Format papier

Guide des œuvres étudiantes

Left by the Tide

Nom Niveau Date

samuel maurice jones, Left by the Tide, Archives de Caernarfon. Libre de droits.

Informations clés

Artiste
samuel maurice jones originaluniqueart.com/fr/artists/samuel-maurice-jones/
Dates de l'artiste
1853 – 1932
Dimensions originales
55 x 68 cm
Mouvement
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Lieu de l'exposition
Archives de Caernarfon originaluniqueart.com/fr/museums/archives-de-caernarfon-carnarvon_fr/

En contexte

Left by the Tide — samuel maurice jones

Dimensions

L'original mesure 55 × 68 cm (hauteur × largeur), représenté ici à côté d'un adulte de taille moyenne.

À quelle époque cette œuvre a-t-elle pu être peinte ?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Ombré : la vie de samuel maurice jones (1853–1932)

L'année exacte de cet enregistrement n'est pas répertoriée — en vous basant sur l'existence de l'artiste et le style de l'œuvre, de quelle décennie s'agirait-il selon vous ?

Œuvres similaires

Choisissez une œuvre ci-dessus : nommez deux points communs avec celle-ci, et une différence.

D'autres œuvres à découvrir aux côtés de celle-ci : originaluniqueart.com/fr/art/similar/samuel-maurice-jones-left-by-the-tide-AS83WB-en/

Palette de couleurs

Mesuré à partir de l'image

    Couleur principale

    Rosy Brown #cdab95

    Palette enregistrée

    • #CDAB95
    • #432F1F
    • #765237
    • #BB8361
    Palette
    Earthy La famille de couleurs dominante dans l'image.
    Couleur principale
    Rosy Brown
    Intensité
    Balanced Le degré de saturation et la variété des couleurs, allant d'une teinte unique et atténuée à une multitude de nuances éclatantes.
    Contraste
    Bold Le degré de variation de la luminosité et de la saturation des couleurs à travers l'œuvre.
    Harmonie
    Unified Palette L'harmonie des couleurs, de leur contraste à leur parfaite unité.
    Luminosité
    Bright Le degré de luminosité ou d'obscurité de l'image dans son ensemble, des ombres profondes aux hautes lumières éclatantes.
    Saturation
    Balanced Soft La pureté et l'intensité des couleurs, allant d'un gris presque imperceptible à une vivacité totale.

    Artiste et musée

    Artiste

    samuel maurice jones

    Samuel Maurice Jones (1853 - 1932), Artist

    Samuel Maurice Jones R.C.A. (1853 – 30 December 1932) was a Welsh landscape painter and illustrator, particularly active in North Wales. Working principally in watercolour, Jones made numerous studies and paintings of the fields near Caernarfon and the Conwy Valley. Many of these rural studies have an idealised, pastoral character suggestive of the English picturesque and Romantic landscape traditions originating in the works of John Constable and developed by J.M.W Turner.

    Early Life

    Samuel Maurice Jones was born in Mochdre, a coastal village in north-east Wales near Colwyn Bay. His father, Rev. John Jones, was a Calvinistic Methodist minister. Jones was trained first at the Caernarfon School of Art under the tutelage of John Cambrian Rowland and later, in London where he studied under William Collingwood between 1870 and 1873. Collingwood was an Associate of the Society of Painters in Watercolours and offered Jones a thorough and traditional training in the fundamentals of arts education; schooling him in the importance of line and composition, shading, drawing carefully from nature and drawing from memory.

    The first entry in the study book documenting his lesson with Collingwood on Monday, 11 April 1870, recalls his teachers' words:

    "You must regard your hand as an instrument requiring to be taught how to execute with certainty and freedom, every mental command.'"

    While he was in London, Jones met two figures closely associated with the Pre-Raphaelite Brotherhood: the art critic, John Ruskin, and the painter, Holman Hunt, who reviewed and offered constructive criticism of his work. Shortly afterwards Jones returned to Caernarfon in order to pursue his career as an artist.

    Early Work

    Jones' early sketchbooks attest to the influence of the British Romantic painters, particularly J.M.W. Turner. A small, leather-bound copy book and sketchbook dated 1874 by Jones includes a copy of Turner’s painting Crossing the Brook, exhibited in the National Gallery in 1815. An inscription later in the small notebook reads:

    *The Crossing the Brook is one of those pictures of Turner's which every one admires... The view is taken from the banks of Tamar, that divides Devonshire from Cornwall*.

    It is possible that the first study in the 1874 notebook, a gothic ink study of Caernarfon Castle by moonlight, is modelled on Turner’s painting of

    c. 1798, though Jones may well have brought his first-hand knowledge of the castle to bear on this study.

    Notable Paintings

    Jones' artistic output focused primarily on capturing the beauty of North Wales landscapes. His paintings frequently depict serene valleys and dramatic mountain vistas, imbued with a Romantic sensibility reminiscent of Turner’s masterful use of light and atmosphere. Recurring themes included depictions of Snowdonia National Park and coastal scenes along the Lleyn Peninsula.

    Among his most celebrated works are “Left by the Tide,” an evocative oil painting depicting a shipwreck scene at sunset, and “Maesincla Road near Caernarfon,” which showcases Jones’ ability to convey mood and emotion through subtle tonal variations. His meticulous attention to detail—particularly in capturing the textures of stone and foliage—established him as one of Wales' foremost watercolour artists.

    Legacy

    Samuel Maurice Jones left an indelible mark on Welsh art history. His paintings continue to inspire admiration for their lyrical beauty and technical precision, cementing his place among the Romantic landscape painters who shaped the visual culture of Victorian Britain. He was elected an Associate of the Royal Cambrian Academy in 1882 and became an Academician (R.C.A.) in 1921. He was a regular exhibitor at the Academy’s annual exhibition in Conway.

    Jones' dedication to artistic excellence and his unwavering commitment to portraying the grandeur of Welsh scenery ensured that his legacy would endure for generations to come.

    Musée

    Archives de Caernarfon

    Exposé à Carnarvon, United Kingdom

    Caernarfon Record Office: Preserving Gwynedd’s Legacy Through Document and Detail

    The Caernarfon Record Office stands as a cornerstone of Welsh heritage, more than just a repository of parchment and ink—it's a tangible embodiment of centuries past. Located in Victoria Dock, Caernarfon, this unassuming building houses an astonishing collection spanning eleven centuries, offering researchers and enthusiasts alike unparalleled access to the region’s formative narratives. Its very walls whisper tales of Norman conquest, royal ambition, and the slow, deliberate shaping of Gwynedd's identity—a testament to the enduring power of storytelling.

    A Chronicle Etched in Ink:

    The Archive’s core comprises official documents—deeds, wills, legal proceedings—providing a granular portrait of Gwynedd's governance from Norman conquest through Victorian expansion. These aren’t merely facts; they are whispers of battles fought, treaties negotiated, and lives lived under the watchful gaze of monarchs and revolutionaries. Examining charters issued by Welsh princes reveals intricate political maneuvering, while parish registers meticulously documenting births, marriages, and deaths alongside census records illuminate familial connections across generations.

    Tracing Roots:

    For genealogists captivated by Welsh ancestry, the Record Office presents a treasure trove of resources. Parish registers meticulously documenting births, marriages, and deaths alongside census records illuminate familial connections across generations. Examining estate papers unveils glimpses into social hierarchies and economic realities of bygone eras.

    Visualizing Gwynedd’s Past:

    Beyond textual accounts lie maps—detailed charts charting territorial disputes and agricultural landscapes—and architectural drawings capturing the grandeur of castles like Caernarfon Castle itself. These visual aids transport viewers back in time, fostering a deeper understanding of Gwynedd's evolving physical environment. The meticulous detail with which these documents depict Gwynedd’s topography speaks volumes about the importance placed on accurate representation during periods of significant change.

    Community Voices:

    Unique collections delve into the lives of specific Gwynedd communities – diaries detailing daily routines, newspapers chronicling local events, and photographs documenting social customs—revealing the vibrant tapestry of Welsh life beyond official records. These intimate glimpses offer invaluable insight into the cultural traditions and societal values that shaped Gwynedd’s past.

    The Record Office’s significance extends far beyond its collection; it's inextricably linked to Caernarfon Castle’s history. Documents unearthed here illuminate the castle’s role in shaping Welsh identity and political discourse, complementing its imposing stone façade with layers of historical context. The careful preservation of these materials underscores a profound respect for Gwynedd’s cultural heritage.

    What distinguishes Caernarfon Record Office is its unwavering commitment to conservation—a practice rooted in recognizing that these documents are not merely artifacts but living links to Gwynedd's past. Skilled archivists painstakingly repair manuscripts and bind books, utilizing techniques honed over centuries to safeguard irreplaceable treasures for future generations.

    Visitor Information & Engagement

    Researchers and curious visitors alike are welcomed at Caernarfon Record Office. Dedicated research services cater to scholarly inquiries, while educational visits inspire a passion for Welsh history among younger audiences. Contact them at 01286 679095 to explore scheduling opportunities.

    Beyond the Archives: Exploring Gwynedd’s Artistic Heritage

    While primarily focused on historical documentation, Caernarfon Record Office's location within Gwynedd—a region celebrated for its artistic traditions—offers a serendipitous connection to Welsh art history. Consider visiting Art UK (

    ) to discover artworks inspired by the landscape and culture of Gwynedd, furthering your appreciation for Wales’s multifaceted heritage.

    Notable Exhibitions & Research Initiatives

    Throughout its history, Caernarfon Record Office has hosted exhibitions showcasing rare manuscripts and illuminating pivotal moments in Gwynedd's narrative. Recent initiatives have focused on digitizing collections—making them accessible to scholars worldwide—and fostering collaborative research projects exploring themes of Welsh identity and social change.

    A Unique Architectural Setting

    Situated within Victoria Dock, Caernarfon Record Office occupies a building that itself embodies Gwynedd’s architectural heritage. Constructed in the late Victorian era, its stately façade reflects the grandeur of the period—a deliberate choice to honor the legacy of Welsh history and culture.

    Concluding Thoughts: A Window Into Gwynedd's Soul

    Caernarfon Record Office isn’t simply a repository of documents; it’s a gateway to understanding Gwynedd’s soul. By immersing oneself in its collections—examining maps, reading diaries, deciphering legal texts—one gains access to the very essence of Welsh history—a story etched in ink and illuminated by enduring artistic expression.

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    Citer cette œuvre

    MLA
    jones, samuel maurice. Left by the Tide. n.d., Archives de Caernarfon. https://originaluniqueart.com/fr/art/samuel-maurice-jones-left-by-the-tide-AS83WB-en/
    APA
    jones, samuel maurice (n.d.). Left by the Tide [Painting]. Archives de Caernarfon. https://originaluniqueart.com/fr/art/samuel-maurice-jones-left-by-the-tide-AS83WB-en/
    Chicago
    samuel maurice jones. Left by the Tide. n.d. Archives de Caernarfon. https://originaluniqueart.com/fr/art/samuel-maurice-jones-left-by-the-tide-AS83WB-en/
    Harvard
    jones, samuel maurice (n.d.) Left by the Tide. Archives de Caernarfon. Available at: https://originaluniqueart.com/fr/art/samuel-maurice-jones-left-by-the-tide-AS83WB-en/

    Observez de près

    Left by the Tide — samuel maurice jones

    Zoom sur l'œuvre

    Répondez avec vos propres mots. Il n'y a pas de mauvaises réponses ici — seulement des réponses que vous pouvez justifier.

    1. Qu'est-ce qui attire votre regard en premier, et pourquoi ?
    2. Quelles couleurs ou quelles formes créent l'atmosphère — et quelle est cette atmosphère ?
    3. Notre catalogue répertorie cette œuvre sous : shipwreck, sunset, beach. Êtes-vous d'accord ? Que souhaiteriez-vous ajouter ou retirer ?
    4. Revenez sur Maesincla Road, near Caernarvon (1889), présenté plus haut dans ce guide. Citez deux points communs avec cette œuvre, ainsi qu'une différence.
    5. Romanticism : Art that puts feeling, wildness and the power of nature above calm order and rules. Où pouvez-vous observer cela dans cette œuvre ?

    Votre réponse

    Rédigez un court paragraphe sur cette œuvre en vous appuyant sur les informations présentées dans les sections précédentes de ce guide ainsi que sur vos réponses ci-dessus.