En bref
Visiting Grandfather (1853) est la peinture de Julius Exner qui attire le plus les regards ; l'original appartient au Statens Museum for Kunst, Copenhague. Ensuite, le regard se porte sur En fattig kone der venter på et krus øl i en bondestue (1852) et En amagerkone (1852). Parmi les 19 œuvres de Julius Exner dans notre catalogue, voici les 19 plus célèbres, chacune étant une œuvre originale unique présentée avec son année, son musée et la raison de sa pérennité.
Les 10 plus belles peintures de Julius Exner, selon le regard de la galerie
Les peintures célèbres de Julius Exner, de la n° 11 à la n° 19
Les musées qui conservent les œuvres originales de Julius Exner
Les 5 musées qui détiennent la plupart des peintures de cette page.
| Musées | Ville | Œuvres de Julius Exner | Peintures de cette liste |
|---|---|---|---|
| Copenhague | 12 | Visiting Grandfather, En fattig kone der venter på et krus øl i en bondestue, En amagerkone | |
| Aalborg | 2 | A village churchyard., Dressing the bride. Scene from the Hollænderby (Dutch village) on Amager. | |
| Copenhague | 1 | Blind man's bluff | |
| Esbjerg | 1 | Birthday visit to Grandma | |
| Aarhus | 1 | Præsentation for en kender |
Julius Exner à travers les décennies : une œuvre originale unique pour chacune
Œuvres par décennie
Choisissez une décennie pour découvrir l'œuvre originale qui la définit.
The Danish Queen Thyra Danebod Trying to Soften the Heart of her Husband, Gorm the Old, towards some Christian Captives
Les peintures de Julius Exner : questions pour la galerie
Quelle est l'œuvre la plus célèbre de Julius Exner ?Révéler la réponse
Visiting Grandfather (1853), Statens Museum for Kunst, Copenhague. Suivus de En fattig kone der venter på et krus øl i en bondestue (1852) et En amagerkone (1852).
À quel âge Julius Exner a-t-il créé Visiting Grandfather ?Révéler la réponse
28 ans : Visiting Grandfather date de 1853, et Julius Exner est né(e) en 1825.
Quelles sont les dix peintures les plus célèbres de Julius Exner ?Révéler la réponse
Visiting Grandfather, En fattig kone der venter på et krus øl i en bondestue, En amagerkone, The Danish Queen Thyra Danebod Trying to Soften the Heart of her Husband, Gorm the Old, towards some Christian Captives, Interior with peasants from the region of Amager, A Country Dance in the Hedebo District, Zealand, Sorteperspillerne, Blind man's bluff, Grandmother's visit to the little Convalescent et A village churchyard.. Le classement ci-dessus indique l'année et le musée de chacun.
Combien d'œuvres de Julius Exner sont connues ?Révéler la réponse
Notre catalogue comprend 19 œuvres de Julius Exner, datées de 1849 à 1910.
Où peut-on voir les originaux les plus célèbres de Julius Exner ?Révéler la réponse
Principalement dans Statens Museum for Kunst (Copenhague), Kunsten Museum of Modern Art Aalborg (Aalborg) et Collection Hirschsprung (Copenhague). Le tableau des musées ci-dessus les répertorie tous.
Dur quelle période Julius Exner a-t-il créé ses peintures les plus célèbres ?Révéler la réponse
En 1850s : 6 des 19 œuvres de cette page ont été créées à cette époque, dont Visiting Grandfather.
Quelle est la peinture la plus ancienne de Julius Exner et laquelle est la plus récente ?Révéler la réponse
Sur cette page, la plus ancienne date de The Danish Queen Thyra Danebod Trying to Soften the Heart of her Husband, Gorm the Old, towards some Christian Captives (1849) et la plus récente de Self-Portrait, the Artist’s Last Work (1910).
Quelles œuvres originales de Julius Exner puis-je voir au Statens Museum for Kunst ?Révéler la réponse
Visiting Grandfather, En fattig kone der venter på et krus øl i en bondestue et En amagerkone : le Statens Museum for Kunst, Copenhague détient 12 des œuvres de cette page.
Julius Exner : un portrait de l'artiste
The Soul of the Danish Folk: The Life and Art of Julius Exner
Born in the vibrant heart of Copenhagen in 1825, Johan Julius Exner emerged as a defining voice of Denmark’s National Romantic period. While his early academic ambitions leaned toward the grand, dramatic narratives of history painting, Exner’s true genius lay in finding the extraordinary within the ordinary. Guided by the mentorship of masters like J. L. Lund and the legendary Christoffer Wilhelm Eckersberg, he moved away from the distant legends of antiquity to embrace the living, breathing pulse of the Danish countryside. His journey was one of profound intimacy, as he turned his gaze toward the unique customs, colorful costumes, and resilient spirits of the people inhabiting the fringes of his nation.
Exner’s artistic evolution was deeply intertwined with a burgeoning sense of patriotism and the cultural movement led by critic Niels Lauritz Høyen. This movement sought to look inward, celebrating uniquely Danish themes and folk identities. Exner found his most profound inspiration on the island of Amager, where he documented the lives of Dutch-descended farmers with a masterly touch. His works from this period, such as A Woman from Amager Counting Her Money, are not merely portraits but windows into a vanishing way of life. He possessed a rare ability to compose complex groups of people within the warm, textured interiors of old farmhouses, blending light and shadow to create scenes that felt both timeless and deeply human.
A Tapestry of Tradition and Light
The brilliance of Exner’s technique resided in his capacity for affectionate observation. He did not merely observe his subjects; he engaged with them, often traveling to the countryside during summer months to conduct live studies from nature. This dedication allowed him to capture the subtle nuances of character—the gentle humor in a child's play or the quiet dignity of an elder. His later years saw him captivated by the island of Fanø, where he continued to document the traditions of a community facing the encroaching tides of industrialization. Through his brush, these fleeting moments of self-sufficiency and communal joy were preserved in a state of idealized grace.
Beyond the domestic interiors of Denmark, Exner’s artistic curiosity led him across Europe. His travels through Italy, France, and Germany enriched his palette and perspective, as seen in the evocative A Gondola, which captures the shimmering, atmospheric light of Venice. This breadth of experience allowed him to weave together influences from Dutch and German genre painting with a distinctly Nordic sensibility. His work stands as a bridge between the structured perfection of the Golden Age and the raw, unvarnished truth of the Realist movement that would eventually follow in his footsteps.
Legacy and Artistic Significance
Exner’s contributions to the Danish art canon are marked by both academic prestige and enduring public affection. His career was decorated with numerous accolades, including:
- The Academy's Silver Medallions, earned during his formative years in the 1840s.
- A Professorship at the Danish Academy, a testament to his technical mastery and influence on subsequent generations.
- International Recognition, with works exhibited in prestigious venues from Paris to Vienna.
Today, the legacy of Julius Exner lives on through the permanent collections of the Statens Museum for Kunst and the Hirschsprung Collection. He remains a pivotal figure who captured the heart of a nation during a period of profound transition. By elevating the folk life of Amager and Fanø to the level of high art, Exner ensured that the faces, textures, and traditions of the Danish people would remain etched in the collective memory of the world, presented with a warmth and light that continues to enchant viewers centuries later.





