Format papier

Guide des œuvres étudiantes

Lidded Jar

Nom Niveau Date

John Jordan, Lidded Jar (1991). Reproduit à titre de référence ; tous droits réservés par le titulaire des droits.

Informations clés

Artiste
John Jordan originaluniqueart.com/fr/artists/john-jordan_fr/
Peinture
1991
Dimensions originales
30 x 20 cm

In context

Lidded Jar — John Jordan

How big is it?

The original measures 30 × 20 cm (height × width), drawn here beside an adult of average height.

Date de création

  1. 1990

▲ cette œuvre, 1991

Œuvres similaires

  • Vase, 1994 originaluniqueart.com/fr/art/john-jordan-vase-AR247Q-en/
  • Amphore, 1990 originaluniqueart.com/fr/art/john-jordan-amphore-AR247N-fr/
  • Black Textured Jar, 1994 originaluniqueart.com/fr/art/john-jordan-black-textured-jar-AR247J-en/

Choisissez une œuvre ci-dessus : nommez deux points communs avec celle-ci, et une différence.

D'autres œuvres à découvrir aux côtés de celle-ci : originaluniqueart.com/fr/art/similar/john-jordan-lidded-jar-AR247E-en/

Palette de couleurs

Mesuré à partir de l'image

    Couleur principale

    Rosy Brown #b9b59b

    Palette enregistrée

    • #B9B59B
    • #342829
    • #847558
    • #E0DFD2
    Palette
    Earthy La famille de couleurs dominante dans l'image.
    Couleur principale
    Rosy Brown
    Intensité
    Monochromatic Le degré de saturation et la variété des couleurs, allant d'une teinte unique et atténuée à une multitude de nuances éclatantes.
    Contraste
    Statement Le degré de variation de la luminosité et de la saturation des couleurs à travers l'œuvre.
    Harmonie
    Discordant Palette L'harmonie des couleurs, de leur contraste à leur parfaite unité.
    Luminosité
    Shadow Le degré de luminosité ou d'obscurité de l'image dans son ensemble, des ombres profondes aux hautes lumières éclatantes.
    Saturation
    Muted La pureté et l'intensité des couleurs, allant d'un gris presque imperceptible à une vivacité totale.

    Artiste et musée

    Artiste

    John Jordan

    A Life Carved in Wood: The Art of John Jordan

    John Jordan, born in Cane Ridge, Tennessee, and later residing in Nashville, was a self-taught woodturner whose career blossomed into an internationally recognized artistic practice spanning over three decades. Though he passed away in 2023, his legacy continues to inspire through the enduring beauty and tactile complexity of his carved wooden vessels. Jordan’s journey wasn't one of formal training but rather a deeply personal exploration of material, form, and texture—a testament to the power of intuitive creativity. He began working with wood in the late 1970s, quickly developing a distinctive style that set him apart within the craft world. His dedication led to widespread recognition, culminating in his work being included in prestigious collections such as those of the Smithsonian American Art Museum, the White House, and even the Victoria and Albert Museum in London.

    The Evolution of a Textured Aesthetic

    Initially drawn to the inherent qualities of wood—its grain, its warmth, its potential for transformation—Jordan’s early pieces were characterized by a refined simplicity. However, he soon began experimenting with carving techniques, pushing beyond traditional turning methods to create richly textured surfaces. This exploration wasn't merely about aesthetics; it was an attempt to capture the essence of natural forms – trees, rock formations, coral reefs – and translate them into three-dimensional objects. He sought to evoke a sense of organic growth and decay, imbuing his vessels with a life force that resonated deeply with viewers. His process involved meticulous hand carving after the turning process, often employing tools not traditionally associated with woodturning, resulting in intricate patterns and dynamic surface variations. This dedication to detail and tactile exploration became the hallmark of his work.

    Influences: Nature, Mythology, and Global Craft Traditions

    Jordan’s artistic vision was shaped by a diverse range of influences. He frequently cited nature as a primary source of inspiration, observing the patterns and textures found in the natural world with an artist's eye. Beyond the immediate environment, he drew from his fascination with ethnic objects—pots, weavings, baskets—from various cultures around the globe. These encounters broadened his understanding of form and function, encouraging him to explore new possibilities within his own practice. He wasn’t simply replicating these forms but rather absorbing their underlying principles of design and craftsmanship. His work often hints at mythological narratives, though subtly, suggesting a deeper connection between human creativity and ancient storytelling traditions.

    Teaching and International Recognition

    Beyond his studio practice, Jordan was a passionate educator, sharing his knowledge and skills with woodturners around the world. He traveled extensively, conducting demonstrations, lectures, and workshops in universities, craft schools, and turning groups across the United States, Canada, France, Australia, New Zealand, Japan, and the United Kingdom. This commitment to teaching not only fostered a community of fellow artists but also helped to disseminate his unique approach to woodturning on an international scale. His work was consistently featured in major exhibitions, including “International Lathe Turned Objects - Challenge V” and “Redefining the Lathe-Turned Object,” solidifying his position as a leading figure in contemporary craft. He authored numerous articles and produced instructional videos, further expanding his reach and influence within the field.

    A Lasting Legacy: The Enduring Power of Tactile Art

    John Jordan’s work transcends categorization; it is simultaneously functional art, sculptural object, and testament to the beauty of natural materials. His pieces invite viewers not just to observe but to engage—to run their hands across the textured surfaces, to feel the warmth of the wood, to connect with the artist's process on a visceral level. He was more than a craftsman; he was a storyteller, an explorer, and a dedicated educator who left an indelible mark on the world of contemporary craft. His legacy continues through his numerous publications, instructional videos, and, most importantly, the enduring beauty of his carved wooden vessels—objects that remind us of the power of art to connect us with nature, mythology, and the human spirit.

    Où lire la suite

    Retrouvez ceci en ligne

    Code QR renvoyant à la page de téléchargement de Lidded Jar

    originaluniqueart.com/fr/art/download/john-jordan-lidded-jar-AR247E-en/

    Citer cette œuvre

    MLA
    Jordan, John. Lidded Jar. 1991, https://originaluniqueart.com/fr/art/john-jordan-lidded-jar-AR247E-en/
    APA
    Jordan, John (1991). Lidded Jar [Painting]. https://originaluniqueart.com/fr/art/john-jordan-lidded-jar-AR247E-en/
    Chicago
    John Jordan. Lidded Jar. 1991. https://originaluniqueart.com/fr/art/john-jordan-lidded-jar-AR247E-en/
    Harvard
    Jordan, John (1991) Lidded Jar. Available at: https://originaluniqueart.com/fr/art/john-jordan-lidded-jar-AR247E-en/

    Look closely

    Lidded Jar — John Jordan

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Vase (1994), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.