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Aux yeux de la galerie, la peinture la plus célèbre de John Frederick Herring, Sr. est Black Tom, un chasseur noir, à côté d'une écurie, dans un paysage de rivière boisé. Trois chevaux à un abreuvoir et La Royal Mail d'Édimbourg et de Londres complètent ce trio que tout le monde reconnaît. Parmi les 180 œuvres de John Frederick Herring, Sr. présentes dans notre catalogue, la galerie présente ci-dessous les 100 plus célèbres, chacune étant une œuvre originale avec son année, son musée et ce qui la rend unique.
Black Tom, un chasseur noir, à côté d'une écurie, dans un paysage de rivière boisé est une reproduction à l'l'huile réalisée par John Frederick Herring, Sr. Né à Londres, au Royaume-Uni, en 1795, l'artiste fut une figure majeure de l'art animalier britannique du XIXe siècle, demeurant une présence active dans le monde de l'art jusqu'à son décès en 1865.
Trois chevaux à un abreuvoir est une gravure de l'artiste britannique John Frederick Herring, Sr. Né à Londres, au Royaume-Uni, en 1795, Herring a forgé un parcours professionnel éclectique, évoluant en tant que peintre, fabricant d'enseignes et cocher. Cette expérience pratique, acquise en observant quotidiennement les chevaux durant ses années de cocher, a profondément nourri la précision anatomique qui caractérise ses études animalières. Il est resté une figure active de…
L'œuvre intitulée « La Royal Mail d'Édimbourg et de Londres » est une peinture anglaise de l'artiste John Frederick Herring, Sr. Cette pièce dépeint une scène historique de diligence, se concentrant spécifiquement sur une voiture de transport voyageant à travers un paysage. Le sujet central met en scène une diligence et ses chevaux en plein mouvement le long d'une route sinueuse, un thème en parfaite adéquation avec l'intérêt de l'artiste…
La diligence de Londres à Leeds changeant ses chevaux à l'auberge Swan Inn, Bottisham, Cambridge est une œuvre magistrale de John Frederick Herring, Sr. Ce tableau dépeint une grandiose procession de diligences tirées par des chevaux, s'aventurant le long d'un chemin de campagne. La scène met l'accent sur un groupe d'hommes de l'élite, vêtus de tenues formelles, voyageant dans une luxueuse voiture, accompagnés de chevaux, de valets et de chiens.…
In this intimate portrait, we find 'Elis', a Chestnut Horse, ridden by J. Day. Painted by John Frederick Herring, Sr. about 1836, the work captures a specific moment of connection between horse and rider. The subject is a well-groomed chestnut horse named 'Elis', presented alongside its rider, J. Day.
The scene captures a moment of quiet dignity in 'Margrave' with James Robinson Up. Painted by John Frederick Herring, Sr. about 1833, the work presents a single brown racehorse and its jockey in profile. They exist together against a vast, open landscape that stretches toward a dramatic sky. The horse stands with a certain stillness, its sleek musculature defined against the earthy tones of the terrain. It is a portrait…
The Suffolk Hunt: Going to Cover near Herringswell is an oil painting by the British artist John Frederick Herring, Sr. Executed in 1833, the work captures a lively fox hunting scene set within a rural landscape. The composition focuses on the energy of the pursuit, centering on the movement of hounds and riders through the countryside.
Foxhunting: Clearing a Ditch is a work by the British painter and animal artist John Frederick Herring, Sr. Created about 1839, the painting captures a singular moment of tension. The canvas holds the weight of a mid-nineteenth-century sporting tradition. It is a study of muscle and movement frozen in oil.
The pulse of the chase beats through Foxhunting: Encouraging Hound, a work that captures a fleeting moment of high energy. This scene, painted in 1839, finds its origin in the hands of John Frederick Herring, Sr., a British painter who brought the spirit of the English countryside to life. The air seems to hold its breath as the rider and hounds move through the landscape, a moment frozen in time…
In "Autumn" by John Frederick Herring, Sr., a quiet moment of rest settles over the rural landscape. Created about 1846, the scene captures a pause in the rhythm of the countryside. Several horses occupy the foreground, their heavy forms anchoring the viewer within this seasonal setting. Riders and various figures dressed in period clothing move through the middle ground, their presence suggesting a community tied closely to the land and…
Steeplechase cracks: Allen McDonough on Brunette, Tom Oliver on Discount, and Jem Mason on Lottery1847 · Yale Center for British Art
12
A Chat with the Milkmaid1854 · Tyntesfield
13
Earl of Zetland's 'Voltigeur'1850
14
Said1856 · Royal Collection
15
Untitled (AQRQGK)2013
16
A Clydesdale Stallion1820 · Yale Center for British Art
17
White Bull, Fulbourn, Cambridgeshire, 18301830 · Anglesey Abbey
18
Memnon, with William Scott Up1825 · Yale Center for British Art
19
Fighting Cocks: a Dark-Breasted Fighting Cock, Facing Left1829 · Yale Center for British Art
20
Fighting Cocks: a Pale-Breasted Fighting Cock, Facing Rght1829 · Yale Center for British Art
21
Manuella1825
22
A Bay Horse and Pony in a Landscape1833 · Trerice
23
A Charger on the Parade Ground of Albany Barracks, London1839 · Anglesey Abbey
24
don john the winner of the st leger with william scott up1838
25
Eight Circular Farmyard Scenes (1. Pigs; 2. Mare and Foal; 3. Cows; 4. Sheep; 5. Chickens; 6. Ducks; 7. Rabbits; 8. Donkey)1840 · Upton House
26
Eight Circular Foxhunting Scenes (I. Huntsman and Hounds; 2. Hunting in Covert; 3. Full Cry; 4. The Kill; 5. Earth Stopping at Night; 6.Three Hounds resting; 7. Hound in a Landscape; 8. Fox in Landscape)1840 · Upton House
27
A Grey Horse and Ducks in a Landscape1846 · Trerice
28
Bagdad1846 · Royal Collection
29
Tajar and Hammon1845 · Royal Collection
30
Horse1842 · Minneapolis Institute of Art
31
Mr. Johnstone's Charles XII in a Stable1843
32
A Chestnut Horse in a Stable1849 · Lyme Park
33
‘Lady Liverpool’, a Bay Horse in a Stable1849 · Arlington Court
34
A Hound and a Bearded Collie seated on a Hunting Coat1855 · Yale Center for British Art
35
Farmyard1852
36
Horses, Pigs and Poultry1852
37
Sur la Piste
38
Mazeppa Surrounded by Horses
39
Meopham Horse Fair
40
The meet
41
Morning, preparing to plough
42
Barge horses by a lock
43
The Hunting Stud
44
ack Spigot, a dark bay racehorse with jockey up
45
Sheep
46
Birmingham with Patrick Conolly Up, and his Owner, John Beardsworth
47
A farmyard scene with milkmaid and a farm labourer
48
Monreith, with Tom Shepherd up
49
Mr O'Brien's Jonathan Wild, with jockey up
50
Bessy Bedlam, a bay racehorse with T. Nicholson up, on a racecourse
51
Jennie asleep at a kitchen table
52
The Colonel with William Scott up and John Scott
53
A mare and foal in a landscape
54
Saint James in a stable
55
Matilda, a bay racehorse with her groom in a loosebox
56
Margrave with J. Robinson
57
Bessy Bedlam, a brown racehorse with Tommy Lye up, in a landscape
58
The Road Anterior to Rails
59
A bay racehorse with jockey up
60
Dr. Syntax, a brown racehorse with Robert Johnson up, in an extensive landscape
61
A barn interior with figures and livestock
62
A chestnut hunter and a groom in a landscape
63
Mr. Dixon's Mountaineer, a chestnut colt, held by a groom outside a stable
64
A racehorse in a stable with a groom
65
The Halt
66
At the Ford
67
The Royal Mail - Changing Horses outside the Red Lion
68
The Hop Pickers
69
A carriage horse and groom in a stable
70
The Interior of a Smithy
71
Horses feeding
72
Memnon, a bay racehorse with William Scott up in the colours of Richard Watt, on Doncaster racecourse
73
Queen of Trumps in a stable, with two grooms
74
The Quarry
75
Lop-eared rabbits
76
Feeding the Arab
77
Waiting for the Ferry
78
A Letter of Intent
79
Sir Mark Wood with his dark brown filly Vespa, winner of the Oaks in 1833, her trainer H Scott and a groom with a grey hack
80
La Monarque Joyeuse, une jument alezane, dans une étable
81
Farrier's ShopSociété historique de New York
82
The FarmyardTe Whare O Rehua Sarjeant Gallery
83
The Farmyard
84
The Frugal Meal
85
Ducks by a riverbank
86
DUCK AND DUCKLINGS
87
Surrey pastures
88
A pointer on a moor
89
Cows
90
Head of a grey Arab
91
The head of a grey hunter
92
The Streatlam Stud, Mares and Foals
93
The return from deer stalking
94
Head of a grey arab 1
95
Two cats
96
Maleburn, a Foxhound in a Wooded Landscape
97
Horses feeding with two ornamental pigeons at a manger
98
Pacelot, a bay stallion, in a stable
99
A mare and foal by a bothy
100
A chestnut in a stable
Les quatre thèmes qui reviennent le plus souvent dans ces œuvres originales, chacun illustré par son plus bel exemple.
Les 8 musées qui détiennent la plupart des peintures de cette page.
| Musées | Ville | Œuvres de John Frederick Herring, Sr. | Peintures de cette liste |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 10 | 'Margrave' with James Robinson Up, The Suffolk Hunt: Going to Cover near Herringswell, Foxhunting: Clearing a Ditch |
 Royal Collection |
Londres | 3 | Said, Bagdad, Tajar and Hammon |
 Anglesey Abbey |
2 | White Bull, Fulbourn, Cambridgeshire, 1830, A Charger on the Parade Ground of Albany Barracks, London | |
 Trerice |
2 | A Bay Horse and Pony in a Landscape, A Grey Horse and Ducks in a Landscape | |
 Upton House |
Banbury | 2 | Eight Circular Farmyard Scenes (1. Pigs; 2. Mare and Foal; 3. Cows; 4. Sheep; 5. Chickens; 6. Ducks; 7. Rabbits; 8. Donkey), Eight Circular Foxhunting Scenes (I. Huntsman and Hounds; 2. Hunting in Covert; 3. Full Cry; 4. The Kill; 5. Earth Stopping at Night; 6.Three Hounds resting; 7. Hound in a Landscape; 8. Fox in Landscape) |
 Shugborough Hall |
Stoke-on-Trent | 1 | 'Elis', a Chestnut Horse, ridden by J. Day |
 Art Gallery of South Australia |
Adelaide | 1 | Autumn |
 Tyntesfield |
1 | A Chat with the Milkmaid |
Choisissez une décennie pour découvrir l'œuvre originale qui la définit.
In this intimate portrait, we find 'Elis', a Chestnut Horse, ridden by J. Day. Painted by John Frederick Herring, Sr. about 1836, the work captures a specific moment of connection between horse and rider. The subject is a well-groomed chestnut horse named 'Elis', presented alongside its rider, J. Day.
In "Autumn" by John Frederick Herring, Sr., a quiet moment of rest settles over the rural landscape. Created about 1846, the scene captures a pause in the rhythm of the countryside. Several horses occupy the foreground, their heavy forms anchoring the viewer within this seasonal setting. Riders and various figures dressed in period clothing move through the middle ground, their presence suggesting a community tied closely to the land and…
A Chat with the Milkmaid is a painting by the British painter John Frederick Herring, Sr. The work emerged about 1854. It captures a quiet, domestic moment within a rustic stable, where the heavy presence of a cow anchors the scene alongside two figures.
Black Tom, un chasseur noir, à côté d'une écurie, dans un paysage de rivière boisé. Trois chevaux à un abreuvoir et La Royal Mail d'Édimbourg et de Londres suivent.
Black Tom, un chasseur noir, à côté d'une écurie, dans un paysage de rivière boisé, Trois chevaux à un abreuvoir, La Royal Mail d'Édimbourg et de Londres, La diligence de Londres à Leeds changeant ses chevaux à l'auberge Swan Inn, Bottisham, Cambridge, 'Elis', a Chestnut Horse, ridden by J. Day, 'Margrave' with James Robinson Up, The Suffolk Hunt: Going to Cover near Herringswell, Foxhunting: Clearing a Ditch, Foxhunting: Encouraging Hound et Autumn. Le classement ci-dessus indique l'année et le musée de chacun.
Notre catalogue comprend 180 œuvres de John Frederick Herring, Sr., datées de 1820 à 1856.
Principalement dans Yale Center for British Art (New Haven), Royal Collection (Londres) et Anglesey Abbey. Le tableau des musées ci-dessus les répertorie tous.
En 1840s : 11 des 100 œuvres de cette page ont été créées à cette époque, dont Autumn.
Sur cette page, la plus ancienne date de A Clydesdale Stallion (1820) et la plus récente de Said (1856).
Landscape (12), Horse (11) et Horses (9), à travers les 100 œuvres de cette page.
Oil On Canvas, pour 6 des 100 œuvres de cette page.
Academic art, à en juger par les originaux de cette page.
'Margrave' with James Robinson Up, The Suffolk Hunt: Going to Cover near Herringswell et Foxhunting: Clearing a Ditch : le Yale Center for British Art, New Haven détient 10 des œuvres de cette page.
