Mis à jour en novembre 2026 · classé selon notre score de popularité (recherches, visites et commandes pour chaque œuvre) · 83 œuvres de Jervis McEntee dans notre catalogue
En bref
Parmi toutes les œuvres originales laissées par Jervis McEntee, la plus célèbre est November Day, 1863 (1863). Juste après, on retrouve Twilight, a Stroll by the Shore (1862) et A Journey's Pause in the Roman Campagna (1868). Notre catalogue comprend 83 œuvres de Jervis McEntee ; la galerie a conservé les 80 que le monde admire le plus, chacune présentée avec sa date, son musée et son histoire.
by Jervis McEntee captures a rural river valley during the late autumn season. The scene focuses on the quietude of a landscape in transition, moving away from the exuberant colors of early fall toward the more somber tones of the year's end. McEntee, an American painter associated with the Hudson River School, often sought to portray the "soberer phases of Nature," finding a sense of peace in the gradual decay…
Twilight, a Stroll by the Shore by Jervis McEntee presents a landscape depicting a coastal scene at twilight. Created about 1862, the work captures a specific moment in time along a shoreline. The scene focuses on the natural environment, emphasizing the quietude of the setting sun as it meets the water's edge. A lone figure is positioned near the water, providing a sense of scale against the expansive sky and…
The oil on canvas painting titled A Journey's Pause in the Roman Campagna was executed by Jervis McEntee. Created about 1868, this work depicts a specific moment of rest within the Italian countryside. The scene focuses on the landscape of the Roman Campagna, capturing a period of travel and the quietude of the natural environment.
is an oil painting reproduction by Jervis McEntee. This genre scene captures a moment of social interaction and leisure, focusing on everyday life and recreation during the winter season. The work portrays a group of figures gathered on a frozen body of water, surrounded by snow-covered banks and a backdrop of trees.
is an oil painting by Jervis McEntee, executed in 1880. The canvas captures a solitary moment within a landscape, where a single figure rests near the gnarled roots of a tree. This work belongs to the period when McEntee had established himself as a significant voice within the American Hudson River School, though his vision remained distinct from the grander, more dramatic spectacles of his peers.
Un arche de pierre massif surplombe un ruisseau paisible dans cette représentation de 1877 de cette merveille géologique de la Virginie. La formation rocheuse s'élève avec une permanence lourde et antique, projetant des ombres qui se nichent dans les crevasses de la pierre érodée. Sous l'arche, l'eau s'écoule avec une grâce rythmique, son mouvement agissant comme une pulsation douce contre le calme de la vallée de Shenandoah. La végétation environnante…
Shawanagunk Mountains, Autumn1863
12
Indian Summer1860 · Detroit Institute of Arts
13
Village on Lake Como: May 1, 1869 (from Sketchbook)1869 · Metropolitan Museum of Art
14
Autumn Landscape1864 · New Britain Museum of American Art
15
Outline Sketch of Mountains (verso, from Sketchbook)1869 · Metropolitan Museum of Art
16
The Danger Signal1871
17
Lake Como, May 3, 1869 (recto, from Sketchbook)1869 · Metropolitan Museum of Art
18
Dusk in the Foothills1870
19
Lake Maggiore, May 12, 1869 (verso, from Sketchbook)1869 · Metropolitan Museum of Art
20
Stony Clove, June 26, 1870 (recto, from sketchbook)1870 · Metropolitan Museum of Art
21
Figures y a River in an Autumnal Landscape1867
22![Village, Mountains, and Lake [Maggiore?] (recto, from sketchbook) (1869) de Jervis McEntee](/media/artworks/images-thumb/b7/36/b736dfd25f627be6707beccccdf3d132.jpg)
Village, Mountains, and Lake [Maggiore?] (recto, from sketchbook)1869 · Metropolitan Museum of Art
23
Lake Maggiore, May 11, 1869 (recto, from Sketchbook)1869 · Metropolitan Museum of Art
24
Cloud Study (recto, from sketchbook)1869 · Metropolitan Museum of Art
25
Sketchbook of Italian Landscape Subjects1869
26
Mountains Overlooking Lake Maggiore, May 11, 1869 (verso, from sketchbook)1869 · Metropolitan Museum of Art
27
Sunset in the Catskills1867
28
Study of Birch Trunks (Scribners')1869
29
Roman Campagna, Nov. 12, 1868 (verso, from sketchbook)1868
30
The Lake1864
31
October in the Catskills1866
32
Eagle Cliff, Franconia, New Hampshire1866
33
Misty Morning1864
34
November1875 · Smithsonian American Art Museum
35
Over The Hills and Far Away1878 · Société historique de New York
36
Roman Aqueduct1875
37
My Little Fisher Girl1875
38
Autumn1879 · Rhode Island School of Design Museum of Art
39
Gathering Storm1881 · Rhode Island School of Design Museum of Art
40
Clearing Skies1883
41
Hamilton's Ranch, Nevada1881
42
Woman at the Edge of the Woods1880
43
Winter in the Country1890 · Crystal Bridges Museum of American Art
44
The Far West1899
45
Esopus Creek
46
Mount Desert Island, MaineNational Gallery of Art
47
Saturday AfternoonMetropolitan Museum of Art
48
Ice Skating near Hudson
49
Summer Hills, Kauterskill CloveBirmingham Museum of Art
50
Afternoon Train
51
The Hudson River Valley
52
The Frozen Pond
53
Mossy Bank1860 · Fogg Art Museum
54
Lake Como, May 3, 1869 (verso, from sketchbook)1869 · Metropolitan Museum of Art
55
Old Croton Dam, Westchester County, NYSociété historique de New York
56
View of the Catskills at Rondout, New York
57
Dry Brook
58
Study of Birch Trunks
59
Landscape
60
Gathering firewood 1
61
Autumn
62
Winter Sunshine
63
Trees Near a Pond
64
Indian Summer 1Detroit Institute of Arts
65
Flight of the Birds
66
Edge of the Pond at Shandaken
67
Summer Hills, Hunter Mountain
68
An Adirondack Lake
69
Near Kennebunkport, Maine
70
Bass Rocks
71
Gathering Christmas Fiinery at Roundout, New Jersey
72
Kauterseill Clove
73
Autumn Landscape
74
After the Storm
75
Fall Landscape
76
Kauterskill Clove
77
Gathering Autumn Leaves
78
A Grove of Trees, Ashokan, New York
79
A Cliff in the KatskillsBrooklyn Museum
80
Dry Brook1888
Les quatre thèmes qui reviennent le plus souvent dans ces œuvres originales, chacun illustré par son plus bel exemple.
Les 8 musées qui détiennent la plupart des peintures de cette page.
| Musées | Ville | Œuvres de Jervis McEntee | Peintures de cette liste |
|---|---|---|---|
 Metropolitan Museum of Art |
New York | 11 | Village on Lake Como: May 1, 1869 (from Sketchbook), Outline Sketch of Mountains (verso, from Sketchbook), Lake Como, May 3, 1869 (recto, from Sketchbook) |
 Société historique de New York |
New York | 4 | Autumn, Mill Stream, View in Central Park, New York City, Over The Hills and Far Away |
 Detroit Institute of Arts |
Detroit | 2 | Indian Summer, Indian Summer 1 |
 Rhode Island School of Design Museum of Art |
Providence | 2 | Autumn, Gathering Storm |
 Virginia Museum of Fine Arts |
Richmond | 1 | Pont Naturel |
 Cleveland Museum of Art |
Cleveland | 1 | Autumn in the Catskills |
 New Britain Museum of American Art |
New Britain | 1 | Autumn Landscape |
 Smithsonian American Art Museum |
Washington, D.C. | 1 | November |
Choisissez une décennie pour découvrir l'œuvre originale qui la définit.
by Jervis McEntee captures a rural river valley during the late autumn season. The scene focuses on the quietude of a landscape in transition, moving away from the exuberant colors of early fall toward the more somber tones of the year's end. McEntee, an American painter associated with the Hudson River School, often sought to portray the "soberer phases of Nature," finding a sense of peace in the gradual decay…
is an oil painting reproduction by Jervis McEntee. This genre scene captures a moment of social interaction and leisure, focusing on everyday life and recreation during the winter season. The work portrays a group of figures gathered on a frozen body of water, surrounded by snow-covered banks and a backdrop of trees.
is an oil painting by Jervis McEntee, executed in 1880. The canvas captures a solitary moment within a landscape, where a single figure rests near the gnarled roots of a tree. This work belongs to the period when McEntee had established himself as a significant voice within the American Hudson River School, though his vision remained distinct from the grander, more dramatic spectacles of his peers.
November Day, 1863 (1863). Twilight, a Stroll by the Shore (1862) et A Journey's Pause in the Roman Campagna (1868) suivent.
35 ans : November Day, 1863 date de 1863, et Jervis McEntee est né(e) en 1828.
November Day, 1863, Twilight, a Stroll by the Shore, A Journey's Pause in the Roman Campagna, The Skating Party, Tranquility, Pont Naturel, Autumn in the Catskills, Autumn, Mill Stream, View in Central Park, New York City et Mist Rising near New Paltz. Le classement ci-dessus indique l'année et le musée de chacun.
Notre catalogue comprend 83 œuvres de Jervis McEntee, datées de 1858 à 1890.
Principalement dans Metropolitan Museum of Art (New York), Société historique de New York (New York) et Detroit Institute of Arts (Detroit). Le tableau des musées ci-dessus les répertorie tous.
En 1860s : 27 des 80 œuvres de cette page ont été créées à cette époque, dont November Day, 1863.
Sur cette page, la plus ancienne date de View in Central Park, New York City (1858) et la plus récente de Winter in the Country (1890).
Landscape (7), Autumn (6) et Autumn landscape (5), à travers les 80 œuvres de cette page.
Oil On Canvas, pour 5 des 80 œuvres de cette page.
Hudson river school, à en juger par les originaux de cette page.
Village on Lake Como: May 1, 1869 (from Sketchbook), Outline Sketch of Mountains (verso, from Sketchbook) et Lake Como, May 3, 1869 (recto, from Sketchbook) : le Metropolitan Museum of Art, New York détient 11 des œuvres de cette page.
