Mis à jour en novembre 2026 · classé selon notre score de popularité (recherches, visites et commandes pour chaque œuvre) · 10 œuvres de William Millar dans notre catalogue
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Mademoiselle Copland (1767) est la peinture de William Millar qui attire le plus les regards ; l'original appartient au Musée et de la Chambre Obscure de Dumfries, Dumfries. Ensuite, le regard se porte sur Diana, Wife of Sir Walter Scott (1758) et Dr Rutherford, Maternal Grandfather of Sir Walter Scott (1761). Parmi les 10 œuvres de William Millar dans notre catalogue, voici les 10 plus célèbres, chacune étant une œuvre originale unique présentée avec son année, son musée et la raison de sa pérennité.
Une femme repose dans la quiétude de l'année 1767, sa présence définie par l'intersection délicate de la lumière et du tissu. Présentée de trois-quarts, sa tête et ses épaules émergent d'un arrière-plan sombre et indistinct qui n'offre aucune distraction à sa prestance. La palette est un agencement de nuances douces, entre rose pâle, pêche et crème, ponctuées par la chaleur subtile de l'or et du brun. Son expression demeure sereine,…
In this half-length portrait, we encounter a woman of quiet dignity, captured in a moment of serene stillness. She is presented from the waist up, her presence commanding the space against a muted, dark background of blues and grays. The lighting is soft, falling across her features to create a gentle chiaroscuro that defines the contours of her face and the delicate structure of her neck. Her dark hair is…
In this 1761 portrait, we encounter Dr. Rutherford, a man whose presence is defined by a quiet, scholarly authority. He is depicted in a moment of stillness, his gaze meeting the viewer with a directness that suggests a life spent in contemplation or perhaps the rigorous application of law. He wears a dark robe accented by a crisp white trim, a garment that speaks to his professional standing and the…
The oil painting depicts a man positioned in a three-quarter view, facing the viewer. He possesses a grey beard and hair, with a gaze directed forward. His attire consists of a dark suit jacket worn over a white shirt and a tie. The lighting originates from the side, casting soft shadows across the contours of his face and the folds of his clothing. The background remains dark and indistinct, focusing…
The man stares directly from the canvas, his eyes meeting the viewer with a stern, unyielding intensity. He possesses a thick, well-groomed beard and dark hair that frames a face etched with the weight of conviction. His attire, a formal suit and tie, speaks of a bygone era, grounding him firmly in the mid-1700s. There is a stillness to his posture, a quiet gravity that suggests a man accustomed to…
The room holds a stillness that feels heavy with thought. Thomas Trotter sits anchored in his chair, a man caught in a private moment of study. He wears the formal attire of a bygone era, his neck wrapped in a crisp tie and his head adorned with a powdered wig that speaks of status and the rigid social structures of the mid-eighteenth century. His glasses catch the light, partially obscuring…
The oil on canvas painting titled Ann Gordon of Earlston (b.c.1716) is a portrait created by William Millar in 1767. The subject is a woman with brown hair, depicted wearing a white shirt and a black dress. She is adorned with a pearl necklace around her neck and is positioned looking toward the viewer.
The portrait depicts Alexander Copland of Colliston, a man positioned against a dark, indistinct background. He is shown from the chest up, facing the viewer directly. He wears a white wig, a common fashion of the mid-eighteenth century, which frames a face characterized by a mustache. His attire consists of a red coat, detailed with gold buttons that catch the light. The lighting is concentrated on the subject's face and…
Les quatre thèmes qui reviennent le plus souvent dans ces œuvres originales, chacun illustré par son plus bel exemple.
Les 5 musées qui détiennent la plupart des peintures de cette page.
| Musées | Ville | Œuvres de William Millar | Peintures de cette liste |
|---|---|---|---|
 Musée et de la Chambre Obscure de Dumfries |
Dumfries | 4 | Mademoiselle Copland, Ann Gordon of Earlston (b.c.1716), Alexander Copland of Colliston (1701–1774) |
 Abbotsford House |
Malvern | 1 | Dr Rutherford, Maternal Grandfather of Sir Walter Scott |
 Galerie Nationale de Portraits Écossais |
Édimbourg | 1 | Reverend John Home (1722–1808), Historian and Author of 'Douglas' |
 Scottish National Gallery |
Édimbourg | 1 | Thomas Trotter (d.1767) |
 Le Musée et Galerie d’Art Hunterian |
Glasgow | 1 | Reverend William Leechman (1706–1785), Professor of Divinity and Principal at the University of Glasgow |
Mademoiselle Copland (1767), Musée et de la Chambre Obscure de Dumfries, Dumfries. Suivus de Diana, Wife of Sir Walter Scott (1758) et Dr Rutherford, Maternal Grandfather of Sir Walter Scott (1761).
Mademoiselle Copland, Diana, Wife of Sir Walter Scott, Dr Rutherford, Maternal Grandfather of Sir Walter Scott, Reverend John Home (1722–1808), Historian and Author of 'Douglas', John Glas (1695–1773), Thomas Trotter (d.1767), Ann Gordon of Earlston (b.c.1716), Alexander Copland of Colliston (1701–1774), Reverend William Leechman (1706–1785), Professor of Divinity and Principal at the University of Glasgow et Portrait of a Young Woman. Le classement ci-dessus indique l'année et le musée de chacun.
Notre catalogue comprend 10 œuvres de William Millar.
Principalement dans Musée et de la Chambre Obscure de Dumfries (Dumfries), Abbotsford House (Malvern) et Galerie Nationale de Portraits Écossais (Édimbourg). Le tableau des musées ci-dessus les répertorie tous.
Man (5), Portrait (4) et Wig (3), à travers les 10 œuvres de cette page.
Oil, pour 6 des 10 œuvres de cette page.
Academic art, à en juger par les originaux de cette page.
Mademoiselle Copland, Ann Gordon of Earlston (b.c.1716) et Alexander Copland of Colliston (1701–1774) : le Musée et de la Chambre Obscure de Dumfries, Dumfries détient 4 des œuvres de cette page.
