Portrait de Julie Mathilde Morrow

Les 1 peintures les plus célèbres de Julie Mathilde Morrow, une sélection de la galerie

Mis à jour en novembre 2026 · classé selon notre score de popularité (recherches, visites et commandes pour chaque œuvre) · 2 œuvres de Julie Mathilde Morrow dans notre catalogue

En bref

Parmi toutes les œuvres originales laissées par Julie Mathilde Morrow, la plus célèbre est Golden Mules, conservée dans la collection du Cincinnati Art Museum, à Cincinnati. Notre catalogue comprend 2 œuvres de Julie Mathilde Morrow ; la galerie a conservé les 1 que le monde admire le plus, chacune présentée avec sa date, son musée et son histoire.

1882 – 1979, New York Plus d'œuvres : Cincinnati Art Museum

Les 10 plus belles peintures de Julie Mathilde Morrow : la sélection de la galerie

Les musées qui conservent les œuvres originales de Julie Mathilde Morrow

Le musée qui détient le plus grand nombre de peintures figurant sur cette page.

Musées Ville Œuvres de Julie Mathilde Morrow Peintures de cette liste
Cincinnati Art Museum, CincinnatiCincinnati Art Museum Cincinnati 1 Golden Mules

Questions des collectionneurs sur les peintures de Julie Mathilde Morrow

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Golden Mules

Combien de peintures Julie Mathilde Morrow a-t-il laissées ?Révéler la réponse

Notre catalogue comprend 2 œuvres de Julie Mathilde Morrow.

Dans quels musées sont exposés les chefs-d'œuvre de Julie Mathilde Morrow ?Révéler la réponse

Principalement dans Cincinnati Art Museum (Cincinnati). Le tableau des musées ci-dessus les répertorie tous.

Julie Mathilde Morrow : vie et œuvre

A Life in Color and Letters

Julie Mathilde Morrow Deforest began her life in New York City, born to Rev. Cornelius Wortendyke Morrow and Rosalie Lippmann Morrow. Her early years were shaped by academic pursuits, earning a bachelor's degree in English from Wellesley College in 1904 and later a master's degree in literature from Columbia University in 1906. For two decades, she spent her days teaching English at Irving High School and Wadleigh High School within New York City. During these years, painting remained a quiet companion to her classroom duties.

In 1929, her life shifted when she married Cornelius Wortendyke DeForest. This union led her to Cincinnati, Ohio, where the demands of teaching were left behind. In this new setting, she found the space to devote herself fully to her brushes and pigments. Her work took on a specific focus, looking toward the light and color of landscapes.

The Brush and the Landscape

Her approach to the canvas was shaped by the guidance of several instructors, including Jonas Lie, Charles Webster Hawthorne, and John F. Carlson. Through their influence, she developed an impressionist style that favored bright colors. She often looked toward the Western United States for her subjects. After traveling through California and Colorado, her paintings in the 1930s began to capture the ruggedness of the Rocky Mountains.

The textures of her work reflected a deep observation of the natural world:

  • Brightly colored impressionist landscapes.
  • Studies of the Western US terrain.
  • Detailed depictions of the Rocky Mountains.

Later Years and Written Words

As time passed, her focus remained on the visual and the lyrical. In Glendale, Ohio, where she spent her final years, she found a different way to express herself through poetry. At the age of 92, she released a book titled Belfry Chimes and Other Rimes in 1974. This collection of poems showed a continuation of the observant spirit she had applied to her paintings throughout her life.