Stefan Buban muotokuva

Stefan Buban -maalaukset: Gallerian silmin 7 kuuluisinta teosta

Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 10 teosta taiteilijalta Stefan Buban luettelossamme

Lyhyesti

Gallerian silmissä Stefan Buban's tunnetuin maalaus on Near Spišská Nová Ves (1970), jonka alkuperäinen teos on esillä Tatra Gallery -museossa, kaupungissa Poprad. Native Zemplín (1981) ja Zemplín Fields (1981) täydentävät kolmikon, jonka jokainen silmä tunnistaa. Galleria esittelee Stefan Buban teoksista 10 tunnetuimmat 7 teosta alla; jokainen on alkuperäisteos, josta kerrotaan vuosi, museo sekä teoksen erityispiirteet.

1932 – 2026, Pavlovce nad Uhom Eniten teoksia: Vychodoslovenské Galéria

Gallerian 10 parasta Stefan Buban -maalausta

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Near Spišská Nová Ves tekijä Stefan Buban

Near Spišská Nová Ves

· Tatra Gallery, Poprad

In the evocative landscape of Near Spišská Nová Ves, the viewer is immediately transported to a realm where the rugged majesty of the Slovakian mountains meets a profound sense of tranquility. The painting presents a breathtaking vista of a mountainous expanse, characterized by a striking red hue that bathes the peaks in a warm, ethereal glow. This chromatic choice does more than merely depict terrain; it imbues the entire scene…

Museot, joissa Stefan Buban'n alkuperäisteokset sijaitsevat

Tämän sivun teoksista eniten sisältävät 3 museota.

Museo Kaupunki Stefan Buban teokset Tämän listan maalaukset
Vychodoslovenské Galéria, KošiceVychodoslovenské Galéria Košice 4 Native Zemplín, Zemplín Fields, Peaceful Landscape
Tatra Gallery, PopradTatra Gallery Poprad 2 Near Spišská Nová Ves, Near Spišská Nová Ves
Gallery of Spis Artists, Spišská Nová VesGallery of Spis Artists Spišská Nová Ves 1 Winter in Podlince

Stefan Buban, jokaisen vuoden tunnusomaisimmat teokset

18 vuotta Stefan Buban -taiteilijan teoksia, 1970 - 1987: galleria seuraa heitä vuosi vuodelta, esitellen jokaisen tunnetuimmat alkuperäisteokset.

Teokset vuosittain

Valitse vuosi nähdäksesi alkuperäisteokset.

Stefan Bubann maalaukset: gallerian vastaukset

Mikä Stefan Buban -taideteos on kaikkien kuuluisin?Paljasta vastaus

Near Spišská Nová Ves (1970), Tatra Gallery, Poprad. Seuraavina ovat Native Zemplín (1981) ja Zemplín Fields (1981).

Kuinka vanha Stefan Buban oli valmistuessaan teos Near Spišská Nová Ves?Paljasta vastaus

38 vuotta vanha: Near Spišská Nová Ves on peräisin vuodelta 1970, ja Stefan Buban on syntynyt vuonna 1932.

Kuinka monta teosta Stefan Buban loi?Paljasta vastaus

Katalogissamme on 10 teosta taiteilijalta Stefan Buban, aikaväliltä 1970–1987.

Missä Stefan Buban'n kuuluisimmat alkuperäisteokset sijaitsevat?Paljasta vastaus

Pääasiassa Vychodoslovenské Galéria (Košice), Tatra Gallery (Poprad) ja Gallery of Spis Artists (Spišská Nová Ves). Yllä oleva museotaulukko listaa ne kaikki.

Milloin Stefan Buban maalasi kuuluisimmat teoksensa?Paljasta vastaus

Aikakaudella 1981: 3 sivun 7 teoksista on tehty silloin, joista Native Zemplín.

Mitkä ovat Stefan Buban'n varhaisimmat ja viimeisimmät kuuluisat teokset?Paljasta vastaus

Tällä sivulla vanhin on Near Spišská Nová Ves (1970) ja uusin Let Us Not Allow! (1987).

Mitä Stefan Buban -taiteilijan alkuperäisteoksia Vychodoslovenské Galéria -museossa on?Paljasta vastaus

Native Zemplín, Zemplín Fields ja Peaceful Landscape: Vychodoslovenské Galéria, Košice -ssä on 4 tämän sivun teoksista.

Stefan Buban: taiteilija

A Life Shaped by Color and Landscape

Born on July 29, 1932, in Pavlovce nad Uhom, Slovakia, Štefan Bubán spent his life translating the textures of his homeland onto canvas. His early years were rooted in the traditions of the region, leading him to study at the art department of the Higher Pedagogical School in Prešov, which he completed in 1955. He later continued his formal education at the Faculty of Education of Comenius University in Bratislava between 1959 and 1964. This academic foundation provided the technical skill that would support a career spanning decades of experimentation.

His professional path was closely tied to Trebišov, where he worked from 1956. The landscapes of the East Slovak Lowland became a central part of his visual language. In his early works, he focused on figurative compositions that captured the essence of this region through distinct color effects. As time passed, his focus shifted toward the natural world, moving into landscape painting that explored the light and earth of the Slovakian terrain.

Evolution of Style and Technique

The progression of Bubán’s work shows a clear movement from representational forms to more complex, abstract visions. He began with figures and landscapes but eventually embraced a modernist style characterized by geometric-abstract-informal fantasies. This transition saw him moving toward what some describe as transavantgarde, where his paintings became structured through geometric-abstract visions. His technique was not limited to the brush; he worked with oil painting, sculpture, printmaking, woodcuts, and drawings.

His approach to color was deeply personal. In works such as Near Spišská Nová Ves, he used striking red hues to bathe mountain peaks in a warm glow, creating an atmosphere of a permanent sunset. He utilized color for psychological impact rather than mere accuracy. His later compositions often relied on an instinctive creative passion, using color and imaginative arrangements to build space within his paintings.

Recognition and Global Reach

Though deeply connected to Slovakian soil, Bubán’s presence was felt far beyond its borders. He exhibited his work in numerous countries, including Germany, Italy, France, Japan, and Egypt. His art found homes in prestigious venues such as the Salon d'Automne in Paris and the Kunsthalle Bratislava. For a period between 2008 and 2016, his paintings were even displayed at the Permanent Representation of Slovakia to the European Union in Brussels.

Throughout his career, he received several notable honors that reflected his standing in the international art community:

  • The Gold Plaque at the VII International Festival of Contemporary Painting in San Remo, Italy, in 1999.
  • The European Commission's Prize for Culture at the il Nittis Biennial in Barletta, Italy, in 2003.
  • A silver medal from the Salon in Cannes in 2006.
  • The Price za celoživotné dielo at Intersalón AJV in České Budějovice in 2008.

His memberships in various societies, such as the Slovak Art Society and the Association of Visual Arts Japan, further solidified his role as a bridge between local tradition and global modernism. He left behind a significant body of work that includes seventy solo exhibitions and nearly three hundred group exhibitions, ensuring his vision of the Slovak landscape remains part of the broader history of 20th-century art.