Portrait de Ivan Akimovitch Akimov

Les 2 peintures les plus célèbres de Ivan Akimovitch Akimov, chacune unique en son genre

Mis à jour en novembre 2026 · classé selon notre score de popularité (recherches, visites et commandes pour chaque œuvre) · 2 œuvres de Ivan Akimovitch Akimov dans notre catalogue

En bref

Svyatoslav's return from the Danube to his family in Kiev (1773) est la peinture de Ivan Akimovitch Akimov qui attire le plus les regards ; l'original appartient au Galerie Tretyakov, Moscou. Parmi les 2 œuvres de Ivan Akimovitch Akimov dans notre catalogue, voici les 2 plus célèbres, chacune étant une œuvre originale unique présentée avec son année, son musée et la raison de sa pérennité.

1755 – 1814, Saint-Pétersbourg Plus d'œuvres : Galerie Tretyakov

Les 10 plus belles peintures de Ivan Akimovitch Akimov, selon le regard de la galerie

Les musées qui conservent les œuvres originales de Ivan Akimovitch Akimov

Les 2 musées qui détiennent la plupart des peintures de cette page.

Musées Ville Œuvres de Ivan Akimovitch Akimov Peintures de cette liste
Galerie Tretyakov, MoscouGalerie Tretyakov Moscou 1 Svyatoslav's return from the Danube to his family in Kiev
Galerie Nationale finlandaise, HelsinkiGalerie Nationale finlandaise Helsinki 1 An allegory of faith (St. Clare)

Ivan Akimovitch Akimov au fil des années : les originaux uniques de chacun

Entre 1773 et 1776, soit 4 années au total, Ivan Akimovitch Akimov a réalisé chaque œuvre originale datée présentée ici : une courte période, année après année.

Œuvres par année

Choisissez une année pour voir les œuvres originales.

Les peintures de Ivan Akimovitch Akimov : questions pour la galerie

Quelle est l'œuvre la plus célèbre de Ivan Akimovitch Akimov ?Révéler la réponse

Svyatoslav's return from the Danube to his family in Kiev (1773)

À quel âge Ivan Akimovitch Akimov a-t-il créé Svyatoslav's return from the Danube to his family in Kiev ?Révéler la réponse

18 ans : Svyatoslav's return from the Danube to his family in Kiev date de 1773, et Ivan Akimovitch Akimov est né(e) en 1755.

Combien d'œuvres de Ivan Akimovitch Akimov sont connues ?Révéler la réponse

Notre catalogue comprend 2 œuvres de Ivan Akimovitch Akimov, datées de 1773 à 1776.

Où peut-on voir les originaux les plus célèbres de Ivan Akimovitch Akimov ?Révéler la réponse

Principalement dans Galerie Tretyakov (Moscou) et Galerie Nationale finlandaise (Helsinki). Le tableau des musées ci-dessus les répertorie tous.

Quelle est la peinture la plus ancienne de Ivan Akimovitch Akimov et laquelle est la plus récente ?Révéler la réponse

Sur cette page, la plus ancienne date de Svyatoslav's return from the Danube to his family in Kiev (1773) et la plus récente de An allegory of faith (St. Clare) (1776).

Ivan Akimovitch Akimov : un portrait de l'artiste

A Life Forged in Ambition and Art

The story of Ivan Akimovich Akimov is one of profound resilience and the sheer power of will. Born in May of 1755, his early years were marked by the sudden tragedy of losing his father, a humble typographer for the Governing Senate. Yet, even as a mere child of ten, Akimov possessed a spirit that refused to be subdued by poverty. In a move of extraordinary courage, he penned a heartfelt letter to the Imperial Academy of Arts, pleading for admission and laying bare his desperate circumstances. This bold petition succeeded, opening the doors to a world of classical grandeur that would define his destiny.

His formative years at the Academy, spanning from 1765 to 1773, were spent under the tutelage of the esteemed Anton Losenko. It was here that Akimov began to master the rigorous principles of the Classical style, absorbing the discipline and aesthetic ideals that would later characterize his most significant works. This period of foundational learning prepared him for a grand European odyssey, funded by a prestigious fellowship that allowed him to traverse the cultural heartlands of the continent.

The Grand Tour and European Mastery

Between 1773 and 1778, Akimov embarked on an expansive journey through Europe, a pilgrimage that would refine his artistic sensibilities. His path took him through the romantic landscapes of Paris and Avignon before reaching the vibrant Italian cities of Genoa and Bologna. In Bologna, he sought further refinement at the Accademia di Belle Arti under Gaetano Gandolfi. Though his time there was marked by academic friction and a restless desire for true artistic freedom—leading him to move to Rome without official permission—this period of wandering was essential to his development.

In the shadows of Rome, Akimov found the mentorship he craved through the recommendation of a Russian nobleman, eventually entering the classes of Pompeo Battoni. This exposure to the Italian masters infused his work with a sophisticated grasp of light, form, and classical composition. His travels through Venice and Florence further enriched his palette, allowing him to weave together the diverse threads of European Neoclassicism into a cohesive personal style that he would eventually bring back to the Russian Empire.

Legacy of an Academic Leader

Upon his return to Saint Petersburg in 1779, Akimov did not merely return as a student, but as a formidable force within the artistic community. His ascent through the ranks of the Imperial Academy of Arts was both rapid and distinguished. He transitioned from a lecturer to an Academician, a title earned through the profound impact of his painting Hercules burning himself on a pyre. His administrative brilliance and dedication to the arts led him to serve as the Director of the Imperial Tapestry Manufactory and eventually as the Director of the Academy itself in 1800.

While much of his later work focused on contemporary historical scenes shaped by the patriotic fervor of the Napoleonic Wars, his true historical significance lies in his role as a bridge between European tradition and Russian innovation. His achievements include:

  • Academic Excellence: Rising to the rank of Professor and eventually Director of the Imperial Academy of Arts.
  • Educational Influence: Serving as a mentor to the next generation of Russian painters and even teaching drawing to the daughters of Tsar Paul I.
  • Cultural Stewardship: Leading the Imperial Tapestry Manufactory, ensuring the preservation and advancement of Russian textile arts.

Though some of his later historical works have been lost to time, the legacy of Ivan Akimov remains etched in the foundation of Russian Neoclassicism. He stands as a testament to the idea that art is not merely a craft, but a transformative journey that can elevate a soul from the depths of poverty to the heights of imperial prestige.