Lance Calkin muotokuva

31 tunnetuinta Lance Calkin -maalausta, gallerian valikoima

Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 39 teosta taiteilijalta Lance Calkin luettelossamme

Lyhyesti

Kaikista Lance Calkin jättämistä alkuperäisteoksista kuuluisin on Sir John Tenniel (1820–1914) (1902), joka kuuluu British Library -kokoelmaan, Lontoo. Heti perässä tulevat Joseph Sim Earle (1839–1912) (1884) ja Dr John Hughlings Jackson (1895). Katalogissamme on 39 teosta taiteilijalta Lance Calkin; galleria on säilyttänyt 31 maailman ihailluimmista teoksista, ja jokaisesta on esitetty sen päivämäärä, museo sekä tarina.

1859 – 1936, London Eniten teoksia: National Portrait Gallery

Lance Calkin -taiteilijan 10 parasta maalausta: gallerian valinnat

1
Sir John Tenniel (1820–1914) (1902) tekijä: Vincent van Gogh Lance Calkin

Sir John Tenniel (1820–1914)

1902 · Oil On Canvas · British Library, Lontoo

An elderly gentleman sits in a centered, formal pose, his presence commanding the frame through a quiet, somber gravity. He is captured in a moment of profound thought, with one hand resting against his chin in a gesture of wisdom or deep reflection. The lighting is dramatic, emerging from an unseen source above and to the left to cast heavy shadows across his features and hands. This chiaroscuro effect emphasizes…

2
Joseph Sim Earle (1839–1912) (1884) tekijä: Vincent van Gogh Lance Calkin

Joseph Sim Earle (1839–1912)

1884 · Oil

An elderly man emerges from a dark, indistinct void. He is a study in shadow and bone, his face a map of lived experience. The light falls from above and to the left, catching the ridge of a brow and the silvered texture of a beard. Every line on his skin tells of a season passed. He sits in a quiet, centered stillness, his gaze fixed on a point beyond…

3
Dr John Hughlings Jackson (1895) tekijä: Vincent van Gogh Lance Calkin

Dr John Hughlings Jackson

In this portrait of Dr John Hughlings Jackson, Lance Calkin captures the likeness of a man whose intellectual presence is felt through a quiet, steady gaze. Created about 1895, the work presents the English neurologist with a sense of formal dignity. The subject, born at Providence Green, Green Hammerton, near Harrogate, Yorkshire, is depicted with the gravity suited to his professional standing. He was the youngest son of Samuel Jackson…

4
King George V (1914) tekijä: Vincent van Gogh Lance Calkin

King George V

1914 · Oil · National Portrait Gallery, Lontoo

In this 1914 oil portrait, Lance Calkin captures the presence of King George V. The subject meets the viewer with a steady, calm gaze that seems to hold the weight of a changing era. There is a profound sense of dignity in the way the monarch is presented, a quality that defines the character of the man within the frame. The portrait offers a glimpse into a moment of quiet…

5
Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886) (1888) tekijä: Vincent van Gogh Lance Calkin

Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886)

In this portrait of Reverend E. F. Witts, we encounter a man defined by his station and the gravity of his vocation. Painted in 1888, the work captures the Rector of Upper Slaughter during the final years of his life. There is a certain stillness here, a sense of a life lived within the structured rhythms of the Victorian church. The subject is presented in a three-quarter profile, his gaze…

6
Edward VII (1841–1910) tekijä: Vincent van Gogh Lance Calkin

Edward VII (1841–1910)

Oil · Doncaster Mansion House, Doncaster

In this portrait, we encounter Edward VII, the King of England from 1901 to 1910, captured in a moment of profound stillness. He is seated, his presence commanding the space through a quiet, regal composure rather than through overt movement. In his right hand, he holds a scepter, a direct symbol of his authority and the continuity of the British monarchy. A crown rests upon his head, grounding the image…

7
John Feeney (1906) tekijä: Vincent van Gogh Lance Calkin

John Feeney

1906 · Oil On Canvas · Birmingham Museums And Art Gallery, Birmingham

In this 1906 oil on canvas, Lance Calkin captures the presence of John Feeney. The subject sits before us, a man whose life is deeply woven into the fabric of Birmingham. As a prominent newspaper proprietor and a dedicated philanthropist, Feeney carries a certain weight in his gaze. He is a figure of influence, someone whose decisions shaped the local landscape and whose generosity would eventually leave a lasting mark…

8
John Reynolds (1826–1919) (1881) tekijä: Vincent van Gogh Lance Calkin

John Reynolds (1826–1919)

In this 1881 portrait, we find ourselves in the presence of John Reynolds, a man whose life spanned the transition from the early nineteenth century into the modern era. He sits in a chair, his hands clasped in a gesture of stillness, looking away from the viewer toward something unseen in the distance. There is a certain weight to his posture, the kind that comes from a life of intellect…

10
David Powell (1840–1897), Governor of the Bank of England (1892–1895) (1892) tekijä: Vincent van Gogh Lance Calkin

David Powell (1840–1897), Governor of the Bank of England (1892–1895)

1892 · Oil

The painting depicts a man seated in a chair, his hands resting in a crossed position. He possesses a beard and a mustache, features that define his facial structure. He is dressed in a formal suit and tie, consistent with the attire of a gentleman from the late nineteenth century. The subject is positioned centrally, occupying much of the frame. In the composition, two birds are visible: one is situated…

Lance Calkin-valikoima jatkuu, 11–31

Lance Calkinn kuuluisat maalaukset aikakausittain

Aiheet, jotka vangitsivat Lance Calkinin katseen

Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.

Museot, joissa Lance Calkin'n alkuperäisteokset sijaitsevat

Tämän sivun teoksista eniten sisältävät 8 museota.

Museo Kaupunki Lance Calkin teokset Tämän listan maalaukset
National Portrait Gallery, LontooNational Portrait Gallery Lontoo 2 King George V, Arthur Wellesley Peel, 1st Viscount Peel
Doncaster Mansion House, DoncasterDoncaster Mansion House Doncaster 2 Edward VII (1841–1910), Edward VII
Nottingham Castle Museum And Art Gallery, NottinghamNottingham Castle Museum And Art Gallery Nottingham 2 The Patchwork Quilt, Alderman John Barber, JP, Sheriff of Nottingham (1846), Mayor of Nottingham (1867–1869)
Reading Museum - Town Hall, ReadingReading Museum - Town Hall Reading 2 William Berkeley Monck (1842–1905), Owen Ridley (1838–1915)
City of Westminster Archives Centre, LontooCity of Westminster Archives Centre Lontoo 2 Councillor Edward Lygon Somers Cocks, Mayor of Westminster (1910–1911), Councillor Frank G. Rye, Mayor of Westminster (1922–1923)
British Library, LontooBritish Library Lontoo 1 Sir John Tenniel (1820–1914)
Barts And The London Queen Mary School of Medicine And Dentistry, LondonBarts And The London Queen Mary School of Medicine And Dentistry London 1 Dr John Hughlings Jackson
The Captain Christie Crawfurd English Civil War Collection, Stow-BoroThe Captain Christie Crawfurd English Civil War Collection Stow-Boro 1 Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886)

Lance Calkin vuosikymmenittäin: jokaisen aikakauden määrittänyt alkuperäisteos

Teokset vuosikymmenittäin

Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.

Keräilijöiden kysymyksiä Lance Calkin -taiteilijan maalauksista

Mistä teoksesta Lance Calkin on tunnetuin?Paljasta vastaus

Sir John Tenniel (1820–1914) (1902), British Library, Lontoo. Seuraavina ovat Joseph Sim Earle (1839–1912) (1884) ja Dr John Hughlings Jackson (1895).

Kuinka vanha Lance Calkin oli, kun Sir John Tenniel (1820–1914) tehtiin?Paljasta vastaus

43 vuotta vanha: Sir John Tenniel (1820–1914) on peräisin vuodelta 1902, ja Lance Calkin on syntynyt vuonna 1859.

Mitkä ovat kymmenen kuuluisinta Lance Calkin -taideteosta?Paljasta vastaus

Sir John Tenniel (1820–1914), Joseph Sim Earle (1839–1912), Dr John Hughlings Jackson, King George V, Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886), Edward VII (1841–1910), John Feeney, John Reynolds (1826–1919), The Patchwork Quilt ja David Powell (1840–1897), Governor of the Bank of England (1892–1895). Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.

Kuinka monta maalausta Lance Calkin jätti jälkeensä?Paljasta vastaus

Katalogissamme on 39 teosta taiteilijalta Lance Calkin, aikaväliltä 1881–1924.

Missä museoissa Lance Calkin's mestariteokset sijaitsevat?Paljasta vastaus

Pääasiassa National Portrait Gallery (Lontoo), Doncaster Mansion House (Doncaster) ja Nottingham Castle Museum And Art Gallery (Nottingham). Yllä oleva museotaulukko listaa ne kaikki.

Minä vuosina Lance Calkin maalasi kuuluisimmat teoksensa?Paljasta vastaus

Aikakaudella 1880s: 6 sivun 31 teoksista on tehty silloin, joista Joseph Sim Earle (1839–1912).

Mitkä ovat Lance Calkin ensimmäinen ja viimeinen tunnettua alkuperäisteosta?Paljasta vastaus

Tällä sivulla vanhin on John Reynolds (1826–1919) (1881) ja uusin Councillor Frank G. Rye, Mayor of Westminster (1922–1923) (1924).

Mitä aiheita Lance Calkin käytti useimmiten?Paljasta vastaus

Man (8), Beard (5) ja Chair (5), yhteensä 31 teosta tällä sivulla.

Mitä tekniikkaa Lance Calkin käytti eniten?Paljasta vastaus

Oil On Canvas, 6 teoksesta sivun 31 teoksesta.

Mitä Lance Calkin -teoksia National Portrait Gallery -museossa on esillä?Paljasta vastaus

King George V ja Arthur Wellesley Peel, 1st Viscount Peel: National Portrait Gallery, Lontoo -ssä on 2 tämän sivun teoksista.

Lance Calkin: elämä ja tuotanto

The Quiet Dignity of a Victorian Master

In the golden, twilight era of the nineteenth century, few artists captured the somber elegance and social gravity of British life as intimately as Lance Calkin. Born in London in 1859, Calkin was a product of both musical heritage and rigorous academic discipline. As the son of a musician, he likely developed an early sensitivity to rhythm and harmony—qualities that would later manifest in the balanced compositions and tonal precision of his oil paintings. His formal journey through the prestigious Slade School of Fine Art and the Royal Academy Schools provided him with a formidable foundation in classical principles, instilling a lifelong devotion to anatomical accuracy and the subtle interplay of light and shadow.

By 1895, Calkin had firmly established his professional presence by joining the Royal Institute of Painters in Oil Colours. This period marked his emergence as a significant voice within the British art community, a time when portraiture served not merely as a record of likeness but as a profound statement of character and social standing. His work was never characterized by the loud or the flamboyant; instead, he mastered the art of the understated. Through a meticulous application of paint, Calk in sought to reveal the inner essence of his subjects, using minute shifts in expression and posture to convey a sense of moral seriousness and quiet dignity that resonated with the Victorian ideals of his era.

A Legacy Captured in Oil and Ink

The breadth of Calkin’s oeuvre is a testament to his versatility as a chronicler of his time. While he is most celebrated for his portraits, his repertoire extends into historical scenes and poignant social commentaries that capture the tension of a changing world. His ability to navigate between the formal rigidity of high-society portraiture and the raw emotion of historical events allowed him to document the Victorian zeitgeist with unparalleled depth.

Among his most notable contributions to the art historical record are works that highlight his technical mastery and thematic range:

  • The Portrait of Arthur Wellesley Peel, First Viscount Peel: A definitive example of Calkin’s ability to utilize tonal gradation to bestow a sense of nobility and permanence upon his subjects.
  • Reverend E. F. Witts (1884–1886): In this depiction of the Rector of Upper Slaughter, Calkin demonstrates a profound capacity for spiritual solemnity, using light to evoke a sense of divine grace.
  • John Feeney: A 1906 masterpiece that showcases his skill in capturing the weight of industrial-era prominence through realistic textures and a commanding presence.
  • The Patchwork Quilt (1887): An exploration of domesticity and texture that reveals his ability to find beauty in the intricate details of everyday life.
  • Boer War: Wounded Soldiers Awaiting Medical Help: A departure from formal portraiture, this watercolor demonstrates his capacity for empathy and his ability to document the harrowing realities of conflict with a delicate yet powerful hand.

Historical Significance and Enduring Influence

Lance Calkin’s significance lies in his role as a visual historian. He did not merely paint faces; he painted the soul of an empire at its peak and during its transition into modernity. His work serves as a bridge between the rigid traditions of the Royal Academy and the burgeoning realism that would come to define much of late nineteenth-century art. By eschewing dramatic artifice in favor of truthful representation, he provided a window into the psychological landscape of the Victorian gentleman, the clergyman, and the common soldier alike.

Though his career spanned the turn of the century, the enduring power of his paintings lies in their timelessness. The meticulous detail with which he rendered fabric, skin, and light ensures that his subjects remain vibrant and present to the modern viewer. Today, as we look back upon the works of Calkin, we find more than just historical artifacts; we find a profound meditation on human dignity, captured through the steady, masterful hand of an artist who understood that the greatest truths are often found in the quietest moments.