Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 33 teosta taiteilijalta Janis Rozentāls luettelossamme
Lyhyesti
Gallerian silmissä Janis Rozentālsn tunnetuin maalaus on Mērijas Grosvaldes portrets (1902). Ģimene Siguldā (1913) ja „Laidiet tos bērniņus pie manis”, Mets Jaunās sv. Ģertūdes baznīcas altārgleznai (1910) täydentävät kolmikon, jonka jokainen silmä tunnistaa. Galleria esittelee Janis Rozentāls teoksista 33 tunnetuimmat 33 teosta alla; jokainen on alkuperäisteos, josta kerrotaan vuosi, museo sekä teoksen erityispiirteet.
The painting titled Mērijas Grosvaldes portrets was created by the artist Janis Rozentāls. This work was executed in 1902. The portrait depicts Mērija Grosvalde, who was the eldest daughter of the Grosvalds family. The piece is currently held within the collection of the Latvian National Museum of Arts.
In the quietude of a Latvian forest, a group of figures gathers in a moment of intimate connection. The scene centers on a woman seated upon the ground, her hair being tended to by another, while others stand in close proximity, observing or participating in the quiet activity. A single bird rests within the foliage, a subtle nod to the natural world surrounding the assembly. The presence of a bench…
The work titled „Laidiet tos bērniņus pie manis”, Mets Jaunās sv. Ģertūdes baznīcas altārgleznai is a painting by the artist Janis Rozentāls. This specific piece was created about 1910. It was produced as an altarpiece intended for the altar of the New St. Gertrude Church.
Saulesmeitas is a pastel artwork created by Janis Rozentāls in 1912. The medium leaves a soft, ethereal quality upon the surface, catching the light like dust motes in a summer afternoon. It is a quiet moment held in place by the delicate touch of the artist.
In Janis Rozentāls's "Mother and Child," a quiet intimacy settles over the scene. The composition centers on the profile of a woman reclining towards the right, her form creating a gentle curve that anchors the viewer's gaze. She cradles a small child in her arms, a gesture that pulls the observer into a close-up, intimate view of this private moment. The arrangement feels steady and calm. In the upper right,…
The oil painting presents a portrait of a man positioned in a close-up view, occupying the majority of the frame. He is depicted from the upper body upward, wearing a dark suit that blends into the shadows of the background. The subject holds a cigar, a detail that suggests a moment of quiet contemplation or indulgence. His face and hands are rendered in cream and beige tones, providing a sharp…
The portrait captures a seated man in formal attire, rendered through the loose, visible brushwork of the Impressionist style. Rather than relying on sharp outlines, the form is built through a layering of small, broken strokes that prioritize the play of light and shadow over precise anatomical detail. The composition is intimate, focusing on the subject's face and upper torso against a softly cropped, atmospheric background. This technique creates a…
A pale, blonde woman emerges from the dark, rippling surface of the water, her skin glowing against the cool tones of the lake. She exists in a moment of profound vulnerability, her form caught between the liquid depths and the air above. Around her, the world is alive with the strange and the supernatural. A dark, horned figure perches upon a nearby tree branch, watching with a sinister expression, while…
The composition of this 1915 landscape is organized around a horizontal format that leads the eye from a grassy foreground toward a distant mountain range. In the midground, a solitary figure is positioned within a valley, providing a sense of scale to the rolling hills and the small village nestled below. The terrain follows organic, undulating lines that trace the contours of the earth and the clusters of trees. Light…
The oil painting titled Pikniks was executed by the artist Janis Rozentāls in 1913. This work belongs to a period in the artist's career when he was active in the transition between different European artistic traditions. The composition focuses on a specific scene within a woodland setting, capturing a moment of domesticity and connection with the natural environment.
M.Vīgneres–Grīnbergas portrets1916
12
The Princess and the Monkey (Princese ar pērtiķi)1913
13
Uz terases (Veranda Kapri)1912
14
Nāve1897
15
Pavasaris Siguldā (fragment)1913
16
Princess with a Monkey1913 · Latvian National Museum of Art
17
Untitled (AQTTEM)1890
18
Mākslinieka darbnīca1896 · Latvian National Museum of Art
19
Pēc dievkalpojuma (No baznīcas)1894 · Latvian National Museum of Art
20
Under the Cherry Tree1904
21
Melna čūska miltus mala1903
22
Zem pīlādža1905 · Latvian National Museum of Art
23
Barona R. fon Engelharta portrets1901
24
P.Federa portrets1901 · Nationalmuseum
25
Janis Rozentāls. Pašportrets1900
26
Firstenes Šarlotes Līvenas portrets1899
27
Centrālā alegoriskā kompozīcija ar Pērkona tēlu1910
28
Arkādija1916
29
Veļas mazgātājas1904
30
Teika1899
31
No kapsētas1895
32
At the Source
33
Jubilant children1901 · Latvian National Museum of Art
Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.
Tämän sivun teoksista eniten sisältävät 2 museota.
| Museo | Kaupunki | Janis Rozentāls teokset | Tämän listan maalaukset |
|---|---|---|---|
 Latvian National Museum of Art |
Riga | 6 | Mother and Child, Princess with a Monkey, Mākslinieka darbnīca |
 Nationalmuseum |
Tukholma | 1 | P.Federa portrets |
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
In this 1897 oil on canvas, Janis Rozentāls explores the heavy intersection of life and its inevitable conclusion. The composition centers on a woman holding a baby, a gesture of nurturing that contrasts sharply with the somber atmosphere of the scene. A forest setting provides a dense, enclosed backdrop, where muted greens, browns, and grays establish a melancholic mood. The lighting is dramatic, casting deep shadows that emphasize the gravity…
The painting titled Mērijas Grosvaldes portrets was created by the artist Janis Rozentāls. This work was executed in 1902. The portrait depicts Mērija Grosvalde, who was the eldest daughter of the Grosvalds family. The piece is currently held within the collection of the Latvian National Museum of Arts.
In the quietude of a Latvian forest, a group of figures gathers in a moment of intimate connection. The scene centers on a woman seated upon the ground, her hair being tended to by another, while others stand in close proximity, observing or participating in the quiet activity. A single bird rests within the foliage, a subtle nod to the natural world surrounding the assembly. The presence of a bench…
Mērijas Grosvaldes portrets (1902). Seuraavina ovat Ģimene Siguldā (1913) ja „Laidiet tos bērniņus pie manis”, Mets Jaunās sv. Ģertūdes baznīcas altārgleznai (1910).
36 vuotta vanha: Mērijas Grosvaldes portrets on peräisin vuodelta 1902, ja Janis Rozentāls on syntynyt vuonna 1866.
Mērijas Grosvaldes portrets, Ģimene Siguldā, „Laidiet tos bērniņus pie manis”, Mets Jaunās sv. Ģertūdes baznīcas altārgleznai, Saulesmeitas, Mother and Child, Vīrietis ar papirosu (B. Borherts), Rakstnieka R. Blaumaņa portrets, Cilvēkmeita un dabas gari, Italian Landscape ja Pikniks. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Katalogissamme on 33 teosta taiteilijalta Janis Rozentāls, aikaväliltä 1890–1916.
Pääasiassa Latvian National Museum of Art (Riga) ja Nationalmuseum (Tukholma). Yllä oleva museotaulukko listaa ne kaikki.
Aikakaudella 1900s: 13 sivun 33 teoksista on tehty silloin, joista Mērijas Grosvaldes portrets.
Tällä sivulla vanhin on Untitled (AQTTEM) (1890) ja uusin M.Vīgneres–Grīnbergas portrets (1916).
Woman (5), Latvian art (4) ja People (3), yhteensä 33 teosta tällä sivulla.
Oil On Canvas, 9 teoksesta sivun 33 teoksesta.
Impressionism, tämän sivun alkuperäisteosten perusteella.
Mother and Child, Princess with a Monkey ja Mākslinieka darbnīca: Latvian National Museum of Art, Riga -ssä on 6 tämän sivun teoksista.
