Lyhyesti
Kaikista Woutherus Mol jättämistä alkuperäisteoksista kuuluisin on Sleeping boy (1825), joka kuuluu Teylers Museum -kokoelmaan, Haren. Heti perässä tulevat Portrait of Paulus Joseph Gabriël, Woutherus Mol, c. 1818 (1818) ja Academic Study of a Man and a Woman, Woutherus Mol, 1808 (1808). Katalogissamme on 5 teosta taiteilijalta Woutherus Mol; galleria on säilyttänyt 5 maailman ihailluimmista teoksista, ja jokaisesta on esitetty sen päivämäärä, museo sekä tarina.
Woutherus Mol -taiteilijan 10 parasta maalausta: gallerian valinnat
Portrait of Paulus Joseph Gabriël, Woutherus Mol, c. 1818
Portrait of the sculptor Paul Joseph Gabriel. Standing, half-hand, leaned with the right arm on a table with a stone bust.
Academic Study of a Man and a Woman, Woutherus Mol, 1808
Academy study of a standing naked man and a sitting naked girl or a young man.
Museot, joissa Woutherus Mol'n alkuperäisteokset sijaitsevat
Tämän sivun teoksista eniten sisältävät 2 museota.
| Museo | Kaupunki | Woutherus Mol teokset | Tämän listan maalaukset |
|---|---|---|---|
| Haren | 2 | Sleeping boy, The young artist | |
| Amsterdam | 2 | Portrait of Paulus Joseph Gabriël, Woutherus Mol, c. 1818, Academic Study of a Man and a Woman, Woutherus Mol, 1808 |
Woutherus Mol vuosikymmenittäin: jokaisen aikakauden määrittänyt alkuperäisteos
Teokset vuosikymmenittäin
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
Academic Study of a Man and a Woman, Woutherus Mol, 1808
Academy study of a standing naked man and a sitting naked girl or a young man.
Portrait of Paulus Joseph Gabriël, Woutherus Mol, c. 1818
Portrait of the sculptor Paul Joseph Gabriel. Standing, half-hand, leaned with the right arm on a table with a stone bust.
Keräilijöiden kysymyksiä Woutherus Mol -taiteilijan maalauksista
Mistä teoksesta Woutherus Mol on tunnetuin?Paljasta vastaus
Sleeping boy (1825), Teylers Museum, Haren. Seuraavina ovat Portrait of Paulus Joseph Gabriël, Woutherus Mol, c. 1818 (1818) ja Academic Study of a Man and a Woman, Woutherus Mol, 1808 (1808).
Kuinka vanha Woutherus Mol oli, kun Sleeping boy tehtiin?Paljasta vastaus
40 vuotta vanha: Sleeping boy on peräisin vuodelta 1825, ja Woutherus Mol on syntynyt vuonna 1785.
Kuinka monta maalausta Woutherus Mol jätti jälkeensä?Paljasta vastaus
Katalogissamme on 5 teosta taiteilijalta Woutherus Mol, aikaväliltä 1808–1825.
Missä museoissa Woutherus Mol's mestariteokset sijaitsevat?Paljasta vastaus
Pääasiassa Teylers Museum (Haren) ja Rijksmuseum (Amsterdam). Yllä oleva museotaulukko listaa ne kaikki.
Minä vuosina Woutherus Mol maalasi kuuluisimmat teoksensa?Paljasta vastaus
Aikakaudella 1810s: 2 sivun 5 teoksista on tehty silloin, joista Portrait of Paulus Joseph Gabriël, Woutherus Mol, c. 1818.
Mitkä ovat Woutherus Mol ensimmäinen ja viimeinen tunnettua alkuperäisteosta?Paljasta vastaus
Tällä sivulla vanhin on Academic Study of a Man and a Woman, Woutherus Mol, 1808 (1808) ja uusin Sleeping boy (1825).
Mitä Woutherus Mol -teoksia Teylers Museum -museossa on esillä?Paljasta vastaus
Sleeping boy ja The young artist: Teylers Museum, Haren -ssä on 2 tämän sivun teoksista.
Woutherus Mol: elämä ja tuotanto
Early Life and Training
- Born: March 21, 1785, in Haarlem, Netherlands
- Died: August 30, 1857, in Haarlem, Netherlands
- Woutherus Mol received his initial artistic training under the tutelage of Hermanus van Brussel, a painter from Haarlem. This early guidance laid the foundation for his future career.
- In 1802, he became a member of the "Tekengenootschap Kunstmin en Vlijt," the Haarlem drawing society, demonstrating an early commitment to artistic development and community engagement.
Parisian Period and Academic Influences
- Around 1806, Mol traveled to Paris with his parents' permission, seeking further artistic refinement.
- He studied floral painting under Gerard van Spaendonck at an institute in Paris.
- Recognizing a greater interest in historical paintings, he then studied under Jacques-Louis David, the renowned historical painter.
- In 1807, Mol was awarded the Dutch Prix de Rome and received a scholarship as "Hollandsch Kweekeling" (Hollandic pupil) to study and work in Paris, though he never formally visited Rome.
- His artistic style during this period reflected the influence of classical masters like Raphael, evident in his submission to the Amsterdam art exhibition in 1810 – a painting of the Holy Family after Raphael.
Return to Haarlem and Recognition
- After the restoration of the Netherlands in 1813, Mol returned to Haarlem.
- He focused on studying Dutch masters and gained recognition with his submission "The Death of Prince William I" to the Amsterdam art exhibition in 1818. This work, based on a portrait by Christiaen Jansz van Bieselingen, was highly acclaimed and purchased for a significant sum.
- This success led to him becoming an honorary member of the Royal Academy of Brussels.
Later Career and Decline
- While initially celebrated, Mol's later works were considered less impressive, leading to a decline in public opinion.
- He experienced a nervous breakdown and entered the "Rooms-Katholieke Wees- en armenhuis" (Catholic almshouse) in Haarlem in 1846, where he spent his final years without painting.
- Despite this later period, Woutherus Mol remains significant as an artist who bridged early classical influences with Dutch artistic traditions.
Artistic Style and Legacy
- Mol's work is characterized by a blend of academic training and genre scenes, often depicting interiors and portraits.
- His earlier works demonstrate a strong influence from historical painting masters, while his later pieces reflect a more intimate focus on Dutch life.
- He is remembered for his technical skill and ability to capture the nuances of human expression in his paintings.
- The Teylers Museum in Haarlem holds one of his notable works, "Sleeping Boy," which exemplifies his talent for portraying quiet domestic scenes.