Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 93 teosta taiteilijalta Vilhelm Kyhn luettelossamme
Lyhyesti
I lysthuset (1858) on se Vilhelm Kyhn -maalaus, joka herättää eniten huomiota; alkuperäisteos kuuluu museolle Statens Museum for Kunst, Kööpenhamina. Sen jälkeen katse siirtyy kohteisiin Self-Portrait (1838) ja Fishermen of Hornbæk coming home from catching herring in unruly weather. (1856). Vilhelm Kyhnin 93 teoksemme joukosta nämä 93 ovat kuuluisimpia; jokainen on ainutlaatuinen alkuperäisteos, joka on esitelty vuosiluvun, museon ja sen syyn kera, miksi teos on säilyttänyt suosionsa.
Step into this lush, sun-dappled sanctuary and you are immediately met by the stillness of a mid-19th-century afternoon. In I lysthuset, painted around 1858, we find ourselves within an intimate garden setting, sheltered by a dense canopy of green foliage. The composition is balanced, drawing the eye through a triangular arrangement of figures that suggests a profound sense of generational connection. On the left, a man rests in a wooden…
Lakes in Wooded Landscape near Silkeborg1845 · Statens Museum for Kunst
12
Lysning i Nordskoven ved Jægerspris1847 · Statens Museum for Kunst
13
Landscape near the Forest Nordskoven, Jægerspris, Zealand1848 · Statens Museum for Kunst
14
A Rocky Coast. Rø, Bornholm1843 · Statens Museum for Kunst
15
Numerous ships in the Sound and a coastal landscape in the background.1847
16
Landscape with Oaks1848 · Nationalmuseum
17
Evening after a Thaw. Taarbæk, North of Copenhagen1850 · Statens Museum for Kunst
18
Winter Night in a Forest1853 · Statens Museum for Kunst
19
The Meadow near the Artist's House at Farimagsvej outside Copenhagen1855 · Statens Museum for Kunst
20
Udsigt over Vejle Fjord1854 · Statens Museum for Kunst
21
Juniaften. Landskab ved Rørvig1850 · Statens Museum for Kunst
22
Savoy Landscape. Women Washing Clothes in the River1850 · Statens Museum for Kunst
23
View of Roskilde Fjord near Frederikssund, Zealand1849 · Statens Museum for Kunst
24
Bag kunstnerens have på Farimagsvej ved St. Jørgens Sø1852 · Statens Museum for Kunst
25
Nordsjællandsk landskab. Eftermiddagsbelysning1849 · Statens Museum for Kunst
26
A Stretch of Coast near Frederiksund. Sketch1849 · Statens Museum for Kunst
27
Hornbæk Strand in the North of Sealand1855 · Statens Museum for Kunst
28
Ice Pack near Taarbæk, North of Copenhagen1853 · Statens Museum for Kunst
29
View from Capri.1851
30
Young Boy Seated on a Wall Overlooking Capri1850
31
Late Autumn Afternoon. Motif from Horneland Near Faaborg1863
32
Evening Atmosphere1861
33
Vejle Eng. Eftermiddag1861 · Statens Museum for Kunst
34
After Sunset in the Outskirts of a Village1863 · Statens Museum for Kunst
35
Marklandskab med en bro1858 · Statens Museum for Kunst
36
Landskab med en fiskende dreng ved en bæk1861 · Statens Museum for Kunst
37
Sailing Boats in Guldborg Sound1861 · Statens Museum for Kunst
38
Bjerglide i nærheden af Horsens. Eftermiddag1858 · Statens Museum for Kunst
39
Sommerlandskab. Horneland ved Fåborg1863 · Statens Museum for Kunst
40
Coastal view with large stones.1863
41
Sen eftermiddag ved Rössjön i Skåne1866 · Statens Museum for Kunst
42
En sommerdag. Motiv fra Horneland ved Fåborg1869 · Statens Museum for Kunst
43
The Fiord at Hadsund, Jutland. Cloudy Weather1867 · Statens Museum for Kunst
44
Study of Evening Sky and Trees1868 · Statens Museum for Kunst
45
Woodland Lake1868 · Statens Museum for Kunst
46
Junidag ved Rørvig1868 · Statens Museum for Kunst
47
Landskab ved Hald henimod aften1867 · Statens Museum for Kunst
48
Dollerup Hills near Hald1869 · Statens Museum for Kunst
49
Sunrise at the coast of Moesgaard, Aarhus.1871
50
Landscape with haystacks.1870
51
Landscape near Ry at sunset.1871
52
Landscape1870
53
Autumn landscape with hills.1870
54
Evening landscape with sheds and trees.1870
55
Danish landscape in Summer.1870
56
Landscape from Bisholt at Horsens.1870
57
Boats in an inlet.1870
58
Garden view with logs, a fence and a tree.1870
59
View of Ellekrat in Rold Forest.1870
60
A brisk wind. Scene from South Funen.1865
61
A mountain landscape.1870
62
Summer landscape with cows grazing and an avenue.1870
63
View of Roskilde fjord, Denmark.1870
64
A seascape in calm weather.1870
65
The Lakes at Laven near Silkeborg1875 · Statens Museum for Kunst
66
Summer Evening near Ry1873 · Statens Museum for Kunst
67
The Beach at Kandestederne, West Jutland1877 · Statens Museum for Kunst
68
A Winter's Evening by a Danish Fiord1875 · Statens Museum for Kunst
69
Late Evening near Himmelbjerget, Jutland1874 · Statens Museum for Kunst
70
Klipper ved Rø. Bornholm1872 · Statens Museum for Kunst
71
Hilly landscape with a man resting.1872
72
Two boys at a pond on a summer day.1876
73
A summer day at Hellebæk with a view of the house of the Puggaard family.1878
74
Sunset over the sea.1872
75
View from Bornholm1878 · Nationalmuseum
76
Ved Rye mølle1881 · National Museum of Art, Architecture and Design
77
Summer Meadow1880
78
Sjællands nordkyst med udsigt til Kronborg1880 · Statens Museum for Kunst
79
Danish landscape in Summer.1880
80
Danish landscape in Summer.1882
81
Landscape near Knudsø, Ry Station.1879
82
Regnvejr i bondegården1891 · Statens Museum for Kunst
83
Sommeraften i høsttiden1886 · Statens Museum for Kunst
84
Autumn at the mansion Ausumgaard.1888
85
A view of Isefjorden.1888
86
A summer afternoon. View from the vicinity of Rørvig.1890
87
Gathering Storm Near Ry1896
88
Sommerdag ved Bisholt1897 · Statens Museum for Kunst
89
Landskab nær Åkjær lige efter solnedgang1894 · Statens Museum for Kunst
90
A landscape from Jutland at Knudsø.1896
91
Wild roses.1896
92
People strolling through a summer landscape as evening falls.1893
93
Danish landscapeNational Museum of Art, Architecture and Design
Tämän sivun teoksista eniten sisältävät 4 museota.
| Museo | Kaupunki | Vilhelm Kyhn teokset | Tämän listan maalaukset |
|---|---|---|---|
 Statens Museum for Kunst |
Kööpenhamina | 45 | I lysthuset, Self-Portrait, Læsende dame uden for en havedør |
 National Museum of Art, Architecture and Design |
Oslo | 3 | Painting, Ved Rye mølle, Danish landscape |
 Ribe Kunstmuseum |
Esbjerg | 2 | Three Ladies in a Garden, Zealandish Landscape, evening |
 Nationalmuseum |
Tukholma | 2 | Landscape with Oaks, View from Bornholm |
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
Step into this lush, sun-dappled sanctuary and you are immediately met by the stillness of a mid-19th-century afternoon. In I lysthuset, painted around 1858, we find ourselves within an intimate garden setting, sheltered by a dense canopy of green foliage. The composition is balanced, drawing the eye through a triangular arrangement of figures that suggests a profound sense of generational connection. On the left, a man rests in a wooden…
I lysthuset (1858), Statens Museum for Kunst, Kööpenhamina. Seuraavina ovat Self-Portrait (1838) ja Fishermen of Hornbæk coming home from catching herring in unruly weather. (1856).
39 vuotta vanha: I lysthuset on peräisin vuodelta 1858, ja Vilhelm Kyhn on syntynyt vuonna 1819.
I lysthuset, Self-Portrait, Fishermen of Hornbæk coming home from catching herring in unruly weather., Læsende dame uden for en havedør, A boy standing at a river with cows in the background., A model, sitting., Painting, The Parsonage in Greve, Three Ladies in a Garden ja Zealandish Landscape, evening. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Katalogissamme on 93 teosta taiteilijalta Vilhelm Kyhn, aikaväliltä 1838–1897.
Pääasiassa Statens Museum for Kunst (Kööpenhamina), National Museum of Art, Architecture and Design (Oslo) ja Ribe Kunstmuseum (Esbjerg). Yllä oleva museotaulukko listaa ne kaikki.
Aikakaudella 1870s: 32 sivun 93 teoksista on tehty silloin, joista A boy standing at a river with cows in the background..
Tällä sivulla vanhin on Self-Portrait (1838) ja uusin Sommerdag ved Bisholt (1897).
I lysthuset, Self-Portrait ja Læsende dame uden for en havedør: Statens Museum for Kunst, Kööpenhamina -ssä on 45 tämän sivun teoksista.
Peter Vilhelm Carl Kyhn was born in Copenhagen to Carl Gottlieb Kyhn and Sara Marie. His father initially discouraged his artistic aspirations, leading him to first train in a business office. As a compromise, he was allowed to study with copperplate engraver Georg Hoffmann, where he learned techniques useful for later etching work.
In 1836, Kyhn began training at the Royal Danish Academy of Fine Arts. He progressed through various schools within the academy, including plaster model painting and model painting. His instructors, Christoffer Wilhelm Eckersberg and J. L. Lund, instilled in him a classical foundation. Niels Lauritz Høyen, another influential teacher and art critic, encouraged the development of a unique Danish artistic identity. N. F. S. Grundtvig’s ideas also inspired Kyhn's turn towards national romanticism.
Kyhn initially pursued figure drawing but ultimately dedicated himself to landscape painting, which was gaining prominence in Danish art at the time. His first exhibited landscape, "Et bornholmsk strandparti" ("A view of the beach on Bornholm"), purchased by the Danish Royal Painting Collection, demonstrated his emerging talent.
Kyhn’s work became associated with the national romantic movement, which emphasized themes of Danish identity and nature. He received a travel stipend in 1848, though he delayed his travels due to political upheaval. His journeys through the Netherlands, Belgium, Paris, and Italy (1850-1851) influenced his style but did not result in extensive landscape paintings from those regions.
Kyhn played a significant role in art education, teaching at both the School of Drawing and the School of Painting from the 1850s. He became a member of the Royal Danish Academy in 1870.
He is remembered for his contribution to establishing a distinctively Danish style of landscape painting and for fostering a new generation of artists through his teaching.
