En bref
Aux yeux de la galerie, le tableau le plus célèbre de Dominik Weber est Portrait of Two Children (1840), dont l'original est exposé au Augustiner Museum, à Fribourg. Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854) et Portrait of a Young Woman with Two Children (1854) complètent ce trio que tout le monde reconnaît. Parmi les 9 œuvres de Dominik Weber présentes dans notre catalogue, la galerie présente ci-dessous les 9 plus célèbres, chacune étant une œuvre originale avec son année, son musée et ce qui la rend unique.
Les 10 meilleures peintures de Dominik Weber de la galerie
Les musées qui conservent les œuvres originales de Dominik Weber
Les 2 musées qui détiennent la plupart des peintures de cette page.
| Musées | Ville | Œuvres de Dominik Weber | Peintures de cette liste |
|---|---|---|---|
| Fribourg | 8 | Portrait of Two Children, Bildnis des Freiburger Kaufmanns Heinrich Heydt, Portrait of a Young Woman with Two Children | |
| Carlsruhe | 1 | Two Girls with Dove |
Dominik Weber, une œuvre emblématique par décennie
Œuvres par décennie
Choisissez une décennie pour découvrir l'œuvre originale qui la définit.
Les peintures de Dominik Weber : la galerie répond
Quelle est la peinture la plus célèbre de Dominik Weber ?Révéler la réponse
Portrait of Two Children (1840), Augustiner Museum, Fribourg. Suivus de Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854) et Portrait of a Young Woman with Two Children (1854).
Quel âge avait Dominik Weber lors de la création de Portrait of Two Children ?Révéler la réponse
21 ans : Portrait of Two Children date de 1840, et Dominik Weber est né(e) en 1819.
Combien d'œuvres Dominik Weber a-t-il créées ?Révéler la réponse
Notre catalogue comprend 9 œuvres de Dominik Weber, datées de 1840 à 1869.
Où sont exposées les œuvres originales les plus célèbres de Dominik Weber ?Révéler la réponse
Principalement dans Augustiner Museum (Fribourg) et Staatliche Kunsthalle Karlsruhe (Carlsruhe). Le tableau des musées ci-dessus les répertorie tous.
Quand Dominik Weber a-t-il créé ses peintures les plus célèbres ?Révéler la réponse
En 1860s : 5 des 9 œuvres de cette page ont été créées à cette époque, dont Artist’s Daughter Wearing a Grey Dress.
Quelles sont les premières et les dernières œuvres célèbres de Dominik Weber ?Révéler la réponse
Sur cette page, la plus ancienne date de Portrait of Two Children (1840) et la plus récente de Two Girls with Dove (1869).
Quelles œuvres originales de Dominik Weber le Augustiner Museum détient-il ?Révéler la réponse
Portrait of Two Children, Bildnis des Freiburger Kaufmanns Heinrich Heydt et Portrait of a Young Woman with Two Children : le Augustiner Museum, Fribourg détient 8 des œuvres de cette page.
Dominik Weber : l'artiste
A Life in the Black Forest
Dominik Weber lived much of his life within the quiet landscapes of Germany. Born on 27 July 1819 in Sankt Peter, his roots were deeply tied to the region. He spent his later years in Freiburg im Breisgau, where he passed away on 7 September 1887. His presence in these towns suggests a life shaped by the steady rhythms of the Black Forest and the local communities that surrounded him.
His work often turned its gaze toward the people who inhabited these spaces. He captured the quiet dignity of daily existence, from the faces of merchants to the simple tasks of rural laborers. There is a sense of familiarity in his subjects, as if he were painting neighbors and family members he saw every day.
The Faces of His World
Weber focused heavily on figurative painting, finding meaning in the individual characters of his era. He had a particular interest in capturing portraits that felt grounded and real. Some of his notable subjects included:
- Artist’s Daughter Wearing a Grey Dress (1860): A tender look at a child within his own family.
- Peasant Girl with Two Goats, Carrying a Bundle of Hay: A depiction of the physical labor common to the countryside.
- Portrait of an Elderly Peasant Woman (1869): A study of age and character.
- Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854): A portrait of a local businessman from Freiburg.
In his self-portraits, such as the one painted around 1860, we see the artist looking back at himself. These works, alongside portraits of his wife and children, suggest that his personal life and his professional output were closely intertwined. He did not seek out grand historical scenes, but rather found his purpose in the people closest to him.
A Legacy of Observation
While much of his work remains part of private collections or specific regional archives, the pieces that survive show a commitment to the figurative tradition. His ability to document the clothing, tools, and expressions of 19th-century German life provides a window into a period of transition. He recorded the way a lady sat in 1840 and how a young woman held her children in 1854, preserving these small, human moments for those who would come after him.





