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1 tunnetuinta Wilhelm Haller -maalausta, gallerian valikoima
Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 1 teosta taiteilijalta Wilhelm Haller luettelossamme
Lyhyesti
Kaikista Wilhelm Haller jättämistä alkuperäisteoksista kuuluisin on Mother with Child (1913), joka kuuluu Augustiner Museum -kokoelmaan, Freiburg. Katalogissamme on 1 teosta taiteilijalta Wilhelm Haller; galleria on säilyttänyt 1 maailman ihailluimmista teoksista, ja jokaisesta on esitetty sen päivämäärä, museo sekä tarina.
1873 – 1950, Freiburg im Breisgau
Eniten teoksia: Augustiner Museum
Wilhelm Haller -taiteilijan 10 parasta maalausta: gallerian valinnat
Museot, joissa Wilhelm Haller'n alkuperäisteokset sijaitsevat
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | Wilhelm Haller teokset | Tämän listan maalaukset |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 1 | Mother with Child |
Wilhelm Haller vuosi vuodelta: jokaisen vuoden määrittävät alkuperäisteokset
1913 on jokaisen tässä valikoimassa olevan päivätyn Wilhelm Haller teoksen vuosi: tässä ne ovat, järjestettynä suosion mukaan.
Teokset vuosittain
Valitse vuosi nähdäksesi alkuperäisteokset.
Keräilijöiden kysymyksiä Wilhelm Haller -taiteilijan maalauksista
Mistä teoksesta Wilhelm Haller on tunnetuin?Paljasta vastaus
Mother with Child (1913)
Kuinka vanha Wilhelm Haller oli, kun Mother with Child tehtiin?Paljasta vastaus
40 vuotta vanha: Mother with Child on peräisin vuodelta 1913, ja Wilhelm Haller on syntynyt vuonna 1873.
Kuinka monta maalausta Wilhelm Haller jätti jälkeensä?Paljasta vastaus
Katalogissamme on 1 teosta taiteilijalta Wilhelm Haller.
Missä museoissa Wilhelm Haller's mestariteokset sijaitsevat?Paljasta vastaus
Pääasiassa Augustiner Museum (Freiburg). Yllä oleva museotaulukko listaa ne kaikki.
Wilhelm Haller: elämä ja tuotanto
Early Life and Education in Freiburg
Born on May 28, 1873, in Freiburg im Breisgau, Germany, Wilhelm Haller entered a world where the brush was already a familiar presence. He was the son of Konrad Haller, a man who earned his living as a decorative painter. This early exposure to the craft meant that the language of color and form was part of the household atmosphere from his earliest years. Even as a child and throughout his youth, he found himself deeply preoccupied with the act of painting, a passion that seemed to reside within him long before he sought formal training.
His path through the educational institutions of Freiburg was steady. He attended the local Volksschule before moving on to the Berthold-Gymnasium. It was there, in 1892, that he completed his Abitur. While his academic training suggested a different trajectory, the pull of the visual arts remained a constant, quiet influence on his developing mind.
Following his graduation, Wilhelm Haller enrolled at the University of Freiburg. He initially turned his attention toward the study of political science, pursuing the complexities of statecraft and social structures. However, the academic rigor of the university could not entirely suppress his innate inclination toward art. By 1897, he made the definitive choice to abandon his studies of political science to devote himself entirely to the life of a painter.
Notable Works and Subjects
The artist’s hand often turned toward the intimate and the domestic, capturing the quiet presence of life in a way that felt deeply personal. In 1909, he painted a portrait of a small boy accompanied by a monkey, a work that shows his early engagement with character and companionship. This interest in the human form extended to more tender subjects, such as his 1919 composition titled Mother and Child. Through these studies, he explored the subtle connections between people and the animals that shared their world.
Beyond the human figure, the landscapes of his home region frequently occupied his thoughts. He sought to translate the ruggedness of the terrain onto his supports, whether using oil or tempera. In 1923, he rendered a river landscape featuring a castle perched upon limestone rocks. This fascination with the natural architecture of the land continued into his later years; by 1944, he had produced a view of the Black Forest, capturing the essence of the wooded hills that defined the landscape of his life.