En bref
Queen Elizabeth I at Tilbury, 1588 (1938) est la peinture de Alfred Lawrence qui attire le plus les regards. Ensuite, le regard se porte sur David Emlyn Evans, Royal Flying Corps Officer (1916) et Sir Herbert Baker (1862–1946), Architect. Parmi les 25 œuvres de Alfred Lawrence dans notre catalogue, voici les 25 plus célèbres, chacune étant une œuvre originale unique présentée avec son année, son musée et la raison de sa pérennité.
Les 10 plus belles peintures de Alfred Lawrence, selon le regard de la galerie
Les peintures célèbres de Alfred Lawrence, de la n° 11 à la n° 25
Les sujets qui ont captivé Alfred Lawrence
Les quatre thèmes qui reviennent le plus souvent dans ces œuvres originales, chacun illustré par son plus bel exemple.
Portraiture 2 œuvres
Elderly man 2 œuvres
Nude figure 2 œuvres
Female form 2 œuvres
Les musées qui conservent les œuvres originales de Alfred Lawrence
Les 6 musées qui détiennent la plupart des peintures de cette page.
| Musées | Ville | Œuvres de Alfred Lawrence | Peintures de cette liste |
|---|---|---|---|
| Newcastle upon Tyne | 2 | The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD, The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD (study for a lunette decoration) | |
| Cambridge | 1 | T. M. Temperley | |
| Greenwich | 1 | Cherry Trees at Owletts | |
| Londres | 1 | Robert Robinson (1886–1975) | |
| Londres | 1 | Evelyn M. Lowe (1870–1956) | |
| Oxford | 1 | Kingsley Fairbridge (Rhodes Scholar, 1908) |
Alfred Lawrence à travers les décennies : une œuvre originale unique pour chacune
Œuvres par décennie
Choisissez une décennie pour découvrir l'œuvre originale qui la définit.
Les peintures de Alfred Lawrence : questions pour la galerie
Quelle est l'œuvre la plus célèbre de Alfred Lawrence ?Révéler la réponse
Queen Elizabeth I at Tilbury, 1588 (1938). David Emlyn Evans, Royal Flying Corps Officer (1916) et Sir Herbert Baker (1862–1946), Architect suivent.
À quel âge Alfred Lawrence a-t-il créé Queen Elizabeth I at Tilbury, 1588 ?Révéler la réponse
45 ans : Queen Elizabeth I at Tilbury, 1588 date de 1938, et Alfred Lawrence est né(e) en 1893.
Quelles sont les dix peintures les plus célèbres de Alfred Lawrence ?Révéler la réponse
Queen Elizabeth I at Tilbury, 1588, David Emlyn Evans, Royal Flying Corps Officer, Sir Herbert Baker (1862–1946), Architect, The Right Honourable Brien Ibrican (1864–1932), Baron Cullen of Ashbourne, KBE, Governor of the Bank of England (1918–1920), Female Nude, Male Nude, The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD, Head of an Italian Girl, The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD (study for a lunette decoration) et Elizabeth I Commissions Raleigh to Sale for America, 1584. Le classement ci-dessus indique l'année et le musée de chacun.
Combien d'œuvres de Alfred Lawrence sont connues ?Révéler la réponse
Notre catalogue comprend 25 œuvres de Alfred Lawrence, datées de 1916 à 1950.
Où peut-on voir les originaux les plus célèbres de Alfred Lawrence ?Révéler la réponse
Principalement dans Laing Art Gallery (Newcastle upon Tyne), Queens' College (Cambridge) et Musée National Maritime (Greenwich). Le tableau des musées ci-dessus les répertorie tous.
Dur quelle période Alfred Lawrence a-t-il créé ses peintures les plus célèbres ?Révéler la réponse
En 1920s : 7 des 25 œuvres de cette page ont été créées à cette époque, dont Female Nude.
Quelle est la peinture la plus ancienne de Alfred Lawrence et laquelle est la plus récente ?Révéler la réponse
Sur cette page, la plus ancienne date de David Emlyn Evans, Royal Flying Corps Officer (1916) et la plus récente de Robert Robinson (1886–1975) (1950).
Quels étaient les sujets de prédilection de Alfred Lawrence ?Révéler la réponse
Portraiture (2), Elderly man (2) et Nude figure (2), à travers les 25 œuvres de cette page.
À quel mouvement appartient l'œuvre de Alfred Lawrence ?Révéler la réponse
Contemporary realism, à en juger par les originaux de cette page.
Quelles œuvres originales de Alfred Lawrence puis-je voir au Laing Art Gallery ?Révéler la réponse
The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD et The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD (study for a lunette decoration) : le Laing Art Gallery, Newcastle upon Tyne détient 2 des œuvres de cette page.
Alfred Lawrence : un portrait de l'artiste
The Soul of the English Landscape: The Life and Art of Alfred Kingsley Lawrence
Born in the historic town of Lewes, Sussex, on October 4th, 1893, Alfred Kingsley Lawrence emerged as a profound voice in British art, weaving together the quiet dignity of portraiture with the sweeping, atmospheric beauty of the English countryside. His early life was shaped by a resilience born of necessity; following the untimely death of his father, Lawrence was raised by his mother, Fanny Beatrice Lawrence, whose dedication to his education allowed his innate artistic talents to flourish. This foundational period of discipline and devotion set the stage for a career defined by meticulous observation and an unwavering commitment to capturing the essence of his subjects, whether they were the rugged terrains of Northumberland or the nuanced expressions of the British elite.
Lawrence’s formal training was as prestigious as it was transformative. At the King Edward VII School of Art, Armstrong College, he flourished under the mentorship of Professor Richard Hatton, a period that established him as one of Newcastle’s most promising young talents. His pursuit of excellence led him to the Royal College of Art, where he studied under the renowned William Rothenstein. It was here that Lawrence began to absorb the complex influences of Impressionism and Symbolism, learning to balance the structural integrity of realism with a more emotive, fluid approach to light and atmosphere. The pinnacle of his academic journey arrived in 1923 when he was awarded the prestigious Prix de Rome scholarship, an achievement that transported him to the heart of Italy, allowing him to refine his technique amidst the timeless grandeur of Roman classical art.
A Mastery of Realism and Emotional Resonance
The artistry of Alfred Kingsley Lawrence is best understood through his ability to bridge the gap between the physical world and the psychological realm. His landscapes are far more than mere topographical records; they are evocative studies of light, weather, and mood. In his depictions of the Northumbrian landscape, one can sense the dampness of the mist and the heavy, shifting skies that define the region. This mastery of atmosphere was complemented by a remarkable skill in portraiture, where he sought to capture not just a likeness, but the very soul of the sitter. His portraits are celebrated for their psychological depth, utilizing subtle shading and realistic brushwork to convey wisdom, melancholy, or quiet strength.
His diverse repertoire includes several notable achievements that highlight his versatility as a painter:
- The Altruists: A monumental commission for St Stephen's Hall in Westminster, showcasing his ability to handle large-scale, significant historical subject matter.
- Persephone (1938): A dramatic departure into the realm of Romanticism, where he utilized a swirling blue background and a nude figure to create a powerful, mythic resonance.
- T. M. Temperley (1933): An oil painting that exemplifies his ability to use muted tones and realistic textures to evoke a sense of timelessness and dignity.
- Sir Herbert Baker Study: A delicate pastel work that demonstrates his command over different mediums and his ability to capture the architectural spirit through portraiture.
Throughout his life, Lawrence remained a steadfast observer of the world around him. From the sporting scenes and hunting traditions that earned him recognition in the realm of British sporting art to the intimate, historical portraits like Queen Elizabeth I at Tilbury, his work serves as a vital visual record of a changing Britain. His legacy lives on through the collections of institutions such as the Munnings Art Museum, where his ability to blend the precision of a realist with the heart of an impressionist continues to captivate and inspire new generations of art lovers.






