Mis à jour en novembre 2026 · classé selon notre score de popularité (recherches, visites et commandes pour chaque œuvre) · 13 œuvres de Hermann Winterhalter dans notre catalogue
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Aux yeux de la galerie, la peinture la plus célèbre de Hermann Winterhalter est portrait of young woman (1833). Nicolas Louis Planat de la Faye (1845) et Princess Charlotte of Belgium (1840-1927) (1848) complètent ce trio que tout le monde reconnaît. Parmi les 13 œuvres de Hermann Winterhalter présentes dans notre catalogue, la galerie présente ci-dessous les 13 plus célèbres, chacune étant une œuvre originale avec son année, son musée et ce qui la rend unique.
A single light source descends from the upper left, carving the subject out of a deep, dark void. The young woman turns her head in a three-quarter view, her gaze drifting back toward the viewer with a quiet, contemplative stillness. Her dark, wavy hair spills over her shoulders, catching the light in soft, silken strands. The fabric of her garment gathers in heavy, tactile folds, creating a landscape of light…
In this formal portrait, Hermann Winterhalter captures the likeness of Nicolas Louis Planat de la Faye, a Parisian patron who moved within the artist's professional circles. The sitter gazes slightly away from the viewer, his expression composed and dignified. He appears as a man of substance, presented in a bust-length view that focuses entirely on his character and presence. The work dates to about 1845, a period when the subject's…
In this 1848 portrait, we encounter a young Princess Charlotte of Belgium at a moment of quiet transition. The composition presents her in a three-quarter length view, her gaze meeting the viewer with a directness that suggests a maturity beyond her years. There is a certain stillness here, a sense of a life poised between the sheltered innocence of childhood and the heavy expectations of her royal lineage. The lighting,…
is an oil on canvas portrait by the German painter Hermann Winterhalter. Executed about 1846, the work reflects the artist's established presence within mid-19th-century European art circles. Winterhalter, born in 1808, was a significant figure in the Biedermeier movement, a style often characterized by its focus on domesticity and emotional sincerity.
In this 1843 portrait, we find ourselves in the presence of a young girl, captured in a moment of profound stillness. The composition is a close-up bust portrait, positioning her slightly off-center to suggest a natural, unforced movement. There is a certain luminosity to her skin, rendered in pale, creamy tones that contrast against a deep, textured red background. This background transitions into darker ochre at the edges, creating a…
A young woman sits amidst a sea of lush greenery, her presence a quiet anchor in a natural world. The light descends from the upper left, brushing against the delicate sheen of her silk attire and the smooth surface of her skin. She is a figure of stillness, draped in fabrics of cream and gold that catch the light with a gentle, luminous quality. Her expression carries a hint of…
In the portrait Head of a Young Woman by Hermann Winterhalter, the subject is presented in a bust-length view. The composition utilizes a close-up perspective that focuses on the sitter's head and shoulders. She is positioned slightly off-center within the frame, with her gaze directed toward the right. This orientation creates a sense of depth against the background. The lines throughout the work are soft and curvilinear, visible in the…
In "Head of a Young Woman" by Hermann Winterhalter, the viewer encounters a close-up bust-length portrait that feels intimate and quiet. The subject sits slightly off-center, her presence commanding the space without overwhelming it. She gazes downward and toward the side, her eyes lost in a contemplative expression that suggests a private moment of thought. This subtle positioning creates a sense of movement within the stillness, as if she has…
Les quatre thèmes qui reviennent le plus souvent dans ces œuvres originales, chacun illustré par son plus bel exemple.
Les 4 musées qui détiennent la plupart des peintures de cette page.
| Musées | Ville | Œuvres de Hermann Winterhalter | Peintures de cette liste |
|---|---|---|---|
 Royal Collection |
Londres | 8 | Princess Charlotte of Belgium (1840-1927), La Pudeur, Simplicity |
 Augustiner Museum |
Fribourg | 1 | Italian girl |
 Ightham Mote |
1 | Mary Postans | |
 Musée National Maritime |
Londres | 1 | Queen Victoria, 1819-1901 |
Choisissez une décennie pour découvrir l'œuvre originale qui la définit.
A single light source descends from the upper left, carving the subject out of a deep, dark void. The young woman turns her head in a three-quarter view, her gaze drifting back toward the viewer with a quiet, contemplative stillness. Her dark, wavy hair spills over her shoulders, catching the light in soft, silken strands. The fabric of her garment gathers in heavy, tactile folds, creating a landscape of light…
In this formal portrait, Hermann Winterhalter captures the likeness of Nicolas Louis Planat de la Faye, a Parisian patron who moved within the artist's professional circles. The sitter gazes slightly away from the viewer, his expression composed and dignified. He appears as a man of substance, presented in a bust-length view that focuses entirely on his character and presence. The work dates to about 1845, a period when the subject's…
portrait of young woman (1833). Nicolas Louis Planat de la Faye (1845) et Princess Charlotte of Belgium (1840-1927) (1848) suivent.
25 ans : portrait of young woman date de 1833, et Hermann Winterhalter est né(e) en 1808.
portrait of young woman, Nicolas Louis Planat de la Faye, Princess Charlotte of Belgium (1840-1927), La Pudeur, Simplicity, Italian girl, Head of a Young Woman, Head of a Young Woman, Innocence et Mary Postans. Le classement ci-dessus indique l'année et le musée de chacun.
Notre catalogue comprend 13 œuvres de Hermann Winterhalter, datées de 1833 à 1850.
Principalement dans Royal Collection (Londres), Augustiner Museum (Fribourg) et Ightham Mote. Le tableau des musées ci-dessus les répertorie tous.
En 1840s : 8 des 13 œuvres de cette page ont été créées à cette époque, dont Nicolas Louis Planat de la Faye.
Sur cette page, la plus ancienne date de portrait of young woman (1833) et la plus récente de Mary Postans (1850).
Woman (5), Portrait (3) et Dark hair (2), à travers les 13 œuvres de cette page.
Oil On Canvas, pour 6 des 13 œuvres de cette page.
Princess Charlotte of Belgium (1840-1927), La Pudeur et Simplicity : le Royal Collection, Londres détient 8 des œuvres de cette page.
