Päivitetty lokakuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 37 teosta taiteilijalta Jean Ranc luettelossamme
Lyhyesti
A Grap-Picker Woman - Portrait of a Lady as Pomona (1715) on se Jean Ranc -maalaus, joka herättää eniten huomiota; alkuperäisteos kuuluu museolle Nationalmuseum, Tukholma. Sen jälkeen katse siirtyy kohteisiin Portrait d'Anne Melon (1685 - 1727) (1702) ja Portrait of Louise Élisabeth d'Orléans, Queen of Spain (1709-1742) (1724). Jean Rancin 37 teoksemme joukosta nämä 37 ovat kuuluisimpia; jokainen on ainutlaatuinen alkuperäisteos, joka on esitelty vuosiluvun, museon ja sen syyn kera, miksi teos on säilyttänyt suosionsa.
An orange gown catches the light, a sudden burst of warmth against the deepening blue of a twilight sky. The woman sits with a quiet, heavy grace, her skin pale as porcelain under the soft, directional glow. She is Pomona, the goddess of fruit, yet she feels grounded in the tactile reality of the harvest. A white silk headpiece rests near her face, a sharp point of light that draws…
In this three-quarter length portrait from 1702, we encounter Anne Melon, a woman whose poise reflects the quiet dignity of the French aristocracy. She is positioned slightly off-center, a choice that lends a subtle sense of movement to her otherwise composed stance. The light, descending from the upper left, carves her features with a soft precision, casting shadows that give her form a tangible, three-dimensional weight. There is a certain…
The air feels heavy with the scent of old velvet and the quiet stillness of a twilight sky. Louise Élisabeth d'Orléans stands before us, a figure of immense dignity caught in a moment of poised repose. She is draped in a gown that seems to hold the very essence of light, its heavy folds cascading around her in a display of sheer opulence. The fabric, a deep and tactile velvet,…
A heavy cobalt blue velvet falls in deep, sculptural folds around the figure of Joseph Bonnier de la Mosson. The fabric catches a sharp light from the upper left, turning the ridges of the cloth into luminous streaks of blue against the dark shadows of the background. He sits with a quiet, commanding presence, his right hand extended in a gesture of presentation or command. A large, powdered periwig frames…
The portrait titled Cardinal-Infante Luis as a Boy captures a moment of youthful nobility through the eyes of the French painter Jean Ranc. Created around 1731, the work presents a young nobleman who is known as Cardinal-Infante Luis Antonio de Borbón. He gazes out from his position within the frame, a figure of high status even in his childhood. The painting holds the viewer in a quiet, formal encounter with…
This oil on canvas portrait, executed in 1723, depicts Elisabeth Farnese, Queen of Spain. The subject is presented in a full-length vertical composition, centered within the frame to establish a sense of stability and importance. She is dressed in a voluminous crimson and deep pink velvet gown, accented with white ermine fur trim and delicate lace. The attire is further detailed with gold embroidery, blue jewels, and light blue ribbons.
This oil on canvas portrait, titled Joseph I of Portugal, was executed by the French painter Jean Ranc in 1729. The work captures the likeness of a young man who would eventually ascend to the throne, though at the time of this sitting, his status was defined by his position as the Prince of Brazil and the future King of Portugal. It is a formal representation of the Infant Joseph,…
The Portrait of Prince Louis of Spain is a formal oil on canvas painted by Jean Ranc in 1723. The subject is captured in a three-quarter length view, draped in the heavy weight of royal and military regalia. A steel cuirass catches the light, resting against the soft textures of lace and velvet. He holds a baton, a singular line of authority held against the dark, quiet space of the…
In this 1731 portrait, we find the young Maria Antonia of Spain seated with a poise that belies her years. The composition is centered on the child, arranged in a slight diagonal that lends a sense of movement to the scene. She is draped in a heavy satin cloak of deep, saturated blue, which contrasts against the warm pinks and golds of the ornate settee. Her skin is rendered with…
Philip V, King of Spain, by Jean Ranc, was completed in 1723. The oil on canvas portrait captures the Spanish monarch alongside his family, presenting a formal record of the Bourbon dynasty during the early eighteenth century. The work is currently held in the Museo del Prado.
Mr Dupuy1698 · Musée de la Chartreuse de Douai
12
Philip V, King of Spain1728 · Museo del Prado
13
Louis XIV1701 · Musée Fabre
14
Portrait of a great lady1717 · Musée d'art et d'histoire de Narbonne
15
Maria Anna of Austria1729 · National Coach Museum
16
Barbara of Braganza Queen of Spain1729 · Museo del Prado
17
Elisabeth Farnese1723 · Slovak National Gallery
18
John V, King of Portugal1729 · Museo del Prado
19
Maria Anna of Austria, Queen of Portugal1729 · Museo del Prado
20
Maria Ana Victoria of Bourbon (Future Queen of Portugal) as a Child1725 · Museo del Prado
21
Infante Don Felipe1726 · Szépművészeti Múzeum
22
A great lord's dog1735 · Musée Ingres Bourdelle
23
Portrait de Louis XV, roi de FranceMusée Fabre
24
Christ on the crossNationalmuseum
25
François VerdierOpera House
26
Retrato De Carlos Iii De EspañaMuseo del Prado
27
Felipe de Borbón y Farnesio, future Duke of ParmaMuseo del Prado
28
Vertumnus And Pomona
29
Portrait De Femme, Identified As Francoise Marie De Bourbon
30
Portrait De Louis XvOpera House
31
Nicolas Van Plattenberg, Known As De Platte-montagne
32
Diane Chasseresse
33
Portrait Of Charles De Bourbon
34
Portrait Équestre De Philippe VMuseo del Prado
35
Vertumne Et PomoneMusée Fabre
36
The Family of Philip V1723 · Museo del Prado
37
Ferdinand Vi As PrinceMuseo del Prado
Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.
Tämän sivun teoksista eniten sisältävät 8 museota.
| Museo | Kaupunki | Jean Ranc teokset | Tämän listan maalaukset |
|---|---|---|---|
 Museo del Prado |
Madrid | 17 | Portrait of Louise Élisabeth d'Orléans, Queen of Spain (1709-1742), Cardinal-Infante Luis as a Boy, Elisabeth Farnese, Queen of Spain |
 Musée Fabre |
Montpellier | 5 | Portrait d'Anne Melon (1685 - 1727), Portrait de Joseph Bonnier de la Mosson, receveur de l'Hôpital Général, trésorier de la Bourse des États de Languedoc (1676-1726), Louis XIV |
 Nationalmuseum |
Tukholma | 2 | A Grap-Picker Woman - Portrait of a Lady as Pomona, Christ on the cross |
 Opera House |
Versailles | 2 | François Verdier, Portrait De Louis Xv |
 Musée de la Chartreuse de Douai |
Duffel | 1 | Mr Dupuy |
 Musée d'art et d'histoire de Narbonne |
Narbonne | 1 | Portrait of a great lady |
 National Coach Museum |
Lisbon | 1 | Maria Anna of Austria |
 Slovak National Gallery |
Bratislava | 1 | Elisabeth Farnese |
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
In this three-quarter length portrait from 1702, we encounter Anne Melon, a woman whose poise reflects the quiet dignity of the French aristocracy. She is positioned slightly off-center, a choice that lends a subtle sense of movement to her otherwise composed stance. The light, descending from the upper left, carves her features with a soft precision, casting shadows that give her form a tangible, three-dimensional weight. There is a certain…
An orange gown catches the light, a sudden burst of warmth against the deepening blue of a twilight sky. The woman sits with a quiet, heavy grace, her skin pale as porcelain under the soft, directional glow. She is Pomona, the goddess of fruit, yet she feels grounded in the tactile reality of the harvest. A white silk headpiece rests near her face, a sharp point of light that draws…
The air feels heavy with the scent of old velvet and the quiet stillness of a twilight sky. Louise Élisabeth d'Orléans stands before us, a figure of immense dignity caught in a moment of poised repose. She is draped in a gown that seems to hold the very essence of light, its heavy folds cascading around her in a display of sheer opulence. The fabric, a deep and tactile velvet,…
The portrait titled Cardinal-Infante Luis as a Boy captures a moment of youthful nobility through the eyes of the French painter Jean Ranc. Created around 1731, the work presents a young nobleman who is known as Cardinal-Infante Luis Antonio de Borbón. He gazes out from his position within the frame, a figure of high status even in his childhood. The painting holds the viewer in a quiet, formal encounter with…
A Grap-Picker Woman - Portrait of a Lady as Pomona (1715), Nationalmuseum, Tukholma. Seuraavina ovat Portrait d'Anne Melon (1685 - 1727) (1702) ja Portrait of Louise Élisabeth d'Orléans, Queen of Spain (1709-1742) (1724).
41 vuotta vanha: A Grap-Picker Woman - Portrait of a Lady as Pomona on peräisin vuodelta 1715, ja Jean Ranc on syntynyt vuonna 1674.
A Grap-Picker Woman - Portrait of a Lady as Pomona, Portrait d'Anne Melon (1685 - 1727), Portrait of Louise Élisabeth d'Orléans, Queen of Spain (1709-1742), Portrait de Joseph Bonnier de la Mosson, receveur de l'Hôpital Général, trésorier de la Bourse des États de Languedoc (1676-1726), Cardinal-Infante Luis as a Boy, Elisabeth Farnese, Queen of Spain, Joseph I of Portugal, Portrait of Prince Louis of Spain, Maria Antonia of Spain ja Philip V, King of Spain. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Katalogissamme on 37 teosta taiteilijalta Jean Ranc, aikaväliltä 1698–1735.
Pääasiassa Museo del Prado (Madrid), Musée Fabre (Montpellier) ja Nationalmuseum (Tukholma). Yllä oleva museotaulukko listaa ne kaikki.
Aikakaudella 1720s: 14 sivun 37 teoksista on tehty silloin, joista Portrait of Louise Élisabeth d'Orléans, Queen of Spain (1709-1742).
Tällä sivulla vanhin on Mr Dupuy (1698) ja uusin A great lord's dog (1735).
Man (9), Lace (8) ja Woman (7), yhteensä 37 teosta tällä sivulla.
Oil On Canvas, 16 teoksesta sivun 37 teoksesta.
Rococo ja Baroque, tämän sivun alkuperäisteosten perusteella.
Portrait of Louise Élisabeth d'Orléans, Queen of Spain (1709-1742), Cardinal-Infante Luis as a Boy ja Elisabeth Farnese, Queen of Spain: Museo del Prado, Madrid -ssä on 17 tämän sivun teoksista.
Kyllä, jäljennöksenä: alkuperäinen teos pysyy museossa, mutta minkä tahansa tämän sivun maalauksen voi maalata käsin juuri sinua varten – yksittäisenä tilaustyönä suoraan maalauksen omalta sivulta.
Montpellierissa vuonna 1674 syntynyt Jean Ranc oli ranskalainen taiteilija, joka saavutti huomattavaa mainetta Ludvig XV:n ja Espanjan Filip V:n valtakausien aikana. Hänen taiteellinen matkansa sai alkunsa isänsä, maakunnallisesti tunnetun muotokuvamaalari Antoine Rancin, sekä Hyacinthe Rigaudin johdatuksessa, jonka vaikutus muovasi syvästi Rancin tyyliä ja uran kulkua. Rigaudin ateljee toimi Rancin kasvun ympäristönä, luoden hänelle verkostoja kollegoiden kanssa ja vakiinnuttaen hänen asemansa vakaasti Pariisin taidemaailmassa.
Antoine Ranc siirsi poikaansa Jeania kohti maalaustaistetta ja esitteli hänet eurooppaisille mestareille – perintö, joka jatkui Rigaudin mentoroinnin myötä. Rigaudin huolellinen tekniikka, erityisesti mestarillinen sfumato, muodostui keskeiseksi osaksi Rancin taiteellista lähestymistapaa. Muuttaessaan Pariisiin vuonna 1696, Ranc hakeutui Académie Royale de Peinture et de Sculpture -akatemiaan joulukuussa 1700 ja hänet hyväksyttiin virallisesti muotokuvamaalariksi 28. heinäkuuta 1703. Vaikka hänellä oli kunnianhimoja historialliseen maalaamiseen – polkuun, jota akatemia ei suosinut yhtä paljon – Ranc loisti kyvyssäään vangita ihmiskasvot hämmästyttävällä tarkkuudella ja tyylikkyydellä.
