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11 tunnetuinta Matthias Ranftl -maalausta, gallerian valikoima
Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 11 teosta taiteilijalta Matthias Ranftl luettelossamme
Lyhyesti
Kaikista Matthias Ranftl jättämistä alkuperäisteoksista kuuluisin on Mother with Children Wading over a Brook (1836). Heti perässä tulevat Russian Peasant Couple (1832) ja Hunter and Girl (1847). Katalogissamme on 11 teosta taiteilijalta Matthias Ranftl; galleria on säilyttänyt 11 maailman ihailluimmista teoksista, ja jokaisesta on esitetty sen päivämäärä, museo sekä tarina.
1804 – 1854, Vienna
Matthias Ranftl -taiteilijan 10 parasta maalausta: gallerian valinnat
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Matthias Ranftl-valikoima jatkuu, 11–11
Matthias Ranftl vuosikymmenittäin: jokaisen aikakauden määrittänyt alkuperäisteos
Teokset vuosikymmenittäin
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
Keräilijöiden kysymyksiä Matthias Ranftl -taiteilijan maalauksista
Mistä teoksesta Matthias Ranftl on tunnetuin?Paljasta vastaus
Mother with Children Wading over a Brook (1836). Seuraavina ovat Russian Peasant Couple (1832) ja Hunter and Girl (1847).
Kuinka vanha Matthias Ranftl oli, kun Mother with Children Wading over a Brook tehtiin?Paljasta vastaus
32 vuotta vanha: Mother with Children Wading over a Brook on peräisin vuodelta 1836, ja Matthias Ranftl on syntynyt vuonna 1804.
Mitkä ovat kymmenen kuuluisinta Matthias Ranftl -taideteosta?Paljasta vastaus
Mother with Children Wading over a Brook, Russian Peasant Couple, Hunter and Girl, The Hunting Trophy, Hunter with Black Grouse above Berchtesgaden, Watzmann in the Background, The pilgrims' rest, rest after the hunt, Begging children at the Glacis in Vienna, Man and woman wandering in snow - storm ja Dead Snow Grouse. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Kuinka monta maalausta Matthias Ranftl jätti jälkeensä?Paljasta vastaus
Katalogissamme on 11 teosta taiteilijalta Matthias Ranftl, aikaväliltä 1832–1852.
Minä vuosina Matthias Ranftl maalasi kuuluisimmat teoksensa?Paljasta vastaus
Aikakaudella 1850s: 5 sivun 11 teoksista on tehty silloin, joista The Hunting Trophy.
Mitkä ovat Matthias Ranftl ensimmäinen ja viimeinen tunnettua alkuperäisteosta?Paljasta vastaus
Tällä sivulla vanhin on Russian Peasant Couple (1832) ja uusin The pilgrims' rest (1852).
Matthias Ranftl: elämä ja tuotanto
The Academy and the Russian Court
Vienna, 1804. A child is born into a family where art lingers in the periphery; his grandfather had once traveled from Regensburg to settle in this city. His mother, an enthusiast of the arts, recognizes a spark in him early on. By 1817, the boy enters the Academy of Fine Arts Vienna. He sits at the feet of Johann Baptist Lampi and Anton Petter, absorbing the rigors of drawing and history painting. The air in the studio is thick with the discipline of the old masters.
A shift occurs in 1819. A study trip through Switzerland and Germany pulls his gaze away from the structured halls of the Academy toward the sprawling landscapes of the natural world. He returns to Vienna changed, his focus narrowing onto the earth and sky. By 1826, he is no longer just a student but an exhibitor, presenting portraits and historical works that command attention at the Academy. That same year, the horizon expands further. He travels to Russia, finding himself in the imperial centers of Moscow and St. Petersburg. In these aristocratic circles, he secures commissions for portraits and finds work illustrating Pushkin’s Eugene Onegin.
The Shift to Genre and the Canine Subject
The return to Vienna marks a departure from the grandiosity of history painting. The artist moves toward the intimate, the rural, and the urban. He begins to capture the quiet rhythms of Biedermeier life. In 1836, a trip to London alongside Prince Paul Esterházy introduces him to the work of Edwin Landseer. This encounter acts as a hinge. The fascination with animals, specifically dogs, becomes a central pillar of his output. His ability to render the texture of fur and the character in an animal's eyes earns him the moniker “the Raphael of Dogs.”
His brush captures more than just anatomy; it captures a specific social atmosphere. He populates his scenes with:
- Detailed portraits of dogs that serve as protagonists in genre scenes.
- Sensitive depictions of rural and urban life.
- Illustrations for satirical works like the Republic of Animals.
Final Years in Vienna
By 1849, his status is solidified through his election as a full member of the Vienna Academy. He has moved from a student of history to a specialist of the particular. His later years involve experimentation with printmaking and the development of a unique galvanographic printing technique. The life he leads is that of a true romantic artist, deeply embedded in the Viennese cultural fabric. In 1854, the disease known as the Ruhr claims him in the suburb of Wieden. He is laid to rest in the Vienna Central Cemetery, leaving behind a body of work defined by its startling realism and an enduring affection for the creatures he painted.