période

mouvement

1. Old Man and Wood Gnome — Emil Nolde
2. Encounter (Four Figures) — Emil Nolde
3. Female Lover — Ernst Ludwig Kirchner
4. Dark Blue Turban (also known as Helene with Dark Blue Turban) — Alexej von Jawlensky, 1910
5. Arbres Sombre sur Pente Verte — Alexej von Jawlensky, 1910
6. Mountain Giant — Emil Nolde
7. Meal for Four III — jean philippe arthur dubuffet, 1962
8. Dark Man and Woman — Emil Nolde
9. Hope grows in darkness — Marianne Sadowski, 2020
10. Dark Eyes — Alexej von Jawlensky, 1912
11. Conversation (with Shadows) — Emil Nolde
12. The Redhead — Emil Nolde
13. Green Head above Red Cloak — Emil Nolde
14. Group of People — Emil Nolde
15. Old couple in Dark Light (Twilight) — Emil Nolde

atmosphère

thématiques

1. Encounter (Four Figures) — Emil Nolde
2. Mountain Giant — Emil Nolde
3. Green Head above Red Cloak — Emil Nolde

mots-clés

tonalité

couleur principale

1. Mountain Giant — Emil Nolde
2. Femme et trois têtes masculines — Edvard Munch
3. Arbres Sombre sur Pente Verte — Alexej von Jawlensky, 1910
4. Portrait of a Woman with a Balance — Thomas De Keyser, 1625
5. Five Men with Hats — lester f. johnson, 1968
6. Hope grows in darkness — Marianne Sadowski, 2020
7. Encounter (Four Figures) — Emil Nolde
8. Old Man and Wood Gnome — Emil Nolde
9. Tête d'une femme paysanne avec un chapeau foncé — vincent willem van gogh
10. Les dieux obscurs (Dark Gods) — Max Ernst
11. Moïse et les Tablettes de la Loi — Marc Chagall, 1956
12. Group of People — Emil Nolde
13. The Redhead — Emil Nolde
14. Conversation (with Shadows) — Emil Nolde
15. Green Head above Red Cloak — Emil Nolde
16. Dark Eyes — Alexej von Jawlensky, 1912
17. Dark Blue Turban (also known as Helene with Dark Blue Turban) — Alexej von Jawlensky, 1910
18. Old couple in Dark Light (Twilight) — Emil Nolde
19. Meal for Four III — jean philippe arthur dubuffet, 1962

autre

1. Nature morte avec une branche — Marc Chagall, 1962
2. The Three Wise Men (also known as Halt of the Wise Men) — John La Farge, 1878
3. Men with Wheelbarrows — Ernst Ludwig Kirchner, 1927