Joseph Badger muotokuva

32 tunnetuinta Joseph Badger -maalausta, gallerian valikoima

Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 32 teosta taiteilijalta Joseph Badger luettelossamme

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Kaikista Joseph Badger jättämistä alkuperäisteoksista kuuluisin on Portrait of Sarah Larrabee Edes (1760), joka kuuluu Los Angelesin maakunnallinen taidemuseo -kokoelmaan, Los Angeles. Heti perässä tulevat Little Girl Holding Flowers (attributed to Joseph Badger) (1755) ja Mrs. Richard Kent (Hannah Gookin) (1691-1758) (1746). Katalogissamme on 32 teosta taiteilijalta Joseph Badger; galleria on säilyttänyt 32 maailman ihailluimmista teoksista, ja jokaisesta on esitetty sen päivämäärä, museo sekä tarina.

1708 – 1765, Charlestown Eniten teoksia: Museum of Fine Arts

Joseph Badger -taiteilijan 10 parasta maalausta: gallerian valinnat

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Portrait of Sarah Larrabee Edes (1760) tekijä Joseph Badger

Portrait of Sarah Larrabee Edes

1760 · Oil On Canvas · Los Angelesin maakunnallinen taidemuseo, Los Angeles

Sarah Larrabee Edes sits before us, suspended in a quiet moment of the mid-18th century. She is positioned in a three-quarter view, her gaze meeting the viewer with a steady, composed dignity. The light falls softly across her face and chest, carving her features out of a deep, atmospheric background of nebulous foliage and a hazy, indistinct sky. Her gown, a deep shade of blue, possesses a silken sheen that…

Joseph Badger-valikoima jatkuu, 11–32

Museot, joissa Joseph Badger'n alkuperäisteokset sijaitsevat

Tämän sivun teoksista eniten sisältävät 8 museota.

Museo Kaupunki Joseph Badger teokset Tämän listan maalaukset
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 5 William Foye, Jr., Mrs. William Foye (Elizabeth Campbell), Elizabeth Storer (Mrs. Isaac Smith)
National Gallery of Art, WashingtonNational Gallery of Art Washington 4 Captain Isaac Foster, Eleanor Wyer Foster (Mrs. Isaac Foster), Isaac Foster, Jr.
Worcester Art Museum, WorcesterWorcester Art Museum Worcester 3 Portrait of Cornelius Waldo, Rebecca Orne, Lois Orne
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 3 Portrait of Mr. Sargent, Portrait of Ann Savage, Portrait of an Unknown Woman
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 2 Little Girl Holding Flowers (attributed to Joseph Badger), Mrs. Richard Kent (Hannah Gookin) (1691-1758)
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 2 Portrait of Mary Croswell (1730-1830?), Portrait of Abigail Gowen (1759-1850)
New Britain Museum of American Art, New BritainNew Britain Museum of American Art New Britain 2 Samuel Moody, Hannah Minot Moody
Los Angelesin maakunnallinen taidemuseo, Los AngelesLos Angelesin maakunnallinen taidemuseo Los Angeles 1 Portrait of Sarah Larrabee Edes

Joseph Badger vuosikymmenittäin: jokaisen aikakauden määrittänyt alkuperäisteos

Teokset vuosikymmenittäin

Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.

Keräilijöiden kysymyksiä Joseph Badger -taiteilijan maalauksista

Mistä teoksesta Joseph Badger on tunnetuin?Paljasta vastaus

Portrait of Sarah Larrabee Edes (1760), Los Angelesin maakunnallinen taidemuseo, Los Angeles. Seuraavina ovat Little Girl Holding Flowers (attributed to Joseph Badger) (1755) ja Mrs. Richard Kent (Hannah Gookin) (1691-1758) (1746).

Kuinka vanha Joseph Badger oli, kun Portrait of Sarah Larrabee Edes tehtiin?Paljasta vastaus

52 vuotta vanha: Portrait of Sarah Larrabee Edes on peräisin vuodelta 1760, ja Joseph Badger on syntynyt vuonna 1708.

Mitkä ovat kymmenen kuuluisinta Joseph Badger -taideteosta?Paljasta vastaus

Portrait of Sarah Larrabee Edes, Little Girl Holding Flowers (attributed to Joseph Badger), Mrs. Richard Kent (Hannah Gookin) (1691-1758), Portrait of Cornelius Waldo, Portrait of John Gerry, William Foye, Jr., Mrs. William Foye (Elizabeth Campbell), Elizabeth Storer (Mrs. Isaac Smith), Mrs. John Edwards (Abigail Fowle) ja George Whitefield (1714-1770). Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.

Kuinka monta maalausta Joseph Badger jätti jälkeensä?Paljasta vastaus

Katalogissamme on 32 teosta taiteilijalta Joseph Badger, aikaväliltä 1745–1763.

Missä museoissa Joseph Badger's mestariteokset sijaitsevat?Paljasta vastaus

Pääasiassa Museum of Fine Arts (Boston), National Gallery of Art (Washington) ja Worcester Art Museum (Worcester). Yllä oleva museotaulukko listaa ne kaikki.

Minä vuosina Joseph Badger maalasi kuuluisimmat teoksensa?Paljasta vastaus

Aikakaudella 1750s: 18 sivun 32 teoksista on tehty silloin, joista Little Girl Holding Flowers (attributed to Joseph Badger).

Mitkä ovat Joseph Badger ensimmäinen ja viimeinen tunnettua alkuperäisteosta?Paljasta vastaus

Tällä sivulla vanhin on Portrait of John Gerry (1745) ja uusin Portrait of Mary Croswell (1730-1830?) (1763).

Mitä Joseph Badger -teoksia Museum of Fine Arts -museossa on esillä?Paljasta vastaus

William Foye, Jr., Mrs. William Foye (Elizabeth Campbell) ja Elizabeth Storer (Mrs. Isaac Smith): Museum of Fine Arts, Boston -ssä on 5 tämän sivun teoksista.

Joseph Badger: elämä ja tuotanto

The Artisan of Colonial Boston: The Life and Legacy of Joseph Badger

In the bustling, salt-aired streets of eighteenth-century Boston, where the intellectual fervor of the Enlightenment began to stir amidst colonial tradition, there lived a man whose brush captured the very soul of a burgeoning nation. Joseph Badger (c. 1707–1765) was far more than a mere recorder of faces; he was a bridge between the practical grit of colonial craftsmanship and the refined elegance of high portraiture. Born in Charlestown to Stephen Badger, a skilled tailor, and Mercy Kettell, his early life was rooted in the industrious spirit of Massachusetts. Before he ever commanded the attention of the merchant elite, Badger honed his eye through the meticulous labor of an apprentice house painter and glazier. This foundational period of manual artistry instilled in him a profound reverence for materials and a precision of touch that would later define his most celebrated canvases.

Badger’s journey was one of constant movement and adaptation, reflecting the fluid social structures of his era. After marrying Katharine Felch in 1731, he transitioned to the heart of Boston around 1733, establishing himself within a community of thinkers and traders. While his primary calling was the pursuit of fine art, the economic realities of colonial life required a versatile hand. To sustain his practice during periods when portrait commissions were sparse, Badger turned to the more utilitarian arts, painting signs, hatchments, and heraldic devices. This duality of vocation—the ability to move between the decorative and the profound—allowed him to maintain a constant presence in the visual landscape of the city, ensuring that even his most commercial works carried the weight of his developing mastery.

A Mastery of Light and Character

The true brilliance of Badger’s work lies in his ability to transcend simple likeness, imbuing his subjects with an unmistakable sense of presence and intellect. Influenced by the enduring traditions of European portraiture, particularly the subtle realism found in Dutch masters, he developed a technique characterized by an expressive handling of light and shadow. His portraits do not merely sit upon the canvas; they breathe with the dignity of their sitters. In his famous 1747 depiction of James Bowdoin, one can observe how Badger utilizes composition to convey status and curiosity, placing the subject against a backdrop that suggests both maritime prosperity and scholarly depth.

His subjects were often the architects of colonial society—wealthy merchants, influential clergymen, and prominent families who sought to immortalize their legacy. Through his brush, these figures are rendered with a realism that captures the texture of fine fabrics, the glint of light on polished surfaces, and the nuanced expressions of a class navigating a changing world. His work serves as a vital historical window, offering glimpses into the social fabric of Boston through the very clothing, posture, and gaze of its most notable citizens.

Historical Significance and Rediscovery

Though his talent was respected during his lifetime, the true magnitude of Joseph Badger’s contribution to American art underwent a period of quietude following his death in 1765. For many years, his name resided in the shadows of later, more famous American masters. It was not until the early twentieth century, through the scholarly efforts of historians like Lawrence Park, that the significance of his oeuvre was fully re-evaluated and brought back into the light of art historical discourse.

Today, Badger’s legacy is preserved in some of the most prestigious institutions in the United States, serving as a cornerstone for anyone studying the evolution of American portraiture. His works can be found in:

  • The Museum of Fine Arts, Boston: Where his ability to capture the colonial spirit remains on permanent display.
  • The Worcester Art Museum: Housing pieces that showcase his technical command and historical importance.
  • Historic New England’s Phillips House: Preserving the connection between his art and the domestic history of Salem.

Ultimately, Joseph Badger remains a pivotal figure in the narrative of early American art. He represents the transition from the functional trades of the colonial era to the sophisticated artistic expressions of a maturing society. His life, marked by both the humble work of a glazier and the elevated pursuit of the portraitist, mirrors the very growth of the American identity itself—a journey from craftsmanship toward a distinct and enduring cultural voice.