Lyhyesti
A painter and his muse in a workshop (1719) on se Theodor van Pee -maalaus, joka herättää eniten huomiota; alkuperäisteos kuuluu museolle Staatliche Kunsthalle Karlsruhe, Karlsruhe. Theodor van Peein 1 teoksemme joukosta nämä 1 ovat kuuluisimpia; jokainen on ainutlaatuinen alkuperäisteos, joka on esitelty vuosiluvun, museon ja sen syyn kera, miksi teos on säilyttänyt suosionsa.
Theodor van Pee -taiteilijan 10 parasta maalausta gallerian silmin
Museot, joissa Theodor van Pee'n alkuperäisteokset sijaitsevat
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | Theodor van Pee teokset | Tämän listan maalaukset |
|---|---|---|---|
| Karlsruhe | 1 | A painter and his muse in a workshop |
Theodor van Pee vuosien varrelta: jokaisen ainutlaatuiset alkuperäisteokset
Kaikki täällä näkyvät päivätyt Theodor van Pee -alkuperäisteokset kuuluvat samalle vuodelle, 1719: ne on esitetty suosituimmuusjärjestyksessä.
Teokset vuosittain
Valitse vuosi nähdäksesi alkuperäisteokset.
Theodor van Peen maalaukset: kysymyksiä gallerialle
Mikä on Theodor van Pee tunnetuin teos?Paljasta vastaus
A painter and his muse in a workshop (1719)
Missä iässä Theodor van Pee loi teoksen A painter and his muse in a workshop?Paljasta vastaus
51 vuotta vanha: A painter and his muse in a workshop on peräisin vuodelta 1719, ja Theodor van Pee on syntynyt vuonna 1668.
Kuinka monta Theodor van Pee -teosta tunnetaan?Paljasta vastaus
Katalogissamme on 1 teosta taiteilijalta Theodor van Pee.
Missä voi nähdä tunnetuimmat Theodor van Pee -alkuperäisteokset?Paljasta vastaus
Pääasiassa Staatliche Kunsthalle Karlsruhe (Karlsruhe). Yllä oleva museotaulukko listaa ne kaikki.
Theodor van Pee: taiteilijan muotokuva
The Life and Career of Theodor van Pee
Born in Amsterdam, Theodor van Pee was the son of the painter Jan van Pee and Hendrika. Although he initially trained as an apprentice to a jeweller to join the Goldsmiths' Guild, he eventually sought his father's permission to train as a painter. He is believed to have been a pupil of his father, though his maternal grandfather, Mathijs Hendriks Krayvelt, was also a painter who likely contributed to his training. Theodor traveled to Rome to study the works of artists such as Raphael, Giulio Romano, and Correggio, yet he remained a Lutheran throughout his life.
His early career saw success with various commissions, including studies of Northern Italian gypsies and portraits of the Masters of the Amsterdam Tailors’ Guild. As the economic recession in the Netherlands followed the Peace of Ryswick, he diversified his business by selling painted garden furniture, statuary, and carved timber. He also became a dealer in Italian paintings, and in 1715, he took his collection to London to find buyers among English noblemen and merchants.
Later Years and Legacy
While in London, Theodor was commissioned by Sir Matthew Decker to paint a ceiling-piece of life-size figures. Despite facing financial challenges following the collapse of the South Sea Company stock, he continued his business of selling ornamental objects. After seven years in London, he returned to the Netherlands, where he was a member of the Utrecht Guild of Saint Luke in 1737. His artistic skill was recognized through commissions such as the portrait of Jean-Baptiste de Boyer, Marquis d'Argens, and the Abbé Prévost.
Theodor van Pee died in The Hague. His estate, which included twenty-four paintings by him and two by his father, was sold at auction in 1747. His daughter, Henrietta, studied painting under him and married one of his pupils, Hermanus Wolters.