Masaccio muotokuva

The 97 Most Famous Masaccio Paintings, Each One of a Kind

Päivitetty lokakuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 97 teosta taiteilijalta Masaccio luettelossamme

In short

Pyhä kolminaisuus (1428) is the Masaccio painting that draws the most eyes. After it, the eye goes to Veronmaksu (1425) and Karkotus paratiisista (1426). Among the 97 works of Masaccio in our catalog, these 97 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1401 – 1428, San Giovanni Valdarno Varhaisrenessanssi Eniten teoksia: Santa Maria del Carmine

Top 10 paintings by Masaccio, through the gallery's eye

1
Pyhä kolminaisuus (1428) tekijä Masaccio

Pyhä kolminaisuus

1428 · Fresko

Pyhä kolminaisuus Masaccion fresko on mestariteos, joka merkitsi Italian renessanssin alkua. Vuonna 1425 valmistunut teos on yksi varhaisen renessanssin merkittävimmistä taideteoksista, ja se lepää yhä arvokkaasti Firenzessä, Santa Maria Novella -kirkon seinillä. Taiteelliset innovaatiot Masaccion Pyhä kolminaisuus oli mullistava teos, joka toi mukanaan useita taiteellisia innovaatioita. Se on yksi ensimmäisistä monumentaalisista renessanssimaalauksista, joka hyödyntää lineaarista perspektiiviä, luoden katsojalle syvyyden ja tilan tuntua. Chiaroscuro- ja sfumato-tekniikoiden käyttö tuo hahmoihin volyymia ja…

2
Veronmaksu (1425) tekijä Masaccio

Veronmaksu

1425 · Fresko

Kohtaus avautuu Firenzessä, Santa Maria del Carminen basilikan Brancacci-kappelissa. Täällä fresko nimeltä Veronmaksu, jonka on tehnyt Masaccio, herättää raamatullisen kertomuksen eloon kappelin seinillä. Felice Brancaccin tilaama teos muodostaa merkittävän osan laajempaa, Pyhän Pietarin elämään omistettua freskoryhmää. Kappelin ilmassa tuntuu lepäävän tämän pyhän historian paino, kun hahmot liikkuvat läpi syvällisen merkityksellisen hetken.

3
Karkotus paratiisista (1426) tekijä Masaccio

Karkotus paratiisista

1426 · Fresko

Firenzessä, Italiassa, Santa Maria del Carminen kirkon Brancacci-kappelissa, vallitseva raskas hiljaisuus kantaa mukanaan syvän tragedian painoa. Täällä seinät hengittävät Karkotus paratiisista -teoksen tarinaa, joka on noin vuonna 1425 fresko -maalauksen Masaccio. Ilma tuntuu tiivistyvän hahmojen ympärillä, kun he kohtaavat äkillisen ja peruuttamattoman poistumisensa paratiisista. Tämä kohtaus merkitsee laajemman kertomuksen alkua, toimien ensimmäisenä freskona sarjassa, joka on omistettu Pyhän Pietarin elämälle.

4
Ritarin rahat (detail) tekijä Masaccio

Ritarin rahat (detail)

Fresko

Tämä lumoava yksityiskohta on peräisin Masaccon uraauurtavasta freskosta ”Tributtimäärä”, joka on keskeinen teos Firenzen Brancacci-kirkossa. Noin vuonna 1426 valmistunut työ edustaa käännekohtaa länsimaisessa taiteessa, siirtyen goottilaisen aikakauden tyylitellyistä konventioista kohti uutta naturalismin ja humanistisen ilmaisun aikakautta.

5
Predella panel from the Pisa Altar (1426) tekijä Masaccio

Predella panel from the Pisa Altar

1426 · Oil On Panel · Staatliche Museen zu Berlin, Berliini

To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426, this work captures Masaccio at the zenith of his revolutionary power. It is not merely a depiction of the Crucifixion; it is a profound meditation on sacrifice, community, and the weight of divine narrative rendered with startling immediacy. The composition draws the…

6
The Madonna of Humility (1424) tekijä Masaccio

The Madonna of Humility

1424 · Tempera On Panel

In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…

7
Trinity (detail) (1425) tekijä Masaccio

Trinity (detail)

1425 · Fresco · Santa Maria Novella, Firenze

The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene, identified by the traditional iconography of her long hair and a head covering. She possesses a contemplative expression, directing her gaze slightly downwards toward an object held in her right hand, which may be interpreted as a symbol of faith or devotion.

8
Two panels from the Pisa Altarpiece (1426) tekijä Masaccio

Two panels from the Pisa Altarpiece

1426 · Tempera On Panel · Staatliche Museen zu Berlin, Berliini

In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed in 1426, these panels are far more than mere fragments of a lost polyptych; they are windows into a transformative moment when the rigid conventions of the Gothic period began to dissolve, giving way to the profound humanism of the Early Italian…

9
Trinity (1425) tekijä Masaccio

Trinity

1425 · Fresco · Santa Maria Novella, Firenze

To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of the Renaissance. Painted between 1425 and 1427 within the hallowed walls of Santa Maria Novella in Florence, this fresco does not merely depict a religious scene; it carves a hole in the very wall of the chapel, inviting the viewer to step…

10
Trinity (detail) (1425) tekijä Masaccio

Trinity (detail)

1425 · Acrylic On Canvas · Santa Maria Novella, Firenze

Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring the arrival of the High Renaissance. Painted between 1425 and 1427, this intimate section captures the essence of Masaccio’s revolutionary approach to depicting reality, a departure from the stylized elegance of the preceding Gothic era and a profound influence on generations of…

Masaccio's famous paintings, numbers 11 to 97

11Cappella Brancacci (ennen kunnostusta) (1426) tekijä MasaccioCappella Brancacci (ennen kunnostusta)1426 · Santa Maria del Carmine 12Trinity (scheme of the perspective) (1425) tekijä MasaccioTrinity (scheme of the perspective)1425 · Santa Maria Novella 13Raising of the Son of Theophilus and St Peter Enthroned (detail) (1426) tekijä MasaccioRaising of the Son of Theophilus and St Peter Enthroned (detail)1426 14St Peter Healing the Sick with his Shadow (detail) (1426) tekijä MasaccioSt Peter Healing the Sick with his Shadow (detail)1426 15Fresko Cappella Brancacci (oikea näköala) (1426) tekijä MasaccioFresko Cappella Brancacci (oikea näköala)1426 · Santa Maria del Carmine 16Madonna Casini (1426) tekijä MasaccioMadonna Casini1426 17Adam and Eve banished from Paradise (1427) tekijä MasaccioAdam and Eve banished from Paradise1427 18The Distribution of Alms and the Death of Ananias (detail) (1426) tekijä MasaccioThe Distribution of Alms and the Death of Ananias (detail)1426 19Freskojen Cappella Brancacci vasemmalla näkymä (1426) tekijä MasaccioFreskojen Cappella Brancacci vasemmalla näkymä1426 · Santa Maria del Carmine 20Baptism of the Neophytes (1427) tekijä MasaccioBaptism of the Neophytes1427 21Christ in the Garden of Gethsemane (detail) (1424) tekijä MasaccioChrist in the Garden of Gethsemane (detail)1424 · Lindenau-Museum 22Crucifixion (1426) tekijä MasaccioCrucifixion1426 · Museo di Capodimonte 23Tribute Money (detail) (1426) tekijä MasaccioTribute Money (detail)1426 24The Agony in the Garden (1426) tekijä MasaccioThe Agony in the Garden1426 25St Peter Healing the Sick with his Shadow (detail) (1426) tekijä MasaccioSt Peter Healing the Sick with his Shadow (detail)1426 26St. Juvenal Triptych (1422) tekijä MasaccioSt. Juvenal Triptych1422 27Maria and Child (1426) tekijä MasaccioMaria and Child1426 28Tribute Money (detail) (1426) tekijä MasaccioTribute Money (detail)1426 29The Expulsion from the Garden of Eden (detail) (1426) tekijä MasaccioThe Expulsion from the Garden of Eden (detail)1426 30Birth tray (1428) tekijä MasaccioBirth tray1428 31The Baptism of the Neophytes (1426) tekijä MasaccioThe Baptism of the Neophytes1426 32Raising of the Son of Theophilus and St Peter Enthroned (1426) tekijä MasaccioRaising of the Son of Theophilus and St Peter Enthroned1426 33The Distribution of Alms and the Death of Ananias (detail) (1426) tekijä MasaccioThe Distribution of Alms and the Death of Ananias (detail)1426 34Adoration of the Knigs (1428) tekijä MasaccioAdoration of the Knigs1428 35Tribute Money (detail) (1426) tekijä MasaccioTribute Money (detail)1426 36Tribute Money (1426) tekijä MasaccioTribute Money1426 37The Expulsion from the Garden of Eden (1426) tekijä MasaccioThe Expulsion from the Garden of Eden1426 38Tribute Money (detail) (1426) tekijä MasaccioTribute Money (detail)1426 39Raising of the Son of Theophilus and St Peter Enthroned (detail) (9) (1426) tekijä MasaccioRaising of the Son of Theophilus and St Peter Enthroned (detail) (9)1426 40San Giovenale Triptych. Right panel. (1422) tekijä MasaccioSan Giovenale Triptych. Right panel.1422 41Crucifixion (1426) tekijä MasaccioCrucifixion1426 42Raising of the Son of Theophilus and St Peter Enthroned (detail) (1426) tekijä MasaccioRaising of the Son of Theophilus and St Peter Enthroned (detail)1426 43Raising of the Son of Theophilus and St Peter Enthroned (detail) (1426) tekijä MasaccioRaising of the Son of Theophilus and St Peter Enthroned (detail)1426 44The Raising of the Son of Theophilus and St Peter Enthroned (detail) (1426) tekijä MasaccioThe Raising of the Son of Theophilus and St Peter Enthroned (detail)1426 45Raising of the Son of Theophilus and St Peter Enthroned (detail) (1426) tekijä MasaccioRaising of the Son of Theophilus and St Peter Enthroned (detail)1426 46Christ in the Garden of Gethsemane (detail) (1424) tekijä MasaccioChrist in the Garden of Gethsemane (detail)1424 · Lindenau-Museum 47San Giovenale Triptych. Central panel (1423) tekijä MasaccioSan Giovenale Triptych. Central panel1423 48Distribution of Alms and Death of Ananias (1425) tekijä MasaccioDistribution of Alms and Death of Ananias1425 49Profile Portrait of a Young Man tekijä MasaccioProfile Portrait of a Young Man 50Profile Portrait of a Young Man (1425) tekijä MasaccioProfile Portrait of a Young Man1425 · National Gallery of Art 51Rendering of the Tribute Money tekijä MasaccioRendering of the Tribute Money 52Distribution of the Goods of the Community and the Death of Ananias (detail) tekijä MasaccioDistribution of the Goods of the Community and the Death of Ananias (detail) 53St. Giovenale Triptych tekijä MasaccioSt. Giovenale Triptych 54The Expulsion from Paradise tekijä MasaccioThe Expulsion from Paradise 55The Adoration of the Magi tekijä MasaccioThe Adoration of the Magi 56St. Peter Baptizing the Neophytes tekijä MasaccioSt. Peter Baptizing the Neophytes 57Birth Salver tekijä MasaccioBirth Salver 58Medallion tekijä MasaccioMedallion 59Madonna and Child tekijä MasaccioMadonna and Child 60Madonna Enthroned tekijä MasaccioMadonna Enthroned 61St Jerome and St John the Baptist tekijä MasaccioSt Jerome and St John the Baptist 62Christ in the Garden of Gethsemane (1424) tekijä MasaccioChrist in the Garden of Gethsemane1424 · Lindenau-Museum 63San Giovenale Triptych. Left panel (1422) tekijä MasaccioSan Giovenale Triptych. Left panel1422 64Portrait of a Young Woman (1425) tekijä MasaccioPortrait of a Young Woman1425 65Distribution of the Goods of the Community and the Death of Ananias tekijä MasaccioDistribution of the Goods of the Community and the Death of Ananias 66The Holy Trinity with the Virgin, St. John and Two Donors tekijä MasaccioThe Holy Trinity with the Virgin, St. John and Two Donors 67The Cricifixion of St. Peter. The Beheading of St. John the Baptist tekijä MasaccioThe Cricifixion of St. Peter. The Beheading of St. John the Baptist 68La Consagración tekijä MasaccioLa Consagración 69Crucifixion tekijä MasaccioCrucifixion 70St Jerome and St John the Baptist 1 tekijä MasaccioSt Jerome and St John the Baptist 1 71The Madonna and Child with Saint Anne tekijä MasaccioThe Madonna and Child with Saint Anne 72Two panels from the Pisa Altarpiece tekijä MasaccioTwo panels from the Pisa Altarpiece 73Portrait of a young man tekijä MasaccioPortrait of a young manIsabella Stewart Gardner Museum 74View of the Cappella Brancacci (after restoration) tekijä MasaccioView of the Cappella Brancacci (after restoration) 75Putto and a Small Dog (back side of the Berlin Tondo) tekijä MasaccioPutto and a Small Dog (back side of the Berlin Tondo) 76The Madonna and Child with st.Anna. (1424) tekijä MasaccioThe Madonna and Child with st.Anna.1424 77Plate of Nativity (Berlin Tondo) (1427) tekijä MasaccioPlate of Nativity (Berlin Tondo)1427 · Staatliche Museen zu Berlin 78Madonna with Child and Angels (1426) tekijä MasaccioMadonna with Child and Angels1426 · National Gallery 79The Distribution of Alms and the Death of Ananias (1426) tekijä MasaccioThe Distribution of Alms and the Death of Ananias1426 · Santa Maria del Carmine 80St Peter Healing the Sick with his Shadow (1426) tekijä MasaccioSt Peter Healing the Sick with his Shadow1426 · Santa Maria del Carmine 81San Giovenale Triptych (1422) tekijä MasaccioSan Giovenale Triptych1422 82Raising of the Son of Teophilus and St.Peter Enthroned (1427) tekijä MasaccioRaising of the Son of Teophilus and St.Peter Enthroned1427 · Santa Maria del Carmine 83St Paul (1426) tekijä MasaccioSt Paul1426 · Museo Nazionale di San Matteo 84Carnesecchi Triptych (1423) tekijä MasaccioCarnesecchi Triptych1423 85Adoration of the Magi (1426) tekijä MasaccioAdoration of the Magi1426 · Staatliche Museen zu Berlin 86Martyrdom of San Giovanni Battista (1426) tekijä MasaccioMartyrdom of San Giovanni Battista1426 · Gemäldegalerie 87Predella panel from the Pisa Altar (1426) tekijä MasaccioPredella panel from the Pisa Altar1426 · Staatliche Museen zu Berlin 88A Bearded Carmelite Saint (1426) tekijä MasaccioA Bearded Carmelite Saint1426 · Gemäldegalerie 89Madonna Casini (1426) tekijä MasaccioMadonna Casini1426 90Madonna of Humility (1420) tekijä MasaccioMadonna of Humility1420 · National Gallery of Art 91Repentance of Saint Peter (1425) tekijä MasaccioRepentance of Saint Peter1425 · Santa Maria del Carmine 92San Agustín tekijä MasaccioSan AgustínGemäldegalerie 93St. Andrew (1426) tekijä MasaccioSt. Andrew1426 · J. Paul Getty Museum 94Carmelita tekijä MasaccioCarmelitaGemäldegalerie 95St. Jerome tekijä MasaccioSt. JeromeGemäldegalerie 96St.Girolamo end Giovanni Battista (1428) tekijä MasaccioSt.Girolamo end Giovanni Battista1428 · National Gallery 97Crucifixion of St Peter (1426) tekijä MasaccioCrucifixion of St Peter1426 · Staatliche Museen zu Berlin

Masaccio's famous paintings, period by period

The subjects that held Masaccio's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Masaccio's originals

Tämän sivun teoksista eniten sisältävät 8 museota.

Museo Kaupunki Masaccio teokset Tämän listan maalaukset
Santa Maria del Carmine, FirenzeSanta Maria del Carmine Firenze 7 Cappella Brancacci (ennen kunnostusta), Fresko Cappella Brancacci (oikea näköala), Freskojen Cappella Brancacci vasemmalla näkymä
Staatliche Museen zu Berlin, BerliiniStaatliche Museen zu Berlin Berliini 6 Predella panel from the Pisa Altar, Two panels from the Pisa Altarpiece, Plate of Nativity (Berlin Tondo)
Gemäldegalerie, BerliiniGemäldegalerie Berliini 5 Martyrdom of San Giovanni Battista, A Bearded Carmelite Saint, San Agustín
Santa Maria Novella, FirenzeSanta Maria Novella Firenze 4 Trinity (detail), Trinity, Trinity (detail)
Lindenau-Museum, AltengauLindenau-Museum Altengau 3 Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane
National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Profile Portrait of a Young Man, Madonna of Humility
National Gallery, LontooNational Gallery Lontoo 2 Madonna with Child and Angels, St.Girolamo end Giovanni Battista
Museo di Capodimonte, NapoliMuseo di Capodimonte Napoli 1 Crucifixion

Masaccio across the years: the unique originals of each

Masaccio's dated originals shown here fit into about ten years, 1420 to 1428: the eye follows them year by year.

Teokset vuosittain

Pick a year to see its originals.

Masaccio's paintings: questions for the gallery

What is the single most famous work of Masaccio?Reveal the answer

Pyhä kolminaisuus (1428). Veronmaksu (1425) and Karkotus paratiisista (1426) come next.

At what age did Masaccio create Pyhä kolminaisuus?Reveal the answer

27 years old: Pyhä kolminaisuus dates from 1428, and Masaccio was born in 1401.

Which ten paintings by Masaccio are the most famous?Reveal the answer

Pyhä kolminaisuus, Veronmaksu, Karkotus paratiisista, Ritarin rahat (detail), Predella panel from the Pisa Altar, The Madonna of Humility, Trinity (detail), Two panels from the Pisa Altarpiece, Trinity ja Trinity (detail). The ranking above gives each one's year and museum.

How many works by Masaccio are known?Reveal the answer

Our catalog holds 97 works by Masaccio, dated from 1420 to 1428.

Where can the most famous Masaccio originals be seen?Reveal the answer

Mostly in Santa Maria del Carmine (Firenze), Staatliche Museen zu Berlin (Berliini) ja Gemäldegalerie (Berliini). The museum table above lists them all.

During which period did Masaccio create the best-known paintings?Reveal the answer

In 1426: 41 of the 97 works on this page were made then, Karkotus paratiisista among them.

Which famous Masaccio painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Madonna of Humility (1420) and the latest Pyhä kolminaisuus (1428).

What subjects did Masaccio favour?Reveal the answer

Saints (30), Religious (25) ja Renaissance (16), across the 97 works on this page.

What materials did Masaccio paint with most?Reveal the answer

Tempera On Panel, for 6 of the 97 works on this page.

Which movement does the work of Masaccio belong to?Reveal the answer

Varhaisrenessanssi, judging by the originals on this page.

What Masaccio originals can I see at the Santa Maria del Carmine?Reveal the answer

Cappella Brancacci (ennen kunnostusta), Fresko Cappella Brancacci (oikea näköala) ja Freskojen Cappella Brancacci vasemmalla näkymä: the Santa Maria del Carmine, Firenze holds 7 of the works on this page.

Where can I order a hand-painted Masaccio reproduction?Reveal the answer

Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.

Masaccio: a portrait of the artist

Masaccio (1401-1428): The Dawn of Renaissance Realism

Tommaso di Ser Giovanni di Simone Cassai, better known as Masaccio (meaning "clumsy Tom"), was a pivotal figure in the Early Italian Renaissance. Born on December 21, 1401, in San Giovanni Valdarno, Italy, and dying tragically young in 1428, his brief career revolutionized painting with groundbreaking realism, perspective, and chiaroscuro (the use of strong contrasts between light and dark). Despite his short life, Masaccio’s impact on subsequent generations of artists was profound, establishing a new standard for naturalism and influencing the course of Western art.

Early Life and Training

Masaccio's origins were humble; he descended from Ser Giovanni di Mone Cassai, a notary, and Jacopa di Martinozzo di Dino. His family name, Cassai, derived from his paternal grandfather’s trade as a cabinet maker – a craft that would subtly inform Masaccio’s meticulous attention to detail in his artwork. Orphaned at age five when his father succumbed to illness, Masaccio was cared for by his brother Giovanni (Lo Scheggia), who also pursued a vocation in art. The specifics of Masaccio's artistic training remain shrouded in mystery – an unusual circumstance considering the prevailing practices of Renaissance artists. Scholars believe he likely apprenticed around the age of 12, but definitive documentation regarding his master has proven elusive. This lack of verifiable mentorship contributes to the enduring fascination surrounding his rapid ascent to mastery and the astonishing innovation of his techniques. He joined the painters’ guild (Arte de’ Medici e Speziali) in Florence on January 7, 1422, marking his emergence as an independent artist and signaling a decisive step away from the patronage system that dominated artistic life at the time.

Artistic Development and Major Works

Masaccio's artistic journey began under the influence of Giotto di Bondone – a predecessor who championed naturalism and imbued his frescoes with palpable emotion. However, Masaccio swiftly surpassed Giotto’s achievements in mastering perspective and anatomical accuracy. He was particularly captivated by Filippo Brunelleschi’s rediscovery of linear perspective, recognizing its transformative potential for representing three-dimensional space on a flat surface. This intellectual breakthrough fueled his artistic experimentation and propelled him to develop techniques that would redefine the visual language of painting. Masaccio pioneered several groundbreaking innovations:
  • Linear Perspective: Employed vanishing points with mathematical precision to create an illusion of depth, fundamentally altering how artists depicted reality.
  • Chiaroscuro: Masterfully utilized light and shadow to sculpt forms, generating a sense of volume and realism previously unattainable in Medieval art.
  • Naturalism: Depicted figures with anatomical detail and expressive gestures, mirroring the humanist ideals that were gaining traction during his time – a departure from stylized representations prevalent earlier in the century.
His most celebrated achievements reside within the Brancacci Chapel frescoes in Santa Maria del Carmine, Florence. Commissioned by Giovanni Tornabuoni, these monumental paintings—including “The Tribute Money,” “Expulsion from Paradise,” and “St. Peter Baptizing the Neophytes”—represent a pinnacle of Early Renaissance artistry. Masaccio’s masterful use of perspective, combined with his profound understanding of human psychology, elevates these scenes beyond mere narrative illustration; they convey emotion and spiritual contemplation with unparalleled effectiveness. Furthermore, "The Trinity," completed in collaboration with Masolino, exemplifies Masaccio's innovative approach to spatial organization and color harmony—a testament to his enduring influence on subsequent generations of painters.

Historical Significance and Legacy

Masaccio’s legacy extends far beyond the confines of Florence and the Brancacci Chapel. Giorgio Vasari, a prominent Renaissance biographer, eloquently captured Masaccio’s genius, proclaiming him “the best painter of his generation” due to his unwavering commitment to imitating nature and conveying human emotion with breathtaking realism. His groundbreaking techniques irrevocably altered artistic conventions, establishing a new standard for naturalism that resonated throughout Europe. He served as an inspiration for artists like Leonardo da Vinci and Michelangelo—who diligently studied Masaccio’s frescoes—and cemented his place as one of the foundational figures of Western art history. Despite his untimely demise at the age of 26 – circumstances surrounding which remain obscure – Masaccio's brief but brilliant life ensured that his artistic innovations would endure for centuries to come, shaping the trajectory of Renaissance painting and profoundly impacting the visual culture of Europe.

Kaikki 97 teosta taiteilijalta Masaccio →