टोरिशेश म्यूज़ियम, वियना में इस पृष्ठ पर मौजूद कृतियों में से 2 मौजूद हैं।
Angelo Caroselli was born in Rome, Italy, in 1585. Little is known about his early training; sources indicate he did not formally apprentice under a single master, a factor that would later influence the trajectory of his career. This lack of traditional grounding led to an eclectic style and a somewhat precarious professional life.
Caroselli operated during the Baroque period, and his work reflects the dynamism and dramatic flair characteristic of that era. He was significantly influenced by two key artistic currents: Caravaggism – the style pioneered by Michelangelo Merisi da Caravaggio, emphasizing strong contrasts of light and shadow (tenebrism) and realistic depictions – and the Bamboccianti, a group of Dutch and Flemish painters in Rome known for their genre scenes depicting everyday life. His style blended these influences, resulting in works that were both dramatic and grounded in reality.
Caroselli’s career was marked by instability. Contemporary accounts, particularly those of Giovanni Battista Passeri, describe him as lacking consistent patronage. He traveled to Naples and Piedmont de Liso seeking employment, but his independent nature and perhaps a somewhat questionable reputation hindered his success. A notable incident involved accusations of creating forgeries in the style of established masters, further complicating his professional life.
Caroselli experienced personal loss, being widowed twice. His second marriage connected him to a prominent artistic family; he married Brigitta Lauwers, daughter of the Flemish landscape painter Balthasar Lauwers, becoming brother-in-law to Filippo and Francesco Lauwers. He also trained pupils including Pietro Paolini and his son Carlo Caroselli.
While not as widely celebrated as some of his Baroque contemporaries, Angelo Caroselli represents an interesting facet of Roman art during the 17th century. His eclectic style and independent spirit set him apart. He demonstrates the diverse artistic currents flowing through Rome at the time and provides insight into the challenges faced by artists operating outside established patronage networks. His pupils continued to spread his influence, ensuring a modest but lasting legacy.
