Olof Johan Södermark muotokuva

11 tunnetuinta Olof Johan Södermark -maalausta, gallerian valikoima

Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 11 teosta taiteilijalta Olof Johan Södermark luettelossamme

Lyhyesti

Kaikista Olof Johan Södermark jättämistä alkuperäisteoksista kuuluisin on Peder Anker (1830), joka kuuluu Bogstad -kokoelmaan, Oslo. Heti perässä tulevat The German Artist Franz Riepenhausen (1828) ja Presumed Self Portrait (1827). Katalogissamme on 11 teosta taiteilijalta Olof Johan Södermark; galleria on säilyttänyt 11 maailman ihailluimmista teoksista, ja jokaisesta on esitetty sen päivämäärä, museo sekä tarina.

1790 – 1848, Landskrona Parish Eniten teoksia: Nationalmuseum

Olof Johan Södermark -taiteilijan 10 parasta maalausta: gallerian valinnat

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Portrait of Signora Vincensa tekijä Olof Johan Södermark

Portrait of Signora Vincensa

Oil · Nationalmuseum, Tukholma

In the mid-1820s, while living in Rome, Olof Johan Södermark turned his attention away from the rigid structures of sculpture toward the intimate realities of daily existence. This oil portrait captures an employee in a Roman café, a woman caught in a moment of quiet, unposed labor. Unlike the idealized portraiture common to the era, this work rejects the polished perfection often demanded by high-society commissions. Instead, it offers a…

Olof Johan Södermark-valikoima jatkuu, 11–11

Aiheet, jotka vangitsivat Olof Johan Södermarkin katseen

Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.

Museot, joissa Olof Johan Södermark'n alkuperäisteokset sijaitsevat

Tämän sivun teoksista eniten sisältävät 3 museota.

Museo Kaupunki Olof Johan Södermark teokset Tämän listan maalaukset
Nationalmuseum, TukholmaNationalmuseum Tukholma 8 The German Artist Franz Riepenhausen, Presumed Self Portrait, Regina. Roman Girl with Choral Necklace and Earrings
Bogstad, OsloBogstad Oslo 1 Peder Anker
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 1 Porträtt av president Jacob August von Hartmansdorff

Olof Johan Södermark vuosikymmenittäin: jokaisen aikakauden määrittänyt alkuperäisteos

Teokset vuosikymmenittäin

Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.

Keräilijöiden kysymyksiä Olof Johan Södermark -taiteilijan maalauksista

Mistä teoksesta Olof Johan Södermark on tunnetuin?Paljasta vastaus

Peder Anker (1830), Bogstad, Oslo. Seuraavina ovat The German Artist Franz Riepenhausen (1828) ja Presumed Self Portrait (1827).

Kuinka vanha Olof Johan Södermark oli, kun Peder Anker tehtiin?Paljasta vastaus

40 vuotta vanha: Peder Anker on peräisin vuodelta 1830, ja Olof Johan Södermark on syntynyt vuonna 1790.

Mitkä ovat kymmenen kuuluisinta Olof Johan Södermark -taideteosta?Paljasta vastaus

Peder Anker, The German Artist Franz Riepenhausen, Presumed Self Portrait, King Karl XIV Johan, Regina. Roman Girl with Choral Necklace and Earrings, Karolina Bygler. Model to the Sculptor Johan Niclas Byström, Gatumusikanter vid Pantheon, Porträtt av president Jacob August von Hartmansdorff, Grazia, Roman Model ja Portrait of Signora Vincensa. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.

Kuinka monta maalausta Olof Johan Södermark jätti jälkeensä?Paljasta vastaus

Katalogissamme on 11 teosta taiteilijalta Olof Johan Södermark, aikaväliltä 1827–1845.

Missä museoissa Olof Johan Södermark's mestariteokset sijaitsevat?Paljasta vastaus

Pääasiassa Nationalmuseum (Tukholma), Bogstad (Oslo) ja National Portrait Gallery of Sweden (Strängnäs). Yllä oleva museotaulukko listaa ne kaikki.

Minä vuosina Olof Johan Södermark maalasi kuuluisimmat teoksensa?Paljasta vastaus

Aikakaudella 1830s: 4 sivun 11 teoksista on tehty silloin, joista Peder Anker.

Mitkä ovat Olof Johan Södermark ensimmäinen ja viimeinen tunnettua alkuperäisteosta?Paljasta vastaus

Tällä sivulla vanhin on Presumed Self Portrait (1827) ja uusin Grazia, Roman Model (1845).

Mitä Olof Johan Södermark -teoksia Nationalmuseum -museossa on esillä?Paljasta vastaus

The German Artist Franz Riepenhausen, Presumed Self Portrait ja Regina. Roman Girl with Choral Necklace and Earrings: Nationalmuseum, Tukholma -ssä on 8 tämän sivun teoksista.

Olof Johan Södermark: elämä ja tuotanto

The Precision of the Cartographer’s Eye

Olof Johan Södermark was a man whose life was defined by the striking duality of the sword and the brush. Born in Landskrona, Sweden, in 1790, his early years were shaped by the rigorous discipline of military service, a path that began when he entered the fortification corps at the tender age of thirteen. This formative period as a cadet instilled in him a profound respect for accuracy and observation—traits that would later become the hallmark of his artistic style. As he ascended through the ranks to become a lieutenant within the Field Measurement Corps, Södermark dedicated himself to the science of cartography. The meticulous nature of mapping landscapes and recording topographical details provided him with a unique visual vocabulary; the same eye that traced the contours of the Swedish terrain would eventually be used to trace the delicate nuances of the human face.

From the Battlefield to the Roman Studio

The trajectory of Södermark’s life was irrevocably altered by the tremors of the Napoleonic Wars. His service took him to the heart of Europe's most pivotal conflicts, including the intense battles of Grossbeeren and Leipzig in 1813. These experiences of chaos and courage, alongside his time serving as an adjutant to Lieutenant General Sixtance David Sparre, infused his character with a certain Romanticist intensity. However, it was his transition from the battlefield to the artistic studio that would define his historical significance. Seeking to expand his creative horizons, Södermark traveled to Rome, where he immersed himself in the classical traditions of the era. Under the guidance of renowned sculptors such as Johan Niclas Byström and Bengt Erland Fogelberg, he initially sought to master the permanence of stone. Yet, as his travels took him through the cultural epicenters of Paris, Munich, and London, he found that his true passion lay not in the static weight of sculpture, but in the fluid, expressive potential of portrait painting.

A Legacy of Neoclassical Grandeur

As Södermark matured as an artist, his work became a sophisticated bridge between Neoclassical discipline and the burgeoning emotional depth of Romanticism. His ability to marry scientific precision with an evocative sense of character allowed him to ascend to the highest levels of Swedish society. By the early 1830s, he had earned the prestigious opportunity to paint members of the Royal Family, creating portraits that captured both their sovereign authority and their individual humanity. One of his most notable achievements remains his depiction of King Karl XIV Johan, a work that exemplifies his ability to render texture, light, and royal dignity with unparalleled clarity. Though his life was cut short in 1848, Södermark left behind a legacy of profound influence, passing his artistic torch to his son, Per Södermark, and ensuring that the meticulous, soulful vision of the soldier-artist would endure within the annals of Swedish art history.