Portrait de Carybé

Les 24 peintures les plus célèbres de Carybé, chacune unique en son genre

Mis à jour en octobre 2026 · classé selon notre score de popularité (recherches, visites et commandes pour chaque œuvre) · 24 œuvres de Carybé dans notre catalogue

En bref

Baiana Sambando - Série Bonfim (1950) est la peinture de Carybé qui attire le plus les regards ; l'original appartient au Museu de Arte da Bahia, Salvador. Ensuite, le regard se porte sur Baiana e Pescador (1950) et Baianas Chegando Para a Lavagem (1950). Parmi les 24 œuvres de Carybé dans notre catalogue, voici les 24 plus célèbres, chacune étant une œuvre originale unique présentée avec son année, son musée et la raison de sa pérennité.

1911 – 1997, Lanús Contemporary realism Plus d'œuvres : Museu de Arte da Bahia

Les 10 plus belles peintures de Carybé, selon le regard de la galerie

1
Baiana Sambando - Série Bonfim (1950) de Carybé

Baiana Sambando - Série Bonfim

1950 · Ink · Museu de Arte da Bahia, Salvador

In the delicate dance of ink and paper, Baiana Sambando - Série Bonfim emerges as a profound celebration of cultural identity and movement. Created in 1950 by the master Argentine-Brazilian artist Héctor Julio Páride Bernabó, famously known as Carybé, this work is far more than a mere sketch; it is a rhythmic capture of the very heartbeat of Bahia. The piece depicts a woman dressed in traditional Bahian attire, caught…

2
Baiana e Pescador (1950) de Carybé

Baiana e Pescador

1950 · Ink On Paper · Museu de Arte da Bahia, Salvador

In the quiet, rhythmic strokes of "Baiana e Pescador," we are transported to a moment of profound stillness captured by the legendary Argentine-Brazilian master, Héctor Julio Páride Bernabó, known affectionately as Carybé. Created in 1950, this evocative black and white drawing serves as a window into a world where human connection and cultural identity intersect through the medium of pen and ink. The artwork depicts two figures seated in profile,…

3
Baianas Chegando Para a Lavagem (1950) de Carybé

Baianas Chegando Para a Lavagem

1950 · Lithograph · Museu de Arte da Bahia, Salvador

In the evocative lithograph Baianas Chegando Para a Lavagem, created in 1950 by the master Héctor Julio Páride Bernabolt—affectionately known as Carybé—we are transported into the heart of a Brazilian cultural ritual. The artwork captures a fleeting, high-energy moment of a procession, where the figures of the Baianas move with a grace that is both grounded and ethereal. Through the medium of black and white lithography, Carybé strips away the…

4
Jangadas ao Mar - Série Pesca do Xaréu (1950) de Carybé

Jangadas ao Mar - Série Pesca do Xaréu

1950 · Drawing · Museu de Arte da Bahia, Salvador

In the evocative work Jangadas ao Mar - Série Pesca do Xaréu, the legendary Argentine-Brazilian master Carybé (Héctor Julio Páride Bernabó) invites us to witness a timeless ritual of the sea. Created in 1950, this piece serves as a profound window into the coastal soul of Brazil, capturing the rhythmic dance between man and the Atlantic. The artwork belongs to a series dedicated to the pesca do xaréu (the fishing…

5
Torso retangular IV (1950) de Carybé

Torso retangular IV

1950 · Painting · Museu de Arte da Bahia, Salvador

In the evocative realm of mid-century Latin American modernism, few names resonate with as much cultural depth and rhythmic grace as Héctor Julio Páride Bernabó, known affectionately to the world as Carybé. His work, Torso retangular IV, serves as a profound window into a period of intense artistic exploration. Created in 1950, this piece captures a moment where form and identity converge. The composition presents a captivating study of femininity,…

6
Baiana Sambando - Série Bonfim (1950) de Carybé

Baiana Sambando - Série Bonfim

1950 · Ink · Museu de Arte da Bahia, Salvador

In the evocative lines of Baiana Sambando - Série Bonfim, we are transported to the heart of Bahia, where the pulse of the drum meets the spiritual essence of the streets. Created in 1950 by the master Héctor Julio Páride Bernabó, known affectionately as Carybé, this striking black and white drawing serves as a profound window into the soul of Brazilian folk culture. The piece captures a moment of intense…

7
Vendedora de Carimã - Série Feira de Água de Meninos (1950) de Carybé

Vendedora de Carimã - Série Feira de Água de Meninos

1950 · Drawing · Museu de Arte da Bahia, Salvador

In the delicate, monochromatic strokes of Vendedora de Carimã - Série Feira de Água de Meninos, we are transported to a mid-century world where the rhythm of daily life was dictated by the sun and the seasonal bounty of the market. Created in 1950 by the master Héctor Julio Páride Bernabó, known affectionately as Carybé, this evocative drawing captures more than just a scene; it captures an atmosphere. The subject—a…

8
Puxando o Barco - Série Rampa do Mercado (1950) de Carybé

Puxando o Barco - Série Rampa do Mercado

1950 · Drawing · Museu de Arte da Bahia, Salvador

In the evocative monochrome of Puxando o Barco - Série Rampa do Mercado, we are transported to a moment of raw, unadorned human effort. Created in 1950 by the master Héctor Julio Páride Bernabó—affectionately known as Carybé—this drawing captures the visceral essence of coastal life. The scene depicts a man engaged in the strenuous task of pulling a boat across the land, a moment caught between the stillness of the…

9
O Homem e a Jaca - Série Feira de Água de Meninos (1950) de Carybé

O Homem e a Jaca - Série Feira de Água de Meninos

1950 · Drawing · Museu de Arte da Bahia, Salvador

In the evocative black and white drawing O Homem e a Jaca, part of the evocative Série Feira de Água de Meninos, we are transported to a moment of profound simplicity and strength. Created in 1950 by the master Argentine-Brazilian artist Héctor Julio Páride Bernabó, known affectionately as Carybé, this work captures a singular, heavy moment in time. The composition centers on a man navigating a sandy path, his body…

10
O vendedor de rolete de cana/ Serie Bonfim (1950) de Carybé

O vendedor de rolete de cana/ Serie Bonfim

1950 · Ink · Museu de Arte da Bahia, Salvador

In the quiet, monochromatic depths of "O vendedor de rolete de cana," we are transported to a bygone era, where the rhythm of daily life was dictated by the sun and the simple commerce of the streets. Part of the evocative Serie Bonfim, this masterful drawing by the legendary Argentine-Brazilian artist Héctor Julio Páride Bernabó—affectionately known as Carybé—serves as a poignant window into the cultural fabric of mid-century Brazil. Through…

Les peintures célèbres de Carybé, de la n° 11 à la n° 24

Les sujets qui ont captivé Carybé

Les quatre thèmes qui reviennent le plus souvent dans ces œuvres originales, chacun illustré par son plus bel exemple.

Les musées qui conservent les œuvres originales de Carybé

Les 2 musées qui détiennent la plupart des peintures de cette page.

Musées Ville Œuvres de Carybé Peintures de cette liste
Museu de Arte da Bahia, SalvadorMuseu de Arte da Bahia Salvador 23 Baiana Sambando - Série Bonfim, Baiana e Pescador, Baianas Chegando Para a Lavagem
Centro Cultural Banco do Brasil, BrasíliaCentro Cultural Banco do Brasil Brasília 1 The Pier

Carybé au fil des années : les originaux uniques de chacun

Une longue carrière de 38 ans, de 1950 à 1987 : les œuvres originales les plus célèbres de Carybé, présentées année après année.

Œuvres par année

Choisissez une année pour voir les œuvres originales.

Les peintures de Carybé : questions pour la galerie

Quelle est l'œuvre la plus célèbre de Carybé ?Révéler la réponse

Baiana Sambando - Série Bonfim (1950), Museu de Arte da Bahia, Salvador. Suivus de Baiana e Pescador (1950) et Baianas Chegando Para a Lavagem (1950).

À quel âge Carybé a-t-il créé Baiana Sambando - Série Bonfim ?Révéler la réponse

39 ans : Baiana Sambando - Série Bonfim date de 1950, et Carybé est né(e) en 1911.

Quelles sont les dix peintures les plus célèbres de Carybé ?Révéler la réponse

Baiana Sambando - Série Bonfim, Baiana e Pescador, Baianas Chegando Para a Lavagem, Jangadas ao Mar - Série Pesca do Xaréu, Torso retangular IV, Baiana Sambando - Série Bonfim, Vendedora de Carimã - Série Feira de Água de Meninos, Puxando o Barco - Série Rampa do Mercado, O Homem e a Jaca - Série Feira de Água de Meninos et O vendedor de rolete de cana/ Serie Bonfim. Le classement ci-dessus indique l'année et le musée de chacun.

Combien d'œuvres de Carybé sont connues ?Révéler la réponse

Notre catalogue comprend 24 œuvres de Carybé, datées de 1950 à 1987.

Où peut-on voir les originaux les plus célèbres de Carybé ?Révéler la réponse

Principalement dans Museu de Arte da Bahia (Salvador) et Centro Cultural Banco do Brasil (Brasília). Le tableau des musées ci-dessus les répertorie tous.

Dur quelle période Carybé a-t-il créé ses peintures les plus célèbres ?Révéler la réponse

En 1950 : 23 des 24 œuvres de cette page ont été créées à cette époque, dont Baiana Sambando - Série Bonfim.

Quelle est la peinture la plus ancienne de Carybé et laquelle est la plus récente ?Révéler la réponse

Sur cette page, la plus ancienne date de Baiana Sambando - Série Bonfim (1950) et la plus récente de The Pier (1987).

Quels étaient les sujets de prédilection de Carybé ?Révéler la réponse

Black and white (14), Daily life (5) et Fishing (4), à travers les 24 œuvres de cette page.

Quels matériaux Carybé a-t-il le plus utilisés pour peindre ?Révéler la réponse

Drawing, pour 12 des 24 œuvres de cette page.

À quel mouvement appartient l'œuvre de Carybé ?Révéler la réponse

Contemporary realism et Modernism, à en juger par les originaux de cette page.

Quelles œuvres originales de Carybé puis-je voir au Museu de Arte da Bahia ?Révéler la réponse

Baiana Sambando - Série Bonfim, Baiana e Pescador et Baianas Chegando Para a Lavagem : le Museu de Arte da Bahia, Salvador détient 23 des œuvres de cette page.

Carybé : un portrait de l'artiste

Early Life and Career

Héctor Julio Páride Bernabó, known artistically as Carybé, was born in Buenos Aires, Argentina, on February 7, 1911. From a young age, he demonstrated an exceptional talent for drawing and painting, nurtured by his family’s encouragement and fostering a lifelong passion for artistic expression. His formative years were marked by exposure to diverse cultural influences—particularly Argentine folklore and indigenous traditions—which would profoundly shape his artistic vision. Carybé embarked on his artistic journey with unwavering dedication, honing his skills through self-study and experimentation before pursuing formal training at the Escuela Superior de Diseño Nacional (ESDN). This foundational education equipped him with technical proficiency and broadened his understanding of artistic movements and techniques.

Artistic Contributions

Carybé’s prolific output spanned across numerous mediums—paintings, drawings, sculptures, sketches, murals, and illustrations—resulting in an astonishing catalog of over five thousand artworks. His versatility is a testament to his creative genius and reflects his profound engagement with the complexities of human experience. He gained international recognition for his evocative depictions of Argentine landscapes and indigenous cultures, capturing their essence with meticulous detail and vibrant color palettes. Carybé’s artistic collaborations extended beyond solo endeavors; he served as illustrator for prominent literary figures such as Jorge Amado and Gabriel García Márquez, notably contributing to “One Hundred Years of Solitude,” where his artwork powerfully conveyed the narrative's themes of myth, memory, and cyclical time. His distinctive style—characterized by bold lines, expressive brushstrokes, and a masterful command of tonal gradation—became instantly recognizable and cemented his place among Argentina’s most celebrated artists.

Notable Works

Carybé produced several unforgettable pieces that exemplify his artistic prowess. “Torso Retangular Ou Pano Da Costa I” stands out as a striking example of his sculptural technique, skillfully manipulating form and texture to convey a sense of dynamism and grandeur. This monumental sculpture, currently housed on OriginalUniqueArt’s platform, embodies Carybé's commitment to exploring the relationship between human figure and environment. Similarly, “The Pier,” an oil painting masterpiece displayed at Centro Cultural Banco do Brasil in Brasília, Brazil, showcases his ability to capture atmospheric conditions and evoke emotional resonance. Its contemplative mood invites viewers to contemplate the passage of time and the beauty of natural landscapes. Furthermore, Carybé’s contribution to Brazilian art is undeniable through "Baiana Sambando - Série Bonfim," a captivating pen work residing at Museu de Arte da Bahia in Salvador, Brazil. This artwork celebrates Afro-Brazilian culture with vibrant colors and intricate linework, reflecting Carybé's deep connection to his homeland’s artistic heritage.

Legacy and Honors

Carybé held the honorary position of Obá de Xangô—a prestigious role within Ilê Axé Opô Afonjá—demonstrating his unwavering devotion to Yoruba spirituality and cultural preservation. His influence extended beyond Argentina, gaining recognition in Brazil where he established a significant artistic presence. He was awarded numerous accolades for his artistic achievements, solidifying his reputation as one of Argentina’s foremost visual artists. Carybé passed away peacefully on October 2, 1997, in Salvador, Bahia, leaving behind an enduring legacy that continues to inspire artists and art enthusiasts worldwide. His artworks remain treasured symbols of Argentine identity and Brazilian cultural heritage—a testament to the transformative power of artistic vision.

Later Life and Passing

Carybé continued his artistic pursuits throughout his life, experimenting with new mediums and exploring diverse themes—often delving into anthropological research and historical narratives. He meticulously documented indigenous traditions and folklore, enriching our understanding of Argentina’s rich cultural tapestry. His unwavering curiosity and dedication to preserving cultural heritage underscored his belief in the importance of artistic expression as a vehicle for conveying knowledge and fostering empathy. Carybé's final years were spent in Salvador, Bahia, where he cultivated close relationships with fellow artists and intellectuals—a testament to his enduring spirit and collaborative ethos.