Paolo de Matteis का चित्र

43 सबसे प्रसिद्ध Paolo de Matteis पेंटिंग्स, एक गैलरी चयन

नवमबर 2026 में अपडेट किया गया · हमारे लोकप्रियता स्कोर (प्रत्येक कृति के लिए खोज, विज़िट और ऑर्डर) के आधार पर रैंक किया गया · 47 कृतियाँ Paolo de Matteis की हमारे कैटलॉग में

संक्षेप में

Paolo de Matteis द्वारा छोड़ी गई सभी मूल कृतियों में से, सबसे प्रसिद्ध Adam and Eve Lamenting over the Body of Abel (1676) है, जो कोपेनहेगन के Statens Museum For Kunst के संग्रह में है। इसके ठीक बाद Mystical Marriage of St Catharine (1712) और Ideal Landscape with Diana and Actaeon (1695) का स्थान आता है। हमारे कैटलॉग में Paolo de Matteis की 47 कृतियाँ हैं; गैलरी ने उन 43 कृतियों को सहेज कर रखा है जिन्हें दुनिया सबसे अधिक पसंद करती है, जिनमें से प्रत्येक को उनकी तिथि, उनके संग्रहालय और उनकी कहानी के साथ प्रदर्शित किया गया है।

1662 – 1728, Cilento Baroque सर्वाधिक कृतियाँ: Bavarian State Painting Collections

Paolo de Matteis की शीर्ष 10 पेंटिंग: गैलरी का चयन

1
Adam and Eve Lamenting over the Body of Abel (1676) द्वारा Paolo de Matteis

Adam and Eve Lamenting over the Body of Abel

1676 · Oil On Canvas · Statens Museum For Kunst, कोपेनहेगन

The air hangs heavy and thick with the scent of damp earth and sudden, sharp grief. In this cavernous, murky landscape, the light does not merely shine; it strikes. It cuts through the deep shadows to illuminate a scene of profound tragedy, catching the pale, luminous skin of three figures caught in a moment of eternal mourning. Adam leans forward, his muscular anatomy defined by the harsh, directional light, his…

2
Mystical Marriage of St Catharine (1712) द्वारा Paolo de Matteis

Mystical Marriage of St Catharine

In this intimate composition, we find ourselves drawn into a quiet, sacred moment of devotion. The scene depicts the Mystical Marriage of Saint Catherine, a subject that invites a sense of profound stillness. At the center of the work, the Virgin Mary sits with the infant Christ, her presence steady and maternal. The child reaches out toward Saint Catherine, who kneels in a gesture of humble reception. This tactile connection,…

3
Ideal Landscape with Diana and Actaeon (1695) द्वारा Paolo de Matteis

Ideal Landscape with Diana and Actaeon

1695 · Oil On Canvas · Bavarian State Painting Collections, म्यूनिख

In Ideal Landscape with Diana and Actaeon, Paolo de Matteis constructs a world of deep, receding space. Dark, heavy foliage and jagged rocky outcrops anchor the foreground, framing a view that pulls the eye toward a distant valley. On the left, a group of figures gathers amidst the shadows. A solitary figure appears in the mid-ground, caught in the transition between the dense woods and the open air. The perspective…

4
John Nepomuk before King Wenceslaus (1695) द्वारा Paolo de Matteis

John Nepomuk before King Wenceslaus

1695 · Oil On Canvas · Bavarian State Painting Collections, म्यूनिख

The canvas captures a moment of heavy, suspended tension. A king sits in a position of earthly authority, his cloak cascading in deep, sculptural folds that catch the light. Before him, a cleric stands, caught in the gravity of a divine encounter. The composition pulls the eye upward along a diagonal line, moving from the grounded, muscular presence of the figures toward a celestial opening in the upper corner. Here,…

5
The Wounded Tancred Nursed by Erminia (1695) द्वारा Paolo de Matteis

The Wounded Tancred Nursed by Erminia

1695 · Oil On Canvas · Bavarian State Painting Collections, म्यूनिख

The Wounded Tancred Nursed by Erminia emerges from the brush of Paolo de Matteis as a heavy, emotional oil painting. Created in 1695, the work captures a moment of profound vulnerability. A wounded male figure, Tancred, lies in a state of exhaustion, his strength spent by the conflicts that surround him. He is met by the presence of Erminia, a female figure whose care provides the central focus of this…

6
Lamentation of Christ (1695) द्वारा Paolo de Matteis

Lamentation of Christ

1695 · Oil On Canvas · Bavarian State Painting Collections, म्यूनिख

In this somber religious scene, the Lamentation of Christ unfolds with a heavy, quiet intensity. Created by the artist Paolo de Matteis around 1695, the work captures a moment of profound grief following the crucifixion. The lifeless body of Christ lies at the center of the sorrow, his form reclined and supported by those who mourn him. Every figure in the composition seems anchored by the weight of this loss,…

8
Death of Cato of Utica (1695) द्वारा Paolo de Matteis

Death of Cato of Utica

1695 · Oil · Bavarian State Painting Collections, म्यूनिख

Paolo de Matteis presents a dramatic Baroque-style oil painting in Death of Cato of Utica. Created about 1695, the work captures the tragic historical end of Cato the Younger. The scene focuses on the final moments of the Roman senator, a figure defined by his commitment to Stoicism and his resistance to the rising power of Julius Caesar.

9
Hercules at the Crossroads (1695) द्वारा Paolo de Matteis

Hercules at the Crossroads

1695 · Oil · Bavarian State Painting Collections, म्यूनिख

Paolo de Matteis created Hercules at the Crossroads in 1695. The work presents a mythological scene centered on the themes of choice and contemplation. The composition focuses on a muscular man representing Hercules, who leans against a tree trunk in a pose of deep hesitation. His chin rests on his hand as he deliberates between two paths.

10
The Adoration of the Shepherds (1704) द्वारा Paolo de Matteis

The Adoration of the Shepherds

1704 · Oil On Canvas · डलास संग्रहालय कला, डलास

A single, celestial glow emanates from the center of the stable, casting long, heavy shadows across the earth. This light does not come from a candle or a lamp, but from the skin of the infant Jesus. It strikes the faces of the kneeling shepherds, turning their weathered features into maps of sudden wonder. The darkness of the background presses inward, making the central scene feel like a private, sacred…

Paolo de Matteis का चयन जारी है, 11 से 43 तक

11Danaë (1705) द्वारा Paolo de MatteisDanaë1705 · Detroit Institute of Arts 12Assumption of the Virgin (1707) द्वारा Paolo de MatteisAssumption of the Virgin1707 · म्यूजियम ऑफ फाइन आर्ट्स 13Cain Slaying Abel (1707) द्वारा Paolo de MatteisCain Slaying Abel1707 · Statens Museum For Kunst 14Venus giving arms to Aeneas (1712) द्वारा Paolo de MatteisVenus giving arms to Aeneas1712 15The triumph of the Immaculate (1712) द्वारा Paolo de MatteisThe triumph of the Immaculate1712 · Gemäldegalerie 16Virgin of the Annunciation (1728) द्वारा Paolo de MatteisVirgin of the Annunciation1728 · Musée Des Beaux 17Painting of Our Lady of Sorrows (1700) द्वारा Paolo de MatteisPainting of Our Lady of Sorrows1700 · Museo Archeologico Nazionale di Taranto 18Clorinda Rescuing Olindo and Sophronia from the Stake (1690) द्वारा Paolo de MatteisClorinda Rescuing Olindo and Sophronia from the Stake1690 · डर्हम यूनिवर्सिटी 19The Meeting of Erminia (1715) द्वारा Paolo de MatteisThe Meeting of Erminia1715 · कुन्स्टहिस्टोरिशेश म्यूज़ियम 20The Choice of Hercules (1712) द्वारा Paolo de MatteisThe Choice of Hercules1712 · द एशमोलीन म्यूजियम ऑफ आर्ट एंड आर्कियोलॉजी 21A Glorification of Prince Eugene of Savoy's Victory over the Turks in Hungary and at Zenta and Belgrade in 1697 (1725) द्वारा Paolo de MatteisA Glorification of Prince Eugene of Savoy's Victory over the Turks in Hungary and at Zenta and Belgrade in 16971725 22Apollo and Muses द्वारा Paolo de MatteisApollo and MusesNational Museum in Warsaw 23Love And The Vices Disarm Judgement द्वारा Paolo de MatteisLove And The Vices Disarm Judgement 24Apollo and Daphne (1702) द्वारा Paolo de MatteisApollo and Daphne1702 25The Abduction of Europa. द्वारा Paolo de MatteisThe Abduction of Europa. 26St. Catherine With An Angel And Cherubs द्वारा Paolo de MatteisSt. Catherine With An Angel And Cherubs 27Madonna द्वारा Paolo de MatteisMadonna 28Self Portrait In An Allegory Of The Arts द्वारा Paolo de MatteisSelf Portrait In An Allegory Of The Arts 29The Finding of Moses द्वारा Paolo de MatteisThe Finding of Moses 30The annunciation. द्वारा Paolo de MatteisThe annunciation.सेंट लुइस आर्ट संग्रहालय 31Polyphemus and Galatea द्वारा Paolo de MatteisPolyphemus and Galatea 32Allegory of Knowledge and the Arts in Naples द्वारा Paolo de MatteisAllegory of Knowledge and the Arts in Naplesम्यूजियम ऑफ फाइन आर्ट्स 33Drawing द्वारा Paolo de MatteisDrawing 34Allegory of the Consequences of the Peace of Utrecht द्वारा Paolo de MatteisAllegory of the Consequences of the Peace of Utrechtम्यूजियम ऑफ फाइन आर्ट्स 35The Triumph and Glory of the Immaculate Conception द्वारा Paolo de MatteisThe Triumph and Glory of the Immaculate Conception 36Martyre de Saint Jean Nepomucène (The Martyrdom of Saint John) द्वारा Paolo de MatteisMartyre de Saint Jean Nepomucène (The Martyrdom of Saint John)Musée des Beaux-Arts 37Esther before King Ahasuerus द्वारा Paolo de MatteisEsther before King Ahasuerus 38Rebecca's journey to Canaan द्वारा Paolo de MatteisRebecca's journey to Canaan 39Death of St Joseph द्वारा Paolo de MatteisDeath of St Joseph 40Lot and his daughters द्वारा Paolo de MatteisLot and his daughters 41Latona and the Lycian peasants द्वारा Paolo de MatteisLatona and the Lycian peasants 42St. Nicolas of Bari Felling a Tree Inhabited by Demons द्वारा Paolo de MatteisSt. Nicolas of Bari Felling a Tree Inhabited by DemonsHigh Museum of Art 43Death of Saint Nicholas (1707) द्वारा Paolo de MatteisDeath of Saint Nicholas1707

वे विषय जिन्होंने Paolo de Matteis का मन मोह लिया

इन मूल कृतियों में बार-बार आने वाले चार विषय, जिनमें से प्रत्येक का सबसे उत्कृष्ट उदाहरण यहाँ प्रस्तुत है।

वे संग्रहालय जहाँ Paolo de Matteis की मूल कृतियाँ रखी गई हैं

वे 8 संग्रहालय जिनमें इस पृष्ठ की सर्वाधिक पेंटिंग्स मौजूद हैं।

संग्रहालय शहर Paolo de Matteis की कृतियाँ इस सूची की पेंटिंग्स
Bavarian State Painting Collections, म्यूनिखBavarian State Painting Collections म्यूनिख 7 Ideal Landscape with Diana and Actaeon, John Nepomuk before King Wenceslaus, The Wounded Tancred Nursed by Erminia
Statens Museum For Kunst, कोपेनहेगनStatens Museum For Kunst कोपेनहेगन 2 Adam and Eve Lamenting over the Body of Abel, Cain Slaying Abel
कुन्स्टहिस्टोरिशेश म्यूज़ियम, वियनाकुन्स्टहिस्टोरिशेश म्यूज़ियम वियना 2 Mystical Marriage of St Catharine, The Meeting of Erminia
म्यूजियम ऑफ फाइन आर्ट्स, ह्यूस्टनम्यूजियम ऑफ फाइन आर्ट्स ह्यूस्टन 2 Allegory of Knowledge and the Arts in Naples, Allegory of the Consequences of the Peace of Utrecht
डलास संग्रहालय कला, डलासडलास संग्रहालय कला डलास 1 The Adoration of the Shepherds
Detroit Institute of Arts, डेट्रॉइटDetroit Institute of Arts डेट्रॉइट 1 Danaë
म्यूजियम ऑफ फाइन आर्ट्स, बोस्टनम्यूजियम ऑफ फाइन आर्ट्स बोस्टन 1 Assumption of the Virgin
Gemäldegalerie, बर्लिनGemäldegalerie बर्लिन 1 The triumph of the Immaculate

Paolo de Matteis दशक दर दशक: प्रत्येक को परिभाषित करने वाली मूल कृतियाँ

दशकवार कृतियाँ

उस दशक को चुनें जो उसकी पहचान है और उसकी मूल कृतियाँ देखें।

Paolo de Matteis की पेंटिंग्स के बारे में संग्रहकर्ताओं के प्रश्न

Paolo de Matteis किस कृति के लिए सबसे अधिक प्रसिद्ध हैं?उत्तर देखें

Adam and Eve Lamenting over the Body of Abel (1676), Statens Museum For Kunst, कोपेनहेगन. इसके बाद Mystical Marriage of St Catharine (1712) और Ideal Landscape with Diana and Actaeon (1695) आते हैं।

Adam and Eve Lamenting over the Body of Abel के निर्माण के समय Paolo de Matteis की आयु क्या थी?उत्तर देखें

14 वर्ष की आयु: Adam and Eve Lamenting over the Body of Abel 1676 का है, और Paolo de Matteis का जन्म 1662 में हुआ था।

Paolo de Matteis की दस सबसे प्रसिद्ध पेंटिंग्स कौन सी हैं?उत्तर देखें

Adam and Eve Lamenting over the Body of Abel, Mystical Marriage of St Catharine, Ideal Landscape with Diana and Actaeon, John Nepomuk before King Wenceslaus, The Wounded Tancred Nursed by Erminia, Lamentation of Christ, Chlorinda Saves Sofronia and Olindo from Death by Fire, Death of Cato of Utica, Hercules at the Crossroads और The Adoration of the Shepherds। ऊपर दी गई रैंकिंग में प्रत्येक का वर्ष और संग्रहालय दिया गया है।

Paolo de Matteis ने कितनी पेंटिंगें छोड़ीं?उत्तर देखें

हमारे कैटलॉग में Paolo de Matteis की 47 कृतियाँ हैं, जो 1676 से 1728 तक की हैं।

Paolo de Matteis की उत्कृष्ट कृतियाँ किन संग्रहालयों में प्रदर्शित हैं?उत्तर देखें

अधिकतर Bavarian State Painting Collections (म्यूनिख), Statens Museum For Kunst (कोपेनहेगन) और कुन्स्टहिस्टोरिशेश म्यूज़ियम (वियना) में। ऊपर दी गई संग्रहालय तालिका में उन सभी की सूची दी गई है।

Paolo de Matteis ने अपने सबसे प्रसिद्ध कार्यों की रचना किन वर्षों में की थी?उत्तर देखें

1690s में: इस पृष्ठ पर मौजूद 43 कृतियों में से 8 उस समय बनाई गई थीं, जिनमें से Ideal Landscape with Diana and Actaeon इनमें से हैं।

Paolo de Matteis की पहली और आखिरी प्रसिद्ध मूल कृतियाँ कौन सी हैं?उत्तर देखें

इस पृष्ठ पर, सबसे पुरानी कृति Adam and Eve Lamenting over the Body of Abel (1676) है और नवीनतम Virgin of the Annunciation (1728) है।

Paolo de Matteis ने सबसे अधिक बार किन विषयों को चुना?उत्तर देखें

इस पृष्ठ पर 43 कृतियों में Woman (14), Man (13) और Clouds (7)

Paolo de Matteis ने किस तकनीक का सबसे अधिक उपयोग किया?उत्तर देखें

इस पृष्ठ पर मौजूद 43 कृतियों में से 13 के लिए Oil On Canvas।

Paolo de Matteis किस कला आंदोलन (art movement) से संबंधित हैं?उत्तर देखें

इस पृष्ठ पर मूल कृतियों को देखते हुए, Baroque।

Bavarian State Painting Collections में Paolo de Matteis की कौन सी कृतियाँ प्रदर्शित हैं?उत्तर देखें

Ideal Landscape with Diana and Actaeon, John Nepomuk before King Wenceslaus और The Wounded Tancred Nursed by Erminia: Bavarian State Painting Collections, म्यूनिख में इस पृष्ठ पर मौजूद कृतियों में से 7 मौजूद हैं।

Paolo de Matteis: जीवन और कार्य

The Neapolitan Visionary: The Rise of Paolo de Matteis

In the vibrant, sun-drenched landscape of seventeenth-century Italy, a new light began to emerge from the humble surroundings of Piano Vetrale. Paolo de Matteis, an artist whose name would become synonymous with the opulent grandeur of the Baroque, embarked on a journey that would reshape the visual identity of Naples and Rome. His early years were defined by rigorous training under Francesco di Maria, yet it was his profound apprenticeship with the legendary Luca Giordano that truly ignited his creative spirit. From Giordano, de Matteis inherited a mastery of illusionistic painting, learning to manipulate light and shadow—the dramatic chiaroscuro—to create immersive worlds that seemed to breathe within their frames.

As he navigated the complexities of the Spanish Viceroyalty's court, his work began to reflect a unique synthesis of theatricality and grace. He did not merely paint scenes; he constructed spectacles. His ability to weave intricate narratives through movement and perspective allowed him, through his brush, to capture the very essence of the era’s devotion and drama.

A Continental Evolution: From Baroque Drama to Rocaille Elegance

The trajectory of de Matteis' career was significantly altered by his transformative sojourn in Paris between 1702 and 1705. This period of international exposure acted as a crucible for his style, as he absorbed the burgeoning trends of the French art scene. The heavy, dramatic weight of the traditional Baroque began to soften, making way for a more refined, delicate sensibility that hinted at the approaching Rocaille era. This evolution is beautifully captured in works such as Apollo and Daphne, where the mythological tension of Ovid’s tale is rendered with both energetic movement and an increasingly sophisticated lightness.

Upon his return to Naples, de Matteis brought with him a reinvigorated vision. He dedicated himself to monumental decorative schemes that transformed sacred spaces into celestial visions. His work on the magnificent vault of San Ignazio in the Gesù Nuovo stands as a testament to this period, where his brushwork turned stone and plaster into a breathtaking expanse of divine light.

A Legacy Etched in Gold and Light

The enduring significance of Paolo de Matteis lies in his role as a bridge between two great artistic epochs. He possessed the rare ability to honor the dramatic intensity of his predecessors while embracing the elegance of the future. His religious compositions, such as Our Lady of Sorrows, continue to resonate with their rich textures and symbolic depth, inviting viewers into a state of profound contemplation.

  • Mastery of illusionistic fresco techniques that expanded architectural boundaries.
  • A pivotal role in transitioning Neapolitan art from Baroque theatricality to Rocaille refinement.
  • The creation of enduring mythological and religious icons that defined the eighteenth-century aesthetic.