Lyhyesti
Kaikista Percy Horton jättämistä alkuperäisteoksista kuuluisin on Unemployed Man (1929). Heti perässä tulevat House on the Seine (1925) ja Flowerpiece (1929). Katalogissamme on 18 teosta taiteilijalta Percy Horton; galleria on säilyttänyt 18 maailman ihailluimmista teoksista, ja jokaisesta on esitetty sen päivämäärä, museo sekä tarina.
Percy Horton -taiteilijan 10 parasta maalausta: gallerian valinnat
Percy Horton-valikoima jatkuu, 11–18
Aiheet, jotka vangitsivat Percy Hortonin katseen
Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.
Vintage art 2 teosta
Rural landscape 2 teosta
Historical figure 2 teosta
Museot, joissa Percy Horton'n alkuperäisteokset sijaitsevat
Tämän sivun teoksista eniten sisältävät 4 museota.
| Museo | Kaupunki | Percy Horton teokset | Tämän listan maalaukset |
|---|---|---|---|
| Oxford | 2 | Flowerpiece, The Rugmaker | |
| Cambridge | 1 | Helen Marion Wodehouse | |
| Andover | 1 | Sydney Robert Bell, Mayor of Andover (1939–1943) | |
| Eastbourne | 1 | Village in Luberon, France |
Percy Horton vuosikymmenittäin: jokaisen aikakauden määrittänyt alkuperäisteos
Teokset vuosikymmenittäin
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
Keräilijöiden kysymyksiä Percy Horton -taiteilijan maalauksista
Mistä teoksesta Percy Horton on tunnetuin?Paljasta vastaus
Unemployed Man (1929). Seuraavina ovat House on the Seine (1925) ja Flowerpiece (1929).
Kuinka vanha Percy Horton oli, kun Unemployed Man tehtiin?Paljasta vastaus
32 vuotta vanha: Unemployed Man on peräisin vuodelta 1929, ja Percy Horton on syntynyt vuonna 1897.
Mitkä ovat kymmenen kuuluisinta Percy Horton -taideteosta?Paljasta vastaus
Unemployed Man, House on the Seine, Flowerpiece, Dulwich Trees, Coates Corner, Assington, Suffolk, Untitled A House at Ambleside, Lakeland Landscape, Portrait of the Artist's Mother, The Shepherd ja Mrs Simpson. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Kuinka monta maalausta Percy Horton jätti jälkeensä?Paljasta vastaus
Katalogissamme on 18 teosta taiteilijalta Percy Horton, aikaväliltä 1925–1946.
Missä museoissa Percy Horton's mestariteokset sijaitsevat?Paljasta vastaus
Pääasiassa The Ashmolean Museum of Art And Archaeology (Oxford), Girton College (Cambridge) ja Andover Guildhall (Andover). Yllä oleva museotaulukko listaa ne kaikki.
Minä vuosina Percy Horton maalasi kuuluisimmat teoksensa?Paljasta vastaus
Aikakaudella 1940s: 11 sivun 18 teoksista on tehty silloin, joista Untitled A House at Ambleside.
Mitkä ovat Percy Horton ensimmäinen ja viimeinen tunnettua alkuperäisteosta?Paljasta vastaus
Tällä sivulla vanhin on House on the Seine (1925) ja uusin The Rugmaker (1946).
Mitä aiheita Percy Horton käytti useimmiten?Paljasta vastaus
Vintage art (2), Rural landscape (2) ja Historical figure (2), yhteensä 18 teosta tällä sivulla.
Mitä Percy Horton -teoksia The Ashmolean Museum of Art And Archaeology -museossa on esillä?Paljasta vastaus
Flowerpiece ja The Rugmaker: The Ashmolean Museum of Art And Archaeology, Oxford -ssä on 2 tämän sivun teoksista.
Percy Horton: elämä ja tuotanto
The Visionary of Rural England: The Life and Legacy of Percy Frederick Horton
Born in the coastal light of Brighton in 1897, Percy Frederick Horton emerged as a profound voice in the tapestry of twentieth-century British art. His journey was one defined by a deep-seated connection to the natural world and an unwavering commitment to the emotional truth found within observation. Growing up in a working-class family, Horton’s path was paved by talent and scholarship, leading him from the Brighton School of Art to the prestigious Royal College of Art. This formative period was not merely about technical mastery but about developing a soul that could converse with the landscape. His early years were marked by a significant moral stance; as a conscientious objector during the First World War, he faced imprisonment, an experience that undoubtedly deepened his introspective nature and perhaps fueled the psychological depth found in his later, more somber works.
Horton’s artistic evolution is a fascinating study of movement from the structured elegance of Academic Impressionism toward the raw, emotive power of Expressionism. Influenced by the monumental presence of Cézanne and the haunting psychological landscapes of Edvard Munch, he learned to use the brush not just to replicate reality, but to interpret it. His technique became a language of texture; through the deliberate use of impasto and bold, visible brushstrokes, he could convey the weight of a forest or the fleeting softness of a petal. This transition allowed him to move beyond mere depiction, capturing the very atmosphere—the moisture in the air, the brooding shadows of a woodland, and the quiet stillness of an English afternoon.
A Mastery of Light, Landscape, and Still Life
The breadth of Horton’s oeuvre reveals an artist capable of immense versatility, moving seamlessly between the grand scale of the English countryside and the intimate quietude of domestic life. His landscapes are perhaps his most enduring contribution to British art. In works such as ‘Lakeland Landscape’ (1943), one can feel the heavy, atmospheric tension of the Cumbrian forests, where the paint itself seems to hold the dampness of the mist. He possessed a rare ability to imbant a scene with a sense of time and place, whether it was the rugged beauty of the Lakes or the gentle, rolling hills of Suffolk, as seen in his evocative ‘Coates Corner’.
Yet, Horton was equally adept at finding the infinite within the small. His still lifes, such as the delicate ‘Flowerpiece’ (1929), demonstrate a masterful command of light and shadow. In these compositions, pink roses and weathered books are bathed in a soft, ethereal glow, inviting the viewer into a moment of profound tranquility. This duality—the ability to capture both the epic and the intimate—is what defines his unique artistic signature. His work often serves as a bridge between the Victorian sensibilities of his youth and the modern, fractured perspectives of the mid-twentieth century.
The Educator and the Enduring Influence
Beyond the canvas, Horton’s impact on the art world was cemented through his profound dedication to teaching. His career as an educator was as distinguished as his time as a painter. Serving as the Ruskin Master of Drawing at the University of Oxford from 1949 to 1964, he became a custodian of classical principles while encouraging the next generation to explore modern expression. He understood that true art required both a foundation in rigorous observation and the courage to experiment with form and emotion.
The legacy of Percy Frederick Horton resides not only in the museums that house his paintings but in the very way we perceive the British landscape. His life was a testament to the power of staying true to one's convictions, whether through political dissent or artistic innovation. Through his eyes, we continue to see the beauty of rural England—not as a static postcard, but as a living, breathing, and deeply emotional entity. His contributions to the Royal Society of British Artists and his lasting imprint on art education ensure that his vision remains an essential part of the historical narrative of British fine art.








