Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 27 teosta taiteilijalta Yasuo Kuniyoshi luettelossamme
Lyhyesti
Still Life (1926) on se Yasuo Kuniyoshi -maalaus, joka herättää eniten huomiota. Sen jälkeen katse siirtyy kohteisiin Strong Woman and Child (1925) ja Self-Portrait as a Photographer (1924). Yasuo Kuniyoshiin 27 teoksemme joukosta nämä 21 ovat kuuluisimpia; jokainen on ainutlaatuinen alkuperäisteos, joka on esitelty vuosiluvun, museon ja sen syyn kera, miksi teos on säilyttänyt suosionsa.
A silver vase with a fluted top occupies the center of this 1926 composition, holding a bouquet of red and pink flowers. These blooms appear in various stages of opening, their petals catching the light against a warm beige background. The arrangement rests upon a wooden table, partially draped in a red cloth featuring a subtle pattern. The interplay of light and shadow creates a sense of three-dimensionality, giving the…
Painted in 1925, Strong Woman and Child is a significant work by Yasuo Kuniyoshi. This oil on canvas presents a figure group consisting of a female and a child, positioned within a setting that suggests a stage. The composition incorporates elements of a landscape and the presence of a circus performer, creating a specific, theatrical atmosphere.
In the quiet, contemplative depths of Self-Portrait as a Photographer, we encounter more than just a likeness; we enter the intimate psychological landscape of Yasuo Kuniyoshi. Created in 1924, this evocative oil on canvas serves as a profound window into the artist's inner world during a formative period of American Modernism. The portrait captures a man lost in thought, his features etched with a sense of quiet introspection that transcends…
In Yasuo Kuniyoshi's People at Roadside, about 1916, a quiet moment unfolds along a dusty path. The scene is horizontally oriented, stretching the viewer's gaze across a landscape that feels both vast and intimate. A group of people gathers by the roadside, caught in a pause of rest. One central figure stands upright, anchoring the group, while others settle into the earth, some seated and others crouching in the dirt.…
In "Dream" by Yasuo Kuniyoshi, the landscape refuses a single center. The composition is non-linear and deconstructed, a fragmented arrangement of botanical elements and quiet structures. A small white house sits in the upper right, anchored against a sky that offers no horizon. On the left, a red-faced bovine creature watches from the shadows. Between these points, a figure appears to float or fall, suspended in a space that defies…
In the black and white lithograph Semi Nude, Standing by Yasuo Kuniyoshi, the composition is vertically oriented. The subject, a semi-nude female figure, is positioned slightly off-center within an interior space. To the right of the figure, a curtained doorway or window is visible, providing a structural backdrop that adds a sense of depth to the scene. The figure's gaze is directed toward the viewer, establishing a direct line of…
Yasuo Kuniyoshi produced Self Portrait as a Golf Player about 1927. The work functions as a self-portrait, presenting the artist in golfing attire. He is depicted holding a golf club, positioned against an ambiguous landscape. A golf ball rests on the ground near his feet.
In "My Man" by Yasuo Kuniyoshi, a quiet intimacy takes hold as we find ourselves standing behind a couple locked in a deep embrace. These two central figures dominate the foreground, their presence anchoring the viewer's gaze. They look out together toward a vast coastal scene, their backs to us, as if we are sharing a private, stolen moment. The composition draws the eye from this close, emotional connection out…
In "Exit" by Yasuo Kuniyoshi, a dreamlike atmosphere takes hold as the viewer enters a fragmented, ambiguous space. Created about 1948, the scene unfolds through a series of overlapping planes that defy traditional spatial logic. A vertical element, resembling a pole or a staff, dominates the left side of the frame, anchoring a composition that feels both dynamic and deeply disorienting. There is no clear sense of foreground or background;…
In "Broken Objects" by Yasuo Kuniyoshi, we encounter a quiet, fragmented still life created about 1944. The work presents a collection of shattered items resting upon a draped surface. Rather than a traditional arrangement of intact vessels, Kuniyoshi focuses on the aftermath of disruption. The scene captures pieces of pottery and fabric scattered in a way that suggests a sudden, silent breakage. There is a sense of stillness in this…
Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.
Tämän sivun teoksista eniten sisältävät 4 museota.
| Museo | Kaupunki | Yasuo Kuniyoshi teokset | Tämän listan maalaukset |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Strong Woman and Child, Landscape |
 Metropolitan Museum of Art |
New York | 1 | Self-Portrait as a Photographer |
 Artizon Museum |
Tokio | 1 | Dream |
 Art Institute of Chicago |
Chicago | 1 | My Man |
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
In Yasuo Kuniyoshi's People at Roadside, about 1916, a quiet moment unfolds along a dusty path. The scene is horizontally oriented, stretching the viewer's gaze across a landscape that feels both vast and intimate. A group of people gathers by the roadside, caught in a pause of rest. One central figure stands upright, anchoring the group, while others settle into the earth, some seated and others crouching in the dirt.…
A silver vase with a fluted top occupies the center of this 1926 composition, holding a bouquet of red and pink flowers. These blooms appear in various stages of opening, their petals catching the light against a warm beige background. The arrangement rests upon a wooden table, partially draped in a red cloth featuring a subtle pattern. The interplay of light and shadow creates a sense of three-dimensionality, giving the…
In "My Man" by Yasuo Kuniyoshi, a quiet intimacy takes hold as we find ourselves standing behind a couple locked in a deep embrace. These two central figures dominate the foreground, their presence anchoring the viewer's gaze. They look out together toward a vast coastal scene, their backs to us, as if we are sharing a private, stolen moment. The composition draws the eye from this close, emotional connection out…
Still Life (1926). Seuraavina ovat Strong Woman and Child (1925) ja Self-Portrait as a Photographer (1924).
33 vuotta vanha: Still Life on peräisin vuodelta 1926, ja Yasuo Kuniyoshi on syntynyt vuonna 1893.
Still Life, Strong Woman and Child, Self-Portrait as a Photographer, People at Roadside, Dream, Semi Nude, Standing, Self Portrait as a Golf Player, My Man, Exit ja Broken Objects. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Katalogissamme on 27 teosta taiteilijalta Yasuo Kuniyoshi, aikaväliltä 1916–1948.
Pääasiassa Smithsonian American Art Museum (Washington, D.C.), Metropolitan Museum of Art (New York) ja Artizon Museum (Tokio). Yllä oleva museotaulukko listaa ne kaikki.
Aikakaudella 1920s: 14 sivun 21 teoksista on tehty silloin, joista Still Life.
Tällä sivulla vanhin on People at Roadside (1916) ja uusin Exit (1948).
Woman (4), Sky (3) ja Landscape (3), yhteensä 21 teosta tällä sivulla.
Oil On Canvas, 5 teoksesta sivun 21 teoksesta.
Strong Woman and Child ja Landscape: Smithsonian American Art Museum, Washington, D.C. -ssä on 2 tämän sivun teoksista.
