Portrait de Morris Graves

Peintures de Morris Graves : les 30 plus célèbres, selon le regard d'une galerie

Mis à jour en octobre 2026 · classé selon notre score de popularité (recherches, visites et commandes pour chaque œuvre) · 32 œuvres de Morris Graves dans notre catalogue

En bref

Aux yeux de la galerie, la peinture la plus célèbre de Morris Graves est Bird Singing in the Moonlight (1938). Crow, Surf and Moon (1943) et Logged Mountains (1943) complètent ce trio que tout le monde reconnaît. Parmi les 32 œuvres de Morris Graves présentes dans notre catalogue, la galerie présente ci-dessous les 30 plus célèbres, chacune étant une œuvre originale avec son année, son musée et ce qui la rend unique.

1910 – 2001, Fox Plus d'œuvres : Musée d'art

Les 10 meilleures peintures de Morris Graves de la galerie

3
Logged Mountains (1943) de Morris Graves

Logged Mountains

1943 · Smithsonian American Art Museum, Washington, D.C.

The Logged Mountains painting by Morris Graves is a thought-provoking artwork that showcases the artist's skill in combining natural elements with artistic expression. Created in 1943, this oil on canvas painting measures 66 x 92 cm and is currently housed at the Smithsonian American Art Museum in the United States. Artist Background Morris Graves was an American artist known for his delicate and contemplative drawings that capture the essence of…

Peintures de Morris Graves, classées de 11 à 30

Les musées qui conservent les œuvres originales de Morris Graves

Les 3 musées qui détiennent la plupart des peintures de cette page.

Musées Ville Œuvres de Morris Graves Peintures de cette liste
Musée d'art, SeattleMusée d'art Seattle 6 Crow, Surf and Moon, Bird in the Night, Sea, Fish and Constellation
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 3 Surf and Bird, Young Gander Ready for Flight, August Still Life
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 1 Logged Mountains

Morris Graves, une œuvre emblématique par décennie

Œuvres par décennie

Choisissez une décennie pour découvrir l'œuvre originale qui la définit.

Les peintures de Morris Graves : la galerie répond

Quelle est la peinture la plus célèbre de Morris Graves ?Révéler la réponse

Bird Singing in the Moonlight (1938). Crow, Surf and Moon (1943) et Logged Mountains (1943) suivent.

Quel âge avait Morris Graves lors de la création de Bird Singing in the Moonlight ?Révéler la réponse

28 ans : Bird Singing in the Moonlight date de 1938, et Morris Graves est né(e) en 1910.

Quelles sont les 10 plus grands tableaux de Morris Graves ?Révéler la réponse

Bird Singing in the Moonlight, Crow, Surf and Moon, Logged Mountains, Surf and Bird, Snake and Moon, Wheelbarrow, Bird in the Night, Sea, Fish and Constellation, Bird in the Spirit et Nestling. Le classement ci-dessus indique l'année et le musée de chacun.

Combien d'œuvres Morris Graves a-t-il créées ?Révéler la réponse

Notre catalogue comprend 32 œuvres de Morris Graves, datées de 1934 à 1988.

Où sont exposées les œuvres originales les plus célèbres de Morris Graves ?Révéler la réponse

Principalement dans Musée d'art (Seattle), The Phillips Collection (Washington, D.C.) et Smithsonian American Art Museum (Washington, D.C.). Le tableau des musées ci-dessus les répertorie tous.

Quand Morris Graves a-t-il créé ses peintures les plus célèbres ?Révéler la réponse

En 1940s : 11 des 30 œuvres de cette page ont été créées à cette époque, dont Crow, Surf and Moon.

Quelles sont les premières et les dernières œuvres célèbres de Morris Graves ?Révéler la réponse

Sur cette page, la plus ancienne date de Wheelbarrow (1934) et la plus récente de Summer Still Life (1988).

Quelles œuvres originales de Morris Graves le Musée d'art détient-il ?Révéler la réponse

Crow, Surf and Moon, Bird in the Night et Sea, Fish and Constellation : le Musée d'art, Seattle détient 6 des œuvres de cette page.

Morris Graves : l'artiste

The Visionary of the Pacific Northwest

In the mist-shrouded landscapes where the rugged beauty of Oregon meets the contemplative stillness of the Puget Sound, the spirit of Morris Graves found its eternal home. Born in 1910, Graves was an artist who did not merely observe the world but sought to pierce through its physical veil to reveal the consciousness beneath. As a cornerstone of the Northwest School, his work emerged from a profound intimacy with nature—a landscape steeped in both wild resilience and a quiet, almost spiritual, grace. His journey was one of self-directed discovery, eschewing traditional academic rigor for a life lived in deep conversation with the elements: the flight of a bird, the delicate curve of a petal, and the shifting light of a coastal morning.

Eastern Echoes and the Mystic's Eye

The essence of Graves’s artistry was deeply intertwined with his fascination with Eastern aesthetics and Zen Buddhism. A formative voyage to Japan in the early 1930s left an indelible mark on his soul, instilling a reverence for simplicity, suggestion, and the beauty of the ephemeral. This influence manifested in a unique symbolic vocabulary where animals—most notably birds—served not as mere biological subjects but as metaphors for the human psyche and the fragility of existence. Through his mastery of texture and light, he developed a language that was both intimate and universal, characterized by:

  • Symbolic Motifs: The recurring use of birds, flowers, and chalices to represent spiritual vessels and the essence of life.
  • Atmospheric Depth: A technique that captures the ethereal, misty quality of the Northwest through delicate washes and shadows.
  • Philosophical Resonance: An integration of Eastern meditative principles into the very structure of his compositions.

His ability to blend these elements allowed him to create works like Folded Wings Memory the Moon Weeping, which haunt the viewer with their sense of isolation and transcendence.

A Legacy of Light and Shadow

Throughout his prolific career, Graves’s evolution was marked by a transition from delicate, contemplative drawings to more complex, abstract expressions. His breakthrough in 1942 at New York's Museum of Modern Art cemented his position as a leading figure of American Modernism, standing alongside contemporaries such as Mark Tobey. Even as he moved toward the abstractions of the machine age in later years, his work remained anchored in a deep-seated respect for quietude and the natural order. Pieces such as Hibernation and Logged Mountains stand as testaments to his ability to capture the tension between the organic world and the encroaching modern era. His legacy remains that of a true mystic, an artist who transformed the damp, grey atmosphere of the Pacific Northwest into a luminous window onto the infinite.